Powerful and moving when the boy first opens the envelope, his father's sober woprds warn him against life's daily distractions. 'The Letter Left To Me' is alive with the creative force of a young man struggling to make sense of himself and the people around him. In a style deceptively simple and direct, McElroy has again extended his range. The result is an American classic.

    M. Forster's Aspects of the Novel and Milan Kundera's The Art of the Novel, How Fiction Works is a scintillating study of the magic of fiction--an analysis of its main elements and a celebration of its lasting power. Here one of the most prominent and stylish critics of our time looks into the machinery of storytelling to ask some fundamental questions: What do we mean when we say we "know" a fictional character? What constitutes a telling detail? When is a metaphor successful? Is Realism realistic? Why do some literary conventions become dated while others stay fresh?James Wood ranges widely, from Homer to Make Way for Ducklings, from the Bible to John le Carré, and his book is both a study of the techniques of fiction-making and an alternative history of the novel. Playful and profound, How Fiction Works will be enlightening to writers, readers, and anyone else interested in what happens on the page.

    Finally fed up with her situation, she decides it's time to start over somewhere new. But a catastrophe brings her plans to a screeching halt and forces her to endure encounter after encounter with her brother's best friend. AKA: The man of her dreams.Seth Miller has known Hannah her entire life. She's like the adorable little sister he never had... until she isn't anymore. Seth tells himself (and her over-protective big brother) she's just a friend, but some feelings won't be ignored. Will Seth make Hannah's dreams come true, or is he too late?

    He buys his suits in Beverly Hills and wins his cases in court. But one day he's approached by a friend to handle the split with his wife. That's the day things start to go very wrong for Andrew Chamberlain . . . up to and including murder."James Scott Bell is at his best in One More Lie. Fast paced, this novella will leave you breathless to the unforeseen end. Once I started reading, I couldn't put it down. Novel Rocket and I give it our highest recommendation. It's a must read!"Ane Mulligan, V. P./Sr. EditorNovel RocketPLUS, three stories full of the suspense twists James Scott Bell is known for:"A Great Man" - The Reverend Mike Rickland was not expecting one of New Jersey's most notorious mobsters to pay him a visit. All Angelo Scapelli wanted was to offer Mike's church ten million dollars. On one condition."Some Hero" - Garth Himmelfarb, middle aged and paunchy, was only trying to work off a few pounds by jogging in his neighborhood. He didn't expect to help a woman in distress, a beautiful woman, a woman he could be a hero for. He didn't expect to step in to a situation that could get him beaten up or killed. But he did."How to Make Living as a Freelance Writer" - A struggling author, once popular, now on the way out, comes up with a last attempt to make enough money to live on as a writer . . . . and actually finds it. Let's just say it's not the "traditional" route."James Scott Bell is a master storyteller. In a few short words he can make you care about a character, cause you to wave your hands in warning as they speed toward disaster, or root for them to win the day." - Susan May Warren, bestselling authorJames Scott Bell is the #1 bestselling author of Plot & Structure (Writer's Digest Books) and numerous novels and stories of suspense. Among these are Watch Your Back and Try Dying. Writing as K. Bennett he is also the author of the zombie legal thriller Pay Me in Flesh.

    When she lost her father, Major Brian O’Mara, USMC in the Second Battle of Fallujah, she thought she’d taken the worst life had to give. She never imagined she would lose her mother to cancer, six years later. The life of a military child prepared her for the challenges of relocating, but for the first time, she’d be doing it alone. Where do you go when you’re the last man standing? The solution came to her when she received an email with a real estate listing in County Clare, Ireland. Having inherited her parents’ rental properties, she knew the value of a diamond in the rough. A secluded cottage in the land of her ancestors was just the fresh start she needed. What she wasn’t prepared for was another buyer, after the deal had been struck. As she becomes intertwined with the people, the music, and the spirit of the small town, she understands that she’s finally found somewhere to belong. Michael O’Brien and the entire O’Brien clan are a force to be reckoned with, but she will not allow them to take her new home. Michael O’Brien is a local hero and rescue swimmer for the Irish Coast Guard. He has lived in the small coastal village of Doolin, in County Clare, all of his life. Emerging from the ashes of a failed marriage, and living with his parents, is not where he expected to be at the age of twenty-nine. All he really wants is to buy the local Kelly cottage, fix it up, and live in peace. After two years on the market, he never imagined there would be a competing bidder. He certainly didn’t expect some little yank to swoop in to town, and try to buy it right out from under him. He finds himself drawn into an unlikely battle with a fiery, young American woman, neither of them willing to bend. But as her secrets unravel and the woman is revealed, will he be able to push her out of the cottage, the town, and out of his life?

    It is a delight and a solace, a challenge and a reward, and perhaps even an obsession. For two centuries Austen has enthralled readers. Few other authors can claim as many fans or as much devotion. So why are we so fascinated with her novels? What is it about her prose that has made Jane Austen so universally beloved?In essays culled from the last one hundred years of criticism juxtaposed with new pieces by some of today’s most popular novelists and essayists, Jane Austen’s writing is examined and discussed, from her witty dialogue to the arc and sweep of her story lines. Great authors and literary critics of the past offer insights into the timelessness of her moral truths while highlighting the unique confines of the society in which she composed her novels. Virginia Woolf examines Austen’s maturation as an artist and speculates on how her writing would have changed if she’d lived twenty more years, while C. S. Lewis celebrates Austen’s mirthful, ironic take on traditional values.Modern voices celebrate Austen’s amazing legacy with an equal amount of eloquence and enthusiasm. Fay Weldon reads Mansfield Park as an interpretation of Austen’s own struggle to be as “good” as Fanny Price. Anna Quindlen examines the enduring issues of social pressure and gender politics that make Pride and Prejudice as vital today as ever. Alain de Botton praises Mansfield Park for the way it turns Austen’s societal hierarchy on its head. Amy Bloom finds parallels between the world of Persuasion and Austen’s own life. And Amy Heckerling reveals how she transformed the characters of Emma into denizens of 1990s Beverly Hills for her comedy Clueless. From Harold Bloom to Martin Amis, Somerset Maugham to Jay McInerney, Eudora Welty to Margot Livesey, each writer here reflects on Austen’s place in both the literary canon and our cultural imagination.We read, and then reread, our favorite Austen novels to connect with both her world and our own. Because, as A Truth Universally Acknowledged so eloquently demonstrates, the only thing better than reading a Jane Austen novel is finding in our own lives her humor, emotion, and love.

    In Shit, Actually, Lindy returns to those roots, re-examining beloved and iconic movies from the past 40 years with an eye toward the big questions of our time: Is Twilight the horniest movie in history? Why do the zebras in The Lion King trust Mufasa-WHO IS A LION-to look out for their best interests? Why did anyone bother making any more movies after The Fugitive achieved perfection? And, my god, why don't any of the women in Love, Actually ever fucking talk?!?!From Forrest Gump, Honey I Shrunk the Kids, and Bad Boys II, to Face/Off, Top Gun, and The Notebook, Lindy combines her razor-sharp wit and trademark humor with a genuine adoration for nostalgic trash to shed new critical light on some of our defining cultural touchstones-the stories we've long been telling ourselves about who we are. At once outrageously funny and piercingly incisive, Shit, Actually reminds us to pause and ask, "How does this movie hold up?", all while teaching us how to laugh at the things we love without ever letting them or ourselves off the hook.Shit, Actually is a love letter and a break-up note all in one: to the films that shaped us and the ones that ruined us. More often than not, Lindy finds, they're one and the same.

    From sinister feline mummies to ravenous zombified cars and any and all things in-between, the living dead have returned from their graves, junkyards, and even the war torn skies to haunt the lands of the living. With stories horrific, funny, and weird, Strange Afterlives has a little something for everyone who has ever wondered what terrible secrets could be lurking in that rotting tree or broken toy.Stories included in this anthology:Mouse Trouble by A. Lee MartinezAfter the Invasion by Russell C. ConnorSeated Woman with Child by Rosemary Clement-MooreRoots by Brooke FosseyThe Late Mrs. Buttons by Sally HamiltonAn Undercover Haunting by Kristi HutsonGImme Shelter by David C. Whiteman01001110 by Nik HolmanThe Runner by John BartellNight Witch by Shawn ScarberThe Scavenger Hunt by John Sanders Jr.Strange Afterlives will terrify and amuse. You may never look at a rusted automobile the same way again.

    Sure she's been single for the last five years, and has to spend an uncomfortable amount of time around her ex-boyfriend, his perfect new girlfriend and all their mutual friends. And yes, her job as a PA to one of the most disgusting men in London is mind-numbingly tedious and her career is a constant disappointment to her mother. But it's really okay. She's happy (ish).But it's not surprising that when Sarah starts dreaming about a handsome stranger, she begins to look forward to falling asleep every night. Reality isn't nearly as exciting. That is until her dream-stranger makes an unexpected real-life appearance, leaving Sarah questioning everything she thought she wanted.Because no one ever really finds the person of their dreams... do they?

    Using the stages of pathology as an extended metaphor, this book-length poem skilfully takes the reader on a persuasively healing journey in three parts. In what reads like an effortlessly honest and lyrical conversation, Hicks-Wilson works through the complexities of pain, love, loss, self-love, acceptance, growth and repair with both sensitivity and confidence. Featuring never-before-seen poems and follower favourites, Small Cures is the transformative and soothing bite-sized prescription every person craving to fall in love after love with themselves has been waiting for.

    She has a bucket list of things to do before she leaves London. One of them is to enjoy a Christmas in London. And she is about to tick that off her list as well because she is the maid of honour at the Christmas Eve wedding of her colleague. A Christmas themed wedding.Nathan, the best man at the wedding, is intrigued by the pretty Indian girl and is delighted when he recognises her as his long-lost childhood friend. Will Nathan be able to fulfil the promise he made to Raina years ago? Can they fight the incredible attraction they feel for each other?Or will his painful past come in the way of their love?Do they need a Christmas miracle?

    An irresistible chance to read something new by your all-time favorite author - or to discover an amazing writer you've been missing up to now!There are nine short stories in this amazing, shiny pink book; in order they are Cathy Cassidy, Jacqueline Wilson, Louise Rennison, Cathy Hopkins, Meg Cabot, Karen McCombie, Lisa Clark, Joanna Nadin and Sarra Manning.

    Starting with the band's origins in Oxford, journalist Martin Clarke covers the essential points: Radiohead's breakout single "Creep," the pivotal album OK Computer, Thom Yorke's continuing political and artistic evolution, and the band's future. This revised edition includes a close look at how the band escaped the rock straightjacket with Kid A and Amnesiac , as well as their most recent album, Hail to the Thief . Clark also offers an in-depth examination of the outspoken, mysterious Yorke, offering insight into the personal demons the vocalist has battled throughout his career as Radiohead's frontman. An incisive look at one of the world's most beloved, followed musical acts, Radiohead: Hysterical and Useless provides stimulating coverage of a provocative group.

    Taking the self out feels like obeying a gag order - pretending an objectivity where there is nothing objective about the experience of confronting and engaging with and swooning over literature." - from HeroinesOn the last day of December, 2009 Kate Zambreno began a blog called Frances Farmer Is My Sister, arising from her obsession with the female modernists and her recent transplantation to Akron, Ohio, where her husband held a university job. Widely reposted, Zambreno's blog became an outlet for her highly informed and passionate rants about the fates of the modernist "wives and mistresses." In her blog entries, Zambreno reclaimed the traditionally pathologized biographies of Vivienne Eliot, Jane Bowles, Jean Rhys, and Zelda Fitzgerald: writers and artists themselves who served as male writers' muses only to end their lives silenced, erased, and institutionalized. Over the course of two years, Frances Farmer Is My Sister helped create a community where today's "toxic girls" could devise a new feminist discourse, writing in the margins and developing an alternative canon.In Heroines, Zambreno extends the polemic begun on her blog into a dazzling, original work of literary scholarship. Combing theories that have dictated what literature should be and who is allowed to write it - from T. S. Eliot's New Criticism to the writings of such mid-century intellectuals as Elizabeth Hardwick and Mary McCarthy to the occasional "girl-on-girl crime" of the Second Wave of feminism - she traces the genesis of a cultural template that consistently exiles female experience to the realm of the "minor" and diagnoses women for transgressing social bounds. "ANXIETY: When she experiences it, it's pathological," writes Zambreno. "When he does, it's existential." By advancing the Girl-As-Philosopher, Zambreno reinvents feminism for her generation while providing a model for a newly subjectivized criticism.

    This indifference has become a grievous loss to our standing as a great nation--and a personal loss, too, for millions of teenagers who may turn into adults with limited understanding of themselves and the world.Can teenagers be turned on to serious reading? What kind of teachers can do it, and what books? To find out, Denby sat in on a tenth-grade English class in a demanding New York public school for an entire academic year, and made frequent visits to a troubled inner-city public school in New Haven and to a respected public school in Westchester county. He read all the stories, poems, plays, and novels that the kids were reading, and creates an impassioned portrait of charismatic teachers at work, classroom dramas large and small, and fresh and inspiring encounters with the books themselves, including The Scarlet Letter, Brave New World, 1984, Slaughterhouse-Five, Notes From Underground, Long Way Gone and many more. Lit Up is a dramatic narrative that traces awkward and baffled beginnings but also exciting breakthroughs and the emergence of pleasure in reading. In a sea of bad news about education and the fate of the book, Denby reaffirms the power of great teachers and the importance and inspiration of great books.