The beauty of these stories and poems lies in their readability: ideal for sharing aloud around the campfire or for a quick, thrilling dip . . . under the covers with a flashlight. The writing itself sends as many awe-inspired shivers down the spine as do the ghosts and goblins on these pages.Edgar Allan Poe, the master of the horror story and the chiming lyric poem, opens the volume with his best-loved stories: "The Murders in the Rue Morgue," "The Black Cat," "The Fall of the House of Usher," "The Pit and the Pendulum," "The Premature Burial," "The Tell-Tale Heart," "Berenice," and "Ligeia." Every bit as chilling now as on the day they were written, these tales retain their power to stir the reader again and again. Poe, who was as well known for his poems as for his stories, is also represented by such verse standards as "The Raven," "Lenore," "To Helen," "Ulalume," and "Annabel Lee," among others.Numerous other practitioners of the supernatural story are included: Edith Wharton, with her gripping "Afterward"; Charles Dickens and his famed ghost story "The Signalman"; W. W. Jacobs, with this compilation's inspiration, "The Monkey's Paw." Also here are Saki's engrossing "Sredni Vashtar"; O. Henry's story of love lost and hopes dashed, "The Furnished Room"; Wilkie Collins's lively "A Terribly Strange Bed"; and "The Boarded Window," Ambrose Bierce's tale of the bizarre. A year-round collection for reading aloud--and frightening your friends--The Raven and the Monkey's Paw will gratify all manner of thrill-seekers.The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foundation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with affordable hardbound editions of important works of literature and thought. For the Modern Library's seventy-fifth anniversary, Random House redesigned the series, restoring as its emblem the running torchbearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inaugurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices.

    --No particular night or morning --The city --The fire balloons --The last night of the world --The veldt --The long rain --The great fire --The wilderness --A sound of thunder --The murderer --The April witch --Invisible boy --The golden kite, the silver wind --The fog horn --The black black and white game --Embroidery --The golden apples of the sun --Powerhouse --Hail and farewell --The great wide world over there --The playground --Skeleton --The man upstairs --Touched with fire --The emissary --The jar --The small assasin --The next in line --Jack-in-the-box --The leave-taking --Exorcism --The happiness machine --Calling Mexico --The wonderful ice cream suit --Dark they were, and golden-eyed --The strawberry window --A scent of sarsaparilla --The Picasso summer --The day it rained forever --A medicine for melancholy --The shoreline at sunset --Fever dream --The town where no one got off --All summer in a day --Frost and fire --The anthem sprinters --And so died Riabouchinska --Boys! Raise giant mushrooms in your cellar! --The vacation --The illustrated woman --Some live like Lazarus --The best of all possible worlds --The one who waits --Tyrannosaurus Rex --The screaming woman --The terrible conflagration up at the place --Night call, collect --The tombling day --The haunting of the new --Tomorrow's child --I sing the body electric! --The women --The inspired chicken motel --Yes, we'll gather at the river --Have I got a chocolate bar for you! --A story of love --The parrot who met Papa --The October game --Punishment without crime --A piece of wood --The blue bottle --Long after midnight --The utterly perfect murder --The better part of wisdom --Interval in sunlight --The black ferris --Farewell summer --McGillahee's brat --The aqueduct --Gotcha! --The end of the beginning.

    Not only did it win the $100 prize, but, published anonymously, it marked the first in the series of "blood & thunder tales" that would be her livelihood for years. In Behind a Mask, editor Madeleine Stern introduces four Alcott thrillers: "Pauline's Passion and Punishment," "The Mysterious Key," "The Abbot's Ghost," and the title story, "Behind a Mask." First published in one volume in 1975, they are regarded as Alcott's finest work in this genre.

    This new collection brings together eight of James's tales exploring the uncanny, including his infamous ghost story, 'The Turn of the Screw', a work saturated with evil, in which a fraught governess becomes convinced that malicious spirits are menacing the children in her care. The other masterly works here include 'The Jolly Corner', 'Owen Wingrave' and further tales of visitations, premonitions, madness, grief and family secrets, where the living are just as mysterious and unknowable as the dead. With an introduction and notes by Susie BoytGeneral Editor Philip Horne

    His sense of isolation lies at the heart of these later works. "Billy Budd, Sailor," a classic confrontation between good and evil, is the story of an innocent young man unable to defend himself against a wrongful accusation. The other selections here--"Bartleby," "The Encantadas," "Benito Cereno," and "The Piazza"--also illuminate, in varying guises, the way fictions are created and shared with a wider society.In his introduction Frederick Busch discusses Melville's preoccupation with his "correspondence with the world," his quarrel with silence, and why fiction was, for Melville,"a matter of life and death."Bartleby --The piazza --The Encantadas --The bell-tower --Benito Cereno --The paradise of bachelors and the tartarus of maids --Billy Budd, sailor.

    The Short Stories, introduced here with a revealing preface by the author, chronicles Hemingway's development as a writer, from his earliest attempts in the chapbook Three Stories and Ten Poems, published in Paris in 1923, to his more mature accomplishments in Winner Take Nothing. Originally published in 1938 along with The Fifth Column, this collection premiered "The Capital of the World" and "Old Man at the Bridge," which derive from Hemingway's experiences in Spain, as well as "The Short Happy Life of Francis Macomber" and "The Snows of Kilimanjaro," which figure among the finest of Hemingway's short fictions.

    "Power and haunting," and "nights of unrest" were typical reader responses. This collection, the only one to appear during Shirley Jackson's lifetime, unites "The Lottery:" with twenty-four equally unusual stories. Together they demonstrate Jackson's remarkable range--from the hilarious to the truly horrible--and power as a storyteller.

    This Penguin Classics edition brings together a dozen of the master's tales-from his early short stories "Under the Pyramids" (originally ghostwritten for Harry Houdini) and "The Music of Erich Zann" (which Lovecraft ranked second among his own favorites) through his more fully developed works, "The Dunwich Horror," The Case of Charles Dexter Ward, and At the Mountains of Madness. The Thing on the Doorstep and Other Weird Stories presents the definitive corrected texts of these works, along with Lovecraft critic and biographer S. T. Joshi's illuminating introduction and notes to each story.Contains the following tales:- The Tomb- Beyond the Wall of Sleep- The White Ship- The Temple- The Quest of Iranon- The Music of Erich Zann- Imprisoned with the Pharaohs aka Under the Pyramids- Pickman's Model- The Case of Charles Dexter Ward- The Dunwich Horror- At the Mountains of Madness- The Thing on the Doorstep

    Bawdy, funny, touching, and downright outrageous, there's simply no one else like Roald Dahl.This volume is a diabolical collection of 28 of Dahl's best stories. Shiver to classics like The Man From the South, Taste, Royal Jelly and The Great Switcheroo and hard-to-find gems like Poison, The Wish and Neck. It's the perfect remedy for a sleepless night. From Someone Like YouTasteLamb to the SlaughterMan from the SouthThe SoldierDip in the PoolGalloping FoxleySkinPoisonWishNeckSound MachineNunc DimittisGreat Automatic GrammatizatorClaud's DogRatcatcherRumminsMr HoddyMr FeaseyFrom Kiss KissLandladyWilliam and MaryThe Way Up to HeavenRoyal JellyGeorgy PorgyGenesis and CatastropheEdward the ConquerorPigChampion of the WorldFrom Switch BitchGreat SwitcherooLast ActBitch

    In addition to works by Edgar Allan Poe, Arthur Conan Doyle, Bram Stoker, Wilkie Collins!, and other well-known writers, it features several sensationalized retellings of famous folk legends and accounts of notorious highwaymen. The book includes two full-length novels: the original 1818 text of Frankenstein, which was considered more shocking before Mary Shelley toned down its gruesomeness for the better-known 1831 edition, and Sweeney Todd: The Demon Barber of Fleet Street, a genuine penny dreadful that has served as the foundation for all accounts of Sweeney Todd written since. The book will appeal to readers who are currently enjoying the literary horror mash-ups featured on the hit Sky Atlantic series Penny Dreadful.Includes: - Aurelia, or, The Tale of a Ghoul by E.T.A. Hoffman

    Scott Fitzgerald, the iconic American writer of The Great Gatsby who is more widely read today than ever.I’d Die For You is a collection of the last remaining unpublished and uncollected short stories by F. Scott Fitzgerald, edited by Anne Margaret Daniel. Fitzgerald did not design the stories in I’d Die For You as a collection. Most were submitted individually to major magazines during the 1930s and accepted for publication during Fitzgerald’s lifetime, but were never printed. Some were written as movie scenarios and sent to studios or producers, but not filmed. Others are stories that could not be sold because their subject matter or style departed from what editors expected of Fitzgerald. They date from the earliest days of Fitzgerald’s career to the last. They come from various sources, from libraries to private collections, including those of Fitzgerald’s family. Readers will experience Fitzgerald writing about controversial topics, depicting young men and women who actually spoke and thought more as young men and women did, without censorship. Rather than permit changes and sanitizing by his contemporary editors, Fitzgerald preferred to let his work remain unpublished, even at a time when he was in great need of money and review attention. “I’d Die For You,” the collection’s title story, is drawn from Fitzgerald’s stays in the mountains of North Carolina when his health, and that of his wife Zelda, was falling apart. With the addition of a Hollywood star and film crew to the Smoky Mountain lakes and pines, Fitzgerald brings in the cinematic world in which he would soon be living. Most of the stories printed here come from this time period, during the middle and late1930s, though the collection spans Fitzgerald’s career from 1920 to the end of his life. The book is subtitled And Other Lost Stories in recognition of an absence until now. Some of the eighteen stories were physically lost, coming to light only in the past few years. All were lost, in one sense or another: lost in the painful shuffle of the difficulties of Fitzgerald’s life in the middle 1930s; lost to readers because contemporary editors did not understand or accept what he was trying to write; lost because archives are like that, and good things can wait patiently in libraries for many centuries sometimes. I’d Die For You And Other Lost Stories echoes as well the nostalgia and elegy in Gertrude Stein’s famous phrase “a lost generation,” that generation for whom Fitzgerald was a leading figure. Written in his characteristically beautiful, sharp, and surprising language, exploring themes both familiar and fresh, these stories provide new insight into the bold and uncompromising arc of Fitzgerald’s career. I’d Die For You is a revealing, intimate look at Fitzgerald’s creative process that shows him to be a writer working at the fore of modern literature—in all its developing complexities.

    In two sketches, he experiments with tales transplanted from Europe, thereby creating the first classic American short stories, Rip Van Winkle, and The Legend of Sleepy Hollow. Based on Irving's final revision of his most popular work, this new edition includes comprehensive explanatory notes of The Sketch-Book's sources for the modern reader.

    His first important publication, long before The Scarlet Letter, was the 1837 collection Twice-Told Tales, which brought the New England writer immediate fame and high praise from no less an authority than Edgar Allan Poe. Another compilation, Mosses from an Old Manse, followed in 1846 and achieved further success. This volume contains six stories from those collections as well as another superb selection, "My Kinsman, Major Molineux." In addition to the latter tale and the title story, this edition includes "Dr. Heidegger's Experiment," "The Birthmark," "Rappaccini's Daughter," "Roger Malvin's Burial" and "The Artist of the Beautiful." Here are tales rich in atmosphere and suspense, with plots centering on subjects as diverse as witchcraft, revenge, the power of guilt, and a passion for the beautiful, all recounted in the distinctive voice of one of America's great writers.--back coverDr. Heidegger's experiment --The birthmark --Young Goodman Brown --Rappaccini's daughter --Roger Malvin's burial --The artist of the beautiful --My kinsman, Major Molineux.

    Whatever their differences in mood or effect, they are both very much concerned with Seymour Glass, who is the main character in my still-uncompleted series about the Glass family. It struck me that they had better be collected together, if not deliberately paired off, in something of a hurry, if I mean them to avoid unduly or undesirably close contact with new material in the series. There is only my word for it, granted, but I have several new Glass stories coming along ? waxing, dilating ? each in its own way, but I suspect the less said about them, in mixed company, the better. Oddly, the joys and satisfactions of working on the Glass family peculiarly increase and deepen for me with the years. I can't say why, though. Not, at least, outside the casino proper of my fiction.

    11 stories: The AwakeningBeyond the BayouMa'ame PelagieDesiree's BabyA Respectable WomanThe KissA Pair of Silk StockingsThe LocketA ReflectionAt the 'Cadian BallThe Storm