Assembling an array of talent, this collection includes contributions from visionaries Michael Moorcock and China Miéville, modern icon Clive Barker, and audacious new talents Hal Duncan, Jeffrey Ford, and Sarah Monette. An essential snapshot of a vibrant movement in popular fiction, this anthology also features critical writings from authors, theorists, and international editors as well as witty selections from online debates.ContentsIntroduction: The New Weird: “It’s Alice?” by Jeff VanderMeer“The Gutter Sees the Light That Never Shines” by Alistair Rennie“Watson’s Boy” by Brian Evenson“Cornflowers Beside the Unuttered” by Cat Rambo“Jack” by China Miéville“In the Hills, the Cities” by Clive Barker“Forfend the Heaven’s Rending” by Conrad Williams“Locust-Mind” by Daniel Abraham“Tracking Phantoms” by Darja Malcolm-Clarke“Constable Chalch and the Ten Thousand Heroes” by Felix Gilman“The Lizard of Ooze” by Jay Lake“Festival Lives: Preamble: An Essay” by Jeff VanderMeer and Ann VanderMeer“At Reparata” by Jeffrey Ford“Immolation” by Jeffrey Thomas“The Art of Dying” by Darja Malcolm-Clarke“Whose Words You Wear” by K. J. Bishop“The Neglected Garden” by Kathy Koja“Letters from Tainaron” by Leena Krohn“The Luck in the Head” by M. John Harrison“Crossing Cambodia” by Michael Moorcock“Death in a Dirty Dhorti” by Paul Di Filippo“All God’s Chillun Got Wings” by Sarah Monette“The Braining of Mother Lamprey” by Simon D. Ings“The Ride of the Gabbleratchet” by Steph Swainston“A Soft Voice Whispers Nothing” by Thomas Ligotti“European Editor Perspectives on the New Weird: An Essay” by Martin Šust, Michael Haulica, Hannes Riffel, Jukka Halme, Konrad Walewski“The New Weird: I Think We’re the Scene” by Michael Cisco“New Weird Discussions: The Creation of a Term” by various authors

    There are two types of people who think professionally about the future: foresight strategists are civil futurists who think about geo-engineering and smart cities and ways to evade Our Coming Doom; strategic forecasters are spook futurists, who think about geopolitical upheaval and drone warfare and ways to prepare clients for Our Coming Doom. The former are paid by nonprofits and charities, the latter by global security groups and corporate think tanks. For both types, if you're good at it, and you spend your days and nights doing it, then it's something you can't do for long. Depression sets in. Mental illness festers. And if the "abyss gaze" takes hold there's only one place to recover: Normal Head, in the wilds of Oregon, within the secure perimeter of an experimental forest. When Adam Dearden, a foresight strategist, arrives at Normal Head, he is desperate to unplug and be immersed in sylvan silence. But then a patient goes missing from his locked bedroom, leaving nothing but a pile of insects in his wake. A staff investigation ensues; surveillance becomes total. As the mystery of the disappeared man unravels in Warren Ellis's Normal, Dearden uncovers a conspiracy that calls into question the core principles of how and why we think about the future—and the past, and the now.

    . . A street preacher decked out in denim robes and running shoes, Julius is a source of inspiration for a community that knows nothing of his scandalous origins. But when a nearby mental hospital releases its patients to run amok in his neighborhood, his trusted if bedraggled flock turns expectantly to Julius to find out what’s going on. Amid the descending chaos, Julius encounters a hospital escapee who babbles prophecies of doom, and the growing palpable sense of impending danger intensifies. . . as does the feeling that everyone may be relying on a street preacher just a little too much. Still, Julius decides he must confront the forces that threaten his congregation—including the peculiar followers of a religious cult, the mysterious men and women dressed all in red seen fleetingly amid the bedlam, and an enigmatic smoking figure who seems to know what’s going to happen just before it does. In the end, The Revisionaries is a wildly imaginative, masterfully rendered, and suspenseful tale that conjures the bold outlandishness stylishness of Thomas Pynchon, Margaret Atwood, and Alan Moore—while being unlike anything that’s come before.

    An opium-infused apocalyptic vision from the legendary author of Naked Lunch is the first of the trilogy with The Places of the Dead Roads and his final novel, The Western Plains.

    Determined to seek out Tsalal, the remote island of pure and utter blackness that Poe describes, Jaynes convenes an all-black crew of six to follow Pym’s trail to the South Pole, armed with little but the firsthand account from which Poe derived his seafaring tale, a bag of bones, and a stash of Little Debbie snack cakes. Thus begins an epic journey by an unlikely band of adventurers under the permafrost of Antarctica, beneath the surface of American history, and behind one of literature’s great mysteries.

    Gonzo Lubitsch, professional hero and troubleshooter, is hired to put it out, but there's more to the fire, and the Pipe itself, than meets the eye. The job will take Gonzo and his best friend, our narrator, back to their own beginnings.

    Close by is Sound, where you mustn’t make any, apart from one designated hour a day when you can scream your lungs raw. Then there’s Red – get off at Fuck Station Zero if you want to see a tactical nuclear battle recreated as a sales demonstration.Stark has friends in Red, which is just as well because Something is about to happen. And when a Something happens it’s no good chanting ‘Duck and cover’ while cowering in a corner, because a Something is always from the past, Stark’s past, and it won’t go away until you face it full on.

    In "Stone Animals," a house's haunting takes the unusual form of hordes of rabbits that camp out nightly on the front lawn. This proves just one of several benign but inexplicable phenomena that begin to pull apart the family newly moved into the house as surely as a more sinister supernatural influence might. The title story beautifully captures the unpredictable potential of teenage lives through its account of a group of adolescent schoolfriends whose experiences subtly parallel events in a surreal TV fantasy series. Zombies serve as the focus for a young man's anxieties about his future in "Some Zombie Contingency Plans" and offer suggestive counterpoint to the lives of two convenience store clerks who serve them in "The Hortlak." Not only does Link find fresh perspectives from which to explore familiar premises, she also forges ingenious connections between disparate images and narrative approaches to suggest a convincing alternate logic that shapes the worlds of her highly original fantasies.Contents:The Faery Handbag (2004)The Hortlak (2003)The Cannon (2003)Stone Animals (2004)Catskin (2003)Some Zombie Contingency Plans (2005)The Great Divorce (2005)Magic for Beginners (2005)Lull (2002)

    They've become obsessed with Viator to the point that the world beyond seems of consequence only as it relates to the ship. When their putative leader, Thomas Willander, is afflicted by a series of disturbing dreams, he concludes that something on board may be responsible for their erraticism. He seeks the help of a woman in the nearby village of Kaliaska and together they initiate an investigation into the history of Viator, hoping to learn, among other things, why the ship was run aground and who was the mysterious man who hired the four. But their efforts may be too late. The men, whose eccentrities are now verging on the insane, show no sign of intending to abandon their new home, compelled by Viator's eerie allure. To make matters worse, winter will soon be setting in, ominous incidences of sound and light are issuing from the forest surrounding the ship, and Willander's dreams may be coming true...Skyhorse Publishing, under our Night Shade and Talos imprints, is proud to publish a broad range of titles for readers interested in science fiction (space opera, time travel, hard SF, alien invasion, near-future dystopia), fantasy (grimdark, sword and sorcery, contemporary urban fantasy, steampunk, alternative history), and horror (zombies, vampires, and the occult and supernatural), and much more. While not every title we publish becomes a New York Times bestseller, a national bestseller, or a Hugo or Nebula award-winner, we are committed to publishing quality books from a diverse group of authors.

    G. Ballard lived far ahead of his time. Called his "prophetic masterpiece" by many, The Atrocity Exhibition practically lies outside of any literary tradition. Part science fiction, part eerie historical fiction, part pornography, its characters adhere to no rules of linearity or stability. This reissued edition features an introduction by William S. Burroughs, extensive text commentary by Ballard, and four additional stories. Of specific interest are the illustrations by underground cartoonist and professional medical illustrator Phoebe Gloeckner. Her ultrarealistic images of eroticism and destruction add an important dimension to Ballard's text.

    Lovecraft established the genuineness and dignity of his own pioneering fiction in 1931 with his quintessential work of supernatural horror, At the Mountains of Madness. The deliberately told and increasingly chilling recollection of an Antarctic expedition's uncanny discoveries --and their encounter with an untold menace in the ruins of a lost civilization--is a milestone of macabre literature.This Definitive Edition of At the Mountains of Madness (The Modern Library) also includes Lovecraft's long essay "Supernatural Horror in Literature."

    So when a man claiming to be Nicholas turns up to visit an old girlfriend, deception seems the only possible motive.Yet nothing can make him change his story.From the secure unit of a notorious psychiatric hospital, he begins to tell his tale: an account of attempted forgery that draws the reader towards an extraordinary truth – a metaphysical conspiracy that lies on the other side of madness and death.With echoes of Jorge Luis Borges, Philip K. Dick, Mary Shelley,Dostoevsky’s Double, and George Eliot’s The Lifted Veil, StrangeBodies takes the reader on a dizzying speculative journey that poses questions about identity, authenticity, and what it means to be truly human.

    Lovecraft mythos into the twenty-first century, optioned by Warner Bros TV.Daniel Carter used to be a homicide detective, but his last case-the hunt for a serial killer-went wrong in strange ways and soured the job for him. Now he's a private investigator trying to live a quiet life. Strangeness, however, has not finished with him. First he inherits a bookstore in Providence from someone he's never heard of, along with an indignant bookseller who doesn't want a new boss. She's Emily Lovecraft, the last known descendant of H.P. Lovecraft, the writer from Providence who told tales of the Great Old Ones and the Elder Gods, creatures and entities beyond the understanding of man. Then people start dying in impossible ways, and while Carter doesn't want to be involved, he's beginning to suspect that someone else wants him to be. As he reluctantly investigates, he discovers that Lovecraft's tales were more than just fiction, and he must accept another unexpected, and far more unwanted inheritance.

    Once they were human; now they are unkin, transformed by the ancient machine-code language of reality itself. They seek The Book of All Hours, the mythical tome within which the blueprint for all reality is transcribed, which has been lost somewhere in the Vellum - the vast realm of eternity upon which our world is a mere scratch.The Vellum, where the unkin are gathering for war.The Vellum, where a fallen angel and a renegade devil are about to settle an age-old feud.The Vellum, where the past, present, and future will collide with ancient worlds and myths.And the Vellum will burn. . . .

    In search of affordable housing, young couple Anja and Louis move into a community on an artificial mountain, The Berg—yet another "eco-friendly" initiative run by a corporation called Finster. They're offered a home rent-free in exchange for keeping quiet about the seriously malfunctioning infrastructure of the experimental house. But when Louis returns home from his mother's funeral in America, Anja is convinced he has changed. He seems to be in denial of his grief and newly idealistic, consumed by a secret project at the NGO where he works as an artist-consultant. Anja is horrified when she discovers what Louis has invented: a pill called Oval that temporarily rewires the user's brain to be more generous. Louis is convinced that if he can introduce the drug into the Berlin club scene, he can finally remedy the income disparity that has made Berlin so unlivable. Oval is a fascinating portrait of the unbalanced relationships that shape our world, as well as a prescient warning of what the future may hold.