In every instance where government gets involved in people's lives with a desire to do good, it can always be relied on to make the situation much, much worse. Yet despite overwhelming evidence to the contrary, we imagine that a world without the state would be a wild and terrifying place. With wit and devastating clarity of argument, Frisby shows in this book that human nature proves the opposite to be true. Welcome to Life After the State. "Dominic Frisby has gone and done something extraordinary: written a page-turner on the economy. It's both readable and radical, a serious book that is, by turn, fascinating, alarming and contentious. At times, the book makes you want to shout its message from the rooftops; at others, it just makes you want to shout. Life after the State challenges so much of what we take for granted. It is a wake-up call for politicians, economists and us all, written with clarity, verve and, more than that, the restless passion of an intelligent, inquisitive malcontent. Read it." - James Harding, once editor of The Times now Director of BBC News and Current AffairsReviewThought-provoking and original, anyone concerned how big and bloated government has become must read this book. Dominic Frisby asks the kind of questions that those in Westminster need to start asking. - Douglas Carswell, MP We can't go on as we are. All politicians know that. But if they read Life After The State they might also start to understand what they might do about it. A must read for any thinking man or woman. - Merryn Somerset Webb, FT columnist and editor Moneyweek Magazine Things are so bad that in our time only a comedian can make sense of an economy based on printing money. Dominic Frisby's Life After the State is an accessible contemporary anarcho-capitalist critique of the mess we're in with pointers for our escape. - Guido Fawkes, political blogger It's incredibly readable and incredibly thought-provoking. - Al Murray, The Pub Landlord An entertaining cogent attack on state power, which should topple the centralist Trots once and for all. - Tom Hodgkinson, The IdlerAbout the AuthorDominic Frisby is now mostly a writer but has been a comedian, actor, voice-over artist, TV presenter, boxing ring announcer, florist, removal man, camp theatrical agent's PA, sports commentator and busker. The Guardian called his stand-up comedy 'viciously funny and inventive'.

    Diana Vreeland was not only Editor-in-Chief of Vogue for almost a decade, she was also the curator of the Metropolitan Museum of Art's Costume Institute. Her legacy continues to influence the fashion and photography worlds today, with issues of magazines such as Vanity Fair and Vogue dotted with mentions of her name.

    As Alison waited for help to arrive—in excruciating pain and believing she was moments from death—she drew upon her years of meditation practice and concentrated on every breath as if it were her last. Learning to Breathe is an extraordinary spiritual memoir about the will to survive. After the bus collision, Alison spent fourteen hours without proper medical attention (her arm was first sewn up by a boy with a needle and thread) and endured months of surgeries and grueling physical therapy. She struggled to remain positive while doctors discouraged her from expecting a return to her previous life. Never one to accept defeat, Alison set herself a goal: to climb Mt. Kilimanjaro. Alison did climb Kilimanjaro, reaching the summit on the morning of her fortieth birthday. Gasping for air once again, she stood at the highest point in Africa, thankful for every moment she’d had since the accident and determined to never again take one single breath for granted. Bringing the story full circle, she retraces her steps in Laos to thank those who helped her, and she has since resumed traveling the world photographing children and the underprivileged.

    This private album of rare snapshots—many never published before—show Hepburn in her everyday life as she strolls around the city, alone or with her family, arriving at or leaving the airport, buying postcards and flowers; walking her Yorkie Mr. Famous, carrying pastries to a Sunday lunch with her mother-in-law, having breakfast, and more. This is Audrey as we have never seen her before.Divided into three distinct parts—the 1950s, the 1960s, and the 1970s, Audrey in Rome captures day-to-day moments of this iconic actress’s life all the while examining the evolution of her personal style. Throughout, renowned fashion editor Sciascia Gambacini provides knowledgeable commentary on Hepburn’s covetable look and the designers of her clothing, accessories, and hairstyles, pointing both to the styles of times as well as to Audrey’s aesthetics and influence. Fans will love seeing how Audrey dressed off screen and stage—her minimalist approach to elegance is in full view. Each chapter discusses the actress’s life, films, and style during each decade. Key aspects of her style are pointed out and explored throughout the book: the basket bag, the little black dress, the pill box hat with a scarf tied around it, her array of ballet flats, loafers, cropped trousers, day dresses and coats, even evening wear. The book also contains set photographs of the films she made during her Rome years (Roman Holiday, War and Peace, The Nun's Story, Breakfast at Tiffany's), including images of Audrey with her directors, costars, and even on break in costume. Irresistible as the actress herself, Audrey in Rome opens the door to Hepburn's personal world.

    While some took their vote and joined the Woman's Christian Temperance Movement, others, well, took liberties. Compiled here for the first time are more than 200 publicity stills and photos of some of America's first "It" girls—the silent film-era starlets who paved the way for the cacophony of Monroes and Madonnas to follow. Accompanying these iconic images are the stories behind them, including accounts from surviving Ziegfeld Girls, as well as ads featuring them that helped perpetuate the allure of It girl glamour. When rare and striking portraits of these women surfaced on the internet in 1995, author Robert Hudovernik began researching their source. What he discovered was the work of one of the first "star makers" identified most with the Ziegfeld Follies, Alfred Cheney Johnston. Johnston, a member of New York's famous Algonquin Round Table who photographed such celebrities as Mary Pickford, Fanny Brice, the Gish Sisters, and Louise Brooks, fell out of the spotlight with the demise of the revue. A sumptuous snapshot of an era, this book is also a look at the work of this "lost" photographer.

    The book maps his trajectory through India, China, Pakistan, to Egypt and Morocco, during the year of his wandering between his native Singapore and his new home in Berowra. His essays offer memorable portraits of his parents and grandparents, friends and teachers, barbers and backpackers, the handicapped and the poor. Boey is a poet and he brings poetic sensibility to make this writing of the most powerful kind.

    John Crace and Spurs were made for each other. But then the team started to play like possible champions. For most fans, these are the glory moments they dream about. For Crace they just opened a new dimension of anxiety: the fear of success. Crace has supported Spurs for 40 years. His wife thinks he suffers from a psychiatric disorder, but fandom is not only one of the ways he negotiates his relationships, it also helps him make some sense of his life. Vertigo is the story of why fandom that starts out in boyish hope always ends in dark comedy.

    From camisoles to corsets, basques to boudoir caps, Underwear: Fashion in Detail traces the peculiar evolution of underwear. Revealing photographs highlight close-up details in the garments, while intricate line drawings show their masterly construc­tion. A wide range of designs is represented, from rare 16th-century examples to Dior’s curvaceous New Look, to Calvin Klein’s notorious briefs.

    Charged with energy, informed by history and culture, and filled with fresh concepts, McQueen’s shows have become legends not only of fashion but also of art. Anne Deniau was the only photographer allowed backstage by McQueen for 13 years, beginning in September 1997 and ending with the final show in March 2010. She captured McQueen working with his close circle of collaborators—including designer Sarah Burton, milliner Philip Treacy, jewelry designer Shaun Leane, and model Kate Moss—to create his meticulously produced spectacles. Her book offers an inspiring homage, through the art of photography, to the work of a great artist. Praise for Love Looks Not With the Eyes: Thirteen Years With Lee Alexander McQueen: The pictures are evocative of the torture, the toughness and, most of all, the tenderness of Mr. McQueen.” —New York Times “Deniau’s close connection to McQueen and her appreciation for his formidable talent is like many of the pieces he created: breathtaking.” —San Francisco Chronicle “Thekinetic color and black-and-white photographs document the fantastical,shocking spectacle of a McQueen show in action: hairdos trussed up with birdsof prey; hubcaps strapped to foreheads; faces enhanced by extraterrestrialcheek prostheses. The images are sensual, spooky, and whimsical, playing up thedrama of McQueen’s vision; like one of the designer’s fabulous garments, thephotographs transform fashion into high art. The book is both an homage and amemorial; this celebration of McQueen’s vast, unique talent is also a eulogyfor his tragic loss.” — “Haute couture has a reputation for spectacle, but Anne Deniau’s photographs remind us that it’s also the last bastion of craftsmanship in fashion—or it was, as practiced by designer Alexander McQueen (1969–2010).” —Wall Street Journal “Lush, previously unpublished backstage photographs from many of the late designer’s provocative fashion shows.”—The Los Angeles Times “The kinetic color and black-and-white photographs document the fantastical, shocking spectacle of a McQueen show in action: hairdos trussed up with birds of prey; hubcaps strapped to foreheads; faces enhanced by extraterrestrial cheek prostheses. The images are sensual, spooky, and whimsical, playing up the drama of McQueen’s vision; like one of the designer’s fabulous garments, the photographs transform fashion into high art. The book is both an homage and a memorial; this celebration of McQueen’s vast, unique talent is also a eulogy for his tragic loss.” —Publishers Weekly “Love Looks Not with the Eyes document[s] the intense work and equally intense emotions that played out behind the scenes of McQueen’s poetic, passionate, and provocative shows. . . . The intimacy is evident in the pictures.” —Vogue “The haunting images offer a rarefied glimpse into the designer’s inner world.” —Harper’s Bazaar “Deniau, in the process of documenting 26 McQueen presentations, captured images which, too, transcend photography—matching the decadent and grand world created by the hands of McQueen.” —Time.com “Haute couture has a reputation for spectacle, but Anne Deniau’s photographs remind us that it’s also the last bastion of craftsmanship in fashion—or it was, as practiced by designer Alexander McQueen (1969–2010).” —Wall Street Journal

    It's a tale of beautiful women empowered and subjugated, of vast sums of money, of sex and drugs, obsession, and tragic death. At its heart is the most unholy combination in commerce: beautiful, young women and rich, lascivious men.Investigative journalist Michael Gross has interviewed modeling's pioneers, survivors, and hangers-on, telling the story of the greats: Lisa Fonssagrives; Anita Colby; Candy Jones; Dorian Leigh and her sister Suzy Parker; Jean Shrimpton and Twiggy; Veruschka and Lauren Hutton; Janice Dickinson and Patti Hansen; and the supermodel Trinity: Christy, Naomi, and Linda.Taking us into the private studios and hidden villas where models play and are preyed upon, Gross tears down modeling's carefully constructed facade to reveal untold truths of the ugly trade in pretty women.

    Every chapter is devoted to his thoughts on one color scheme, and he reveals his go-to paint chips, favorite fabrics, and personal color muses, like Diana Vreeland and Grace Jones.

    In the engaging, down-to-earth style that's pure Bobbi, she addresses the need-to-know issues we all face at one time or another -- from how to deal with changes in skin to what adjustments in makeup application are really necessary (and appropriate) as we get older. Also included are the personal, heartfelt thoughts of women from all walks of life -- all ages, shapes, sizes, and ethnicities -- reflecting on what beauty means to them. Their words serve to underscore Bobbi's message that true beauty "comes from having confidence and feeling good about who you are."

    Like many exotic creatures that Andy Warhol shed his light on, she initially bloomed, became the symbol for all that was hip and style, and just as quickly began to disintegrate.

    Here, Sara presents the lessons she has learned along the way.Sara's nurturing voice and enchanting photography provide guidance on: - storytelling, with tips on finding your own visual style and personal niche; - making pictures, including composing for Instagram, finding the best light, and getting the most out of your camera phone; - archiving your life, with tips organized by themes like Craft & Making, Family & Pets, and Food & Ingredients; - and sharing your world, detailing the keys to Instagram success and beyond. Hashtag Authentic is both an inspiring manual and an interactive tool for finding an online voice, growing a tribe, and becoming an influencer.

    Their answers are inspiring human stories of success and courage, love and pain, redemption and generosity. From well-known activists, artists, and innovators to everyday women whose lives are no less exceptional for that, each woman shares her unique replies to questions like "What really matters to you?" and "What would you change in the world if you could?" Interviewees include conservation and animal welfare activist Jane Goodall, actor and human rights advocate Alfre Woodard, along with those who are making a difference behind the scenes around the world, such as Marian Wright Edelman, head of the Children's Defense Fund. Each interview is accompanied by a photographic portrait, resulting in a volume that is compelling in word and image—and global in its scope and resonance. This landmark book is published to coincide with an immersive traveling exhibition and an interactive website, building on this remarkable, ever-evolving project. With responses ranging from uplifting to heartbreaking, these women offer gifts of empowerment and strength—inviting us to bring positive change at a time when so many are fighting for basic freedom and equality.