It includes hundreds of whimiscal superstitions as well as folk cures, charms, and chants practiced by the early settlers of Appalachia.

    It demonstrates how recent writers have changed the aesthetic constructs and social content of fairy tales to reflect cultural change since the 1960s in area of gender roles, socialization and education. It includes selected works from such writers as Angela Carter, Margaret Atwood and Jay Williams, and critical essays from Marcia Lieberman and Sandra Gilbert.

    Bantam brings three generations into sharp focus – Kay’s own, her father’s, and his own father’s – to show us how the body holds its own story. Kay shows how old injuries can emerge years later; how we bear and absorb the loss of friends; how we celebrate and welcome new life; and how we how we embody our times, whether we want to or not. Bantam crosses borders, from Rannoch Moor to the Somme, from Brexit to Bronte country. Who are we? Who might we want to be? These are poems that sing of what connects us, and lament what divides us; poems that send daylight into the dark that threatens to overwhelm us – and could not be more necessary to the times in which we live."

     Detective Sergeant Joe Galbraith starts what seems like one more depressing investigation of the untimely death of a poor unfortunate who was in the wrong place, at the wrong time. As the investigation spreads across Scotland it reaches into a past that Joe has tried to forget, and takes him back to the Hebridean island of Harris, where he spent his childhood. Among the mountains and the stunning landscape of religiously conservative Harris, in the shadow of Ceapabhal, long buried events and a tragic story are slowly uncovered, and the investigation takes on an altogether more sinister aspect. In The Shadow Of The Hill skilfully captures the intricacies and malevolence of the underbelly of Highland and Island life, bringing tragedy and vengeance to the magical beauty of the Outer Hebrides.

    Set in the exotic islands of the Philippines, this tale captures the mystical charm of the indigenous culture of the Filipinos. Colorful images of pre-colonial Philippine scenes, costumes, architecture, and folkways vividly enhance the enchanting narratives.This retelling of lasting value and universal appeal conveys the deep respect and reverence for nature and the earth inherent in the forever-loved story that will never grow old.

    They spend their time telling stories to the unborn baby, trying to pass on the lessons they've learned: tales of circuses and stargazing, selkie fishermen and domestic werewolves, child-eating witches and broken-toothed dragons. But each must keep their storytelling a secret from the other, as they've agreed to only ever tell the plain truth. Ruth tells her stories when Liska is at work, to a background of shrieking seabirds; Liska tells hers when Ruth is asleep, with the lighthouse sweeping its steady beam through the window. As their tales build and grow along with their child, Liska and Ruth realise that the truth lives in their stories, and they cannot hide from one another. A Portable Shelter is a beautifully produced collection of elegant, haunting short stories from one of Britain's most exciting new talents. Each story is accompanied by an illustration by award-winning artist Liz Myhill. Produced with the assistance of the Dr Gavin Wallace Fellowship.

    Even when it wasn't raining, it was about to rain, or had just rained. It's a very angry sky.” – Colin Hay Scotland is a fascinating and ancient land filled with history. It has produced explorers, warriors, inventors, writers, and more than a few murderers. For many centuries, it fought bitter wars against England to maintain its independence, and even when those wars were finally lost, Scotland retained its distinct culture and identity. Though a part of the United Kingdom, it would be a mistake to lump it in with England, Wales, and Northern Ireland, as Scotland has its own tales to tell and traditions to maintain. Not everything in Scotland is as it appears, however. Some Scots say this is a land haunted by spirits, a place of strange disappearances and unexplained phenomena. There is no shortage when it comes to the strange stories Scotland has to offer, and the legends and lore have compelled many to dig a little deeper and even explore this wonderful land for themselves. Some of those tales are downright grisly. Scotland has always been a rival to its southern neighbor, and the rivalry extends to the number of hauntings in its medieval castles, stately homes, and old cobblestone streets. While many Englishmen claim that their country is the most haunted, the Scots can point to their own stories of ghosts as evidence they may beat the English in this dubious distinction. The Ghosts of Scotland: A Collection of Ghost Stories across the Scottish Nation is a collection of such tales, just a few among the thousands of local legends and modern sightings that make Scotland one of the most haunted countries in the world. It is part of a collection of other books written by Sean McLachlan, including The Ghosts of England: A Collection of Ghost Stories across the English Nation and The Ghosts of Ireland: A Collection of Ghost Stories across the Emerald Isle. For other strange occurrences in Scotland, ranging from Nessie to jelly falling from the sky, check out another title in the series, Weird Scotland: Monsters, Mysteries, and Magic Across the Scottish Nation. Along with pictures of important people, places, and events, you will learn about the ghosts of Scotland like never before.

    Sections group tales together by theme or juxtapose variations of individual tales, inviting comparison and analysis across cultures and genres. An accessible section of critical selections provides a foundation for readers to analyze, debate, and interpret the tales for themselves. An expanded introduction by the editors looks at the history of folk and fairy tales and distinguishes between the genres, while revised introductions to individual sections provide more detailed history of particular tellers and tales, paying increased attention to the background and cultural origin of each tale. A selection of illustrations from editions of classic tales from the 19th to the 21st centuries is also included.

    and more

    There is tremendous variety in this volume including the stories of Kuay Yin, the compassionate Buddhist goddess; Durga, the fierce Hindu warrior goddess; lx Chel, an ancient Mayan goddess; Changing Woman, the man-faceted Navajo deity, and more. Each story in this dynamic collection is accompanied by an exquisite portrait by the late, supremely gifted illustrator Trina Schart Hyman

    The thorn was shimmering as he knelt before it. Whispering directly to the roots of the tree, Man Donaghy said, “I want you to take Wife Donaghy.”’ Jane Talbot’s seven bewitching tales will draw you into a world of fairy tales and magick, a world of devilish debts, trysts and trades, of broken bargains and unjust trials, of quick-wittedness, of hoodwinking, of revenge. A dark, tender, dazzling collection that will make you remember why you love stories. The stories in this collection follow many conventions associated with traditional, oral storytelling. For this reason, as well as enjoying the stories in the privacy of your own head, you might also find that they’re even better when read aloud and shared with others.

    By following her mother's admonition to perform every task with care and love, a poor young Mexican girl wins the devotion of the governor's son.

    Mairi makes no secret of the fact that she would rather be out taking down a wild pig with her childhood friend Iain, the fletcher’s son, than plying a needle with the women. Her mother despairs of her, and never stops comparing her to her beautiful and successfully married sister Una. Her father, tired of her rejection of one suitable match after another, finally presents her with an ultimatum: Marry Alastair Maclean or spend the rest of her life in the priory. Mairi knows that she would never survive in a priory, locked away from her beloved outdoor pursuits. But nor can she endure the thought of a loveless marriage to Alastair, who has never stopped mourning the loss of his adored first wife Madeline in childbed. Left without choices, Mairi becomes Alastair’s wife. Life is every bit as bad as she feared. Alastair’s sister Rhona clearly does not want to see her brother married to the Chisholm wildcat, and Alastair himself is as cold as the frigid wind that blows across the Highlands. Mairi resolves to resign herself to the demands of the marriage bed, and devote her life to raising bairns with the love she was never shown. But one day, she finds herself in more danger than she has ever known… and everything changes.

    She didn't just leave the small Scottish town where she grew up; she fled from it as fast as she could. Now she's become expert at metropolitan living; she could walk by a million faces and not notice any of them. And her dream is almost within her grasp.When Rowan does start packing her bags, she has to find room for one very unexpected item. And she's headed not for exotic distant shores but back to Scotland. There, she feels at first like nothing more than a source of good gossip. But as she discovers that no one is quite who she thought they were, Rowan begins to see that home could be where she'll find what she was looking for after all...

    Some are "Momotaro, "The Son of a Peach", "The Jellyfish and the Monkey", "The Mirror of Matsuyama", "The Bamboo Cutter and the Moon Child", "The Stones of Five Colors and the Empress Jokwa."