Covering Sid's early years in South Africa and life as a ladies' hairdresser, his obsession with gambling and women, his questioning by Scotland Yard in a murder case, Hancock's Half Hour and the Carry On films, and Sid's death on stage at the age of 63, Cliff Goodwin reveals the amazing truth behing the legend.

     Buddhism is an agnostic religion. It neither acknowledges the existence of a god nor denies it. It simply teaches that we must live by a moral code because it is our nature to do so, regardless of whether a god exists or not. To choose good in the hopes of reward, while avoiding evil out of fear of punishment, is not true goodness. It is sheer hypocrisy — a selfish desire to do something in return for our own benefit. To understand the Four Noble Truths and the Eightfold Path, we first have to understand the word “dukkha.” This is often mistranslated into English as “suffering,” giving people the idea that Buddhism is a pessimistic religion. Nothing can possibly be further from the truth. While dukkha can certainly be understood to mean “suffering,” it would be more accurate to translate this word as “anxiety,” “stress,” or “dissatisfaction.” This book endeavors to explain the Buddha’s perspective on dukkha, and how one can live in spite of it, even striving to move beyond it. If you’re ready to learn more about dukkha and the path to liberation, let’s get started! Here Is A Preview Of What You'll Learn... About Buddhist Diversity Understanding Dukkha The Four Noble Truths The Eightfold Path Panna – Wisdom Śila – Ethical Conduct Samādhi – Concentration Nibbāna – Blown Out Much, much more! Download your copy today! Tags: eight-fold path, nirvana, the four noble truths and the eightfold path, four noble truths and eightfold path, buddhism, buddhist, theraveda buddhism, Eightfold Path, four noble truths, nibbana, eightfold path of buddhism, the eightfold path, noble eightfold path, eight fold path

    Kelby, Heather Sellers, and Donald Maass, plus a foreword by James Scott Bell. You'll learn invaluable skills for mastering every area of the craft:Define and refine your characters.Make your plot and conflict high-energy and intense.Hone your story's point of view.Create a rich setting and backstory.Craft dialogue that rings true.Select the right words and descriptions throughout your story.Revise your story to perfection.Throughout you'll find supplemental sections that cover special topics like getting started, beating writer's block, researching your work, and getting published. They'll help you integrate your skills into a balanced, productive, and fulfilling career.Whether you're writing flash fiction, a short story, a novel, or an epic trilogy, you'll come away with the tools you need for strong and effective storytelling.

    Some poets, such as Bei Dao and Mahmoud Darwish, are acclaimed worldwide, but many more will be new to the reader. The collection includes 400 unique voices—political and apolitical, monastic and erotic—that represent a wider artistic movement that challenges thousand-year-old traditions, broadening our notion of contemporary literature. Each section of the anthology—organized by theme rather than by national affiliation—is preceded by a personal essay from the editors that introduces the poetry and exhorts readers to examine their own identities in light of these powerful poems. In an age of violence and terrorism, often predicated by cultural ignorance, this anthology is a bold declaration of shared humanity and devotion to the transformative power of art.

    And much of the material presented here was used in that course. The title should serve well to convey the gist of these various pieces. For all of them are explicitly concerned with the attempt to define and track down the implications of the term "symbolic action," and to show how the marvels of literature and language look when considered form that point of view.

    Prompted by modern critical discussions, the 14 papers, lectures and articles assembled in this volume revolve around key issues raised by twentieth-century art and theory.Taking abstraction and expression as his main themes, this eclectic assortment of Professor Gombrich's monumental essays encompass the whole of the history of art, and includes major articles on the social history of art, visual metaphor, tradition and expression, and psychoanalysis.Characteristic of his thought-provoking use of diverse sources for inspiration and exploration, this book embodies a timelessly powerful corpus of Gombrich's ground-breaking thought.

    Jones—more than 100 luminaries reflect on the treasures of America’s favorite public library.Marking the centennial of The New York Public Library’s Beaux-Arts landmark at Fifth Avenue and 42nd Street, now called the Stephen A. Schwarzman Building, Know the Past, Find the Future harnesses the thoughts of an eclectic assortment of notable people as they ponder an even more eclectic assortment of objects. From among the Library’s vast collections, these writers, artists, philosophers, scientists, musicians, athletes, architects, choreographers, and journalists—as well as some of the curators who have preserved these riches—each select an item and describe its unique significance. The result, in words and photographs, is a glimpse of what a great library can be.Published by Penguin Classics for The New York Public Library

    The demand for vintage trailers-the smaller the better-has risen dramatically in recent years, with the most in-demand trailers being "teardrops," first manufactured in the 1930s and containing just indoor sleeping space and an outdoor exterior kitchen. Also profiled in the book are "canned ham" trailers, whose shape resembles the profile of a can of ham; small-size examples of America's most beloved vintage trailer, the Airstream; miniscule gypsy caravans in Europe; and fiberglass trailers made in Canada. Two hundred color photographs showcase these trailers' sleek exteriors, retro-styled interiors, and, in many cases, the restored classic cars that tow them. Teardrops and Tiny Trailers includes a resource section chock-full of places to locate vintage trailers, clubs to join, and rallies to attend.

    We take them to bed with us. They weigh down our suitcases when we go on holiday. We display them on our bookshelves or store them in our attics. We give them as gifts. We write our names in them. We take them for granted. And all the time, our books are leading a double life.The Secret Life of Books is about everything that isn’t just the words. It’s about how books transform us as individuals. It’s about how books – and readers – have evolved over time. And it’s about why, even with the arrival of other media, books still have the power to change our lives.In this illuminating account, Tom Mole looks at everything from binding innovations to binding errors, to books defaced by lovers, to those imprisoning professors in their offices, to books in art, to burned books, to the books that create nations, to those we’ll leave behind.It will change how you think about books.A real treasure trove for book lovers’ - Alexander McCall Smith‘Every sentence is utterly captivating . . . probably the most compulsive text ever penned about what it means to handle and possess a book’ - Christopher de Hamel, author of Meetings with Remarkable Manuscripts‘Wonderfully insightful’ - Alberto Manguel, author of A History of Reading‘Tom Mole’s enthusiasm for books is infectious. If you also love books . . . you’ll want to discover The Secret Life of Books’ - Sam Jordison, author of Literary London‘A treat for bibliophiles everywhere’ - Gavin Francis, author of Shapeshifters‘A treasure-chest, filled with bookish wonders’ - Adam Roberts, BSFA award-winning author of Jack Glass‘I suspect I’ll never look at a book the same way again’ - Jon Courtenay Grimwood, author of Stamping Butterflies

    'Best Book in 'How To' Category 20165 Star award Winning Seal from Readers' Favorite.How to Write a Simple Book Review; it's easier than you think.By International Bestselling British Author Allyson R. AbbottHave you ever wondered how to write a book review? Where to begin or how long it needs to be?Has it ever occurred to you that even negative reviews may be helpful to authors?Are there different types of reviews? Where can you get tips for reviewing a book? Do you wish writing a review was easy?With this book it is. Sharing your opinion with people who want to hear it is fun. Your reviews help fellow readers find out if a book is worth their time and money. Authors appreciate the recognition of a review, no matter how long, and the insight of a review can show them where they need to improve. 'Writing a Simple Book Review; it's easier than you think!' holds these answers and more. You can start writing book reviews today; even if it is only a few words.What the buyers say (Verified Purchases)5 star"What Abbott does is teach you...yes, she teaches you to write a one-word review and proceed on to another word, a sentence, and then another sentence...until you have a full paragraph! Let's face it, no matter what you, the reader, is interested in, there is going to be a book about it to enjoy or learn from. Why not take a few minutes to thank the writer of that book as soon as you have finished reading." Glenda Amazon Reviewer January 30, 20165 star"How to Write a Simple Book Review is a wonderful, concise book to do just that, write a book review, for beginners or those wanting to improve their review skills. The book has formal, semi-formal, and informal guidelines. Templates are great! Star guide lines and how to vary it to suit yourself. Lots of tips and techniques. Lists of reviewer links and pages to encourage interaction. I thought it was a great book!" Kindle Customer December 31, 20155 starAbbott's book about providing book reviews motivated me to write this first Amazon book review. So mission accomplished! I rely heavily on book reviews to decide which books to invest my time due to a year 2016 resolution to not waste unnecessary time on books that I dislike. Therefore, writing book reviews is my way of paying the favour forward.I love that Abbott invested a great proportion of the book on reassuring that there is no fixed format for books. The persuasion is extremely subtle and plods the reader along in a non-intrusive manner. However for those readers who require further structure, she highlights further discrepancies between the different types of reviews (literary criticism, book report and book review). Further guidelines and template act as further handholds to ease the newbies into the role.Naturally, I recommend this to all readers who are beginners to reviewing books. However it might not be suitable for more experienced reviewers who are looking for something to distinguish their reviews from others. Bubbsykat August 1, 2016

    This cornucopia was devoted mainly to culture and the arts, the craft of writing, and travels to remote places, along with the movies, American popular song, email, multitasking, baseball, Central Park, Tina Brown, Pauline Kael, Steve Martin, and other complications of modern life. Written with elegance and humor, these pieces are now collected in The Writer Who Stayed."If you value vintage journalism of an old-fashioned vividness and integrity please, please read this book."—Wall Street Journal"Our 'endlessly supple' English language will, Zinsser says, 'do anything you ask it to do, if you treat it well. Try it and see.' Try him and see craftsmanship."—George F. Will"Zinsser—who, with On Writing Well, taught a whole lot of us how to set down a clean English sentence—last year won a National Magazine Award for his Friday web columns in The American Scholar. They're now in a collection that's completely charming, impeccably polished, and Strunk-and-White-ishly brief. He's the youngest 90-year-old you'll read this week."—New York MagazineWilliam Zinsser is a lifelong journalist and nonfiction writer—he began his career on the New York Herald Tribune in 1946—and is also a teacher, best known for his book On Writing Well, a companion held in affection by three generations of writers, reporters, editors, teachers, and students. His 17 other books range from memoir (Writing Places) to travel (American Places), jazz (Mitchell & Ruff), American popular song (Easy to Remember), baseball (Spring Training) and the craft of writing (Writing to Learn). During the 1970s he was at Yale University, where he was master of Branford College and taught the influential nonfiction workshop that would start many writers and editors on their careers. He has taught at the New School, in New York, his hometown, and at the Columbia University Graduate School of Journalism.

    

    On March 2nd, 2000, the technology company 3Com spun off its insanely profitable hand-held computer subsidiary, Palm. It was one of the most fascinatingly high profile and complex and bungled trades in history, but All The Evil Of This World isn't about the millions and millions of dollars that instantly came into play, it's about seven separate voices from seven separate individuals (an ambitious low-level clerk fresh out of school, a drug-addicted, party-throwing broker with bad taste and gross amounts of money, a seemingly infallible hedge fund manager tortured by his own good luck, to name a few) and the 3Com/Palm trade is what weaves their stories together. They all collide into it and out of it, and it sometimes unites them, implodes them, saves them, or destroys them.This book is not for the faint of heart--these characters are just as troubled and intense and volatile as their surroundings, and the writing pulls not a single punch--but it's an unrelenting examination into a cast of characters that we rarely examine fairly or patiently, and who we often find it easy to dehumanize. The people who inhabit this world aren't cartoon heroes or villains--as it turns out, people who happen to handle large amounts of money for a living--are just people, with shortcomings, just like us.

    With enormous intelligence and enthusiasm, he guides the reader through this vastly complex and rich tradition, finely balancing historical background with highly informed criticism. Daiches' groundbreaking work is essential reading for all lovers of literature.

    In Writing History, Writing Trauma, Dominick LaCapra provides a broad-ranging, critical inquiry into the problem of trauma, notably with respect to major historical events. In a series of interlocking essays, he explores theoretical and literary-critical attempts to come to terms with trauma as well as the crucial role post-traumatic testimonies—particularly Holocaust testimonies—have assumed in recent thought and writing. In doing so, he adapts psychoanalytic concepts to historical analysis and employs sociocultural and political critique to elucidate trauma and its after effects in culture and in people.In the first chapter LaCapra addresses trauma from the perspective of history as a discipline. He then lays a theoretical groundwork for the book as a whole, exploring the concept of historical specificity and insisting on the difference between transhistorical and historical trauma. Subsequent chapters consider how Holocaust testimonies raise the problem of the role of affect and empathy in historical understanding, and respond to the debates surrounding Daniel Jonah Goldhagen's book Hitler's Willing Executioners: Ordinary Germans and the Holocaust. The book's concluding essay, "Writing (About) Trauma," examines the various ways that the voice of trauma emerges in written and oral accounts of historical events. Theoretically ambitious and historically informed, Writing History, Writing Trauma is an important contribution from one of today's foremost experts on trauma.