Naked Pueblo, his absolutely maximalist, throw-everything-in-and-shake-it-up short story collection, buzzes like some kind of whacked-out fever dream." (Esquire)

    No bombastic explosions, steamy sex scenes, political intrigue or cosmic encounters. Just slices of life from the people you walk by every day - glimpses into how ordinary people interact, how they think, how they feel and how they love. A contemporary novel exploring every day interactions and relationships.

    A new coach of a small-town Oklahoma high school football team installs an offense comprised of only one, very special, play. A man explains to the police why he told the employee of his local bodega that his colleague looked like the lead singer of Depeche Mode, a statement that may or may not have led in some way to a violent crime. A college professor discusses with his friend his difficulties with the new generation of students. An obscure power pop band wrestles with its new-found fame when its song "Blizzard of Summer" becomes an anthem for white supremacists. A couple considers getting a medical procedure that will transfer the pain of childbirth from the woman to her husband. A woman interviews a hit man about killing her husband but is shocked by the method he proposes. A man is recruited to join a secret government research team investigating why coin flips are no longer exactly 50/50. A man sees a whale struck by lightning, and knows that everything about his life has to change. A lawyer grapples with the unintended side effects of a veterinarian's rabies vaccination.Fair warning: Raised in Captivity does not slot into a smooth preexisting groove. If Saul Steinberg and Italo Calvino had adopted a child from a Romanian orphanage and raised him on Gary Larsen and Thomas Bernhard, he would still be nothing like Chuck Klosterman. They might be good company, though. Funny, wise and weird in equal measure, Raised in Captivity bids fair to be one of the most original and exciting story collections in recent memory, a fever graph of our deepest unvoiced hopes, fears and preoccupations. Ceaselessly inventive, hostile to corniness in all its forms, and mean only to the things that really deserve it, it marks a cosmic leap forward for one of our most consistently interesting writers.

    O?Keeffe's four linked novellas span time and generations, and each brims with gorgeous, thoughtful prose and enduring characters. Love and secrets, unfulfilled dreams and missed opportunities, fear, greed, and compromised moral decisions all leave their mark here. A dairy farmer unknowingly falls in love with the younger sister of a woman he once cruelly jilted. A young man recalls his spinster aunt and the tragic story of her life's great love?a soldier who returned alive but altered by the Great War.A richly rewarding work that will resonate with fans of William Trevor and Alice Munro, "The Hill Road" heralds the arrival of an important new voice.

    We're In Trouble is, for the most part, a book about death - quite often, about how death affects the young ... Sometimes, when you're reading the stories, you forget to breathe, which probably means that you read them with more speed than the writer intended ... They're beautifully written, and they have bottom ... striking and dramatic' Nick Hornby, Believer

    It is this rare and marvelous sense of truth—of laughter, joy, and compassion and situations—that makes Keillor such a brilliant and beloved storyteller.The collection includes: Your Book Saved My Life, Mister, End of the Trail, Meeting Famous People, Family Honeymoon Al Denny, Basketball, After A Fall, The Babe, We Are Still Married, Drowning, Attitude, Letter From Ruth Luger to Joanne Leinenkranz, Nu Er Der Youl Igen, The Chuck Show of Television.

    Boyle presents sixteen stories--nine of which appeared in The New Yorker--that highlight the evolving excellence of his inventive, modern, and wickedly witty style. In After the Plague, Boyle exhibits his maturing themes through an amazing array of subjects in a range of emotional keys. He taps today's headlines, from air rage ("Friendly Skies") to abortion doctors ("Killing Babies"), and delves into more naturalistic themes of quiet power and passion, from a tale of first love ("The Love of My Life") to a story about confronting old age ("Rust"). Combining joy and humor with the dark, intense scenarios that Boyle's audience has come to love, After the Plague reveals a writer at the top of his form.

    Few writers evoke the complexities of love as subtly, and few capture the poignancy of the sudden insight or the rhythms of ordinary conversation with such delicacy and humor. To read these twelve stories--of love and loss, of families and strangers, of small moments and enormous epiphanies--is to be reminded again of the power of short fiction to thrill and move us, to make us laugh, or cry. In these profound glimpses into the private fears, joys, and sorrows of people we know, we find revealed a whole range of human experience, told with extraordinary force, clarity, and compassion.

    Doerr explores the human condition in all its varieties-metamorphosis, grief, fractured relationships, and slowly mending hearts-and conjures nature in both its beautiful abundance and crushing power. Some of his characters contend with tremendous hardship; some discover unique gifts; all are united by their ultimate deference to the mysteries of the universe outside themselves.

    More than 300,000 listeners tune in to this offering weekly to hear some of their favorite tales read aloud by distinguished actors.From a couple's rocky, college love affair that lasts a lifetime and a mother who nervously chaperones her retarded daughter's honeymoon to a supernatural tale of marriage and transformation and a grieving man who buries his young wife and makes amends with her family—this anthology captures the powerful and complicated lives of married couples. Among the stories are Sherman Alexie's "Do You Know Where I Am?" read by Keir Dullea; Karen E. Bender's "Eternal Love," read by Joanne Woodward; Ursula K. LeGuin's "The Wife's Story," read by Joanna Gleason; Shahrnush Parsipur's "Mrs. Farrokhlaqa Sadraldivan Golchehreh," translated by Kamran Talattof and Jocelyn Sharlet and read by Frances Sternhagen; and Luis Alberto Urrea's "Bid Farewell to Her Many Horses," read by Robert Sean Leonard.

     In Magical Mr. Goat, a young girl's imaginary friend yearns to become "more than friends." In Unprotected, an unused prophylactic recalls his years spent trapped inside a teen boy's wallet. The stories in Simon Rich's new book are bizarre, funny, and yet...relatable. Rich explores love's many complications-losing it, finding it, breaking it, and making it-and turns the ordinary into the absurd. With razor-sharp humor and illustrations, and just in time for Valentine's Day, Rich takes readers for an exhilarating, hilarious ride on the rollercoaster of love.

    Combining mysticism, history, and humor, the stories in this collection span more than two decades, illuminating the development of Marquez's prose and exhibiting the themes of family, poverty, and death that resound throughout his fiction.

    . . A fat little mafioso is going to war--in the clean, well-mannered streets of Minneapolis . . . A Jewish boy watches with wonder the rise and fall of a Hebrew school rebel--and sees the sadness at the heart of his own family. . . . Welcome to the world of Ethan Coen, one half of the filmmaking team that has unleashed a visionary, brutal, and uproarious portrait of America in such screen classics as "Fargo" and "Raising Arizona." Now Ethan Coen translates that vision to the printed page--in fourteen keenly imagined, sharply etched short stories. Blending parody with pathos, making the heinous heartbreaking, Coen demonstrates his unique gift for stunningly inventive narrative, brutal irony, offbeat characters, and crackling dialogue, delivering everything you would expect from such an original imagination.

    Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities. Homesick for Another World is a master class in the varieties of self-deception across the gamut of individuals representing the human condition. But part of the unique quality of her voice, the echt Moshfeghian experience, is the way the grotesque and the outrageous are infused with tenderness and compassion. Moshfegh is our Flannery O'Connor, and Homesick for Another World is her Everything That Rises Must Converge or A Good Man is Hard to Find. The flesh is weak; the timber is crooked; people are cruel to each other, and stupid, and hurtful. But beauty comes from strange sources, and the dark energy surging through these stories is powerfully invigorating. We're in the hands of an author with a big mind, a big heart, blazing chops, and a political acuity that is needle-sharp. The needle hits the vein before we even feel the prick.

    After being fired from his job as the clandestine stooge on hit TV show Ghostbusters UK, Elliott returns home to find his girlfriend missing. To make matters worse, Hapkido Valentine, the legendary 1980s wrestler, has returned from the dead and taken up residency in Elliott’s flat. Despite a voracious appetite for sausage sandwiches, Hapkido is convinced he has finally become the mystical Japanese warrior he once portrayed in the ring.Together they must undertake a dangerous journey to find out why the Universe created this most unlikely of partnerships. All that stands in their way is a medallion wearing TV psychic, a train-spotting assassin and the murderous intentions of the local over 75’s women’s group. If Elliott thought the day started badly, things are about to get a whole lot worse.