Lloyd Alexander's story of a young man visiting -- and then becoming -- the village fortune-teller is brought to vibrant life with some of Caldecott Medalist Trina Schart Hyman's most memorable artwork.

    Presents six tales about Spider, including:How Spider Got a Thin Waist; Why Spider Lives in Ceilings; How Spider Got a Bald Head; How Spider Helped a Fisherman; Why Spiders Live in Dark Corners; How the World God Wisdom

    In this collection of mostly nineteenth-century folk and fairy tales, Ethel Johnston Phelps's heroines successfully portray women as being spirited, courageous and smart. This type of heroine is not easily found in most collections; in most traditional folk and fairy tales we encounter women are portrayed as being good, obedient, submissive, and, of course, beautiful. These women—and girls—are resourceful; they take action to solve a problem and use cleverness or shrewd common sense to solve the dilemmas they face.The tales themselves are part of an oral tradition that document a generation according to the values of the time. Phelps has given these older tales a fresh, contemporary retelling for a new generation of readers, young and old. She shapes each story—adding or omitting details—to reflect her sense of a feminist folk or fairy tale. The twenty-one tales collected represent a wide variety of countries; approximately seventeen ethnic cultures from North America to Europe to Asia tell a story in which women play a leading or crucial role in the story.

    But her prison is far from ordinary, and the story of their relationship becomes a tale of romance that has delighted readers for more than a century. Illustrated.

    Mayan art and architecture were the inspiration for the spectacular cut-paper artwork.

    He now shares them in this jewel of a book.

    One night the stepmother sends Vasilisa to visit Baba Yaga, an errand from which the gentle girl has little chance of returning alive. "An engaging text and accomplished paintings set this version apart....A stylized and classy offering."--School Library Journal.

    But Little Bush Deer is onto Anansi's scheme, and hatches a plan to beat him at his own game.Based on tales originating in West Africa and familiar in Caribbean culture, the five-book Anansi the Trickster series is full of slapstick humor and mischief. Eric A. Kimmel's imaginative energy combined with Janet Stevens' expressive illustrations create the perfect silly stories for fun-loving kids.

    First printed in 1938, this selection of timeless stories returns to enchant audiences all over again. Experience Norway’s magical world of cinderlads, princesses, and trolls throughout the pages of d’Aulaires’ Book of Norwegian Folktales.

    He kept them in a box beside his throne. But Ananse, the Spider man, wanted them -- and caught three sly creatures to get them. This story of how we got our own stories to tell is adapted from an African folktale.

    He spent his days in the forest, collecting wood to trade for food. One day, the boy made a wondrous discovery: a magic stone that caused his money jar and rice crocks to overflow, both of which he shared with the poor villagers.But strange things began to happen. It no longer rained. The crops died. The rivers dried up. A terrible drought had struck and would not release its grip. The brave young boy, full of dreams of a white, water-spewing Dragon, took his magic stone on a journey—and discovered how to save his village.

    When a mysterious stranger offers to reward Midas for a kindness, the king does not hesitate: He wishes that all he touches would turn to gold. To his delight, his wish is granted and he soon sets about transforming his ordinary palace into a place of golden beauty. But to his dismay, when he accidentally turns his beloved daughter into a golden statue, Midas learns that what at first seems a blessing can also become a curse.

    Rather, it is the story of a young woman who must choose between the security of her sheltered tower and the uncertainty of independence. Full color.

    At the same time, it provides us with a fresh perspective on the struggles of the people there. They fight to conserve their culture and a vision of the world which they see as flowering with holiness—a holiness that cannot be measured in dollars or defined by politics.The text for La Historia de los Colores is taken from the communiqué dated October 27, 1994 from Subcomandante Insurgente Marcos to the Mexican People. Originally published in Mexico with illustrations by Domitila Domínguez as La Historia de los Colores © 1996 by Colectivo Callejero, Guadalajara.Who is Marcos?Subcomandante Insurgente Marcos is the military strategist and spokesperson for the Zapatistas, an indigenous guerrilla movement in Mexico. It is his person, more than any other factor, that has pushed the Zapatista movement and the plight of the indigenous people in Mexico onto the international scene. Marcos continues to be the focus of media attention—in Mexico, in the States, and internationally, despite the Mexican government’s attempts to discredit him.On New Year’s Day, 1994, Subcomandante Insurgente Marcos and the Zapatistas, wearing their trademark ski masks, erupted on the world scene by declaring war on the Mexican government and attacking military installations in San Cristóbal, Chiapas. Since that time, Marcos—because of his charm, intelligence and mystique—has become a post-modern revolutionary hero. In his communiqués to the Mexican people, he has often related folktales and stories that reflect the culture and wisdom of the indigenous peoples of Chiapas.But no one seems to know who Subcomandante Insurgente Marcos is. The Mexican Government claims he is Rafael Guillen, but they’re literalists. He says he’s a Mexican like any other, born somewhere between the Atlantic and Pacific Oceans and between the northern and southern borders. He says he wears a ski mask because he is no longer whoever he was.

    It’s so delicious that its inhabitants can’t stop eating it up and only Inggolok is smart enough to know what will happen next.