Hundreds of thousands more have enjoyed the National Company as it played Los Angeles, Dallas, San Francisco, Denver, Omaha, Des Moines, Cincinnati, Kansas City and Chicago.Meredith Wilson wrote the music the lyrics and the libretto of 'The Music Man' -all delightful. Now he has written a book about writing the show - equally delightful. He claims he had Trouble (with a capital T)and he documents his case with behind-the-scenes anecdotes and theatrical characters unknown in his native Iowa.

    Matthew Bannister said he was going to reinvent the station, the most popular in Europe. But things didn't go exactly to plan. The station lost millions of listeners. Its most famous DJs left, and their replacements proved to be disasters. Radio 1's commercial rivals regarded the internal turmoil with glee. For a while a saviour arrived, in the shape of Chris Evans. But his behaviour caused further upheavals, and his eventual departure provoked another mass desertion by listeners. What was to be done? In the middle of this crisis, Radio 1 bravely (or foolishly) allowed the writer Simon Garfield to observe its workings from the inside. For a year he was allowed unprecedented access to management meetings and to DJs in their studios, to research briefings and playlist conferences. Everyone interviewed spoke in passionate detail about their struggle to make their station credible and successful once more. The result is a gripping and often hilarious portrait a much loved national institution as it battles back from the brink of calamity.

    He was truly imbued with the angry-young-man spirit that would characterize his persona both on and off stage. Through it all, Johnny kept the band focused and moving forward, ultimately securing their place in music history by inventing punk rock. The Ramones were inducted into the Rock and Roll Hall of Fame in 2002—two years later, Johnny died of cancer, having outlived two other founding members. Revealing, inspiring, and told on his own terms, this highly designed memoir also features Johnny’s assessment of the Ramones’ albums; a number of eccentric Top Ten lists; rare historical artifacts; and scores of personal and professional photos, many of which have never before been published.Praise for Commando:“Amazing book . . . dense and throbbing with character—enough to bring this departed New York icon barking back to life.” —New York Daily News "Johnny's delightful, sadly posthumous autobiography, Commando, is just like its author—as punk as it gets." —Wall Street Journal “Ramone memoir reveals charming, grumpy punk icon.” —Reuters“There's no grand confessional to end Commando, just a nod of gratitude toward family, friends, and fans. Its characteristic succinctness rings genuine.” —Austin Chronicle

    Here is a truly joyful and inspiring story of a woman achieving success on her own terms, in her own way. And now she is sharing her life, for the very first time, with us. Now I Can Dance is an uplifting story of love, family, laughter, determination and - of course - song.

    One experience that would take some beating is that endured by Baxter Dury.When punk rock star Ian Dury disappeared to make films in the late 80s, he left his teenage son in the care of his roadie, in a rundown flat in Hammersmith. But this was no ordinary roadie; this was the Sulphate Strangler. The Strangler, having taken a lot of LSD in the 60s, was prone to depression, anger and hallucinations. He was also, as the name suggests, a drug dealer. What could possibly go wrong?In a period that we can now only imagine, a young Baxter ricocheted from one adventure to another, narrowly swerving one disaster only immediately to collide with another. At times, his situation was perilous in the extreme - the world is lucky to have him at all. CHAISE LONGUE is an intimate account of those escapades, evocatively illuminating a bohemian west London populated with feverishly grubby characters. Narrated in Dury's candid tone, both sad and funny, this moving story will leave an indelible imprint on its readers.

    A multi-threat entertainer and a world-class eccentric, Kay Thompson was the mentor/best friend of Judy Garland, the vocal guru for Frank Sinatra and Lena Horne, and the godmother/Svengali of Liza Minnelli (who recreated Thompson’s nightclub act in her 2009 Tony Award–winning event, Liza’s at the Palace). She went to school with Tennessee Williams, auditioned for Henry Ford, got her first big break from Bing Crosby, trained Marilyn Monroe, channeled Elvis Presley, rejected Andy Warhol, rebuffed Federico Fellini, got fired by Howard Hughes, and snubbed Donald Trump. She coached Bette Davis and Eleanor Roosevelt; she created nightclub acts for Marlene Dietrich and Ginger Rogers; and when Lucille Ball had to sing on Broadway, Kay was the wind beneath her wings, too. Kay’s legion of fans included Queen Elizabeth of England, King Juan Carlos of Spain, and Princess Grace (Kelly) of Monaco. Danny Kaye masqueraded in drag as her; Noël Coward and Cole Porter wrote musicals for her; and The Beatles wanted to hold her hand. She was a charter member of the Rat Pack, costarred in a whodunit with Ronald Reagan, and directed John F. Kennedy’s Inaugural Gala. The dame cut a wide swath through the arts. After conquering radio in the 1930s she commandeered MGM’s vocal department in the 1940s, where she revolutionized the studio’s greatest musicals with her audacious arrangements, from The Harvey Girls to Ziegfeld Follies. In the 1950s she became the highest-paid cabaret attraction in the world with her groundbreaking act "Kay Thompson and the Williams Brothers," featuring her young protégé—and secret lover—Andy Williams. In a stunning feat of reinvention, Thompson next became the bestselling author of Eloise (first published by Simon & Schuster in 1955), chronicling the mischievous adventures of the six-year-old mascot of The Plaza, spawning an industry that is still going strong today. Then Kay took the silver screen by storm as the "Think Pink!" fashion magazine editor in Funny Face, stealing the film right out from under Audrey Hepburn and Fred Astaire. The Thompson saga swells from small town wannabe to international headliner, dissolving into self-destruction and madness—the storyline usually reserved for a rags-to-riches potboiler—yet with unexpected twists, outlandish turns, and a last-minute happy ending that, even by Hollywood’s standards, is nothing short of preposterous. But that is Kay Thompson. Fascinating. Frustrating. Fabulous!

    I've tried to imagine myself sitting down with you explaining what I was thinking and feeling during those times. I hope this book will give you a behind-the-scenes view of my journey into a place where I finally found what had been missing in my life for all those years: music.'Endearingly written with disarming honesty and filled with exclusive new and unseen photographs on and offstage, Happy Days takes you closer to Olly than you've ever been before.

    Includes full-color photos! A runner-up on American Idol and successful music artist, David Archuleta was named one of the "breakout stars of 2008" by "Forbes" magazine and landed the number two spot on the Billboard charts. In "Chords of Strength" David shares his unexpected and inspiring journey, including how he overcame vocal cord paralysis to achieve his dream of being a singer. He reveals insecurities he felt about his voice-before he realized that he loved the way singing made him feel more than he disliked the way he sounded. In this personal memoir, David opens up about the strength he draws from his unshakable faith and unyielding family. He pays tribute to those who continue to inspire him and through their example help him believe in himself, his talent, and his abilities. Intimate and uplifting, "Chords of Strength" allows a unique glimpse of the man behind the music and offers hope to anyone with a passion and a dream. Watch a video of David Archuleta at the printing of his new book "Chords of Strength."Watch a Video

    Based on ten years of original, exclusive interviews with the man himself and conversations with a legion of musical associates like Queens of the Stone Age frontman Josh Homme, DC punk legend Ian MacKaye, and Nevermind producer Butch Vig, this is Grohl's story. He speaks candidly and honestly about Kurt Cobain, the arguments that almost tore Nirvana apart, the feuds that threatened to derail the Foo Fighters's global success, and the dark days that almost caused him to quit music for good.Dave Grohl has emerged as one of the most recognizable and respected musicians in the world. He is the last true hero to emerge from the American underground. This Is a Call vividly recounts this incredible rock 'n' roll journey.

    Instead he leads us through the story of music as it happened, idea by idea, so that each musical innovation – harmony, notation, sung theatre, the orchestra, dance music, recording, broadcasting – strikes us with its original force. He focuses on what changed when and why, picking out the discoveries that revolutionised man-made sound and bringing to life musical visionaries from the little-known Pérotin to the colossus of Wagner. Along the way, he also gives refreshingly clear descriptions of what music is and how it works: what scales are all about, why some chords sound discordant and what all post-war pop songs have in common.The story of music is the story of our urge to invent, connect, rebel – and entertain. Howard Goodall’s beautifully clear and compelling account is both a hymn to human endeavour and a groundbreaking map of our musical journey.

    A riotously funny, fiercely energetic romp, this no-holds-barred autobiography takes readers through the highs and lows of an extraordinary career, chronicling nearly four decades of dynamic music history.

    Taking the form of an “oral” history, this books contains over 130 interviews, along with essential background information from acclaimed music writer Greg Prato. The early ’90s grunge movement may have last only a few years, but it spawned some of the greatest rock music of all time: Pearl Jam, Nirvana, Alice in Chains, and Soundgarden. This book contains the first-ever interview in which Pearl Jam’s Eddie Vedder was willing to discuss the group’s history in great detail; Alice in Chains’ band members and Layne Staley’s mom on Staley’s drug addiction and death; insights into the Riot Grrrl movement and oft-overlooked but highly influential Seattle bands like Mother Love Bone/Andy Wood, the Melvins, Screaming Trees, and Mudhoney; and much more. Grunge Is Dead digs deeper than the average grunge history, starting in the early '60s, and explaining the chain of events that gave way to the grunge movement. The end result is a book that includes a wealth of previously untold stories and insight for the longtime fan, as well as its renowned story for the newcomer. Grunge Is Dead collects the whole truth of grunge music in one comprehensive volume.

    Critics internationally have lauded the band’s brain trust, Robert Pollard, as a once-in-a-generation artist. Pollard has been compared by The New York Times to Mozart, Rossini, and Paul McCartney (in the same sentence) and everyone from P. J. Harvey, Radiohead, R.E.M., the Strokes, and U2 has sung his praises and cited his music as an influence. But it all started rather prosaically when Pollard, a fourth-grade teacher in his early thirties from Dayton, Ohio, began recording songs with drinking buddies in his basement. James Greer, an acclaimed music writer and former Spin editor, enjoys a unique advantage in having played in the band for two years. This personal connection grants him unparalleled insight and complete access to the workings of Pollard’s muse.

    A substantial written component by Fischer details his upbringing on the outskirts of Zurich, Switzerland, and the hardships and triumphs he faced bringing the visions of his groundbreaking bands Hellhammer and eventually Celtic Frost to reality. In addition, the book includes an introduction by Nocturno Culto of Norwegian black metal act Darkthrone, and a foreword by noted metal author Joel McIver.Without question Only Death Is Real goes farther than any other source in exploring the origins of underground heavy metal. The wealth of visual information is astounding, both in terms of documenting early 1980s headbangers and exposing the still-relevant imagery of the first Hellhammer and Celtic Frost photo sessions. On top of that, the written chapters combine Tom Fischer’s often shocking stories with lengthy quotes from Martin Eric Ain and the other main Hellhammer members, explaining in intimately human terms how extreme metal was born.

    It is also an engrossing chronicle of the author's own development, both artistic and personal. As Davis's collaborator on Miles: The Autobiography,Troupe--one of the major poets to emerge from the 1960s--had exceptional access to the musician. This memoir goes beyond the life portrayed in the autobiography to describe in detail the processes of Davis's spectacular creativity and the joys and difficulties his passionate, contradictory temperament posed to the men's friendship. It shows how Miles Davis, both as a black man and an artist, influenced not only Quincy Troupe but whole generations. Troupe has written that Miles Davis was "irascible, contemptuous, brutally honest, ill-tempered when things didn't go his way, complex, fair-minded, humble, kind and a son-of-a-bitch." The author's love and appreciation for Davis make him a keen, though not uncritical, observer. He captures and conveys the power of the musician's presence, the mesmerizing force of his personality, and the restless energy that lay at the root of his creativity. He also shows Davis's lighter side: cooking, prowling the streets of Manhattan, painting, riding his horse at his Malibu home. Troupe discusses Davis's musical output, situating his albums in the context of the times--both political and musical--out of which they emerged. Miles and Me is an unparalleled look at the act of creation and the forces behind it, at how the innovations of one person can inspire both those he knows and loves and the world at large.