He not only helped give new vitality and direction to the old conventions of court poetry, but created works that, because of their depth of feeling, continue to attract readers to the present day.

    Moon in a Dewdrop contains the key essays of the great master, as well as extensive background materials that will help Western readers to approach this significant work. There is also a selection of Dogen's poetry, most of which has not appeared in English translation before.Dogen's thought runs counter to conventional logic, employing paradoxical language and startling imagery. It illuminates such fundamental concerns as the nature of time, existence, life, death, the self, and what is beyond self.

    This booklet contains the lecture by SGI President Ikeda on Nichiren Daishonin's letter "On Attaining Buddhahood in This Lifetime." This lecture was serialized in Living BuddhismSept–Oct 2006 to Mar–Apr 2007.

    Included are extensive notes, a preface by renowned translator Red Pine, a findings list, and photographs of the cave and surrounding area where Han Shan (“Cold Mountain”) lived.Cold Mountain is one of the most revered poets in China. He was a Taoist/Buddhist hermit who begged for food at temples, often sang and drank with cowherds, and became an immortal figure in the history of Chinese literature and Zen. His poems were written twelve-hundred years ago on the rocks, trees, and temple walls of China’s Tientai Mountains. This revised edition also includes poems by Han Shan’s colleagues, Pickup (Shih-te) and Big Stick (Feng-kan), translated here for the first time.As Red Pine begins his Preface, “If China’s literary critics were put in charge of organizing a tea for their country’s greatest poets of the past, Cold Mountain would not be on many invitation lists. Yet no other poet occupies the altars of China’s temples and shines, where his statue often stands alongside immortals and bodhisattvas. He is equally revered in Korea and Japan. And when Jack Kerouac dedicated The Dharma Bums to him in 1958, Cold Mountain became the guardian angel of a generation of Westerners as well.”Reviews of Red Pine's Collected Songs of Cold Mountain:”The translator’s preface describes his rendition of the life of Cold Mountain, offering an excellent historical and philosophical context for the simple yet profound poems attributed to the poet."—Library Journal“These are poems one must taste fully and drink whole... The poems of Han-shan read like a journal or memoir, and they often work as Zen koans, challenging the mind to go beyond the words and reason.”—Parabola“Red Pine... has given us the first full collection of Han Shan’s songs in an idiom that is clear, graceful, and neutral enough to last... His translations are accurate and mirror the music of the originals... The Collected Songs of Cold Mountain is a considerable performance and a truly valuable book. Thanks to Copper Canyon's high standards of bookmaking, it is beautiful to hold and behold; thanks to Red Pine’s care, it will survive as the definitive text of Han Shan in English for many years. It belongs on the shelf of everyone with an interest in poetry and... should be opened often."—The Bloomsbury Review“An exquisite publication that captures the Taoist practice of passionate attention, of being still inside and relaxed in the comforts and discomforts around you, going nowhere else... We discover this in the poet’s vision and spirit, in the precision and balance of the translator’s scholarship and heart, and in the elegant wilderness of the bookmaker’s art around them. On every level this is a beautiful book.”—Judges’ comments on awarding the WESTAF Award in Translation“Cold Mountain’s colloquial poetry...sound like inspired raps—marvelously direct, with skips, jumps, verbal nudges and abrupt revelations... The volume is beautifully produced, with a long and careful introduction... This is an indispensable book.”—The Berkeley Monthly“More than anyone else, Red Pine has made [Han Shan’s] spontaneous poems accessible to Western readers... In this new, expanded edition, invaluable notes and an extensive new critical preface provide a contextual awareness, not just for the poems, but for their sources in Buddhist and Confucian culture.”—Inquiring MindRed Pine is one of the world’s leading translators of Chinese literary and religious texts. His other translations include Lao-tzu’s Taoteching (isbn 9781556592904) and Poems of the Masters: China’s Classic Anthology of T’ang and Sung Dynasty Verse (isbn 9781556591952).

    Essays, poems, photographs, and letters explore the link between Buddhism and the Beats--with previously unpublished material from several beat writers, including Jack Kerouac, Allen Ginsberg, Lawrence Ferlinghetti, Gary Snyder, and Diane diPrima.

    It is an honest account of one man’s journey to complete abandonment of ‘the self’ and the Western principles that we use to define ourselves. Professor Herrigel imparts knowledge from his experiences and guides the reader through physical and spiritual lessons in a clear and insightful way.Mastering archery is not the key to achieving Zen, and this is not a practical guide to archery. It is more a guide to Zen principles and learning and perfect for practitioners and non-practitioners alike.

    Written by a lady of the court at the height of Heian culture, this book enthralls with its lively gossip, witty observations, and subtle impressions. Lady Shonagon was an erstwhile rival of Lady Murasaki, whose novel, "The Tale of Genji," fictionalized the elite world Lady Shonagon so eloquently relates. Featuring reflections on royal and religious ceremonies, nature, conversation, poetry, and many other subjects, "The Pillow Book" is an intimate look at the experiences and outlook of the Heian upper class, further enriched by Ivan Morris's extensive notes and critical contextualization.

    Eating acid like it was candy and chasing speed with cheap vodka, smoking truckloads of weed, all in a vain attempt to get numb and stay numb.This is the story of a young man and a generation of angry youths who rebelled against their parents and the unfulfilled promise of the sixties. As with many self-destructive kids, Noah Levine's search for meaning led him first to punk rock, drugs, drinking, and dissatisfaction. But the search didn't end there. Having clearly seen the uselessness of drugs and violence, Noah looked for positive ways to channel his rebellion against what he saw as the lies of society. Fueled by his anger at so much injustice and suffering, Levine now uses that energy and the practice of Buddhism to awaken his natural wisdom and compassion.While Levine comes to embrace the same spiritual tradition as his father, bestselling author Stephen Levine, he finds his most authentic expression in connecting the seemingly opposed worlds of punk and Buddhism. As Noah Levine delved deeper into Buddhism, he chose not to reject the punk scene, instead integrating the two worlds as a catalyst for transformation. Ultimately, this is an inspiring story about maturing, and how a hostile and lost generation is finally finding its footing. This provocative report takes us deep inside the punk scene and moves from anger, rebellion, and self-destruction, to health, service to others, and genuine spiritual growth.

    By building a rude home in the forest and eliminating desire, poet and Buddhist priest Chomei believed he would be spared the anguish that had befallen the townspeople. Yet at the end we find the author consumed with self-doubt, questioning his own sanity and the integrity of his purpose. His voice reaches out from the distant past and speaks directly to our hearts, surprisingly modern and intensely human.Author Biography: Yasuhiko Moriguchi and David Jenkins are writers, teachers, and translators living in Kyoto. Stone Bridge Press is a leading English-language publisher of Japanese literature in translation. Our ROCK SPRING COLLECTION OF JAPANESE LITERATURE features absorbing and important translations of classical and contemporary Japanese fiction and poetry. We believe that literature is a window into culture and society, and an expression of what is most peculiarly, and universally, human.

    According to ancient Zen tradition, “your face before your parents were born” is your true face. Who are you? What is your true self? What is your identity before or beyond the dualistic distinctions, like father/mother and good/evil, that define us? With these questions in mind, Ozeki challenges herself to spend three hours gazing into her own reflection, recording her thoughts, and noticing every possible detail. Those solitary hours open up a lifetime's worth of meditations on race, aging, family, death, the body, self doubt, and, finally, acceptance. In this lyrical short memoir, Ozeki calls on her experience of growing up in the wake of World War II as a half-Japanese, half-Caucasian American; of having a public face as an author; of studying the intricate art of the Japanese Noh mask; of being ordained as a Zen Buddhist priest; and of her own and her parents’ aging, to paint a rich and utterly unique portrait of a life as told through a face.

    Having expanded far beyond the Beat poems that first brought his work into the public eye, Snyder has produced a wide-ranging body of work that encompasses his fluency in Eastern literature and culture, his commitment to the environment, and his concepts of humanity's place in the cosmos. The Gary Snyder Reader showcases the panoramic range of his literary vision in a single-volume survey that will appeal to students and general readers alike.

    This translation was compiled with the Western reader in mind, and includes Koan Yamada's clear and penetrating comments on each case. Yamada played a seminal role in bringing Zen Buddhism to the West from Japan, going on to be the head of the Sanbo Kyodan Zen Community.The Gateless Gate would be invaluable if only for the translation and commentary alone, yet it's loaded with extra material and is a fantastic resource to keep close by:An in-depth Introduction to the History of Zen PracticeLineage chartsJapanese-to-Chinese and Chinese-to-Japanese conversion charts for personal names, place names, and names of writingsPlus front- and back-matter from ancient and modern figures: Mumon, Shuan, Kubota Ji'un, Taizan Maezumi, Hugo Enomiya-Lasalle, and Yamada Roshi's son, Masamichi Yamada.A wonderful inspiration for the koan practitioner, and for those with a general interest in Zen Buddhism.

    Namely, if a man puts a gosling into a bottle and feeds the gosling through the bottle's neck until it grows and becomes a goose - and then there is simply no more room inside the bottle - how can the man get it out without killing the goose or breaking the bottle? In response, Nansen shouts, "Riko!" and gives a great clap with his hands. Startled, Riko replies, "Yes master!" And Nansen says, "See! The goose is out!"In this Zen-flavored series of responses to questions, the contemporary mystic, Osho, cuts through the mad complexity of the contemporary human mind and its self-created "problems" with humor, compassion, and even an occasional shout and clap of his hands. The goose in the questioner's bottle may be a philosophical problem or an existential dilemma, a relationship drama or an emotional crisis - in each case, Osho's unique and transformational response sets the goose free, allowing us to rediscover the simple and innocent clarity each of us brings with us when we come into the world. From this space, problems are not solved but rather are dissolved: "The goose is out." This is a beautiful audio series giving an experience of a mystic working with people who are searching for themselves.

    Brad Warner, a young punk who grew up to be a Zen master, spares no one. This bold new approach to the "Why?" of Zen Buddhism is as strongly grounded in the tradition of Zen as it is utterly revolutionary. Warner's voice is hilarious, and he calls on the wisdom of everyone from punk and pop culture icons to the Buddha himself to make sure his points come through loud and clear. As it prods readers to question everything, Hardcore Zen is both an approach and a departure, leaving behind the soft and lyrical for the gritty and stark perspective of a new generation.The subtitle says it all: there has never been a book like this.

    The poems speak intimately of their authors' sexual longing, fulfillment and disillusionment.