Auden and Norman Holmes Pearson, presents the greatest of the Romantics in all the fullness and ardor of their vision, including William Blake, Robert Burns, Samuel Taylor Coleridge, William Wordsworth, Lord Byron, Percy Bysshe Shelley, John Keats, Ralph Waldo Emerson, Henry David Thoreau, and Edgar Allan Poe. What emerges is a panoramic view of a generation of artists struggling to remake the world in their own image—and miraculously succeeding.

    Proposing models of hybridity, each of the book's major sequences develops a unique subject, rhythm, and form. Bringing to light the molten potential at the core of personality, the poems illuminate ways that language, as history read by anthropologists, discourse between lovers, gestures between parent and child, graffiti in temples, or even language as an event in itself (the very experience of words at play), incarnates presence. Addressing father and son relationships, and venerating erotic love, Gander's poems surge with vitality: the energy of active discovery.

    

    In Dublin, her best friend, Eileen, is getting over a break-up, and slips back into flirting with Simon, a man she has known since childhood.Alice, Felix, Eileen, and Simon are still young—but life is catching up with them. They desire each other, they delude each other, they get together, they break apart. They have sex, they worry about sex, they worry about their friendships and the world they live in. Are they standing in the last lighted room before the darkness, bearing witness to something? Will they find a way to believe in a beautiful world?

     Leighlin Plantation offers Edward Ketch a new life, an opportunity to forsake his violent, troubled past and become a man worthy of respect and trust. But when a slave named Isabelle arrives, Ketch is drawn into a turbulent relationship that threatens the very peace he has struggled to attain. Isabelle has her own desires for a fresh start, but scurrilous gossip about her past undermines those hopes. She struggles to be accepted by Leighlin’s other slaves and hopes marriage to a popular man will aid her cause. But her situation worsens when her husband becomes abusive. She discovers, however, one unlikely ally—Ketch, who is as much an outcast among Leighlin’s white population as she is among her people. A stranger to love, Ketch cannot recognize the true feelings that draw him to Isabelle. To rescue her from the dangers of her marriage, he risks losing not only his position at Leighlin but the affections of the woman he strives to save. Set against the backdrop of 17th century Carolina, The Driver’s Wife explores the lives and relationships, from Big House to slave settlement, of those who labored upon the wilderness plantations near Charles Town. Rice cultivation and the task system of slavery provide a much different landscape from the aristocratic Old South of cotton plantations and gang labor familiar to most modern-day readers. The Driver’s Wife is a tale of the transcendent power of love.

    

    Her little sister, Angela, was brutally murdered and Savage has been searching for the strength to write her grief down ever since. Finally, just shy of six years later, and one year after justice finally rained down upon the man to blame, Savage found the courage to try. This collection is an 18-poem narrative of the very real and raw emotions felt by the author over the years since the tragedy. Here, she pays homage to her baby sister and bleeds her own pain onto paper for anyone who might need help finding their own strength.

    But before Custer or Lewis and Clark, before the first Conestoga wagons rumbled across the Plains, it was the East that marked the frontier—the boundary between complex Native cultures and the first colonizing Europeans.Here is the older, wilder, darker history of a time when the land between the Atlantic and the Appalachians was contested ground—when radically different societies adopted and adapted the ways of the other, while struggling for control of what all considered to be their land.The First Frontier traces two and a half centuries of history through poignant, mostly unheralded personal stories—like that of a Harvard-educated Indian caught up in seventeenth-century civil warfare, a mixed-blood interpreter trying to straddle his white and Native heritage, and a Puritan woman wielding a scalping knife whose bloody deeds still resonate uneasily today. It is the first book in years to paint a sweeping picture of the Eastern frontier, combining vivid storytelling with the latest research to bring to life modern America’s tumultuous, uncertain beginnings.

    Any form of heartbreak is one of the worst things one can encounter. Some say heartbreak is inevitable whereas some may disagree. However, almost every individual will probably experience some sort of heartbreak throughout their lives.We all have our own ways of healing but throughout this book, I have written in such a way that hopefully, most people can relate; the pain is printed- in black and white (literally!)I hope you can relate to my words- I tried to keep the poetry as simplistic as possible- as described by some readers, 'the words speak for themselves.'I hope my words have a didactic element- which not only teach but remind you that you are not alone.I hope you enjoy 'Good morning to Goodnight.'Lots of love, Eleni S Kau

    The Book of Craw -- comprised of poems and proverbs from Craw's own notebook -- is the companion volume to The Dirty Parts of the Bible: A Novel.

    She writes of the world's beauty, but fears that it may be deceptive, even deadly. She is a religious poet, but much of her work is driven by uncertainty. Her poems are restrained, even secretive, but they seek nothing less than the mystery of Life and Death.This edition contains Rossetti's strongest and most distinctive work: poetry (including 'Goblin Market', 'The Prince's Progress', and the sonnet sequence 'Monna Innominata'), stories (including the complete text of Maude), devotional prose (with nearly fifty entries from the 'reading diary' Times Flies), and personal letters. Those poems which Rossetti published, and those which she withheld from publication, are here brought together in chronological order, allowing the reader to observe her poetic trajectory. This edition also records the major revisions made by Rossetti when preparing her poems for publication. It brings together the fullest range of Rossetti's poetry and prose in one volume, and is an indispensable introduction to this entrancing writer.

    Divided into four sections: love, loss, acceptance, and growth- the content serves the purpose of making you feel and finding the light at the end of the tunnel.

    

    “Bridgerton fans take note: For sheer incident and drama, Chudleigh’s story rivals any episode of the popular Regency-era Netflix series. And it’s all true” (The Washington Post).As maid of honor to the Princess of Wales, Elizabeth Chudleigh enjoyed a luxurious life in the inner circle of the Hanoverian court. With her extraordinary style and engaging wit, she both delighted and scandalized the press and public. She would later even inspire William Thackeray when he was writing his classic Vanity Fair, providing the inspiration for the alluring social climber Becky Sharp. But Elizabeth’s real story is more complex and surprising than anything out of fiction. A clandestine, candlelit wedding to the young heir to an earldom, a second marriage to a duke, a lust for diamonds, and an electrifying appearance at a masquerade ball in a gossamer dress—it’s no wonder that Elizabeth’s eventual trial was a sensation. Charged with bigamy, an accusation she vehemently fought against, Elizabeth refused to submit to public humiliation and retire quietly. “A superb, gripping, decadent, colorful biography that brings an extraordinary woman and a whole world blazingly to life” (Simon Sebag Montefiore, New York Times bestselling author), The Duchess Countess is perfect for fans of Bridgerton, Women of Means, and The Crown.

    . . an oeuvre disclosing significant shifts and evolutions. But Muldoon, more than most, is an artist in high flight from self-repetition and the deadening business of living up to created expectations." The body of work in Poems 1968-1998 -- a comprehensive gathering of Paul Muldoon's eight volumes -- finds a great poet reinventing himself at every turn. Muldoon's career thus far shows us a fascinatingly mutable climate in which each freshening period brings -- as his first collection was predictively titled -- new weather."