Lamenting the vacuous, often pagan nature of contemporary American spirituality, Eugene Peterson here firmly grounds spirituality once more in Trinitarian theology and offers a clear, practical statement of what it means to actually live out the Christian life.Writing in the conversational style that he is well known for, Peterson boldly sweeps out the misunderstandings that clutter conversations on spiritual theology and refurnishes the subject only with what is essential. As Peterson shows, spiritual theology, in order to be at once biblical and meaningful, must remain sensitive to ordinary life, present the Christian gospel, follow the narrative of Scripture, and be rooted in the "fear of the Lord" -- in short, spiritual theology must be about God and not about us. The foundational book in a five-volume series on spiritual theology emerging from Peterson's pen, Christ Plays in Ten Thousand Places provides the conceptual and directional help we all need to live the Christian gospel well and maturely in the conditions that prevail in the church and world today.

    The sentimentality and commercialism that dominate the season tend to obscure the profound mystery at its heart: the Incarnation. God With Us provides the perfect way to slow down and reconnect with the litugical and sacramental traditions that illuminate the meaning of the Incarnation and bring it down to earth.Featuring daily meditations for the complete seasons of Advent, Christmas, and Epiphany, contributors Scott Cairns, Emilie Griffin, Richard John Neuhaus, Kathleen Norris, Eugene Peterson, and Luci Shaw offer a tapestry of reflection, Scripture, prayer and history. These profound words are enhanced by classic and contemporary art masterpieces carefully selected by the editors. God With Us will make anyone's journey to the stable in Bethlehem and the child in the manger utterly unforgettable.

    A clinical psychologist and Jewish educator use the Torah and other Jewish texts to offer psychological and practical insights into parenting and sharing practical advice on how to develop realistic expectations for each child, teach respect for adults, deal with frustration, enhance independence, and more.

    With passion and humor, acclaimed author and internationally respected literacy expert Mem Fox tells readers how she herself became aware of the astonishing effects that reading aloud and bonding through books have on very young children.She speaks of when, where, and why to read aloud and demonstrates how to read aloud to best effect and how to get the most out of a read-aloud session. She walks readers through the three secrets of reading which together make reading possible. She gives guidance on defining, choosing, and finding good books and closes with tips on dealing effectively with the challenges that sometimes arise when children are learning to read.Filled with practical advice, activities, and inspiring true read-aloud miracles, this book is a must for every parent-and for anyone interested in how children learn to read.

    Living way high up in the Appalachian Mountains, he'd rather help Pap plow or go out after wandering sheep than try some book learning. Nope. Cal does not want to sit stoney-still reading some chicken scratch. But that Book Woman keeps coming just the same. She comes in the rain. She comes in the snow. She comes right up the side of the mountain, and Cal knows that's not easy riding. And all just to lend his sister some books. Why, that woman must be plain foolish; or is she braver than he ever thought? That Book Woman is a rare and moving tale that honors a special part of American history; the Pack Horse Librarians, who helped untold numbers of children see the stories amid the chicken scratch, and thus made them into lifetime readers.

    M. Forster's Aspects of the Novel and Milan Kundera's The Art of the Novel, How Fiction Works is a scintillating study of the magic of fiction--an analysis of its main elements and a celebration of its lasting power. Here one of the most prominent and stylish critics of our time looks into the machinery of storytelling to ask some fundamental questions: What do we mean when we say we "know" a fictional character? What constitutes a telling detail? When is a metaphor successful? Is Realism realistic? Why do some literary conventions become dated while others stay fresh?James Wood ranges widely, from Homer to Make Way for Ducklings, from the Bible to John le Carré, and his book is both a study of the techniques of fiction-making and an alternative history of the novel. Playful and profound, How Fiction Works will be enlightening to writers, readers, and anyone else interested in what happens on the page.

    Blogs, tweets and newspaper articles on the subject appear daily, many of them repetitive, most of them admitting they don't know what will happen. Amidst the twittering, the thoughts of Jean-Claude Carrière and Umberto Eco come as a breath of fresh air. There are few people better placed to discuss the past, present and future of the book. Both avid book collectors with a deep understanding of history, they have explored through their work the many and varied ways ideas have been represented through the ages. This thought-provoking book takes the form of a long conversation in which Carrière and Eco discuss everything from what can be defined as the first book to what is happening to knowledge now that infinite amounts of information are available at the click of a mouse. En route there are delightful digressions into personal anecdote. We find out about Eco's first computer and the book Carrière is most sad to have sold. Readers will close this entertaining book feeling they have had the privilege of eavesdropping on an intimate discussion between two great minds. And while, as Carrière says, the one certain thing about the future is that it is unpredictable, it is clear from this conversation that, in some form or other, the book will survive.

    Peggy Kaye, renowned teacher and author of the widely praised Games for Math, Games for Reading, and Games for Learning, now gives parents more than fifty ways to help their children become skilled, confident, and enthusiastic writers.

    It is the one business for which the earth exists. To it all politics, all war, all literature, all money-making, ought to be subordinated; and every parent especially ought to feel, every hour of the day, that, next to making his own calling and election sure, this is the end for which he is kept alive by God—this is his task on earth." -R.L. Dabney

    But all too often we see ourselves primarily as individuals and run the risk of working at cross-purposes with the organizations we serve. Living faithfully in a neighborhood involves two interwoven threads: learning and action. In this book C. Christopher Smith, coauthor of Slow Church, looks at the local church as an organization in which both learning and action lie at the heart of its identity. He explores the practice of reading and, in his words, "how we can read together in ways that drive us deeper into action." Smith continues, "Church can no longer simply be an experience to be passively consumed; rather, we are called into the participatory life of a community. Reading is a vital practice for helping our churches navigate this shift." Discover how books can help your churches and neighborhoods bring flourishing to the world.

    How to Read Literature is the book of choice for students new to the study of literature and for all other readers interested in deepening their understanding and enriching their reading experience. In a series of brilliant analyses, Eagleton shows how to read with due attention to tone, rhythm, texture, syntax, allusion, ambiguity, and other formal aspects of literary works. He also examines broader questions of character, plot, narrative, the creative imagination, the meaning of fictionality, and the tension between what works of literature say and what they show. Unfailingly authoritative and cheerfully opinionated, the author provides useful commentaries on classicism, Romanticism, modernism and postmodernism along with spellbinding insights into a huge range of authors, from Shakespeare and Jane Austen to Samuel Beckett and J. K. Rowling.

    Zapruder argues that the way we have been taught to read poetry is the very thing that prevents us from enjoying it. In lively, lilting prose, he shows us how that misunderstanding interferes with our direct experience of poetry and creates the sense of confusion or inadequacy that many of us feel when faced with it.   Zapruder explores what poems are, and how we can read them, so that we can, as Whitman wrote, “possess the origin of all poems,” without the aid of any teacher or expert. Most important, he asks how reading poetry can help us to lead our lives with greater meaning and purpose. Anchored in poetic analysis and steered through Zapruder’s personal experience of coming to the form, Why Poetry is engaging and conversational, even as it makes a passionate argument for the necessity of poetry in an age when information is constantly being mistaken for knowledge. While he provides a simple reading method for approaching poems and illuminates concepts like associative movement, metaphor, and negative capability, Zapruder explicitly confronts the obstacles that readers face when they encounter poetry to show us that poetry can be read, and enjoyed, by anyone.

    Online dating, social media, internet pornography, and the phenomenon of the smartphone generation have created an avalanche of change with far-reaching consequences for sexuality today. The church has struggled to address this new moral ecology because it has focused on clarity of belief rather than quality of formation. The real challenge for spiritual formation lies in addressing the underlying moral intuitions we carry subconsciously, which are shaped by the convictions of our age.In this book, a fresh new voice offers a persuasive Christian vision of sex and relationships, calling young adults to faithful discipleship in a hypersexualized world. Drawing from his pastoral experience with young people and from cutting-edge research across multiple disciplines, Jonathan Grant helps Christian leaders understand the cultural forces that make the church’s teaching on sex and relationships ineffective in the lives of today’s young adults. He also sets forth pastoral strategies for addressing the underlying fault lines in modern sexuality.

    Sloth is not mere laziness, however, but a disgust with reality, a loathing of our call to be friends with God, and a spiteful hatred of place and life itself. As described by Josef Pieper, the slothful person does not "want to be as God wants him to be, and that ultimately means he does not wish to be what he really, fundamentally is." Sloth is a hellish despair. Our own culture is deeply infected, choosing a destructive freedom rather than the good work for which God created us. Acedia and its Discontents resists despair, calling us to reconfigure our imaginations and practices in deep love of the life and work given by God.