Here the characters' lives are linked to each other by acts of generosity or cruelty. A critic once called Rakoff "magnificent," a word which perfectly describes this wonderful novel in verse.

    She engages with such wide-ranging topics as race, parenthood, love, mental illness, poverty, sexual assault, gentrifcation, writing and representation, and in the process makes connections both large and small between the past and present, the personal and political--from overcoming a years-long battle with head lice to the way Native writers are treated within the Canadian literary industry; her unplanned teenage pregnancy to the history of dark matter and how it relates to racism in the court system; her childhood diet of Kraft Dinner to how systemic oppression is directly linked to health problems in Native communities.With deep consideration and searing prose, Elliott provides a candid look at our past, an illuminating portrait of our present and a powerful tool for a better future.

         With over fifty new poems from Britain's favourite poet, You Made Me Late Again! is an essential addition to Pam Ayres' incomparable collection of works. Pam's poems are observant, witty and poignant in equal measure. In 'The Swifts' and 'The Pyracantha Anthem' she marvels at nature, while 'A Patient's Prayer' and 'Litter Moron' offer wry views on Modern Britain. From the dog being afraid of the toaster to your son leaving home for university; and from the search for that perfect swimsuit to becoming a gran for the first time -- Pam's poems are beautifully crafted, and her subjects the everyday and the universal. Delightfully illustrated, most of the poems in You Made Me Late Again! are brand new, yet it also features several firm favourites from her stage shows, published for the first time, such as 'The Make-up Lady' and 'Tippy Tappy Feet'.

    Together, they share a single, magical week before Hannah leaves for Jerusalem, where she is to spend nine months at an orthodox yeshiva learning Torah among students who disapprove of intermarriage. Raymond, a graduate student researching love in Robert Burton’s Anatomy of Melancholy, struggles with his loneliness and Hannah’s increasing religiosity.As their separation comes to an end, Hannah questions whether she can live with a man who is not of her people, and Raymond’s hunger for human intimacy reaches a crisis point. He cheats on her; she begins to practice the Commandments. Still, neither can tolerate the other’s absence. Unable to make a clean break, they’re forced to try their insoluble problems in the city without solution, Jerusalem.Acute and closely observed, Raymond and Hannah captures with gripping precision the thrill of new romance, the bitter doubt of longing, the inescapable urgings of love.Excerpt from Raymond and HannahPreliminaries“What are you here for?” Hannah asks Raymond.“What am I here for? I was invited.”“You know Paul.”He nods. “And you?”Hannah sips her champagne. “I’m here to meet men.”A moment’s pause, while he casts a critical gaze across the offerings of the room. “What about Jim?”“Which one’s Jim?”He points to a hippie leaning on the radiator across the room, a large-bearded man in jeans and a check flannel shirt whose laughter drunkenly booms like dropped tympani over the light chatter. “I realize that I’ve just ruined it by pointing, but maybe it’s all for the best. It wouldn’t have worked out with Jim anyway. He’s married or something. How about Roger?” He bugs his eyes in the direction of a man in overalls. Hannah looks, arching her elegant neck to see the scruffy poseur affecting boredom beside the refrigerator. “The one in overalls. His name’s Roger. Actually I have no idea who he is. I made up the name.”She frowns. “That one’s not bad. Excuse me.” She reaches over to the table for the champagne and refills their cups.“My name’s Raymond,” he says.“Hannah,” she replies.They touch cups, and Raymond again scans the room, apparently displeased with its contents. “The pickings here really are a bit slim. I suggest we inspect the other rooms to see if this is all the night has to offer.”From the Hardcover edition.

    But that world is destroyed in one terrifying moment when her son is killed in a car accident just outside their home. Suddenly alone, surrounded by memories, Elise faces a future that feels unspeakably bleak—and pointless.Lost, angry, and desolate, Elise rejects everyone who tries to reach out to her. But as despair threatens to engulf her, she realizes, to her horror, that she cannot join her son: She must take care of his beloved cat. At first she attempts to carry out this task entirely by herself, shut away from a frightening new reality that seems surreal and incomprehensible. But isolation proves to be impossible, and before long others insinuate themselves into her life—friends, enemies, colleagues, neighbors, a former lover—bringing with them the fragile beginnings of survival.Powerfully moving and deeply humane, The Cat is an unforgettable novel about the extraordinary resilience of the human spirit.

    And Vivienne, a young assistant, accidentally captures a creature unknown to science: a kind of fish, both sentient and distinctly female. As the project supervisor and lead researcher attempt to exploit the discovery, the creature begins to waste away, and Vivian must endanger herself to save them both.

    “Leah Horlick’s For Your Own Good may be the best book of poetry to come out of Canada this year.” –Michael Dennis“Sometimes it feels as though there are Poems About Important Issues and Good Poems, and the two camps rarely meet. For Your Own Good is a startling combination of the two, skillful poems both defiant and self-aware, and close to my femme heart. We need this book.” –Zoe WhittallIn the canon of contemporary feminist and lesbian poetry, For Your Own Good breaks silence. A fictionalized autobiography, the poems in this collection illustrate the narrator’s survival of domestic and sexual violence in a lesbian relationship. There is magic in this work: the symbolism of the Tarot and the roots of Jewish heritage, but also the magic that is at the heart of transformation and survival.These poems are acutely painful, rooted in singular and firsthand experiences. But Horlick also draws from a legacy of feminist, Jewish and lesbian writers against violence: epigraphs from the works of Adrienne Rich and Minnie Bruce Pratt act as touchstones alongside references to contemporary writers, such as Daphne Gottlieb and Michelle Tea.In this reflection on grief, silence and community, we follow the narrator’s own journey as she explores what it is to survive, to change, to desire and to hope. At once unflinching and fragile, For Your Own Good is a collection with transformation at its heart.REVIEWS“‘Magic,’ which is the title of one of the poems in this collection, is a word I’d use to describe Leah Horlick’s work. Each piece takes us through a transmutation–from frightened girl to woman, from lover to abuser, from audience to performer, from alone to beloved. Horlick doesn’t back away from hard realities, deep longing or fierce desire, and drapes language around them like fitted silk–revealing and reflecting.”–Jewelle Gomez, author of Waiting for Giovanni‘These poems are beautiful. Solid and glittering as ice or crystal, they hold secrets and hard truths in their core. The wonder and lushness of Horlick’s voice imparts a loveliness to countless hidden tragedies, never sugaring them but bearing an elegant, whispering witness.”–Michelle Tea, author of How to Grow Up“Leah Horlick’s most recent collection of poetry is a beautiful rendering of grief, love and survival. This poignant poetic offering left me feeling the sensitive grace of her words long after I finished reading. The way she weaves stories into poetry is both haunting and powerful, elegant and unsettling. While reading, I had to keep reminding myself to breathe!”–Lishai Peel, author of Why Birds and Wolves Don’t Trade Stones

    The band's story unfolds through the eyes of Jim, a small-town violin prodigy who struggles with her past as well as her present; and Rize, an emotionally charged trombone player who is stuck playing sidekick to his best friend, charismatic lead singer Jules. As the band's popularity mounts, the pressures of road-life and success begin to complicate relationships and The Angel Riots' chaotic world threatens to implode. Dark and dazzling, this novel will firmly establish Kaslik's reputation as a young literary talent.

    No longer able to linger over her beloved books or gaze at the paintings that move her spirit, she fills the void with music and memories of her family—a past that suddenly becomes all too present when her late father's journals are found amid the ruins of an old shipwreck.With the help of Morgan, a delinquent teenager performing community service, Elizabeth goes through the diaries, a journey through time that brings the two women closer together. Entry by entry, these unlikely friends are drawn deep into a world far removed from their own—to Porphyry Island on Lake Superior, where Elizabeth’s father manned the lighthouse seventy years before.As the words on these musty pages come alive, Elizabeth and Morgan begin to realize that their fates are connected to the isolated island in ways they never dreamed. While the discovery of Morgan's connection sheds light onto her own family mysteries, the faded pages of the journals hold more questions than answers for Elizabeth, and threaten the very core of who she is.

    She is tall and beautiful and in love with a rich man’s son.Educated and privileged, Julie is a modern woman. Living on her own, she is happy to collect the gold jewellery lovestruck Eugene brings her, but has no intention of becoming his second wife.When a kidnapping forces Nwabulu and Julie into a dank room years later, the two women relate the stories of their lives as they await their fate.Pulsing with vitality and intense human drama, Cheluchi Onyemelukwe-Onuobia’s debut is set against four decades of vibrant Nigeria, celebrating the resilience of women as they navigate and transform what remains a man’s world.

    Julie Devaney takes us on a journey through the health care system as she is diagnosed and treated for ulcerative colitis. In and out of emergency rooms in Vancouver and Toronto, she’s poked, prodded, and abandoned to a closet at one point, bearing the helplessness and indignities of a system that at best confuses a patient into silence.Raw, harrowing, and darkly funny, Julie Devaney argues convincingly for fixes to the system and better training for all medical personnel. As she recovers, she sets out to do just that: setting up a gurney on stage at workshops and conferences across the country to teach Bedside Manners 101 and to advocate for repairs to the system.Part memoir, part love story, part revolutionary manifesto, My Leaky Body is politically astute, gooey like cake batter, and raw like ulcerated bowels. Devaney writes the book that will heal her aching heart and relax her strictured rectum as she weaves stories from professional and public interactions with tales from her gurney.

    This story of family and identity, migration and integration, culture and self-discovery is told through family history, memory, and the occasional recipe.Diamond Grill is a rich banquet where Salisbury Steak shares a menu with chicken fried rice, bird’s nest soup sets the stage for Christmas plum pudding; where racism simmers behind the shiny clean surface of the action in the cafe.An exciting new edition of Fred Wah’s best-selling bio-fiction, on the 10th anniversary of its original publication, with added text and an all new afterword by the author.

    Richards, a woman of no history, who appears briefly in 1873 in the civic archives of Vancouver. It is also the story of Annie, a contemporary, who becomes obsessed with the possibilities of Mrs. Richards's life. Ana Historic was Daphne Marlatt's first novel, and was originally published by Coach House Press in Canada and The Women's Press in the U.K. The French translation was published by Les Éditions du remue-ménage.

    His poems upset genre and play with form, scavenging for a decolonial kind of heaven where “everyone is at least a little gay.”

    In an odd pilgrimage through the mountains, the townsfolk of Coalton—from the ski bum to the urbanite—embark on a bizarre adventure that walks the line between comedy and tragedy. As the rednecks mount their sleds and the hippies snowshoe through the cedar forest, we see rivals converge for the weekend. While readers follow the characters on their voyage up and over the mountain, stereotypes of ski-town culture fall away. Loco, the ski bum, is about to start his first real job; Alison, the urbanite, is forced to learn how to wield an avalanche shovel; and Michael, the real estate developer, is high on mushroom tea.In a blend of mordant humour and heartbreak, Angie Abdou chronicles a day in the life of these industrious few as they attempt to conquer the mountain. In an avalanche of action, Angie Abdou explores the way in which people treat their fellow citizens and the landscape they love.