The Cenobites soon returned, and their leader, the chilling Pinhead (played by Doug Bradley), became an worldwide icon.The Hellraiser Chronicles is a beautifully produced, full colour photographic companion to Hellraiser, Hellbound: Hellraiser II and Hellraiser III: Hell on Earth. It features stunning, specially shot portrait photography unavailable elsewhere, plus script extracts, design sketches, behind-the-scenes stills and interviews. The only official Hellraiser book, it is a must for all fans of the series.Time to play"

    Young Vincent Malloy's vivid imagination takes him on a macabre journey into a fantastical and weird world in which his home is filled with spiders and bats, his aunt becomes an exhibit in his wax museum, and his beautiful wife is buried in his mother's flower bed.

    Forbidden love spans the ages to occupy Bloodlore House for ever after. The Barnes family move into an expansive old Tudor home, never imaging they could ever own such splendour. The family’s three children, Sam and Jane, and Bridget, the brooding, love-sick teenager have the uppermost third-floor room as their game room, and a local babysitter, Tess thrown in to the mix. This room comes with a sinister ambience, an irremovable wooden cross and a jammed window, but is there more lurking unseen in this otherwise empty old room? Nightmares, voices and inexplicable happenings change each family member in different ways, and the babysitter is not left unscathed. Who will win out, the ancient or the contemporary? This compelling debut from Tabatha Cross will have the hairs standing on the back of your neck.

    A beast rarely seen but greatly feared, the Jackal Man has haunted the minds of this sleepy hamlet for ages from the woods to the south. Now a land developer has purchased the area with the intent to build houses, and Frank Stanford has moved into the strange town with his family to oversee the project. He and his punk son Willie will be forced to deal with the truth behind the myth, along with an obsessed cop, a quirky zookeeper, and a sadistic hunter that may be more dangerous than the beast...

    

    Only in the woods, among the wildlife, is Addison truly welcome. Only there can he be at peace. Until the day he first knows terror, the day when his life changes radically and forever....Twelve of the other fourteen short stories and novelettes included in this audio anthology were most recently reissued in a print collection entitled Strange Highways, published by Warner Books (1995). The other two—"The Scariest Thing I Know" (2000) first published in Martha Stewart Living magazine and "Hostage Situation" (2009) in The New York Times Summer Thriller series.Only the short work "Down in the Darkness," has ever been produced for audio.

    Grammy-nominee Taylor Swift was the top-selling artist of 2008. This matching folio to her chart-topping CD features easy guitar arrangements with tab for the crossover hit single "Love Story" and a dozen more: The Best Day * Breathe * Change * Fearless * Fifteen * Forever & Always * Hey Stephen * Love Story * Tell Me Why * The Way I Loved You * White Horse * You Belong with Me * You're Not Sorry.

    One boy ends up dead, two others psychotic, and another comatose. The house is not just haunted, it is somehow alive. And extremely dangerous.

    and CW TV show, now in its seventh season, from an insider’s perspective. This deluxe coffee table book dissects the show season by season, state by state, tracing the Winchester brothers as they travel across the U.S. in their distinctive ’67 Chevy Impala hunting all things that go bump in the night while seeking ways to keep humanity safe from all sorts of otherworldly threats. Illustrated with behind-the-scenes photos, exclusive production art, posters, maps, blueprints, and other elements, and packed with exclusive cast and crew interviews, plus a foreword from the show’s creator, this is the ultimate visual guide for Supernatural and its legions of fans.

     Much has been written about the storied New Hollywood of the 1970s, but at the same time as Martin Scorsese, Steven Spielberg, and Francis Ford Coppola were making their first classic movies, a parallel universe of directors gave birth to the modern horror film-aggressive, raw, and utterly original. Based on unprecedented access to the genre's major players, The New York Times's critic Jason Zinoman's Shock Value delivers the first definitive account of horror's golden age. By the late 1960s, horror was stuck in the past, confined mostly to drive-in theaters and exploitation houses, and shunned by critics. Shock Value tells the unlikely story of how the much-disparaged horror film became an ambitious art form while also conquering the multiplex. Directors such as Wes Craven, Roman Polanski, John Carpenter, and Brian De Palma- counterculture types operating largely outside the confines of Hollywood-revolutionized the genre, exploding taboos and bringing a gritty aesthetic, confrontational style, and political edge to horror. Zinoman recounts how these directors produced such classics as Rosemary's Baby, Carrie, The Texas Chainsaw Massacre, and Halloween, creating a template for horror that has been imitated relentlessly but whose originality has rarely been matched. This new kind of film dispensed with the old vampires and werewolves and instead assaulted audiences with portraits of serial killers, the dark side of suburbia, and a brand of nihilistic violence that had never been seen before. Shock Value tells the improbable stories behind the making of these movies, which were often directed by obsessive and insecure young men working on shoestring budgets, were funded by sketchy investors, and starred porn stars. But once The Exorcist became the highest grossing film in America, Hollywood took notice. The classic horror films of the 1970s have now spawned a billion-dollar industry, but they have also penetrated deep into the American consciousness. Quite literally, Zinoman reveals, these movies have taught us what to be afraid of. Drawing on interviews with hundreds of the most important artists in horror, Shock Value is an enthralling and personality-driven account of an overlooked but hugely influential golden age in American film.

    With global economies in ruins and all-out world war more than a possibility, the U.S government turned to the Union Aerospace Corporation, giving it carte blanche on the legendary red planet of Mars in a desperate bid to construct an off-world outpost that might provide resources, a military advantage...as well as something so secret that even members of government don't have a clue about it.... Special Ops Marine Lieutenant John Kane was once a careerist simply glad to have a job, and couldn't care less about politics just as long as Uncle Sam's check cleared. But that was before he listened to his conscience and disobeyed a direct order. Busted down to private, Kane has been reassigned to the "U.S. Space Marines" -- the private army of the UAC -- with the prospect of becoming little more than a glorified security guard on Mars.... Now Lt. Kane's fate leads him to Mars City -- part environmental community, part lab center, and all owned and protected by the UAC. It's a strange world with a fatal environment, and the thousands who live and work within the city have already begun to think of themselves as Martians. And away from Mars City, at the strange ancient sites uncovered on the planet, a small squad of marines stand guard while scientists uncover wall glyphs and search for artifacts, having already found something that is so far amazing and inexplicable -- including the relic called "U1," nicknamed "the Soul Cube" -- and unknown to all, the bringer of destructive chaos and unspeakable horror....

    or can they?

    While exploring, they make a wondrous discovery and find evidence of an ancient Native American legend. They soon discover that this legend is not as mythical as it may seem, and the students are soon drawn into a race for their very survival.A creature feature of a Cherokee myth, the Wampus Cat.

    This time, Muir surveys 300 films from the 1980s. From backwards psychos (Just Before Dawn) and yuppie-baiting giant rats (Of Unknown Origin), to horror franchises like Friday the 13th and Hellraiser, as well as nearly forgotten obscurities such as The Children and The Boogens, Muir is our informative guide through 10 macabre years of silver screen terrors. Muir introduces the scope of the decade's horrors, and offers a history drawing parallels between current events and the nightmares unfolding on cinema screens. Each of the 300 films is discussed with detailed credits, a brief synopsis, a critical commentary, and where applicable, notes on the film's legacy beyond the 80s. Also included is the author's ranking of the 15 best horror films of the 80s.