Also included are a discussion of Stoker's working notes for the novel and "Dracula's Guest," the original opening chapter to Dracula. Reviews and Reactions reprints five early reviews of the novel. "Dramatic and Film Variations" focuses on theater and film adaptations of Dracula, two indications of the novel's unwavering appeal. David J. Skal, Gregory A. Waller, and Nina Auerbach offer their varied perspectives. Checklists of both dramatic and film adaptations are included.Criticism collects seven theoretical interpretations of Dracula by Phyllis A. Roth, Carol A. Senf, Franco Moretti, Christopher Craft, Bram Dijkstra, Stephen D. Arata, and Talia Schaffer.A Chronology and a Selected Bibliography are included.

    and his friends George and Harris decide that a jaunt up the Thames would suit them to a 'T'. But when they set off, they can hardly predict the troubles that lie ahead with tow-ropes, unreliable weather-forecasts and tins of pineapple chunks - not to mention the devastation left in the wake of J.'s small fox-terrier Montmorency. Three Men in a Boat was an instant success when it appeared in 1889, and proved so popular that Jerome reunited his now older - but not necessarily wiser - heroes in Three Men on the Bummel, for a picaresque bicycle tour of Germany. With their benign escapism, authorial discursions and wonderful evocation of the late-Victorian 'clerking classes', both novels hilariously capture the spirit of their age.

    . . I grabbed my suitcase, containing Pot. Chlor., Sulph Ac, gelignite, detonators, electrical and ignition, and the rest of my Sinn Fein conjurer's outfit, and carried it to the window . . ." The men were, of course, the police, and seventeen-year-old Behan. He spent three years as a prisoner in England, primarily in Borstal (reform school), and was then expelled to his homeland, a changed but hardly defeated rebel. Once banned in the Irish Republic, Borstal Boy is both a riveting self-portrait and a clear look into the problems, passions, and heartbreak of Ireland.

    Hume's King Arthur trilogy.King Artor lies slain and Ector, a mere boy, is acknowledged as the legitimate heir to the kingdom. But the land of the Celts has been weakened, and Ector grows up torn by conflicting senses of doom and duty. It is only his marriage to Gwyllan that gives him a sense of fulfilment.Meanwhile, Arthur, the Bastard Prince, grows up aware that he is the son of Artor and Lady Elayne but knowing he can never challenge the position of his ruler and childhood friend.Living in the shadow of King Artor, neither man can escape the his legacy...

    Translated from the French by Eric Sutton.

    This collection gathers together the best of her Pulitzer Prize-winning short fiction, including 'Pale Horse, Pale Rider', where a young woman lies in a fever during the influenza epidemic, her childhood memories mingling with fears for her fiancé on his way to war, and 'Noon Wine', a haunting story of tragedy and scandal on a small dairy farm in Texas. In all of the compelling stories collected here, harsh and tragic truths are expressed in prose both brilliant and precise.

     Following the astonishing success of his first novel, One Flew Over the Cuckoo's Nest, Ken Kesey wrote what Charles Bowden calls "one of the few essential books written by an American in the last half century." This wild-spirited tale tells of a bitter strike that rages through a small lumber town along the Oregon coast. Bucking that strike out of sheer cussedness are the Stampers. Out of the Stamper family's rivalries and betrayals Ken Kesey has crafted a novel with the mythic impact of Greek tragedy.

    A collection of quintessentially American poems, the seminal work of one of the most influential writers of the nineteenth century.

    When the people he loves most are in danger, Jack McNeal will get revenge...or die trying.NYPD detective Jack McNeal is used to asking the tough questions. But a late-night visit from the Secret Service lands Jack on the other side of the table—as a suspect in the disappearance of his estranged wife, Caroline, a prominent reporter on the White House beat. When her body is found floating in the Potomac, Jack is overcome by disbelief and despair.Her death seems eerily similar to the suspicious fatality of a young socialite years before. Is the similarity of the two tragic incidents simply a coincidence, or could it be a sign of a murderous orchestrated plot to protect those in the highest echelons of the American government?To avenge Caroline’s death, Jack embarks on a journey into the darkest recesses of power. Suspects abound—from haunted special forces soldiers to ex-CIA to the president’s own body man. Along the way, Jack will be forced to decide: Is there a line he won’t cross to expose the killer?

    HE STOLE THEIR SUBMARINE.The accident changed everything… One moment, Lieutenant Jake Slate was going about his duties aboard the ballistic missile submarine, USS Colorado. The next second, he was sprawled on the deck plates in a spreading puddle of blood and hydraulic fluid. But it wasn’t the injury that ruined his life and doomed his military career. It was the rescue effort.Now he’s being thrown to the wolves to cover up the misdeeds of a superior officer, and Jake doesn’t care for the role of sacrificial lamb.Blinded by rage and unsure of his future, he finds himself at the center of a treacherous plot to hijack the Colorado and sell her nuclear warheads to a foreign power. Jake no longer knows who he can trust. He doesn’t know what the future holds. He really only knows one thing. He will have his revenge.Book 1 of the Rogue Submarine Series... Rogue Avenger (2005), Rogue Betrayer (2007), Rogue Crusader (2010), Rogue Defender (2013), Rogue Enforcer (2014), Rogue Fortress (2015), Rogue Goliath (2015), and Rogue Hunter (2016).This novel is part of the Rogue Submarine fiction series, launched in 2005 by John Monteith, a former military officer and naval warfare instructor. Beginning with Rogue Avenger, the books are titled in alphabetical order for ease of reference. Although the stories are best read in sequence, each installation is written for enjoyment as a standalone adventure.

    Three years later he completed the greatest novel to emerge from "the good fight," For Whom the Bell Tolls. The story of Robert Jordan, a young American in the International Brigades attached to an antifascist guerilla unit in the mountains of Spain, it tells of loyalty and courage, love and defeat, and the tragic death of an ideal. In his portrayal of Jordan's love for the beautiful Maria and his superb account of El Sordo's last stand, in his brilliant travesty of La Pasionaria and his unwillingness to believe in blind faith, Hemingway surpasses his achievement in The Sun Also Rises and A Farewell to Arms to create a work at once rare and beautiful, strong and brutal, compassionate, moving and wise. "If the function of a writer is to reveal reality," Maxwell Perkins wrote to Hemingway after reading the manuscript, "no one ever so completely performed it." Greater in power, broader in scope, and more intensely emotional than any of the author's previous works, it stands as one of the best war novels of all time.

    The novel is concerned with the conflict between the individual and the state, the punishment of young criminals, and the possibility or otherwise of redemption. The linguistic originality of the book, and the moral questions it raises, are as relevant now as they ever were.Source: anthonyburgess.org

    Many have large casts and an equal mix of boy and girl parts. Set in the Malayan jungle in 1942, this play explores what happens when soldiers have to confront the reality of war.

    Based on historical people and real events, Miller's drama is a searing portrait of a community engulfed by hysteria. In the rigid theocracy of Salem, rumors that women are practicing witchcraft galvanize the town's most basic fears and suspicions; and when a young girl accuses Elizabeth Proctor of being a witch, self-righteous church leaders and townspeople insist that Elizabeth be brought to trial. The ruthlessness of the prosecutors and the eagerness of neighbor to testify against neighbor brilliantly illuminate the destructive power of socially sanctioned violence. Written in 1953, The Crucible is a mirror Miller uses to reflect the anti-communist hysteria inspired by Senator Joseph McCarthy's "witch-hunts" in the United States. Within the text itself, Miller contemplates the parallels, writing "Political opposition...is given an inhumane overlay, which then justifies the abrogation of all normally applied customs of civilized behavior. A political policy is equated with moral right, and opposition to it with diabolical malevolence." The Viking Critical Library edition of Arthur Miller's dramatic recreation of the Salem witch trials contains the complete text of The Crucible as well as extensive critical and contextual material about the play and the playwright, including:Selections from Miller's writings on his most frequently performed playEssays on the historical background of The Crucible, including personal narratives by participants in the trials and records of witchcraft in Salem from the original documentsReviews of The Crucible, in production by Brooks Atkinson, Walter Kerr, Eric Bentley, and othersExcerpts from Jean-Paul Sartre's Les Sorcières de Salem, a "spin-off" of Miller's play, and three analogous works by Twain, Shaw, and Budd SchulbergCritical essays on the play, on Miller, and on the play in the context of Miller's oeuvreAn introduction by the editor, a chronology, a list of topics for discussion and papers prepared by Malcolm Cowley, and a bibliography

    SIR GAWAIN AND THE GREEN KNIGHT is one of the most important alliterative poems of Medieval literature