Bringing together three previously unpublished lectures presented to the public by Lacan at the height of his career, and prefaced by Jacques-Alain Miller, My Teaching is a clear, concise introduction to the thought of the influential psychoanalyst after Freud.

    He was about 36 then. And the poetic journal he kept of and at that time comes to us under the auspices of his Resistance code-name, Hypnos, the Greek divinity of Sleep. As for the present work, the "leaves" remind the translator of Rimbaud's from a Season in Hell, but this is no longer a private hell expatiated into a vision of the human condition, but a public hell drawn from, exceeded by, a sense of responsibility.

    From its publication amid the social upheavals of the 1960s up to the present, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism and everyday life in the late twentieth century. Now finally available in a superb English translation approved by the author, Debord's text remains as crucial as ever for understanding the contemporary effects of power, which are increasingly inseparable from the new virtual worlds of our rapidly changing image/information culture.

    It takes the form of a diary, recording the earliest days of World War II and the Nazi occupation of France, but this is no ordinary day book: it records the author’s journey through a war-torn world without transcendence. Bataille’s spiritual journey is also an intellectual one, a trip with Hegel, Kierkegaard, Blake, Baudelaire and Nietzsche as his companions. And it is a school of the flesh wherein eroticism and mysticism are fused in a passionate search for pure immanence. Georges Bataille said of his work: “I teach the art of turning horror into delight.” This new translation of Guilty is the first to include the full text from Bataille’s Oeuvres Complètes. The text includes Bataille’s notes and drafts, which permit the reader to trace the development of the book from diary to draft to published text, as well as annotations of Bataille’s source materials. An extensive and incisive introductory essay by Stuart Kendall situates the work historically, biographically, and philosophically. Guilty is Bataille’s most demanding, intricate, and multilayered work, but it is also his most personal and moving one.

    The Book of QuestionsII. The Book of Yukel III. Return to the Book

    She accounts for the role of the death drive by coining the term "love/hate."

    Twenty-seven years ago, his son, Matthieu Ricard, gave up a promising career as a scientist to study Tibetan Buddhism -- not as a detached observer but by immersing himself in its practice under the guidance of its greatest living masters.Meeting in an inn overlooking Katmandu, these two profoundly thoughtful men explored the questions that have occupied humankind throughout its history. Does life have meaning? What is consciousness? Is man free? What is the value of scientific and material progress? Why is there suffering, war, and hatred? Their conversation is not merely abstract: they ask each other questions about ethics, rights, and responsibilities, about knowledge and belief, and they discuss frankly the differences in the way each has tried to make sense of his life.Utterly absorbing, inspiring, and accessible, this remarkable dialogue engages East with West, ideas with life, and science with the humanities, providing wisdom on how to enrich the way we live our lives.

    Hailed as the "finest-looking, longest-lasting editions ever made" (The New Republic), Library of America volumes make a fine gift for any occasion. Now, with exactly one hundred volumes to choose from, there is a perfect gift for everyone.

    Here, you'll find more than 1,200 of the most biting quotes, comments, and comebacks ever uttered, including: "I would like to take you seriously, but to do so would be an affront to your intelligence." --George Bernard Shaw "Only two things are infinite, the universe and human stupidity, and I'm not sure about the former." --Albert Einstein "If they can make penicillin out of moldy bread, they can sure make something out of you." --Muhammed Ali You won't just find quotes from typical a**holes like Winston Churchill, Joseph Stalin, and Mark Twain, either. You'll also see what happens when practically perfect folks like Walt Disney, Mahatma Ghandi, and Audrey Hepburn lose their cool.So embrace your dark side and get ready to enjoy every over-confident, over-blown, over-the-top a**hole comment you'll ever need.

    With affinities to Taoist and Buddhist epigrams, Voices bears witness to the awe of human existence. Revised and updated with a new introduction by translator W.S. Merwin, this bilingual volume brings back into print one of Latin America's great literary treasures.He who tells the truth says almost nothing.*I know what I have given you. I do not know what you have received.*Only a few arrive at nothing, because the way is long.*Out of a hundred years a few minutes were made that stayed with me, not a hundred years.*When I come upon some idea that is not of this world, I feel as though this world had grown wider.*This world understands nothing but words, and you have come into it with almost none.*We become aware of the void as we fill it.Antonio Porchia (1886-1968) was born in Italy. After his father died, he emigrated to Argentina with his mother and seven siblings, and as the eldest child, started working at the age of 14. He was self-taught, and his only book, Voices, caught the attention of a noted French critic who assumed him to be a scholar of Kafka and Buddhism, rather than the humble man who loved to tend his garden. Today, Porchia's aphorisms are published in more than a dozen Spanish-language editions as well as in German, French and Italian.W.S. Merwin's awards include the Pulitzer Prize, the Tanning Prize, the Bollingen Award, and fellowships from the Guggenheim Foundation and the NEA. He is the author of dozens of books of poetry and translations. He lives in Hawaii.

    First published in 1945, they have become true classics of children's literature and are loved by readers across the world. Targeted both at nostalgic adults and a new generation of Moomins fans, this wonderful little book features funny and insightful slogans and deep thoughts from the Moominvalley, as well as original quotes and drawings from Tove Jansson's beloved Moomins stories.

    In this sly critique of contemporary relationships, Reza skillfully picks apart the friendship of three men via a bowl of olives and a white-on-white painting. Now translated into more than 30 languages, Art continues to be performed worldwide, even as Reza's other plays have garnered similar acclaim. Life x 3, Reza's most recent offering, again highlights her satirical wit as two couples face off in three different versions of the dinner from hell. Praised as "compact, cool and clever" by Christopher Isherwood of Variety, Reza uses the acidic exchanges of her characters to illuminate their inner desire for love and acceptance. Also included in this edition are two earlier plays, The Unexpected Man and Conversations After a Burial. Each elucidates the startling difference between public and private life, be it in the confines of a train compartment or a country estate in the aftermath of a loved one's passing.

    s/t: An Inquiry into the Nature of Ideals & into the Methods Employed for Their RealizationGoals, roads & contemporary starting point The nature of explanation Efficacy & limitations of large-scale social reformSocial reform & violenceThe planned society Nature of the modern stateCentralization & decentralizationDecentralization & self-governmentWar Individual work for reform InequalityEducation Religious practicesBeliefsEthics

    In Derrida’s view, texts and contexts are woven with inconsistencies and blindspots, which provide us with a chance to think in new ways about, among other things, language, community, identity and forgiveness. Derrida’s suggestions for “how to read” lead to a new vision of ethics and a new concept of responsibility.Penelope Deutscher discusses extracts from the full range of Derrida’s work, including Of Grammatology, Dissemination, Limited Inc, The Other Heading: Reflections on Europe, Monolinguism of the Other, Given Time, and “Force of Law."

    Published in early 1968, it both kindled and colored the May 1968 upheavals in France, which captured the attention of the world. Naming and defining the alienating features of everyday life in consumer society: survival rather than living in full, the call to sacrifice, the cultivation of false needs, the dictatorship of the commodity, subjection to social roles, and the replacement of God by the economy, the book argues that the countervailing impulses that exist within deep alienation - creativity, spontaneity, poetry present an authentic alternative to nilhilistic consumerism. This carefully edited new translation marks the first North American publication of this important work and includes a new preface by the author.