In "Soulmates," by Marian Keyes, one woman's relationship is so bleedin' perfect that it's driving her friends crazy. In Cathy Kelly's "Thelma, Louise and the Lurve Gods," two women on a madcap Stateside road trip encounter a pair of insanely good-looking men....These fabulous stories and a baker's dozen more prove that when it comes to spinning a good yarn, the Irish are the best in the business.

    Even though this is her safe, familiar environment, a part of her is missing. While she is desperately trying to find herself in a place far away from home, she ends up in distress, when her carriage is violently wrecked. Thankfully a vigorous man appears to rescue her and she instantly knows that accepting the seductive stranger's offer for temporary hospitality is her only option. However, little did she know that the most passionate and fulfilling chapter of her life was about to begin...Laurence Gillingham has always been a fierce young man, known for his love for the countryside and his roots. Being a farmer and having spent all his life close to nature, he appreciates rural living more than anything else. Will his peaceful and isolated life change after hosting the high-society lady that fate threw in his arms? Laurence will soon realize how much the world of London high-society collides with his rural retreat... Could Alison be the woman that will finally stimulate the mind and hidden desires of the distant Laurence?When Laurence and Alicia come closer than they could ever imagine, they realise they may have found their missing halves in each other. However, they are struggling to leave their prejudice behind and they soon find themselves torn between love and social status. Alicia should now decide whether she is willing to sacrifice all she has held dear for a lifetime of incomparable bliss and lust. Is love enough to keep these two passionate lovers together against all odds? Do they have the courage to overcome themselves and surrender to their deepest desires?

    Spanning a period from Walt Whitman to Sherman Alexie, this collection is the first to review the twentieth century comprehensively. It presents not only the canonical poetry of the last hundred years but also numerous poems by women, minority, and progressive writers only rediscovered in the past two decades. Uniquely comprehensive, Anthology of Modern American Poetry represents Robert Frost with 23 poems, Wallace Stevens with 22, and Marianne Moore with 14, including her most ambitious long poems. William Carlos Williams is represented not only by his exquisite short lyrics, but also with an experimental combination of poetry and prose. With 29 poems, Langston Hughes is given full treatment for the first time in any comprehensive anthology. Substantial selections by contemporary poets like John Ashbery, Sylvia Plath, Frank O'Hara, Philip Levine, Lucille Clifton, Judy Grahn, Adrian Louis, Yusef Komunyakaa, Martin Espada, and Sherman Alexie are also included. Anthology of Modern American Poetry is the first anthology to give full treatment to American long poems and poem sequences. T.S. Eliot's The Waste Land, Gertrude Stein's "Patriarchal Poetry," William Carlos Williams's The Descent of Winter, Edna St. Vincent Millay's "Sonnets from an Ungrafted Tree," Muriel Rukeyser's "The Book of the Dead," Melvin Tolson's Libretto for the Republic of Liberia, Theodore Roethke's "North American Sequence," Gwendolyn Brooks's "Gay Chaps at the Bar," Kenneth Rexroth's "The Love Poems of Marichiko," both Allen Ginsberg's "Howl" and his "Wichita Vortex Sutra," and both Adrienne Rich's "Shooting Script" and her "Twenty-One Love Poems" are all included in their entirety. Anthology of Modern American Poetry offers the most detailed annotations available in an anthology of this type. Many works benefit from specially commissioned research that provides students with such help as the identification of the inventive references in Melvin Tolson's poetry, translation of all foreign language passages, and illumination of obscure references. This is also the only American poetry anthology to present selected poems in the beautifully illustrated form in which they first appeared. In addition, an accompanying website featuring readings of poems and historical background is available at http: //www.english.uiuc.edu/maps. Ideal for courses in modern American poetry, modern American literature, modern or contemporary poetry, creative writing-poetry, and American studies, Anthology of Modern American Poetry introduces students to the last 100 years of our poetic heritage in a uniquely rich and provocative format."

    Every act can be categorized as either a selfish act or a selfless act. “Selfish or Selfless: Which One Are You?,” discusses how you can discover whether or not you are doing things that are selfish (about your own wants, your own need, and your own desires) or whether you are doing things that are selfless (things that are about other people’s wants, other people’s needs and you do things that benefit others). Do you know which one you are? Have you thought about why you do what you do and how it impacts the people around you? Learn how to discover whether you are selfish or selfless and how to change sides if you need to.

    'Revolution on Canvas' presents another collection of poetry from some of the country's most popular indie-rock bands, including Deftones, Fall Out Boy, Armor For Sleep, and Say Anything.

    Originally a trilogy (City of Bones, City of Ashes, City of Glass), the series has extended to six titles, plus a prequel trilogy, the Infernal Devices, and a planned sequel series, the Dark Artifices. A feature film is planned for 2013.Shadowhunters and Downworlders, edited by Clare (who provides an introduction to the book and to each piece), is a collection of YA authors writing about the series and its world. Authors Who Contributed: Holly Black / Kendare Blake / Gwenda Bond / Sarah Rees Brennan / Rachel Caine / Sarah Cross / Kami Garcia / Michelle Hodkin / Kelly Link / Kate Milford / Diana Peterfreund / Sara Ryan / Scott Tracey / Robin Wasserman

    Suspenseful and mysterious, this romantic suspense series will have you on the edge of your seat. This bundle contains four full-length novels and one novella: Wife Number Seven His Only Wife Mother Before Wife Just Keep Sweet Prophet Takes All Praise for The Compound Series: "The Compound series is a fresh, unique voice in the romance world and I soaked up every single minute of it. I can’t recommend this series enough!"- C, Prisoners of Print "Melissa Brown's talent shines bright in this unforgettable series. Prepare to be sucked in until the very last page." --USA Today Bestselling Author, Tiffany King "Extremely underestimated and brilliantly written, the Compound Series will take you on a journey. Now that this series is out as a whole, you owe it to yourself to read up on Melissa’s Compound world. Jumping in with an open mind and abandoning all thoughts of traditional romance will set you up for a reading adventure."- Pamela, The Book Avenue Synopsis of Wife Number Seven (Book 1 in the series) Lipstick. Bright, red lipstick. Nothing but lipstick. Even though it’s against our faith to wear a color that screams of sexual promiscuity and deviant behavior, I’m not allowed to protest. But, I want to. So badly. You see, there’s more to me than the braid that spills down my back. More to me than the layers of heavy fabric that maintain my modesty. And so much more than the oppressive wedding band that adorns my finger--the same band that each of my sister wives wear. So much more. To protest would be sinful. I must keep sweet, that is my duty. So I’ll wear the lipstick. I’ll do as I’m told. And I’ll do my best to silence the resistance within me, to push him from my mind. If only my heart would do the same.

    After her own mother died Sinclair Browning began receiving white feathers that she instinctively knew were from her mother, a once aspiring actress who did diaphragm exercises by blowing a white feather into the air while repeating, "I love you." When Browning shared her story on an all women's horseback ride, she as amazed that some of her fellow riders had stories of their own.Feathers Brush My Heart is the result of Browning's years collecting stories from throughout the country, from women with varying occupations, religions and ethnic backgrounds. While each story is unique, the common denominator is that they all share an afterlife gift that their mothers' spirits were alive and well.

    Celebrating the year in music writing by gathering a rich array of essays, missives, and musings on every style of music from rock to hip-hop to R&B to jazz to pop to blues, it is essential reading for anyone who loves great music and accomplished writing. Scribes of every imaginable sort—novelists, poets, journalists, musicians— are gathered to create a multi-voiced snapshot of the year in music writing that, like the music it illuminates, is every bit as thrilling as it is riveting.

    EIGHT New York Times and USA Today bestselling authors bring you eight stories of memorable weddings, spilling over with nervous tingles and overwhelming moments. Experience the euphoria of wedding day bliss, cry a river of happiness and celebrate the joy over and over again with these happy ever after tales. Patricia Rosemoor – A Rancher’s Vow – Reed Quarrels asks Alcina Dale to marry him so he can save the Curly! Ranch, not knowing Alcina has been in love with him forever. Taylor Lee – Undercover Wedding – They called her the Ice Princess. That was before the sexy police commander turned up the heat and proved that fire does melt ice. It couldn’t have been a more perfect wedding until a group of would-be assassins crash the party. Natalie Ann – True Love – Shattered dreams vs. a new beginning. Can a young widow with a two-year-old heal this wounded warrior? Tamara Ferguson – Two Hearts in Accord- When active duty wounded warriors lieutenants Anna Drummond and Neil Harrison insist that the last thing they want is a long term relationship, will TWO HEARTS IN ACCORD finally admit that it’s love? Stephanie Queen – Margo and George Forever? – Will Margo make it to the alter in spite of George’s family and the circus of a wedding they planned? Suzanne Jenkins – A Greektown Wedding - Relationships are blooming as Spring approaches, but will the Detroit Police Department be enough to keep the out of control lovers in check? Alicia Street – Maybe Lovers – Can a hot doc with his own troubles convince a cynical bartender that it's okay to dream of love? Mimi Barbour – My Cheeky Angel - Can a tomboy change to attract a man?

    More witty and stylish poetic therapy for the Venus and Mars generation.

    It's a picture of an ideal relationship for a new generation of married couples: alternately grotesque, sexy, silly, and sexually permissive, but above all, built on mutual respect and honesty: •I promise: to never comment on your bad breath, as long as you don't come near me with bad breath. •We're going to make a lot of parenting mistakes: Let's not make putting leashes on our children when we go to the mall one of them.•Your job: I know I'm the 'free spirited one', but you're not allowed to be doing something that makes you miserable. Sorry. We'll f**'in live in a box, it's fine.

    With The Office of Historical Corrections, Evans zooms in on particular moments and relationships in her characters' lives in a way that allows them to speak to larger issues of race, culture, and history. She introduces us to Black and multiracial characters who are experiencing the universal confusions of lust and love, and getting walloped by grief—all while exploring how history haunts us, personally and collectively. Ultimately, she provokes us to think about the truths of American history—about who gets to tell them, and the cost of setting the record straight.In "Boys Go to Jupiter," a white college student tries to reinvent herself after a photo of her in a Confederate-flag bikini goes viral. In "Richard of York Gave Battle in Vain," a photojournalist is forced to confront her own losses while attending an old friend's unexpectedly dramatic wedding. And in the eye-opening title novella, a black scholar from Washington, DC, is drawn into a complex historical mystery that spans generations and puts her job, her love life, and her oldest friendship at risk.

    You learn too much. And you learn to move quietly through your own small domain. You also know when the men are gone. No more boots stomping above, no more football games turned up too high, and, best of all, no more front doors slamming before dawn as they trudge out for their early formation, sneakers on metal stairs, cars starting, shouts to the windows above to throw them down their gloves on cold desert mornings. Babies still cry, telephones ring, Saturday morning cartoons screech, but without the men, there is a sense of muted silence, a sense of muted life. There is an army of women waiting for their men to return in Fort Hood, Texas. Through a series of loosely interconnected stories, Siobhan Fallon takes readers onto the base, inside the homes, into the marriages and families-intimate places not seen in newspaper articles or politicians' speeches. When you leave Fort Hood, the sign above the gate warns, You've Survived the War, Now Survive the Homecoming. It is eerily prescient.

    She has been called “an American virtuoso of the short story form” (Salon) and “one of the quiet giants . . . of American fiction” (Los Angeles Times Book Review). Now, for the first time, Davis’s short stories will be collected in one volume, from the groundbreaking Break It Down (1986) to the 2007 National Book Award nominee Varieties of Disturbance. The Collected Stories of Lydia Davis is an event in American letters.