The Jack-Roller helped to establish the life-history or "own story" as an important instrument of sociological research. The book remains as relevant today to the study and treatment of juvenile delinquency and maladjustment as it was when originally published in 1930.

    He grew up in Buffalo, New York and lives in St. Paul, Minnesota, where he is active in the labor movement.

    In this book, historian Kevin Kenny explains how this Peaceable Kingdom--benevolent, Quaker, pacifist--gradually disintegrated in the eighteenth century, with disastrous consequences for Native Americans.Kenny recounts how rapacious frontier settlers, most of them of Ulster extraction, began to encroach on Indian land as squatters, while William Penn's sons cast off their father's Quaker heritage and turned instead to fraud, intimidation, and eventually violence during the French and Indian War. In 1763, a group of frontier settlers known as the Paxton Boys exterminated the last twenty Conestogas, descendants of Indians who had lived peacefully since the 1690s on land donated by William Penn near Lancaster. Invoking the principle of right of conquest, the Paxton Boys claimed after the massacres that the Conestogas' land was rightfully theirs. They set out for Philadelphia, threatening to sack the city unless their grievances were met. A delegation led by Benjamin Franklin met them and what followed was a war of words, with Quakers doing battle against Anglican and Presbyterian champions of the Paxton Boys. The killers were never prosecuted and the Pennsylvania frontier descended into anarchy in the late 1760s, with Indians the principal victims. The new order heralded by the Conestoga massacres was consummated during the American Revolution with the destruction of the Iroquois confederacy. At the end of the Revolutionary War, the United States confiscated the lands of Britain's Indian allies, basing its claim on the principle of right of conquest.Based on extensive research in eighteenth-century primary sources, this engaging history offers an eye-opening look at how colonists--at first, the backwoods Paxton Boys but later the U.S. government--expropriated Native American lands, ending forever the dream of colonists and Indians living together in peace.

    From basketball prodigy to international phenomenon to seductive commercial ideal, Michael Jordan is the supreme example of how American corporations have used technology in a brave, massively wired new world to sell their products in every corner of the globe. LaFeber's examination of Nike and its particular dominion over the global marketplace is often scathing, while his fascinating mini-biography of Michael Jordan and the commercial history of basketball reveal much about American society. For this new paperback edition, LaFeber has added a chapter on globalization in a changed world, after mass protests and since September 11. "Bold, riveting....Brilliantly illuminates how hyper-US capitalism has spread its financial wings around the globe."—Douglas Brinkley "LaFeber brings an impressive intellect to bear on his subject."—Barbara Rudolph, Chicago Tribune

    Facing unprecedented internal and external pressures, Israel today is at a moment of existential crisis. Through revealing stories of significant events and of ordinary individuals—pioneers, immigrants, entrepreneurs, scientists, army generals, peaceniks, settlers, and Palestinians—Israeli journalist Ari Shavit illuminates many of the pivotal moments of the Zionist century that led Israel to where it is today. We meet the youth group leader who recognized the potential of Masada as a powerful symbol for Zionism; the young farmer who bought an orange grove from his Arab neighbor in the 1920s, and with the Jaffa orange helped to create a booming economy in Palestine; the engineer who was instrumental in developing Israel’s nuclear program; the religious Zionists who started the settler movement. Over an illustrious career that has spanned almost thirty years, Shavit has had rare access to people from across the Israeli political, economic, and social spectrum, and in this ambitious work he tells a riveting story that is both deeply human and of profound historical dimension.As it examines the complexities and contradictions of the Israeli condition, My Promised Land asks difficult but important questions: Why did Israel come to be? How did it come to be? And can Israel survive? Culminating with an analysis of the issues and threats that Israel is currently facing, both internal and external, My Promised Land uses the defining events of the past to shed new light on the present. The result is a landmark portrait of a small, vibrant country living on the edge, whose identity and presence play a crucial role in today’s global political landscape.

    Created for Theater Appreciation courses that cover both history and elements, Theater: The Lively Art, 6/e remains a comprehensive introductory theater text: an introduction to the audience's experience of theater, an investigation of the elements of theater, and a study of the important developments in the history of theater.

    Examines the people and events involved in the significant war by which the thirteen original colonies broke away from England.

    Now Robert V. Hine and John Mack Faragher offer a concise edition of their classic, freshly updated. Lauded for their lively and elegant writing, the authors provide a grand survey of the colorful history of the American West, from the first contacts between Native Americans and Europeans to the beginning of the twenty-first century.Frontiers introduces the diverse peoples and cultures of the American West and explores how men and women of different ethnic groups were affected when they met, mingled, and often clashed. Hine and Faragher present the complexities of the American West—as frontier and region, real and imagined, old and new. Showcasing the distinctive voices and experiences of frontier characters, they explore topics ranging from early exploration to modern environmentalism, drawing expansively from a wide range of sources. With four galleries of fascinating illustrations drawn from Yale University's premier Collection of Western Americana, some published here for the first time, this book will be treasured by every reader with an interest in the unique saga of the American West.

    Smith places the conflict in historical and political perspective, facilitating readers' understanding of how this complex situation has evolved over time. By examining its underlying causes, individual and group motives, and the roles that countries around the world have played in the region, Smith helps readers understand the history behind the headlines. He presents this in-depth account in an engaging, accessible book that includes historical and current voices on all sides of the struggle. The book's carefully selected documents, maps, photographs, and chronologies provide context for the narrative, and its up-to-the-minute coverage of developments captures readers' interest and helps them better understand the latest news in the region.

    But [Flenniken] also wrote them to honor the people she grew up with." " - Seattle Times"The poems in "Plume" are nuclear-age songs of innocence and experience set in the "empty" desert West. Award-winning poet Kathleen Flenniken grew up in Richland, Washington, at the height of the Cold War, next door to the Hanford Nuclear Reservation, where "every father I knew disappeared to fuel the bomb," and worked at Hanford herself as a civil engineer and hydrologist. By the late 1980s, declassified documents revealed decades of environmental contamination and deception at the plutonium production facility, contradicting a lifetime of official assurances to workers and their families that their community was and always had been safe. Plume, written twenty years later, traces this American betrayal and explores the human capacity to hold truth at bay when it threatens one's fundamental identity.

    The Underground Empire is the result of Life reporter James Mills's behind-the-scenes investigation which spanned five years and traversed four continents. With recent media attention propelling the narcotics issue into the nation's headlines, Mills dramatically addresses this issue with stunning depth to explain why we're losing the most important war of our time. Everything in this book is true: no changed names, scenes, characters or dialogues. The Underground Empire, James Mills, Doubleday, 1st edition, 1986, ISBN # 0-385-17535-3. 1,165 pages. Description: Book; Gray boards with black cloth spine, gold lettering to spine and gold script of author's name on front board, red endpapers. Dust jacket; White with black blocks with white text and red splatter on front panel, black and red lettering to the spine, back panel has blurb for this book and author's bio (Report to the Commissioner, Panic in Needle Park), inside flaps carry second blurb for this book, jacket not price clipped, dated 0686 on bottom of the back flap. Condition: Book; Very good with some soiling to top edge of the pages, boards are bright and tight and clean, free of any dings, rubbing or creases to this very thick spine, all the gold lettering is strong but some letters, especially the publisher's name, are hand soiled. Inside red end paper has a black smudge on the upper back area about 1-inch long. No other marks. Dust jacket; Very good with bright and clean panels, not price clipped, chips along the edges of the spine, one closed tear at the bottom of front board, slight sunning to all panels but still bright, points chipped. Jacket now protected in Brodart.

    But this is Nazi Germany in 1933, and things like love don’t count for much any more. Netanel Rosenberg never expected Marie Helder to stand by him. He told her not to, it was too dangerous. She should forget about him. Even when he is the last Jew left in the town, hiding away in secret, still she will not abandon him. Her last words to him, when he is finally discovered: “Whatever happens, don’t give up – live for me.” Through the nightmare of the holocaust, Netanel clings to the promise he made her. But neither he or Marie can imagine what fate has in store for each of them – and what they will have to do to keep their promise to each other.

    Includes Pre-Spanish life and culture, Spanish rule, the Filipino -American War, American rule, and the campaign for Independence, among other subjects.

    Missoula, Montana, is a typical college town, with a highly regarded state university, bucolic surroundings, a lively social scene, and an excellent football team — the Grizzlies — with a rabid fan base. The Department of Justice investigated 350 sexual assaults reported to the Missoula police between January 2008 and May 2012. Few of these assaults were properly handled by either the university or local authorities. In this, Missoula is also typical. A DOJ report released in December of 2014 estimates 110,000 women between the ages of eighteen and twenty-four are raped each year. Krakauer’s devastating narrative of what happened in Missoula makes clear why rape is so prevalent on American campuses, and why rape victims are so reluctant to report assault. Acquaintance rape is a crime like no other. Unlike burglary or embezzlement or any other felony, the victim often comes under more suspicion than the alleged perpetrator. This is especially true if the victim is sexually active; if she had been drinking prior to the assault — and if the man she accuses plays on a popular sports team. The vanishingly small but highly publicized incidents of false accusations are often used to dismiss her claims in the press. If the case goes to trial, the woman’s entire personal life becomes fair game for defense attorneys. This brutal reality goes a long way towards explaining why acquaintance rape is the most underreported crime in America. In addition to physical trauma, its victims often suffer devastating psychological damage that leads to feelings of shame, emotional paralysis and stigmatization. PTSD rates for rape victims are estimated to be 50%, higher than soldiers returning from war. In Missoula, Krakauer chronicles the searing experiences of several women in Missoula — the nights when they were raped; their fear and self-doubt in the aftermath; the way they were treated by the police, prosecutors, defense attorneys; the public vilification and private anguish; their bravery in pushing forward and what it cost them. Some of them went to the police. Some declined to go to the police, or to press charges, but sought redress from the university, which has its own, non-criminal judicial process when a student is accused of rape. In two cases the police agreed to press charges and the district attorney agreed to prosecute. One case led to a conviction; one to an acquittal. Those women courageous enough to press charges or to speak publicly about their experiences were attacked in the media, on Grizzly football fan sites, and/or to their faces. The university expelled three of the accused rapists, but one was reinstated by state officials in a secret proceeding. One district attorney testified for an alleged rapist at his university hearing. She later left the prosecutor’s office and successfully defended the Grizzlies’ star quarterback in his rape trial. The horror of being raped, in each woman’s case, was magnified by the mechanics of the justice system and the reaction of the community. Krakauer’s dispassionate, carefully documented account of what these women endured cuts through the abstract ideological debate about campus rape. College-age women are not raped because they are promiscuous, or drunk, or send mixed signals, or feel guilty about casual sex, or seek attention. They are the victims of a terrible crime and deserving of compassion from society and fairness from a justice system that is clearly broken.

    The balloon is a day job for Toby O'Hara, a young man whose night work is to continue to perfect his father's design for a flying machine.On the other side of the Atlantic, Ursula Bridgewater, an independent woman from Liverpool, is ungraciously dumped by her fiancé, Henry Springton. Ursula turns to the thrill of travel as an escape, and her sights are soon set on Thomas Cook's famous new tour of America. She chooses a young orphan, Sally Walker, as her travelling companion, but Sally is never going to be quite as prepared for the land of freedom and opportunity as Ursula - and certainly not ready to accept Toby O'Hara's invitation to see Niagara from a great height.The Opposite of Falling confirms Costa-shortlisted Jennie Rooney as an author with a remarkable and rare talent. In this billowing love story, told with tender wit and a distinctive turn of phrase, Rooney's indomitable characters are lifted by small acts of bravery to find -- surprised and heartened -- that what once seemed terrifying is in fact just the opposite...