The audacious scheme requires a marriage between Lisbeth's granddaughter and Hannah's widowed son. Desperate for her grandmother's attention and approval, Mila agrees to wed a man she doesn't know. She begins entertaining doubts when Hannah proves to be a loving mother-in-law instead of the monster her grandmother had described. Mila is thinking and acting independently for the first time, going as far as initiating an illicit affair. Her refusal to commit a heinous act at Lisbeth's insistence results in shocking consequences. With danger looming on the horizon, Mila discovers powers that have lain dormant beneath her grandmother's oppressive shadow. Now, she must learn to use her gift and salvage her only chance at happiness. Holland's Golden Age comes to life in this suspenseful historical novel with a touch of magical realism.

    Heartbreaking and humorous, Atlantis is a journey about picking up the pieces from the ruins of a life they said would be good for you.

    This is the poetry of a beautiful life.

    Starting there, this extended poem—part art criticism, part history—considers the phenomenon of glass, revealing the strength and fragility of our age in the minimalist style that has won Cole Swensen such acclaim.

    Perfect for fans of Dilly Court and Nadine Dorries.In 1940s Hampshire the war is settling into its stride bringing dark days for many.Connie Baxter has just moved in with her Aunt Gertie after the death of her mother. Gertie works as a cleaner at the Criterion Picture House in Gosport and she helps Connie to get a job there as an usherette. For Connie, it's the perfect place to work because she adores the movies with their glamorous, romantic stars.The only fly in the ointment is the Criterion's creepy manager with his wandering hands. But soon Connie is firm friends with Queenie, who sells ice creams and soon tells her how to warn him off.Charming Tommo Smith is a 'taxi-dancer'. For a fee he steers ladies of a certain age around the dance floor - and sometimes more besides which pays for his smart clothes. Connie's friend Queenie says he's a chancer, but his gorgeous blue eyes tell Connie something different. When suddenly he disappears, Connie accepts that Queenie may be right - he was too good to be true.As the war rages on and Connie struggles with the harsh realities of life and the turbulence of romance, she comes to realize that life isn't always like it is in the pictures.

    She's making savage rounds through Miami until she can bring her own brand of hood justice to the cartel who messed with hers.After a reunion that seemed like a dream come true, Citi and her mother Ashanti clash heads in a power struggle. Ashanti plays her position as the head chick in charge, and Citi is ostracized from the family. With no money, she's once again forced to make her way back to the throne.Apple is growing restless in Colombia with Kola and Eduardo. She's tired of the controlling situation and wants to resume making money. Plus, she can't let go of the idea of finding her daughter Peaches. The search takes her to Miami, where she runs into her old friend from New York, Cartier.When Apple, Cartier, and Citi meet up, there's an instant realization that the three can take down their opponents and rule the MIA, inflict pain and taking their spots as the Queen B's of Miami.

    . .When Sky stumbles across a lost diary, she can’t resist looking inside, hoping it contains some scandalous tittle-tattle or lurid gossip.Instead, she discovers something she was never supposed to read.Something that brings back the appalling memories of her mother’s tragic death.It’s clear the owner of the diary is in terrible danger and desperately needs help.Is this finally an opportunity for Sky to atone for her mother’s murder?Or has her desire to redress the wrongs of her past clouded her perception of what’s really going on?After all, you shouldn’t believe everything you read…

    A work of rare beauty and lyric grace, The Ground is an entire world, drawn and revealed through contemplation of the post-9/11 landscape. With musicality and precision of thought, Phillips’s poems limn the troubadour’s journey in an increasingly surreal modern world (“I plugged my poem into a manhole cover / That flamed into the first guitar”). The origin of mankind, the origin of the self, the self’s development in the sensuous world, and––in both a literal and a figurative sense––the end of all things sing through Phillips’s supple and idiosyncratic poems. The poet’s subtle formal sophistication—toggling between flair and restraint—and sense of lyric possibility bring together the hard glint of the contemporary world and the eroded permanence of the archaic one via remixes, underground sessions, Spenserian stanzas, myths, and revamped translations. These are poems of fiery intelligence, inescapable music, and metaphysical splendor that concern themselves with both lived life and the life of the imagination—equally vivid and true––as they lay the framework for Phillips’s meditations on our connection to and estrangement from the natural world.

    could have predicted the delayed depth-charge of this explosive second book, motored by vividly earthly language and disguised philosophical sophistication." —Publishers Weekly, starred review"Throughout Made Flesh, one of the most powerful poetry books this year, Arnold gets at both the contradictions and timelessness of love." —Time Out New York"The readers delighted with (Arnold's) first book (Shells) will be differently enchanted with these. They contain a wealth of contemplation as well as observation and experience. Their unpunctuated free style carries the reader into the poems, piling up events and details in a breathless rush....The poems of Made Flesh are unforgettable, and it is tragic that readers will have no new books from Craig Arnold."—Magill Book ReviewsA girl wakes up to find out just how completely her lover has possessed her. A couple realizes they’ve been trapped inside an ancient myth. A traveler glances out through a train window and catches the dim reflection of another world.This is the world of Made Flesh, the long-awaited second book by Craig Arnold, a finalist for the Utah Book Award and the High Plains book award. Made Flesh delineates a new mythology of what it means to be in the body. Marrying narrative precision to lyric ecstasy, the archaic to the avant-garde, these poems celebrate the fragility of our very selves and “the joy of self-forgetting,” the acts of surrender that loves asks of us. Fierce, exuberant, and erotic, they invite the reader to share a rare and startling vision: how, if we would only permit ourselves to be drawn out of our mental privacies, out to the very surface of our skin, we might admit the beauty of being for a moment in the world, and with each other.Craig Arnold is the author of Shells, a Yale Series of Younger Poets selection chosen by W.S. Merwin. He taught at the University of Wyoming in Laramie. In late April 2009, Craig Arnold went missing on the Japanese island of Kuchinoerabu-jima, where he was working on a book about volcanoes as part of a Creative Artists' Exchange Fellowship from the Japan-United States Friendship Commission. He was forty-one years old.

    Observing the crisis of human appetite through the lenses of psychology and science fiction, she's disquieted at a world "ruled by a bi-polar father-god, unconscious, suicidal."The personal meets the collective in these poems: insane rants transform into contemporary oracular speech; a child who once hoarded candy grows into an adult who consumes a planet. Mutation, social media, eco-collapse, a dream of a survivable End Times: no less than the future of the body is at stake, bodies corporeal and political, ecological and spiritual. Was that the soul, wishingwe would invent the bodyout of existence,so many of us nowenthralled by doom...Dana Levin has published three books of poetry, Wedding Day (Copper Canyon), Sky Burial (Copper Canyon), and her first book, In the Surgical Theatre, won the APR/Honickman Award. A teacher of poetry for over twenty years, Levin splits her time between Santa Fe, New Mexico, and Maryville University in St. Louis, where she serves as Distinguished Writer in Residence.

    With engaging notes from the poets, Wagoner's superb introductory essay, series editor David Lehman's astute foreword about the current state of poetry and criticism, and cover art from the beloved poet John Ashbery, The Best American Poetry 2009 is a memorable and delightful addition to a series dedicated to showcasing the work of poets at their best.

    

    Hargrove* A Long Hiss of Distress : Plath's Elegy on the Beach at Berck / Sandra M. Gilbert* Transitional Poetry / Caroline King Barnard Hall* Gothic Subjectivity / Christina Britzolakis* From the Bottom of the Pool : Sylvia Plath's Last Poems / Tim Kendall* Prosopopoeia and Holocaust Poetry in English : Sylvia Plath and Her Contemporaries / Susan Gubar* Plath's Triumphant Women Poems / Linda Wagner-Martin* Poetry and Survival / Susan Bassnett* Chronology

    'All for Love' is a collection of brief quotations by many hands, chosen and illustrated with exquisite wit by Laura Stoddart.Here the raptures of love are counter-balanced by the rueful, comic, and often rather crisply cynical observations of men and women who have been there before. Divided into sections on the nature of love, the pursuit of love, love and marriage and the love affair, the book ranges from the passionate to the severely practical. We can smile at the silliness of those blinded by love (Shakespeare), feel a pang of heartache for jilted lovers (Dorothy Parker) reflect with Byron that there is little to be said about a happy marriage, and take note of P G Wodehouse advising girls that chumps make the best husbands, while relishing snatches of great poetry about great loves, from Sappho, Marlowe, Wordsworth, John Clare and Thomas Hardy.'All for Love' is a rare treat for everyone who is in love, contemplating marriage, has a broken heart, or has put the whole business behind them, and wants to be cheered up by some brilliant insights and by Laura Stoddart's enchanting visual comments on them.

    Rod McKuen's most personal book of poetry.