The result is Persistence: All Ways Butch and Femme. The stories in these pages resist simple definitions. The people in these stories defy reductive stereotypes and inflexible categories. The pages in this book describe the lives of an incredible diversity of people whose hearts also pounded for some reason the first time they read or heard the words "butch" or "femme."Contributors such as Jewelle Gomez (The Gilda Stories), Thea Hillman (Intersex), S. Bear Bergman (Butch is a Noun), Chandra Mayor (All the Pretty Girls), Amber Dawn (Sub Rosa), Anna Camilleri (Brazen Femme), Debra Anderson (Code White), Anne Fleming (Anomaly), Michael V. Smith (Cumberland), and Zoe Whittall (Bottle Rocket Hearts) explore the parameters, history, and power of a multitude of butch and femme realities. It's a raucous, insightful, sexy, and sometimes dangerous look at what the words butch and femme can mean in today’s ever-shifting gender landscape, with one eye on the past and the other on what is to come.Includes a foreword by Joan Nestle, renowned femme author and editor of The Persistent Desire: A Femme-Butch Reader, a landmark anthology originally published in 1992.Ivan E. Coyote is the author of seven books (including the novel Bow Grip, an American Library Association Stonewall Honor Book) and a long-time muser on the trappings of the two-party gender system.Zena Sharman is the assistant director of Canada's national Institute of Gender and Health.

    "I have never before read a book like Anais Duplan's Take This Stallion. Her major talent is recognizing the self in the other, making for poems that flow forward in a tone of oneness is oneness a tone? poems that make evident an ever-expanding world by opening themselves up into that world. This debut does what poets in their fifth or sixth collections are still trying to figure: it balances the intellect, image, music, and emotion in ways so unfamiliar that a blurb couldn't possible characterize the work." —Jericho Brown

    A truly gifted poet and truth-spiller, Ashe’s metaphors create images within images, leading us to question the subjective truths, both shared and hidden, in personal relationship – to the other, and to oneself. Unflinching in her approach, her poetry gives voice to that which most struggle to admit – even if only to themselves. And as such, Belly of the Beast is a work of startling courage and rich depth – a darkly delicious pleasure.” —Amy Palko“It isn’t often you find a book of poetry that is as unapologetic, as violent, as moving as this one. Ashe’s writing is intense and visceral. You feel the punch in your gut while you’re reading, but you don’t question it. You know why it’s there and you almost welcome it.” —Caitlyn Siehl“The poems you are about to encounter are the fierce time capsules of girlhood, girded with sharp elbows, surprise kisses, the meanders of wanderlust. We need voices this strong, this true for the singing reminds us that we are not alone, that someone, somewhere is listening for the faint pulse that is our wish to be seen. Grab hold, this voice will be with us forever.” —RA Washington

    In Asymmetry, his first collection of poems in five years, he revisits the themes that have long concerned him: the enduring imprint of history, the beauty of nature, the place of the exile. Though as sanguine as ever, Zagajewski often turns to elegy in this deeply powerful collection, remembering loved ones he's lost: a hairdresser, the philosopher Krzystzof Michalski, and, most poignantly, his parents. A moving reflection on family, the sublimity of everyday life, death, and happiness, Asymmetry is a magnificent distillation of an astounding poetic voice.

    “In its stern and quiet way Sandra Lim’s The Wilderness is one of the most thrilling books of poetry I have read in many years” (Louise Glück).From “Aubade”From the last stars to sunrise the world is dark and enduringand emptiness has its place.Then, to wake each day to the world’s unwaveringlimits, you have to think about passion differently, again.

    He is the author of The Darker Fall and Want and teaches at the MFA Program for Writers at Warren Wilson College.

    A loner by nature, she didn't mind the seclusion of the Sierra Nevada Mountains. Jessie Stone, a successful but reclusive writer, is haunted by memories of her childhood and finally returns to Sierra City after sixteen years of estrangement from her mother. The odd assortment of residents of this small mountain town brings them together but it is Annie Stone, a woman Chris has grown to admire and a woman Jessie still feels hatred for, that binds the two. Through lies and deception, they still cannot deny the growing attraction that will brighten both their lives...if only they will allow it. As Chris fights for her life in a winter blizzard, Jessie comes to terms with her past and her mother, finally accepting the love that Chris willingly offers her.

    Days later, Sybil awakens in a hospital and finds her skull has been reconstructed, but it quickly becomes clear that her version of “normal” and “reality” may have been permanently altered. When she falls in love with a very beautiful, but very married, actress, Sybil does what comes naturally: she presents the object of her affection with a homemade explosive device, and then abruptly leaves town.I’ve Got A Time Bomb chronicles her surrealistic journey living among the loners, losers, and leave-behinds in the dark corners of Amerika.

    In painstaking, vernacular verse, she conveys the ambitions and failings of a distraught populacein the edgy jazz portrait, "Suite Billy Strayhorn," for example, or the enthralling, interwoven sequence, "At the Adult Drive-In," which conveys, at once, a personal and communal corruption. Penetrating and compassionate, The Last Time I Saw Amelia Earhart portrays, with a storyteller's arc, the troubled landscape of the left-behind.

    And the discovery of her corpse—by a group of children playing near the irrigation canals—propels the whole village into an investigation of how and why this murder occurred. Rumors and suspicions spread. As the novel unfolds in a dazzling linguistic torrent, with each unreliable narrator lingering on new details, new acts of depravity or brutality, Melchor extracts some tiny shred of humanity from these characters that most would write off as utterly irredeemable, forming a lasting portrait of a damned Mexican village.Like Roberto Bolano’s 2666 or Faulkner’s greatest novels, Hurricane Season takes place in a world filled with mythology and violence—real violence, the kind that seeps into the soil, poisoning everything around: it’s a world that becomes more terrifying and more terrifyingly real the deeper you explore it.

    These 49 short stories, poems, interviews and essays—fiction and nonfiction—make up a powerful collection of original and new writing by 41 women. does your mama know? is ready to take its place in the halls of literary African-American lesbian voices.

    Obsessed with poetry, and, above all, with science fiction, they are eager to forge a life in the literary world–or sacrifice themselves to it. Roberto Bolaño’s The Spirit of Science Fiction is a story of youth hungry for revolution, notoriety, and sexual adventure, as they work to construct a reality out of the fragments of their dreams.But as close as these friends are, the city tugs them in opposite directions. Jan withdraws from the world, shutting himself in their shared rooftop apartment where he feverishly composes fan letters to the stars of science fiction and dreams of cosmonauts and Nazis. Meanwhile, Remo runs headfirst into the future, spending his days and nights with a circle of wild young writers, seeking pleasure in the city’s labyrinthine streets, rundown cafés, and murky bathhouses. This kaleidoscopic work of strange and tender beauty is a fitting introduction for readers uninitiated into the thrills of Roberto Bolaño’s fiction, and an indispensable addition to an ecstatic and transgressive body of work.

    June Jordan's many selves, as poet, essayist, feminist, and activist come together here in a collection of poetry that is alternately lyrical, magical, shockingly spare, pungently political, yet universally resonate. Beautiful love poems are interspersed with poems about Bosnia, Africa, urban America, Clarence Thomas, affirmative action, her mother's suicide, and Jordan's bout with breast cancer.This collection of poetry will be warmly welcomed by June Jordan loyalists and new readers who will thrill to discover a voice that has been described as one of the "most gifted poets of the late twentieth century."

    G., I am a fool.What we feel in the solar plexus wrecks us.Halfway squatting on a crate where feeling happened. Caresses."--from "Dear Gonglya,"At once hyper-contemporary and archaic, erotic, indecorous, and extravagant like nobody else, Brenda Shaughnessy seeks outrageous avenues of access to the heart, "This strumpet muscle under your breast describing / you minutely, Volupt, volupt."

    Here Rich continues taking the temperature of mind and body in her time in an intimate and yet commanding voice that resonates long after an initial reading. Fox is formidable and moving, fierce and passionate, and one of Rich's most powerful works to date. "Justly celebrated....Rich has long wanted to set her readers' minds blazing...she succeeds."—Publishers Weekly starred review "Intimate, explorative, these are poems with a millennial feel, at once retrospective and forward-looking."—Washington Post Book World