told from the point of view of the house itself!Woken from years of lonely slumber, an old house is delighted to finally have a family again. This joy is soon interrupted, however, as the house realizes that another presence is watching the family. A mysterious gray figure seems particularly interested in the young girl, Dot, who has moved in with her parents.What does the figure want with Dot? What evil force lurks in the basement? And why does the house itself not remember its own history, including the tragedy that occurred when an unknown woman died within its walls?The House Where She Died is a ghost story about a little girl who finds herself drawn to darkness, and about a house that must face the truth about its own horrific past. This is an expanded version of an old short story, by the same author, titled The House Speaks.

    He spends his days jerking off to hentai and fantasizing about his ideal life. ne day while sitting in his hidden spot in the woods, he encounters the perfect girl. She is his ultimate fantasy. The only problem – she isn’t human. She’s an otherworldly creature who feeds on acts of sex and violence. Lots and lots of violence…and she is a complete glutton for it.Fat Off Sex and Violence is the most extreme work yet by one of the most exciting new voices in horror. Don’t try to resist, give in to your worst instincts. Welcome to Shane McKenzie’s world.

    They are led to believe that here they will leave behind all the distractions of 'real life' that are keeping them from creating the masterpiece that is in them. But 'here' turns out to be a cavernous and ornate old theater where they are utterly isolated from the outside world - and where heat and power and, most importantly, food are in increasingly short supply. And the more desperate the circumstances become, the more desperate the stories they tell - and the more devious their machinations to make themselves the hero of the inevitable play/movie/non-fiction blockbuster that will certainly be made from their plight.

    Romero reminds us, “There was a collection of stories called Book of the Dead, in which horror and science-fiction writers came together and wrote short stories about what was happening to other people on that first night (as depicted) in Night of the Living Dead.” Noted authors such as Joe R. Lansdale, Stephen King, Robert R. McCammon, and Douglas E. Winter use their macabre vision to bring us those stories. Forwarded by the Godfather himself, this anthology imbeds itself in the cannon of zombie lore.

    The money is rolling in, despite the death count. Both men begin a vicious killing spree in their films as more and more people are demanding the best in bloody porn.When the mafia becomes involved, things couldn't be better, until one of the victims turns out to have a father more disturbing than any killer out there. Soon, the tables are turned on the filmakers as a dangerous game of cat and mouse ensues. This is a brutal novel. It's already being called one of the most disturbing efforts is literature and is being advised to come with a WARNING: label.

    Selby's second novel is a claustrophobic descent into the tormented soul of a man trapped in a loveless society.

    The author deftly puts you inside the mind of a serial killer--succeeding not in writing about madness, but in writing with the logic of madness.

    But whilst Jude suffers to a degree, Kyle is the one who takes the brunt of their attention, submitting himself to preserve his younger brother’s innocence.As a grown man, Jude’s mind turns to vengeance for what they have endured. He has waited a long time, but now he is strong enough, and cold-hearted enough, to do the deed. Enacting one harrowing revenge after another, Jude’s dark quest to punish the wrongs of the past will show that after all is said and done, only the stains of the past will remain.

    Then his roommate’s missing brother turns up in a local hospital having sliced open his own chest and legs for some sick, inexplicable reason. In Oakland, the Reverend Garner, a recovering addict, leaves his ministry in search of his teenage daughter, who was last seen in the company of her ghoulish kidnapper. And the Los Angeles police are meanwhile baffled in their hunt for the elusive “Wetbones” serial killer who leaves nothing of his victims behind except a damp, grisly pile of bones. Though Tom, the reverend, and the LAPD are on separate quests for answers, they are all being led into the darkest shadows of Hollywood, where the debauchery never ceases and pleasure is a drug that devours human flesh, blood, and sanity. But the true source of the all-consuming addiction is the most horrifying revelation of all, for it is not of this rational Earth. From International Horror Guild Award–winning author John Shirley, the acclaimed “splatterpunk” classic Wetbones combines the monstrous inventiveness of H. P. Lovecraft with the exquisite excess of Clive Barker. A true masterwork of modern terror, it’s decidedly not for the faint of heart.

    Once Mike finds out what she's done, he will go to any length to ensure she dies a slow, painful death, just like the one he's sure his wife has sentenced him to.

    Marsh's OB-GYN office, he becomes a prime suspect in the missing person cases.Dr. Marsh prides himself on being an upstanding citizen. Not only does he donate time and money to several charities, he is also a caring doctor.Is he a nice person? Or is he as evil as the police suspect?EXTREME HORROR: There are multiple scenes of violence, blood, gore, and torture.Most of the torture is against a pregnant woman, being held captive against her will.

    The experience of this collection may be likened to getting run over by a 666-car locomotive engineered by Lucifer. This is the cream of grotesquerie's crop, a Whitman's Sampler of the heinous, and an absolutely gut-wrenching celebration of the furthest extremities of the scatological, the taboo, the unconscionable, and the blasphemous." -Edward Lee, author of THE HAUNTER OF THE THRESHOLD and THE DUNWICH ROMANCE If you thought Volume One was intense, you ain't seen nothing yet! Twenty-eight masters of the extreme contribute their most hardcore tales to the anthology that only Blood Bound Books could publish: D.O.A. II. Wrath James White, Jack Ketchum, Robert Devereaux, J.F. Gonzalez, David Quinn, Shane McKenzie, John McNee and many more. Pull back the coroner's sheet, hold your breath, and enjoy the ride. THIS IS NOT FOR THE SQUEAMISH.

    Over 40 tales of visitation by the undead--from vengeful and violent spirits, set on causing harm to innocent people tucked up in their homes, to rarer and more kindly ghosts, returning from the grave to reach out across the other side. Yet others entertain desires of a more sinister bent, including the erotic. This new edition includes a selection of favorite haunted house tales chosen by famous screen stars such as Boris Karloff, Peter Cushing and Christopher Lee. In addition, a top ranking list of contributors includes Stephen King, Bram Stoker, Ruth Rendell, and James Herbert--all brought together by an anthologist who himself lives in a haunted house.Contents1 • The Haunted House • (2000) • short fiction by Elizabeth Albright and Ray Bradbury3 • Foreword: I Live In A Haunted House • (2000) • essay by Peter Haining9 • The Haunted and the Haunters • (1919) • novelette by Edward Bulwer-Lytton (variant of The Haunted and the Haunters; or, The House and the Brain 1859)39 • Authentic Narrative of a Haunted House • (2000) • short story by Joseph Sheridan Le Fanu (variant of An Authentic Narrative of a Haunted House 1862)53 • A Case of Eavesdropping • [Jim Shorthouse] • (1900) • short story by Algernon Blackwood69 • A Haunted House • (1921) • short story by Virginia Woolf73 • Ghost Hunt • (1948) • short story by H. Russell Wakefield81 • Dark Winner • (1976) • short story by William F. Nolan89 • The Old House in Vauxhall Walk • (1882) • novelette by Mrs. J. H. Riddell [as by Charlotte Riddell]109 • No. 252 Rue M. Le Prince • (1895) • short story by Ralph Adams Cram125 • The Southwest Chamber • (1903) • novelette by Mary E. Wilkins Freeman [as by Mary Eleanor Freeman]145 • The Toll-House • (1907) • short story by W. W. Jacobs157 • Feet Foremost • (1932) • novelette by L. P. Hartley191 • Happy Hour • (1990) • novelette by Ian Watson217 • The Ankardyne Pew • (1979) • short story by William Fryer Harvey [as by W. F. Harvey]231 • The Real and the Counterfeit • (1988) • short story by Mrs. Alfred Baldwin [as by Louisa Baldwin]249 • A Night at a Cottage ... • (1926) • short story by Richard Hughes253 • The Considerate Hosts • (1939) • short story by Thorp McClusky265 • The Grey House • (1967) • short story by Basil Copper309 • Watching Me, Watching You • (1981) • short story by Fay Weldon329 • A Spirit Elopement • (1915) • short story by Richard Dehan339 • The House of Dust • (1920) • short story by Herbert de Hamel357 • The Kisstruck Bogie • (1946) • short story by A. E. Coppard367 • Mr Edward • (2000) • short story by Norah Lofts (variant of Mr. Edward 1947)385 • House of the Hatchet • (1941) • short story by Robert Bloch403 • Napier Court • (1971) • short story by Ramsey Campbell423 • Lost Hearts • (1895) • short story by M. R. James435 • The Shadowy Third • (1916) • novelette by Ellen Glasgow461 • A Little Ghost • (1922) • short story by Hugh Walpole477 • The Patter of Tiny Feet • (1950) • short story by Nigel Kneale489 • Uninvited Ghosts • (1981) • short story by Penelope Lively497 • Playing with Fire • (1900) • short story by Arthur Conan Doyle [as by Sir Arthur Conan Doyle]513 • The Whistling Room • [Carnacki (Hodgson)] • (1910) • short story by William Hope Hodgson533 • Bagnell Terrace • (1925) • short story by E. F. Benson547 • The Companion • (1978) • short story by Joan Aiken557 • The Ghost Hunter • (2000) • short fiction by James Herbert563 • Computer Séance • (1997) • short story by Ruth Rendell573 • In Letters of Fire • [L'homme qui a vu le diable] • (1908) • novelette by Gaston Leroux (trans. of L'homme qui a vu le diable)593 • The Judge's House • (1891) • short story by Bram Stoker613 • The Storm • (1944) • short story by McKnight Malmar627 • The Waxwork • (1931) • short story by A. M. Burrage [as by Ex-Private X]641 • The Inexperienced Ghost • (1902) • short story by H. G. Wells655 • Sophy Mason Comes Back • (1930) • short story by E. M. Delafield669 • The Boogeyman • (1973) • short story by Stephen King683 • Appendix: Haunted House Novels: A Listing • (2000) • essay by Peter Haining

    She lives with no name.She has never left her room.All she has ever known is pain and abuse.Until now.Today, she will breathe fresh air for the first time, feel sunshine against her skin and even witness human kindness.But she has a point to make - a bleak, violent point - and when she meets her neighbour, Serenity, she finds the perfect pupil.Forced to endure a lesson distilled from a nightmarish existence, Serenity must face unflinching evil, witness the unspeakable, and question her most deeply-held views, until at last she has no choice but to fight for her family's survival.

    The operation takes less than two minutes. Luke will wake up at The Institute, in a room that looks just like his own, except there’s no window. And outside his door are other doors, behind which are other kids with special talents—telekinesis and telepathy—who got to this place the same way Luke did: Kalisha, Nick, George, Iris, and ten-year-old Avery Dixon. They are all in Front Half. Others, Luke learns, graduated to Back Half, “like the roach motel,” Kalisha says. “You check in, but you don’t check out.”In this most sinister of institutions, the director, Mrs. Sigsby, and her staff are ruthlessly dedicated to extracting from these children the force of their extranormal gifts. There are no scruples here. If you go along, you get tokens for the vending machines. If you don’t, punishment is brutal. As each new victim disappears to Back Half, Luke becomes more and more desperate to get out and get help. But no one has ever escaped from the Institute.