He has a criminal record, drinks too much, and his dream of becoming a writer is just a distant memory. With only the blossoming of the cherry trees to mark the passing of time, he spends his days in a tiny confectionery shop selling dorayaki, a type of pancake filled with sweet bean paste.But everything is about to change.Into his life comes Tokue, an elderly woman with disfigured hands and a troubled past. Tokue makes the best sweet bean paste Sentaro has ever tasted. She begins to teach him her craft, but as their friendship flourishes, social pressures become impossible to escape and Tokue's dark secret is revealed, with devastating consequences.Sweet Bean Paste is a moving novel about the burden of the past and the redemptive power of friendship. Translated into English for the first time, Durian Sukegawa's beautiful prose is capturing hearts all over the world.

    This volume collects stories which focus on Miyazawa's love of space and his use of the galaxy as a metaphor for the concepts of purity, self-sacrifice and faith which were near and dear to his heart. "The Nighthawk Star" follows an lowly bird as he struggles to transform himself into something greater, a constellation in the night sky; "Signal & Signal-less" depicts a pair of star-crossed train signals who dream of eloping to the moon; and "Night on the Galactic Railroad," Miyazawa's most famous work, tells the story of two boys as they journey upon a train that traverses the cosmos, learning the true meaning of friendship, happiness and life itself along the way.

    Lavish classical patterns, sweeping scenes, and the many motifs that have been woven, dyed, painted or embroidered into these textiles reveal a reflectiveness, a sense of humor, and an appreciation of exquisite beauty that is uniquely Japanese. Organized according to motifs traditionally associated with each season of the year, Kimono Design interprets the kimono's special language as expressed in depictions of:Flowers and grassesBirds and other animalsSymbols of power, luck and prestigeLand-and-seascapesscenes from literature, history and daily lifescenes of travel and the Japanese concept of other landsand many others…Extensive notes on all the motifs demonstrate how the kimono reflects changing times and a sense of the timeless. Information on jewelry, hairpins and other accessories is scattered throughout to give a fuller sense of the Japanese art of dress. This is a volume that Japanophiles, historians, artists and designers will all cherish.

    The intent of the collection is to add to t

    Book 5 of Tales From A Japanese Dreamland and contains all stories from Books 1 - 4.This book contains five stories by Miyazawa (as well as his best known poem Ame-ni-mo makezu), and five stories from Niimi. The following is a short description of each story.Kenji MiyazawaGauche the CellistGauche is a hopeless musician and he's always being yelled at by the conductor. It's not because he doesn't try, it's just that there is something lacking in his music. With a big concert approaching, Gauche receives some special music lessons from some close neighbors. Wild Pear (Yamanashi)A surreal tale about a family of crabs on the bottom of the river. The amazing descriptions of life under the water will leave you with a truly new perspective on the world. An extremely well-crafted fable, with a profound underlying message. The Restaurant of Many OrdersThis is perhaps the most famous of Kenji's short stories and one of his personal favorites, as it was the title story of his one and only self-published collection of short stories. Two hunters go on a hunting trip in the country and end up completely lost. Luckily they come across what appears to be an extremely popular restaurant…but everything is not as it seems.The Nighthawk StarThe nighthawk has a hard time of it. He's got a face like a mud pie, he gets teased by all the other birds and he has to put up with bullies. Hans Christian Andersen was a great inspiration to Kenji and you will recognize something of the Ugly Duckling in this story, but the setting and the finale is classical Kenji, making this story a standout favorite amongst many Japanese readers. Kenju's Forest PlaygroundKenju is different from other kids his age, and he gets teased a lot. But Kenju can see things in nature that others can't. One day he decides out-of-the-blue that he is going to plant some trees, and those trees are transformed into something nobody ever imagined. Ame ni mo makezu Perhaps the most famous Japanese poem of the modern age, it was written by Kenji while lying on his death bed and never seen by anyone else until after his death. Nankichi NiimiGon the FoxGon is a cheeky fox who loves to play pranks on people. But one day he plays a prank that has unexpected consequences. So he decides to make amends.Niimi wrote this story when he was only seventeen years of age, and more than seventy years after his death, it remains one of the best known and loved Japanese short stories of all time. Grandpa's LampMinosuke was born a poor orphan, but with a little luck and a lot of hard work he manages to carve out a business of his own and starts to rise up in the world. One day a competitor arrives that threatens to take everything away from him. A fascinating insight into the transition from darkness into light at the start of a new age in Japan. The Story of the GiantPeople are terrified of the giant because he is enormous and he is the son of that horrible old witch. But is it possible that they may have misjudged him? When the Thieves Came to Hananoki VillageWhat could be a better hunting ground for a thief than a village where people don't even bother with proper locks? But just when the boss appears to have made a wonderful score, the story takes an unexpected turn. Buying MittensMama fox only wants the best for her little one, so when the snow arrives and her precious boy needs some mittens, then she knows what she needs to do.

    Its rapidly expanding population and flourishing economy encouraged the development of a thriving popular culture. Innovative and ambitious young authors and artists soon began to look beyond the established categories of poetry, drama, and prose, banding together to invent completely new literary forms that focused on the fun and charm of Edo. Their writings were sometimes witty, wild, and bawdy, and other times sensitive, wise, and polished. Now some of these high spirited works, celebrating the rapid changes, extraordinary events, and scandalous news of the day, have been collected in an accessible volume highlighting the city life of Edo. Edo’s urban consumers demanded visual presentations and performances in all genres. Novelties such as books with text and art on the same page were highly sought after, as were kabuki plays and the polychrome prints that often shared the same themes, characters, and even jokes. Popular interest in sex and entertainment focused attention on the theatre district and “pleasure quarters,” which became the chief backdrops for the literature and arts of the period. Gesaku, or “playful writing,” invented in the mid-eighteenth century, satirized the government and samurai behavior while parodying the classics. These entertaining new styles bred genres that appealed to the masses. Among the bestsellers were lengthy serialized heroic epics, revenge dramas, ghost and monster stories, romantic melodramas, and comedies that featured common folk. An Edo Anthology offers distinctive and engaging examples of this broad range of genres and media. It includes both well-known masterpieces and unusual examples from the city’s counterculture, some popular with intellectuals, others with wider appeal. Some of the translations presented here are the first available in English and many are based on first editions. In bringing together these important and expertly translated Edo texts in a single volume, this collection will be warmly welcomed by students and interested readers of Japanese literature and popular culture.

    However, he also wrote theoretical criticism for which he is lesser known, merging literary, historical, and philosophical perspectives into keen reflections on the nature of creativity, the evolution of the human species, and an impressive range of other subjects. Abe Kobo tackled contemporary social issues and literary theory with the depth and facility of a visionary thinker. Featuring twelve essays from his prolific career—including "Poetry and Poets (Consciousness and the Unconscious)," written in 1944, and "The Frontier Within, Part II," written in 1969—this anthology introduces English-speaking readers to Abe Kobo as critic and intellectual for the first time. Demonstrating the importance of his theoretical work to a broader understanding of his fiction—and a richer portrait of Japan's postwar imagination—Richard F. Calichman provides an incisive introduction to Abe Kobo's achievements and situates his essays historically and intellectually.

    Told in the manner of fantasy and magic realism, the stories are populated with characters who face the vagaries of fortune, happiness always just out of their reach. Terayama is a realist speaking through the medium of fantasy. The stories are “tales for adults,” and indeed they are written in such a way as to mimic and sometimes parody classic fairy tale style. Yet, these tales are far from traditional in content; rather, they turn our conventional thinking and expectations upside down. This topsy-turvy world of Terayama is unsettling and disconcerting at times, but his world is, without a doubt, thought provoking.

    Abutsu crossed gender and genre barriers by writing the first career guide for Japanese noblewomen, the first female-authored poetry treatise, and the first poetic travelogue by a woman--all despite the increasingly limited social mobility for women during the Kamakura era (1185-1336). Capitalizing on her literary talent and political prowess, Abutsu rose from middling origins and single-motherhood to a prestigious marriage and membership in an esteemed literary lineage.Abutsu's life is well documented in her own letters, diaries, and commentaries, as well as in critiques written by rivals, records of poetry events, and legal documents. Drawing on these and other literary and historiographical sources, including The Tale of Genji, author Christina Laffin demonstrates how medieval women responded to institutional changes that transformed their lives as court attendants, wives, and nuns. Despite increased professionalization of the arts, competition over sources of patronage, and rivaling claims to literary expertise, Abutsu proved her poetic capabilities through her work and often used patriarchal ideals of femininity to lay claim to political and literary authority.Rewriting Medieval Japanese Women effectively challenges notions that literary salons in Japan were a phenomenon limited to the Heian period (794-1185) and that literary writing and scholarship were the domain of men during the Kamakura era. Its analysis of literary works within the context of women's history makes clear the important role that medieval women and their cultural contributions continued to play in Japanese history.