It doesn't appear as a standalone work, but is included with several collections. The story is a prequel to the events in The Hitchhiker's Guide To The Galaxy and has the young Zaphod Beeblebrox working as a salvage ship operator. He guides some bureaucrats to a crashed spaceship which may be leaking some hazardous materials. The bureaucrats are determined to "make it safe". The comic asides in the story include some of the time travel paradoxes which are a common running theme in Adams' SF work, and plenty of material about lobsters

    And what is more, she is so intensely interesting that the girls admire her above all else. But Miss Brodie is not honest. She prevaricates and then tells the girls to do as she tells them, not as she does herself. She is having an affair with the music teacher and has had one with the art teacher, and this is not the most exemplary conduct. A

    Albee there is a theme beneath the surface, in this case the corruption of money and the rottenness of this bigoted exurbia where conformity to its illiberal standards and its hypocritical show of respectability is all that counts. The scene is the suburban home of Jenny and Richard, beautifully played by Barbara Bel Geddes and Barry Nelson. The only thing that seems to stand in the way of their happiness is a lack of money. The action starts in an entertaining comedy of manners style. Then abruptly there enters a Mrs. Toothe in the menacing and fascinating person of Beatrice Straight who offers Jenny the opportunity to make more money than they have ever had, to buy a greenhouse and all the other luxuries that they require for their garden and their lives. Richard's realization that their newfound money is being earned by his wife's whoring comes almost simultaneously with the return of their fourteen-year-old son from school and a champagne cocktail party which they are giving to impress their country club friends. As a result, his horror, disgust and rage has to be kept under wraps in order to keep up essential appearances until tragedy strikes, and Richard realizes that the assembled wives are all involved and their husbands are aware and condoning." More than that, they are prepared not merely to justify but defend the ends through which their means are attained and the devastated Richard, left in agonized despair by the ironic events that charge the final moments of the play, must face the fact of his own share in their communal guilt.

    He has enshrined in them every kind of experience from the pangs of hunger and sex to the rapture of mystic vision. Its range includes stark realistic pictures of the material world as well as the realm of fantasy haunted by ghosts and spirits. Basheer has written on love and hate, on politicians and pickpockets, on the fancies of childhood and on the disillusionments of adult life with an intense sense of the tragedy of life and at the same time an irrepressible sense of humour.

    Lloyd, who lives with Mae, spends his time caring a little too much for the farm animals; he scorns to learn from a book, and treats Mae with angry disrespect. When Lloyd becomes ill, Mae goes searching for a diagnosis, and brings their simple, yet eloquent, neighbor Henry home with her, in order to help her read the difficult medical language. The ensuing love / hate triangle that brews between the three creates a toxic environment, and Mae, whose love and respect for Henry turn to impatience and resentment after an accident renders him helpless, determines that to escape the ill-luck of her life, she must escape the men who depend upon her.

    Then got out of bed and had a brisk rub down with the pumice stone. I opened the curtains and saw that the sun was shining brightly. (A suspicion is growing in my mind that the BBC is not to be trusted.)Margaret Hilda Roberts is a rather ambitious 14 � year old grocer's daughter from Grantham. She can't abide laziness, finds four hours of chemistry homework delightful and believes she is of royal birth - or at least destined for great things. But Margaret knows that good things never come to those who wait . . .These are the secret diary entries of a girl born into an ordinary life, yet who might just go on to become something really rather extraordinary, and she is brilliantly brought vividly to life by bestselling author Sue Townsend, Britain's favourite comic writer for over three decades.'Essential reading for Mole followers' Times Educational Supplement'Wonderfully funny and sharp as knives' Sunday TimesSue Townsend is Britain's favourite comic author. Her hugely successful novels include eight Adrian Mole books, The Public Confessions of a Middle-Aged Woman (Aged 55�), Number Ten, Ghost Children, The Queen and I, Queen Camilla and The Woman Who Went to Bed For a Year, all of which are highly acclaimed bestsellers. She has also written numerous well-received plays. She lives in Leicester, where she was born and grew up.

    isn't it?'A John Cleese Twitter question ['What is your pet peeve?'], first sparked the 'Weird Things Customers Say in Bookshops' blog, which grew over three years into one bookseller's collection of ridiculous conversations on the shop floor. From 'Did Beatrix Potter ever write a book about dinosaurs?' to the hunt for a paperback which could forecast the next year's weather; and from 'I've forgotten my glasses, please read me the first chapter' to 'Excuse me... is this book edible?: here is a book for heroic booksellers and booklovers everywhere.This full-length collection illustrated by the Brothers McLeod also includes top 'Weird Things' from bookshops around the world.

    When her employment agency sends her to the wrong address, her life takes an unexpected turn. The alluring nightclub singer, Delysia LaFosse, becomes her new employer, and Miss Pettigrew encounters a kind of glamour that she had only met before at the movies. Over the course of a single day, both women are changed forever.

    Join the O'Reilly family once again as they meet around the Jack O'Lantern on Halloween night and share ghost stories that will make you shiver and have you looking over your shoulder to see if there is "a little something extra" wandering through your home tonight.

    One of his best-loved and most famous plays, it exposes the lies plaguing the family of a wealthy Southern planter of humble origins.

    An updated and considerably revised version of the ancient Greek legend of Pygmalion and Galatea, the 20th-century story pokes fun at the antiquated British class system. In Shaw's clever adaptation, Professor Henry Higgins, a linguistic expert, takes on a bet that he can transform an awkward cockney flower seller into a refined young lady simply by polishing her manners and changing the way she speaks. In the process of convincing society that his creation is a mysterious royal figure, the Professor also falls in love with his elegant handiwork.The irresistible theme of the emerging butterfly, together with Shaw's brilliant dialogue and splendid skills as a playwright, have made Pygmalion one of the most popular comedies in the English language. A staple of college drama courses, it is still widely performed.

    Treason is afoot in the highest social circles. The very security of the nation is in peril. Jeeves, it transpires, has long been an agent of British Intelligence, but now His Majesty's Government must turn to the one man who can help . . . Bertie Wooster.In this magnificent new homage to P. G. Wodehouse, Ben Schott leads Jeeves and Wooster on an uproarious adventure of espionage through the secret corridors of Whitehall, the sunlit lawns of Brinkley Court, and the private clubs of St James's.We encounter an unforgettable cast of characters – old and new – including outraged chefs and exasperated aunts, disreputable politicians and gambling bankers, slushy debs and Cockney cabbies, sphinx-like tailors, and sylph-like spies.There is treachery to be foiled, naturally, but also horses to be backed, auctions to be fixed, engagements to be escaped, madmen to be blackballed, and a new variety of condiment to be cooked up.'Jeeves & the King of Clubs' is essential reading for aficionados of The Master, and a perfect introduction to the joys of Jeeves and Wooster for those who have never before dipped their toe.'Impossible to read without grinning idiotically.' - Mark Sanderson, Evening StandardBibliographical note: Although the cover reads 'Jeeves and the King of Clubs' , the half-title and tile page read 'Jeeves & the King of Clubs' and this is how it is catalogued above. In addition the title page does state, separate from the actual title, 'An homage to P.G. Wodehouse authorised by the Wodehouse Estate' and adds, 'With Authorial Endnotes'.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    This short novel about a wedding was written in 1932 by a niece of Lytton Strachey and first published by The Hogarth Press.

    Rowling (the HARRY POTTER series), Darren Shan (CIRQUE DU FREAK), R.L. Stine (the GOOSEBUMPS series), and Stephen King (IT)! Volume Three in the PETER AND THE MONSTERS series! Follow the adventures started in PETER AND THE VAMPIRES (Volume One) and PETER AND THE WEREWOLVES (Volume Two)!Tragedy has struck Peter’s best friend Dill. In his effort to help, Grandfather might have actually made things worse. But help is on the way in the form of a new ally, and important information surfaces that might explain the Curse now haunting Peter and his family. In this volume, Peter battles more supernatural mayhem, including:A scientist who pieces together a family of monstrous creations…A pack of small creatures that kill the local baker, and plan to make Peter their next victim…Peter’s own dark side, which rears its ugly head in a violent rampage…A mysterious ‘snow demon’ out of Native American legend that menaces Peter on a ski trip…And a couple of ‘walking dead’ who try to put Peter in the morgue during a visit to the hospital. The PETER AND THE VAMPIRES series is for teens and adults who, when they were kids, were looking for stories that kicked butt. The protagonist might be young, but the stories are dark, funny, and edge-of-your-seat suspenseful.PETER AND THE FRANKENSTEIN is the third in an ongoing series that includes PETER AND THE VAMPIRES (Volume 1) and PETER AND THE WEREWOLVES (Volume 2). This book is 150,000 words (450+ pages) and contains some mild language, violence, and scary situations.