Diogenes Laertius carefully compiled his information from hundreds of sources and enriches his accounts with numerous quotations.Diogenes Laertius lived probably in the earlier half of the 3rd century CE, his ancestry and birthplace being unknown. His history, in ten books, is divided unscientifically into two 'Successions' or sections: 'Ionian' from Anaximander to Theophrastus and Chrysippus, including the Socratic schools; 'Italian' from Pythagoras to Epicurus, including the Eleatics and sceptics. It is a very valuable collection of quotations and facts.The Loeb Classical Library edition of Diogenes Laertius is in two volumes.

    The story’s focus is not on drama but on a bitter truth: both armies want nothing more than to stop fighting and go home. Achilles—the electrifying hero who is Homer’s brilliant creation—quarrels with his commander, Agamemnon, but eventually returns to the field to avenge a comrade’s death. Few warriors, in life or literature, have challenged their commanding officer and the rationale of the war they fought as fiercely as did Homer’s Achilles.Homer’s Iliad addresses the central questions defining the war experience of every age. Is a warrior ever justified in challenging his commander? Must he sacrifice his life for someone else’s cause? Giving his life for his country, does a man betray his family? Can death ever be compensated by glory? How is a catastrophic war ever allowed to start—and why, if all parties wish it over, can it not be ended?As she did in The Endurance and The Bounty, Caroline Alexander has taken apart a story we think we know and put it back together in a way that reveals what Homer really meant us to glean from his masterpiece. Written with the authority of a scholar and the vigor of a bestselling narrative historian, The War That Killed Achilles is a superb and utterly timely presentation of one of the timeless stories of our civilization.

    But over the past nine years the movie has developed a massive and passionate cult following, led by the creation of Lebowski Fest, a traveling festival of all things Lebowski. Held in a bowling alley, it features bowling, costume and trivia contests, live music, a screening of the movie, White Russians, and what-haveyou. Attendance has grown exponentially and the Fest has been featured in virtually every national media outlet, from NPR to the New York Times. The Associated Press called it "kind of a 'Star Trek' convention, but without all the geeks." The Wall Street Journal simply intoned: "One hell of a party!" Now, at last, comes the book that the legion of Lebowski fans (aka Achievers) has been waiting for. I'm a Lebowski, You're a Lebowski is a treasure trove of trivia and commentary, hilarious throughout and copiously illustrated, including stills from the film, as well as dozens of photos taken on the set by Jeff Bridges. It includes interviews with virtually every major and minor cast member, as well as the real-life individuals who served as inspiration for the characters in the movie. The book features a handy guide to speaking Achiever (example: in English you would say that a woman is "feminine, or ladylike"; an Achiever would call her "strongly vaginal"), tips on how to Dude-ify your car, office, and living space, Lebowski Fest highlights, and so much more.

    This brilliant account celebrates the incredible range of Greek achievement: the architectural marvels of the Athenian Acropolis; the birth of drama and the timeless tragedies of Aeschylus, Euripides, and Sophocles; Homer's epics; the philosophical revolutions of Plato and Aristotle; and the conquests of Alexander the Great. Lavishly illustrated with photographs and maps, The Greek Achievement paints a sweeping panorama of the ancient Greeks' world and provides a rich, contemporary overview of their enduring contribution to world civilization.

    I love my pencil!"—AMY SEDARIS"You may think that sharpening a pencil is easy, but David Rees makes it look hard, and that makes all the difference."—JOHN HODGMAN"Truly, my life before I was presented with correctly sharpened pencils by an artisan was a dull and ill-sharpened void. Learn from my mistakes."—NEIL GAIMANHave you got the right kind of point on your pencil? Do you know how to achieve the perfect point for the kind of work you need out of that pencil?Deep in New York’s Hudson River Valley, craftsman David Rees—the world’s number one #2 pencil sharpener—still practices the age-old art of manual pencil sharpening. In 2010, he began offering his artisanal service to the world, to the jubilation of artists, writers, draftsmen, and standardized test takers.Now, Rees presents a book that is both a manifesto and a fully-illustrated walk-through of the many, many, many ways to sharpen a pencil. Including chapters on equipment, current practice, and modern technologies, it also points at new trends in sharpening, including "Celebrity Impression Pencil Sharpening (CIPS)," a warning about the “Psychological Risks Associated with Pencil Sharpening,” and a survey of "Wines that tastes like pencils."As Rees implores: "Sharpening pencils should be an activity that enriches the senses."And if you think it’s a joke, why don’t you poke yourself with your newly sharpened pencil? Or better yet, don’t—because it’ll really hurt.

    Where does my sense of self come from? Does it arise spontaneously or is it created by the media or society?This concern with the self, with our subjectivity, is now our main point of reference in Western societies. How has it come to be so important, and what are the different ways in which we can approach an understanding of the self? Nick Mansfield explores how our notions of subjectivity have developed over the past century. Analyzing the work of key modern and postmodern theorists such as Freud, Foucault, Nietzsche, Lacan, Kristeva, Deleuze and Guattari, and Haraway, he shows how subjectivity is central to debates in contemporary culture, including gender, sexuality, ethnicity, postmodernism, and technology.

    His idealistic teacher Diagoras is convinced the pupil's death is not as accidental as it appears, and asks the famous Heracles Pontor, the "Decipherer of Enigmas," to investigate. As the death toll rises, the two men find themselves drawn into the dangerous underworld of the Athenian aristocracy, risking their own lives to solve the riddle of these young men's deaths. Simultaneously, a second plot unfolds: that of the modern-day translator of the ancient text, who, as he proceeds with his work, becomes convinced that the original author has hidden a second meaning in the text, one that can be interpreted through certain repeated words and images. As the story advances, however, the translator is alarmed to discover references to himself, which seem to address him personally in an increasingly menacing fashion.

    With a scientific eye and an empathetic heart, the authors turn conventional perceptions about atheism on their head. They show that atheism need not be reactionary (against religion and God), but rather that it can offer a clear set of constructive principles to live by, which establish atheism as a positive worldview. Following a philosophical approach grounded in logic and evidence, Bayer and Figdor take readers on an inspiring journey to discover how to live a reasonable, ethical, and happy life without God. The readers are engaged at every step, encouraged to self-reflect and ultimately uncover their own set of personal beliefs.

    The real identity of the person who chose to write under the pseudonym of Dionysius the Areopagite is unknown. Even the exact dates of his writings have never been determined. Moreover the texts themselves, though relatively short, are at points seemingly impenetrable and have mystified readers over the centuries. Yet the influence of this shadowy figure on broad range of mystical writers from the early middle ages on is readily discernible. His formulation of a method of negative theology that stresses the impotence of humans' attempt to penetrate the "cloud of unknowing" is famous as is his meditation on the divine names.Despite his influence, relatively few attempts have been made to translate the entire corpus of his written into English. Here in one volume are collected all of the Pseudo-Dionysius' works. Each has been translated from the Migne edition, with reference to the forthcoming Göttingen critical edition of A.M. Ritter, G. Heil, and B. Suchla.To present these works to the English-speaking public, an outstanding team of six research scholars has been assembled. The lucid translation of Colm Luibheid has been augmented by Paul Rorem's notes and textual collaboration. The reader is presented a rich and varied examination of the main themes of Dionysian spirituality by René Roques, an incisive discussion of the original questions of the authenticity and alleged heresies in the Dionysian corpus by Jaroslav Pelikan, a comprehensive tracing Dionysius' influence on medieval authors by Jean Leclercq, and a survey by Karlfried Froehlich of the reception given the corpus by Humanists and sixteenth-century Reformers.

    Expanding on his Wall Street Journal piece, Tremors of Doubt, published the last day of 2004, David Bentley Hart here returns to this pressing question: How can the existence of a good and loving God be reconciled with such suffering? Hart clarifies the biblical account of God's goodness, the nature of evil, and the shape of redemption, incisively revealing where both Christianity's champions and its critics misrepresent what is most essential to Christian belief. Though he responds to those skeptical of Christian faith, Hart is at his most perceptive and provocative as he examines Christian attempts to rationalize the tsunami disaster. Many people want a divine plan that will make sense of evil. Hart contends, however, that the history of suffering and death is not willed by God. Rather than appealing to a divine calculus that can account for every instance of suffering, Christians must recognize the ongoing struggle between the rebellious powers that enslave the world and the God who loves it. This meditation by a brilliant young theologian will deeply challenge serious readers grappling with God's ways in a suffering world."

    As their relationship develops, Renault expertly conveys Greek culture, showing the impact of this supreme philosopher whose influence spans epochs.

    It was the marvel of its age?legendary for its vast palaces, safe harbors, and magnificent lighthouse. But it was most famous for the astonishing intellectual fluorescence it fostered and the library it produced. If the European Renaissance was the ?rebirth? of Western culture, then Alexandria, Egypt, was its birthplace. It was here mankind first discovered that the earth was not flat, originated atomic theory, invented geometry, systematized grammar, translated the Old Testament into Greek, built the steam engine, and passed their discoveries on to future generations via the written word. Julius Caesar, Anthony and Cleopatra, Jewish scholars, Greek philosophers, and devout early Christians all play a part in the rise and fall of the city that stood ?at the conjunction of the whole world.? Compulsively readable and sparkling with fresh insights into science, philosophy, culture, and invention, this is an irresistible, eye-opening delight.

    Mixing affection with detachment, rapture with clarity, this American poet perfectly evokes a country delicately balanced between East and West.Whether she is interpreting Hellenic dream books, pop songs, and soap operas, describing breathtakingly beautiful beaches and archaic villages, or braving the crush at a saint's tomb, Storace, winner of the Whiting Award, rewards the reader with informed and sensual insights into Greece's soul. She sees how the country's pride in its past coexists with profound doubts about its place in the modern world. She discovers a world in which past and present engage in a passionate dialogue. Stylish, funny, and erudite, Dinner with Persephone is travel writing elevated to a fine art.

    Einstein said that the most incredible thing about our universe was that it was comprehensible at all. As Kitty Ferguson explains, Pythagoras had much the same idea - but 2,500 years earlier. Though known by many only for his famous Theorem, in fact the pillars of our scientific tradition - belief that the universe is rational, that there is unity to all things, and that numbers and mathematics are a powerful guide to truth about nature and the cosmos - hark back to the convictions of this legendary scholar. Kitty Ferguson brilliantly evokes Pythagoras' ancient world of, showing how ideas spread in antiquity, and chronicles the incredible influence he and his followers have had on so many extraordinary people in the history of Western thought and science. 'Pythagoras' influence on the ideas, and therefore on the destiny, of the human race was probably greater than that of any single man before or after him' - Arthur Koestler.

    Dover examines the two versions of the play, recounts the history of the text, and analyzes a number of problems surrounding the play's overall interpretation, including the Greek notion of right and wrong, the purpose of the chorus, and Aristophanes' sexual jokes.