Matty has had to care for her three younger sisters ever since their mother’s death ten years ago. She and the girls’ beloved father have worked hard to keep the family together and now it’s time to celebrate as Matty turns eighteen. But their joy is short-lived when tragedy suddenly strikes and their father disappears on his way to London. The sisters have no way of knowing what has happened to him – only that he hasn’t returned home. With little money left they’re now forced to battle life’s misfortunes alone…

    But when her soon-to-be husband is arrested with federal charges on her wedding day, her life takes a turn in the unexpected. With nowhere to go, she finds herself at the mercy of her best friend, Mona, and her husband, Memphis. But with the past that Memphis and Baby share, things begin to get even more complicated, and taboo emotions that Baby buried long ago threaten to come to the light. When she finds herself weak to resist love’s call, will she be strong enough to do what is right, or will she fall victim to the urgings of her heart?

    India has faced many tragedies in her young life, but lucky for her, she has her best friends Rome and Sydney by her side. The three of them have been best friends since they were crawling around in diapers, and if you ask them, they’ll tell you that there is nothing in the world that can tear them apart. But as they grow older, and India transforms from the skinny little toothpick with too much hair, to the beautiful bombshell with curves to die for, both Rome and Sydney’s platonic love for their best friend transforms to one of the heart. This leads to a lot of heart ache and pain, secrets and lies, and a whole heaping of drama. One-Click to find out what happens when both Rome and Sydney find themselves Falling In love with India.

    Newly wed Rosabelle Maltman loses her husband, and her mother-in-law Effie lost her husband and three sons. For these women and their neighbours in the close-knit community life will never be the same again. Yet as the months pass, the women of Eyemouth must learn to look to the future, to live and to love again.

    . . short poems so as to draw us into the doubleness and fluency of feelings."—The New York Times Book ReviewQuietly marked by elegy and memory, National Book Award winner Jean Valentine's thirteenth book is empowered by her signature clear music and compassion. Valentine leads us chronologically from childhood drawings and wartime memories to the present, where she addresses aging and the loss of loved ones. These poems of tender grace reflect on the small histories few ever fully see.Shirt in HeavenCome upon a snapshotof secret you, smiling like FDR, leaning on your crutches—come upon letters I thought I'd burned—I suppose you've got a place with lots of stairs.I'm at the end of something, you're at the beginning . . . —dearest, they told me a surgeon sat downin the hospital morgue, next to your body, & cried.He yelled at the aide to get out.His two sons had been your students.—me too, little-knowing—Jean Valentine is the current State Poet of New York and author of twelve books of poetry, including Door in the Mountain, which won the National Book Award. She has taught at Sarah Lawrence College, New York University, and Columbia University, and lives in the Morningside Heights neighborhood of New York City.

    May seem inconsolable and difficult to recover from…Heartbroken. While living vicariously through her friends’ enviable relationships, Tanya has grown weary of the single life. After being friend-zoned by every man she grows close to, her son’s father’s sudden interest in her gives her an inkling of hope. Her friends disapprove and say Tyrell doesn’t want her; he only wants the lifestyle Tanya can afford him. Will she see what they see and curve him, or will her insecurities cause her to settle? With the way things stand between her and Eli, Cassie never knows what their status is on a day to day basis. After the birth of their son, Cassie thought things would only improve between them; however, she didn’t expect for her and Eli to end up in a co-parenting situation. They have differences that need to be worked out, but with a little conflict, it doesn’t seem that working things out will be in Cassie’s favor. What’s a girl to do? For the past few years, Jazmin’s world couldn’t be better. With the shameful pain of the past behind her, she has established a wonderful life with her husband, Jah. At this point, nothing strong enough could disrupt their union…Or could it? There’s some shocking news that may disturb the discord of her household if Jah ever decides to reveal it. What’s Jah keeping from his Juicy? You asked for an update, so here they are: the old gang from the Crush series and If You’re Willing. Can’t say that I didn’t warn you, but everything can’t remain peaches and cream forever. Enjoy though!

    And now he has gathered from around the world the poems he loves – poems that have inspired and challenged him over the years, a number of which he has set to music. This wide-ranging and deeply moving anthology combines the ancient and the modern, the hallowed and the profane, the famous and the little known, to speak to two of literature’s great themes that have proven so powerful in his music: love and death – plus everything in between.Here are poems by Yehuda Amichai, W.H. Auden, Tusiata Avia, Hera Lindsay Bird, William Blake, Bertolt Brecht, Constantine Cavafy, Alison Croggon, Mahmoud Darwish, Emily Dickinson, John Donne, Ali Cobby Eckermann, James Fenton, Thomas Hardy, Kevin Hart, Gwen Harwood, Seamus Heaney, Philip Hodgins, Homer, Gerard Manley Hopkins, Langston Hughes, John Keats, Ono No Komachi, Maxine Kumin, Philip Larkin, Li-Young Lee, Norman MacCaig, Paula Meehan, Czeslaw Milosz, Les Murray, Pablo Neruda, Sharon Olds, Ovid, Sylvia Plath, Dorothy Porter, Rumi, Anne Sexton, William Shakespeare, Izumi Shikibu, Warsan Shire, Kenneth Slessor, Wislawa Szymborska, Máire Mhac an tSaoi, Ko Un, Walt Whitman, Judith Wright, W.B. Yeats and many more.

    Where Many Rivers Meet: Poems

    This is their story--ultimately a love story--darkly funny, mournful, testy. It is about a reader who at times presides over the page like a god, and at others follows the leash of the author's voice through the dark streets of the book like a dog, and it is about a writer of determined slipperiness.  As we read, we think that each of us is The Reader, the one who knows the Real Story. But the more we think we understand, the more the story moves away from us—all is not what it seems. This eagerly awaited third volume by the poet whose work The New York Times described as "at once charmed and frightening" is a book of high-spirited subversiveness, a work of argument, seduction, and a relentless devotion to language. Then, Suddenly— bristles with the sound of the author's voice--insistent, vital, hilarious, and iconoclastic--tearing away at the confinement of the page and at the distance between the page and the reader. Emanuel's images are dazzling. She creates a performance that is fearsome and funny in its portrayal of the argument between the work of the text and the world of the body. The Gettsyburg Review has called her a writer of "exquisite craftsmanship" who can "strike from language . . . images chiseled clean as bas-relief." Then, Suddenly— is a book of spectacle and verve, part elegy, part vaudeville.

    Each of Levin's poems is an astonishing investigation of human darkness, propelled by a sensuous syntax and a desire for healing."This is the language of a prophet: Levin's art, in this book certainly, takes place in a kind of mutating day of judgment: it means to wipe a film from our eyes. It is a dare, a challenge, and, for all its considerable beauty, the opposite of the seductive...Sensuous, compassionate, violent, extravagant: what an amazing debut this is, a book of terrors and marvels."-Louise Gluck, from the IntroductionDana Levin was raised in Lancaster, California, in the Mojave Desert. She has received fellowships, grants, and awards from the National Endowment for the Arts, the Academy of American Poets, the Vermont Arts Council, and New York University, where she received her M.F.A. She lives in New Mexico and teaches Creative Writing at the College of Santa Fe.

    Weaving through the book is its presiding spirit, the bee, symbolizing what we have left of grace in the world and what is most precious for us to protect. Winner of the 2011 Costa Poetry Award.

    Each emotion here is deft and delicate, resting inside of imagery heavy enough to sink the heart, while giving the body wings to soar.

    Teen Instagram sensation and author of Light Filters In @poeticpoison returns with a second collection of short, powerful poems about love, forgiveness, self-discovery, and what it’s like living after a hard-fought battle with depression, in the vein of poetry collections like Milk and Honey and the princess saves herself in this one.

    The Hard Part is Living are collections of poems and pieces about being in love with everything that exhausts you, being at peace with being afraid of the dark, and learning to fall in love with life all over again.

    Hall's new poems further the themes of love, death, and mourning so powerfully introduced in his WITHOUT (1998), but from the distance of passed time. A long poem, "Daylilies on the Hill 1975 - 1989," moves back to the happy repossession of the poet's old family house and its history - a structure that "persisted against assaults" as its generations of residents could not. These poems are by turns furious and resigned, spirited and despairing - "mania is melancholy reversed," as Hall writes in another long poem, "Kill the Day." In this book's fourth and final section, "Ardor," the poet moves toward acceptance of new life in old age; eros reemerges.