His focus is on three main aspects of Tolkien's fiction: the social and political structure of Middle-earth and how the varying cultures within it find common cause in the face of a shared threat; the nature and ecology of Middle-earth and how what we think of as the natural world joins the battle against mindless, mechanized destruction; and the spirituality and ethics of Middle-earth, for which Curry provides a particularly insightful and resonant examination that will deepen the understanding of the millions of fans who have taken The Lord of the Rings to heart.

    There is a growing concern among many that the West is sliding into political, economic, and moral bankruptcy. In his beloved novels of Middle-Earth, J.R.R. Tolkien has drawn us a map to freedom.Scholar Joseph Pearce, who himself has written articles and chapters on the political significance of Tolkien s work, testified in his book "Literary Giants, Literary Catholics," If much has been written on the religious significance of "The Lord of the Rings," less has been written on its political significance and the little that has been written is often erroneous in its conclusions and ignorant of Tolkien s intentions . Much more work is needed in this area, not least because Tolkien stated, implicitly at least, that the political significance of the work was second only to the religious in its importance.Several books ably explore how Tolkien's Catholic faith informed his fiction. None until now have centered on how his passion for liberty and limited government also shaped his work, or how this passion grew directly from his theological vision of man and creation. "The Hobbit Party" fills this void.The few existing pieces that do focus on the subject are mostly written by scholars with little or no formal training in literary analysis, and even less training in political economy. Witt and Richards bring to "The Hobbit Party" a combined expertise in literary studies, political theory, economics, philosophy, and theology."

    A gallery of unforgettable portraits--of Virginia Woolf and Zelda Fitzgerald, Dorothy Wordsworth and Jane Carlyle--as well as a provocative reading of such works as Wuthering Heights, Hedda Gabler, and the poems of Sylvia Plath, Seduction and Betrayal is a virtuoso performance, a major writer's reckoning with the relations between men and women, women and writing, writing and life.

    The Meaning of the Library is a generously illustrated examination of this key institution of Western culture. Tracing what the library has meant since its beginning, examining how its significance has shifted, and pondering its importance in the twenty-first century, notable contributors--including the Librarian of Congress and the former executive director of the HathiTrust--present a cultural history of the library. In an informative introduction, Alice Crawford sets out the book's purpose and scope, and an international array of scholars, librarians, writers, and critics offer vivid perspectives about the library through their chosen fields. The Meaning of the Library will appeal to all who are interested in this vital institution's heritage and ongoing legacy.

    She shows us that this most intellectual of poets is in fact the most personal of poets; that his words are not devoted to epistemological questions alone but are also "words chosen out of desire."

    With the theatrical release of the two-part film "The Hobbit "slated for 2012 and 2013, attention will once again turn to J. R. R. Tolkien's classic works. In a culture where truth is relative and morality is viewed as old-fashioned, we welcome the chance to view the world through hobbit eyes: we have free will, our choices matter, and living a morally heroic life is possible. In this engaging and thought-provoking book, Tolkien expert Matthew Dickerson shows how a Christian worldview and Christian themes undergird Tolkien's Middle-earth writings and how they are fundamentally important to understanding his vision. This revised and expanded edition of "Following Gandalf" includes new material on torture, social justice, and the importance of the body.

    A landmark achievement as expansive, erudite, and passionate as its renowned author, Shakespeare: The Invention of the Human is the culmination of a lifetime of reading, writing about, and teaching Shakespeare. Preeminent literary critic-and ultimate authority on the western literary tradition-Harold Bloom leads us through a comprehensive reading of every one of the dramatist's plays, brilliantly illuminating each work with unrivaled warmth, wit and insight. At the same time, Bloom presents one of the boldest theses of Shakespearean scholarships: that Shakespeare not only invented the English language, but also created human nature as we know it today.

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    The set includes a hardcover book describing in detail the importance and evolution of geography within Tolkien's epic fiction and four color maps presented with minimal folds, including two (Beleriand and Númenor) never before published in this country.

    There is no more proper instrument of analysis of our contemporary myths than this book—one of the most significant works in French theory, and one that has transformed the way readers and philosophers view the world around them.Our age is a triumph of codification. We own devices that bring the world to the command of our fingertips. We have access to boundless information and prodigious quantities of stuff. We decide to like or not, to believe or not, to buy or not. We pick and choose. We think we are free. Yet all around us, in pop culture, politics, mainstream media, and advertising, there are codes and symbols that govern our choices. They are the fabrications of consumer society. They express myths of success, well-being, and happiness. As Barthes sees it, these myths must be carefully deciphered, and debunked.What Barthes discerned in mass media, the fashion of plastic, and the politics of postcolonial France applies with equal force to today's social networks, the iPhone, and the images of 9/11. This new edition of Mythologies, complete and beautifully rendered by the Pulitzer Prize–winning poet, critic, and translator Richard Howard, is a consecration of Barthes's classic—a lesson in clairvoyance that is more relevant now than ever.

    Offering bold new ways of conceiving the present, Lauren Berlant describes the cruel optimism that has prevailed since the 1980s, as the social-democratic promise of the postwar period in the United States and Europe has retracted. People have remained attached to unachievable fantasies of the good life—with its promises of upward mobility, job security, political and social equality, and durable intimacy—despite evidence that liberal-capitalist societies can no longer be counted on to provide opportunities for individuals to make their lives “add up to something.”Arguing that the historical present is perceived affectively before it is understood in any other way, Berlant traces affective and aesthetic responses to the dramas of adjustment that unfold amid talk of precarity, contingency, and crisis. She suggests that our stretched-out present is characterized by new modes of temporality, and she explains why trauma theory—with its focus on reactions to the exceptional event that shatters the ordinary—is not useful for understanding the ways that people adjust over time, once crisis itself has become ordinary. Cruel Optimism is a remarkable affective history of the present.

    The book includes a detailed examination of the development of Pragmatics as a discipline, drawing attention to problems encountered in earlier work, and brings the reader up to date with recent discussion in the field. The book is written principally for students with no previous knowledge of pragmatics, and the basic concepts are covered in considerable detail. Theoretical and more complicated information is highlighted with examples that have been drawn from the media, fiction and real-life interaction, and makes the study more accessible to newcomers. It is an ideal introductory textbook for students of linguistics and for all who are interested in analysing problems in communication.

    Now, in From Elvish to Klingon: Exploring Invented Languages, a group of leading linguists offers a lively investigation of all manner of invented languages. Each chapter focuses on a different language, or group of languages, and explores the origins, purpose, and usage of these curious artifacts of culture. We learn about the new languages invented to enhance the experience of video and online games, from the complexities of Gargish, the language of gargoyles in Ultima VI, to Simlish, the emotionally expressive language of The Sims, and 1334, the entirely exclusionary and satirical language of international gamers. We also learn about the futuristic languages, Newspeak and Nadsat, invented by George Orwell and Anthony Burgess in their dystopian novels 1984 and A Clockwork Orange, and many more. The book explores all aspects of invented languages--their unique grammar, vocabulary, and usage--and includes fascinating analysis of sample dialogues and expressions. Written by experts in their fields, chapters cover such topics as International Auxiliary Languages, Invented Vocabularies, Literary "Nonsense," and Language Reconstruction and Renewal. It's all "maj" (good) as the Klingons would say, or "doubleplusgood," as a "duckspeaker" in Orwell's 1984 might observe. For anyone wanting to understand more fully the intricacies and attractions of invented languages, From Elvish to Klingon offers the most thorough study of the subject available today.

    Her work rocked the foundations of the literary canon by castigating time-honored classics for their use of sex to degrade women.

    With the same dazzling mix of emotion and idea that characterizes his novels, Kundera revisits the artists who remain important to him, and whose works help us better understand the world we live in and what it means to be human. An astute reader of fiction, Kundera brings his extraordinary critical gifts to bear on the paintings of Francis Bacon, the music of Leos Janacek, and the films of Federico Fellini, as well as the novels of Philip Roth, Fyodor Dostoyevsky, and Gabriel García Márquez, among others. He also takes up the challenge of restoring to its rightful place the work of Anatole France and Curzio Malaparte, major writers who have fallen into obscurity.Milan Kundera's signature themes of memory and forgetting, the experience of exile, and the championing of modernist art are here, along with more personal reflections and stories. Encounter is a work of great humanism. Art is what we possess in the face of evil and the darker side of human nature. Elegant, startlingly original, and provocative, Encounter follows in the footsteps of Kundera's earlier essay collections, The Art of the Novel, Testaments Betrayed, and The Curtain.