Humanity has long imagined what it would be like to be able to create a time machine, what we might see if we could travel into the future, or be transported to the distant past. And what if it were possible to travel into our own, more recent past? Would we be able to change our present, or are we prisoners of predestination? Is fate what we make of it? In this latest title in the acclaimed 'Future Chronicles' series of speculative fiction anthologies, fourteen authors confront the question of time travel and its consequences, exploring a landscape where past, present and future all become imaginable destinations. "The Time Travel Chronicles" features stories by science fiction grandmaster Robert J. Sawyer (Calculating God), Amazon bestselling author Rysa Walker (the Chronos series), Best American Science Fiction notable Samuel Peralta (Faith), plus eleven more of today's top authors in speculative and science fiction.

    Including stories from the 1970s to the present day, the collection seeks to expand the conversation about feminism while engaging the reader in a wealth of imaginative ideas. Sisters of the Revolution seeks to expand the ideas of both contemporary fiction and feminism to new fronts.Contents:The forbidden words of Margaret A. / L. Timmel Duchamp --My flannel knickers / Leonora Carrington --The mothers of Shark Island / Kit Reed --The palm tree bandit / Nnedi Okorafor --The grammarian's five daughters / Eleanor Arnason --And Salome danced / Kelley Eskridge --The perfect married woman / Angélica Gorodischer --The glass bottle trick / Nalo Hopkinson --Their mother's tears : the fourth letter / Leena Krohn --The screwfly solution / James Tiptree, Jr. --Seven losses of na Re / Rose Lemberg --The evening and the morning and the night / Octavia E. Butler --The sleep of plants / Anne Richter --The men who live in trees / Kelly Barnhill --Tales from the breast / Hiromi Goto --The Fall River axe murders / Angela Carter --Love and sex among the invertebrates / Pat Murphy --When it changed / Joanna Russ --The woman who thought she was a planet / Vandana Singh --Gestella / Susan Palwick --Boys / Carol Emshwiller --Stable strategies for middle management / Eileen Gunn --Northern chess / Tanith Lee --Aunts / Karin Tidbeck --Sur / Ursula K. Le Guin --Fears / Pamela Sargent --Detours on the way to nothing / Rachel Swirsky --Thirteen ways of looking at space/time / Catherynne M. Valente --Home by the sea / Elisabeth Vonaburg.

    Bujold’s "work remains among the most enjoyable and rewarding in contemporary SF” – Publishers WeeklyContains "Barter", which was first published in The Twilight Zone Magazine, March/April 1985. "Garage Sale", which was first published in American Fantasy, Spring 1987. "The Hole Truth", first published in The Twilight Zone Magazine, December 1986. "Dreamweaver's Dilemma", first published in Dreamweaver's Dilemma, 1995. "Aftermaths" (epilogue to Shards of Honor), which first appeared in Far Frontiers, Vol. V, Spring 1986.

    A wonderful writer, as well as successful and beloved by fans across the world, Anne McCaffrey has created an exciting collection of telepaths, secret gifts, dangerous missions, dragonriders, and more.Contents:Lady in the Tower.--A Meeting of Minds.--Daughter.--Dull Drums.--Changeling.--Weather on Welladay.--The Thorns of Barevi.--Horse From a Different Sea.--Great Canine Chorus.--Finder's Keeper.--A Proper Santa Claus.--The Smallest Dragonboy.--Apple.--Honeymoon.

    Social criticism, political parable, and environmental advocacy lie at the center of Paolo's work. Each of the stories herein is at once a warning, and a celebration of the tragic comedy of the human experience.The eleven stories in Pump Six represent the best Paolo's work, including the Hugo nominee "Yellow Card Man," the nebula and Hugo nominated story "The People of Sand and Slag," and the Sturgeon Award-winning story "The Calorie Man."

    P. Lovecraft and the paperback era of P. K. Dick, and arguably is as influential as both these authors. From a historical context, Leiber, in fact, knew both of the authors, and his work can be seen as a bridge connecting the many different flavors of genres of science fiction, fantasy, and horror. Edited by award-winning editors Jonathan Strahan and Charles Brown, this new collection of the grand master's fiction covers all facets of his work, and features an Introduction by Neil Gaiman and an Afterword by Michael Chabon.Skyhorse Publishing, under our Night Shade and Talos imprints, is proud to publish a broad range of titles for readers interested in science fiction (space opera, time travel, hard SF, alien invasion, near-future dystopia), fantasy (grimdark, sword and sorcery, contemporary urban fantasy, steampunk, alternative history), and horror (zombies, vampires, and the occult and supernatural), and much more. While not every title we publish becomes a New York Times bestseller, a national bestseller, or a Hugo or Nebula award-winner, we are committed to publishing quality books from a diverse group of authors.

    This collection, showcasing Bear’s unique imagination and singular voice, includes her Hugo- and Theodore Sturgeon Memorial Award-winning story “Tideline” and Hugo-winning novelette “Shoggoths in Bloom,” as well as an original, never-published story. Recipient of the Astounding Award for Best New Writer, the Locus Award, a World Fantasy, British Fantasy, and Philip K. Dick nominee, Bear is one of speculative fiction’s most acclaimed, respected, and prolific authors.ContentTidelineSonny Liston Takes the FallSoundingThe Something-Dreaming GameThe Cold BlacksmithIn the House of Aryaman, a Lonely Signal BurnsOrm the BeautifulThe Inevitable Heat Death of the UniverseLove Among the TalusCryptic ColorationThe LadiesShoggoths in BloomThe Girl Who Sang Rose MadderDollyGods of the ForgeAnnie WebberThe Horrid Glory of Its WingsConfessorThe Leavings of the WolfThe Death of Terrestrial Radio

    Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the End of the World. In science fiction, the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm.But before any catastrophe, there are people who see it coming. During, there are heroes who fight against it. And after, there are the survivors who persevere and try to rebuild. THE APOCALYPSE TRIPTYCH will tell their stories.Edited by acclaimed anthologist John Joseph Adams and bestselling author Hugh Howey, THE APOCALYPSE TRIPTYCH is a series of three anthologies of apocalyptic fiction. THE END IS NIGH focuses on life before the apocalypse. THE END IS NOW turns its attention to life during the apocalypse. And THE END HAS COME focuses on life after the apocalypse.THE END IS NIGH features all-new, never-before-published works by Hugh Howey, Paolo Bacigalupi, Jamie Ford, Seanan McGuire, Tananarive Due, Jonathan Maberry, Robin Wasserman, Nancy Kress, Charlie Jane Anders, Ken Liu, and many others.

    By placing ordinary characters in extraordinary situations, Adjei-Brenyah reveals the violence, injustice, and painful absurdities that black men and women contend with every day. These stories tackle urgent instances of racism and cultural unrest and explore the many ways we fight for humanity in an unforgiving world.

    Miller Jr in 1980. This essential collection contains fourteen short stories from the 1950's: 'You Triflin' Skunk!', 'The Will', 'Anybody Else Like Me?', 'Crucifixus Ethiam', 'I, Dreamer', 'Dumb Waiter', 'Blood Bank', 'Big Joe and the Nth Generation', 'The Big Hunger', 'Conditionally Human', 'The Darfsteller', 'Dark Benediction', 'The Lineman' and 'Vengeance For Nikolai'.

    Simak (1904-1988). When the Science Fiction Writers of America began bestowing their Grand Master awards, Simak was the third writer so honored. Only Robert Heinlein and Jack Williamson preceded him, and he received his award before such luminaries as Fritz Leiber, Isaac Asimov, and Ray Bradbury. Simak earned this distinction by producing, over a long period of time, a significant body of popular, respected, often award-winning work, including his classics City and Way Station, and many shorter works, eight of which are contained in this collection. Readers unfamiliar with Simak are in for a treat. More than half of the stories here were among the best stories of their respective years. "The Big Front Yard" (1958) won a Hugo. "A Death in the House" (1959) was selected by Judith Merril for Year's Best SF: Fifth Annual Edition. "Over the River and Through the Woods" (1965) made the cut for World's Best Science Fiction: 1966 edited by Donald Wollheim.Contents: A Death in the House The Big Front Yard Goodnight Mr. James Dusty Zebra Neighbor Over the River & Through the Woods Construction Shack Grotto of the Dancing Deer [He] wrote for so long and always so well that his excellence came to be taken for granted, as we take sunlight for granted until we go blind. - Poul Anderson I read Cliff's stories with particular attention, and I couldn't help but notice the simplicity and directness of the writing - the utter clarity of it. I made up my mind to imitate it, and I labored over the years to make my writing simpler, clearer, more uncluttered, to present my scenes on a bare stage. - Isaac Asimov Without Simak, science fiction would have been without its most humane element, its most humane spokesman for the wisdom of the ordinary person and the value of life lived close to the land. - James Gunn Good fantasy - and that includes science fiction - takes off from the known for its flights into the new. Cliff Simak was a master of the art. His known was the rural Midwest that he loved. His new could reach to the ends of space and time, but never beyond reality. Even his cosmic aliens always had half human dimensions that made them believable. I loved him, as so many did, for his unfailing warmth and a wit that was keen but never cruel. I heard from him often during the painful time after his wife's death. His own death touched me deeply, and I'm happy to see him remembered with this collection of his best-loved stories. - Jack Williamson I always loved his stories, short or long. He made me love them -and the rural America of his childhood - as much as he did. - Lester del Rey Ten years ago it would have been inconceivable that a volume of the best stories of Clifford Simak (author of the classic City) would not have been published by Putnam or Del Rey, but today we have to be grateful to the one-man firm of Tachyon Publications for preserving Over the River and Through the Woods, which includes some of Simak's best stories, including two Hugo Award winners. After all, Simak is dead, which means his career is flatlined, even if Robert Heinlein said, "to read science fiction is to read Simak. The reader who does not like Simak stories does not like science fiction at all." Simak was a master of a special kind of nostalgic science fiction that reconciled the values of his youth (the rural Midwest of the 1920s) with the larger universe. Material that became ludicrous cliche in the hands of lesser writers - all those endless flying saucers landing in the hillbilly's back acre - was by Simak handled with elegance and dignity."A Death in the House" is typical: A farmer finds a dying alien. He does what he can, but that's very little. The farmer conceals the grave, wanting to give his "guest" that much dignity. But the alien is plantlike. It (or its young) sprouts out of the corpse. Human and alien struggle toward understanding. In "The Big Front Yard," a rural handyman finds his house transformed into a gateway to other worlds. The common people have the good sense; trouble starts when profiteers and the government get involved. The tone is light, friendly and clever. This is not to suggest that Simak was a writer with no hard edges. "Good Night Mr. James" is a horror story, about a duplicate human being created to destroy a particularly nasty alien illegally smuggled to Earth. But the gentler mode was more typical, and he could also write humor. "Dusty Zebra" is a long technological joke, maybe a bit slight to be included when a 50-year career must be distilled into 218 pages. Simak's last story, the last in the book, "The Grotto of the Dancing Deer," is about an immortal caveman, quite different from de Camp's "Gnarly Man." He is the original artist who painted that cave art the scientists keep finding; after all this time, he just has to tell someone. The story won both the Hugo and the Nebula for 1980, because both readers and fellow professionals wanted to say "thank you." - The Washington Post Book World Clifford D. Simak is another classic SF writer who staked out a distinctive territory based on his rural midwestern roots - only a couple hundred miles north of Bradbury's - but he never strayed very far from a few classic SF themes which he treated with considerably more rigor than Bradbury, if sometimes with as much sentimentality. Simak's City is at least as important to the history of SF as Bradbury's The Martian Chronicles - some would say more so, given its more challenging conceptual framework - and his other short stories are among the most enduring in the genre, as Over the River & Through the Woods, a new limited edition from Tachyon Publications, attests. Yet Simak, like Sturgeon, seems in danger of fading into the limbo of historical anthologies; while his work was once as widely available as that of any of the giants, today these stories seem almost like new discoveries - and are just as fresh. Part of the reason may be not that Simak's folksy language seems to belie the underlying sense of alienation and tragedy that characterizes much of his work; part may be due to the rediscovery of American regional idioms among younger SF writers from Terry Bisson to Nancy Kress . . . 'Over the River & Through the Woods' contains eight Simak stories from 1951 through 1980 - which means it includes none of the classic stories like "Desertion" or "Huddling Place", which later went to make up City, but does include his late Hugo and Nebula-winning masterpiece "The Grotto of the Dancing Deer" and the Hugo-winning "The Big Front Yard." One of the first things that comes to mind when rereading the latter story after several years - it concerns a characteristically laconic farmer with a dog named Towser (the only name Simak seems to have permitted for dogs) who finds on his property a gateway to distant worlds - is that few contemporary writers would have let such a simple and elegant premise be confined to a novella. Simak's focus is on the unimpressed rustic whose very lack of response to the wonder at his doorstep intensifies our own. When a rustic is impressed by an alien presence, such as in "A Death in the House," it is less likely to be from a sense of wonder than from a sense of companionship. Simak's roots may be firmly in SF, but he writes of alien encounters in a way Willa Cather might have written of them. Aliens are strange but unthreatening, and in some cases (as in "Neighbor") they can turn the entire neighborhood into a pastoral Shangri-la, isolated from the outside in a way that encapsulates what must be Simak's own drams of lost innocence. But Simak could write about more than wonderful things happening to remote farmers. "Good Night, Mr. James" is a very early treatment (1951) of what we would today call a cloning story, done with the kind of cynical humor that is needed for what is essentially a double- and triple-cross tale. It reveals Simak's healthy streak of humor, as does "Dusty Zebra," in which trivial objects are zapped into another dimension in return for high-tech wonders. "Construction Shack" ironically explores an almost Stapledonian notion of whole solar systems being engineered by ancient aliens (Pluto is the construction shack of the title), cast in terms of the matter-of-fact space jockeys so familiar from pulp SF. Simak may be at his best, however, when his theme is isolation and abandonment. The title story concerns children from the future sent back to the refuge of the 1890s. The best tale in the collection and one of the high points of Simak's late career, "The Grotto of the Dancing Deer," concerns an anthropologist who comes to realize that his assistant seems to know far too much about certain ancient cave paintings, and may in fact have been their creator. Simak's evocation, in a few pages, of the sheer loneliness of immortality and the daunting perspectives of time involved, again could be a lesson to a generation of younger writers, and reminds us brilliantly of what Simak was capable of. - Locus

    Cyberpunk freewheels with punk rock energy, careening between the internet, bioengineering, and international politics, its influence saturating entertainment and the mass media. Drawing on the traditions of the pioneering cyberpunk manifesto, Mirrorshades, each story delves into the gritty world of technological change. Legendary Mirrorshades editor and contributor Bruce Sterling is back, alongside such cutting-edge writers as Cory Doctorow, Jonathan Lethem, Gwyneth Jones, Hal Duncan, Charles Stross, and Pat Cadigan. With a daring introduction from James Patrick Kelly and John Kessel, editors of the controversial Feeling Very Strange: The Slipstream Anthology, this collection is an exhilarating snapshot of a vibrant literary movement.Contents“Introduction: Hacking Cyberpunk” by James Patrick Kelly and John Kessel“Bicycle Repairman” by Bruce Sterling“Lobsters” by Charles Stross“The Voluntary State” by Christopher Rowe“When Sysadmins Rules the Earth” by Cory Doctorow“The Wedding Album” by David Marusek“Two Dreams on Trains” by Elizabeth Bear“Yeyuka” by Greg Egan“Red Sonja and Lessingham in Dreamland” by Gwyneth JonesSterling-Kessel Correspondence“How We Got in Town and out Again” by Jonathan Lethem“Search Engine” by Mary Rosenblum“The Dog Said Bow-Wow” by Michael Swanwick“The Calorie Man” By Paolo Bagciaglupi“The Final Remake of The Return of Little Latin Larry With a Completely Remastered ‘Soundtrack’” by Pat Cadigan“What’s Up Tiger Lily?” by Paul Di Filippo“Daddy’s World” by Walter Jon Williams“Thirteen Views of a Cardboard City” by William Gibson

    46 original stories edited with introductions by Harlan Ellison. Contents: Again, Dangerous Visions • (1972) • interior artwork by Ed Emshwillerix • An Assault of New Dreamers • (1972) • essay by Harlan Ellison1 • The Counterpoint of View • (1972) • shortstory by John Heidenry7 • Ching Witch! • (1972) • shortstory by Ross Rocklynne31 • The Word for World Is Forest • [Hainish] • (1972) • novella by Ursula K. Le Guin127 • For Value Received • (1972) • shortstory by Andrew J. Offutt145 • Mathoms from the Time Closet • (1972) • shortfiction by Gene Wolfe157 • Time Travel for Pedestrians • (1972) • shortstory by Ray Nelson188 • Christ, Old Student in a New School • (1972) • poem by Ray Bradbury197 • King of the Hill • (1972) • shortstory by Chad Oliver217 • The 10:00 Report is Brought to You By ... • (1972) • shortstory by Edward Bryant233 • The Funeral • (1972) • novelette by Kate Wilhelm261 • Harry the Hare • (1972) • shortstory by James B. Hemesath266 • When It Changed • (1972) • shortstory by Joanna Russ282 • The Big Space Fuck • (1972) • shortstory by Kurt Vonnegut, Jr.293 • Bounty • (1972) • shortstory by T. L. Sherred300 • Still-Life • (1972) • shortstory by Barry N. Malzberg [as by K. M. O'Donnell ]315 • Stoned Counsel • (1972) • shortstory by H. H. Hollis331 • Monitored Dreams and Strategic Cremations • (1972) • shortfiction by Bernard Wolfe398 • With a Finger in My I • (1972) • shortstory by David Gerrold413 • In the Barn • (1972) • novelette by Piers Anthony

    The series moves to its new publishing home, Solaris, with this eighth annual volume of the celebrated and popular series.Table of Content"Some Desperado" by Joe Abercrombie"Zero for Conduct" by Greg Egan "Effigy Nights" by Yoon Ha Lee "Rosary and Goldenstar" by Geoff Ryman"The Sleeper and the Spindle" by Neil Gaiman"Cave and Julia" by M. John Harrison"The Herons of Mer de l’Ouest" by M Bennardo"Water" by Ramez Naam"The Truth of Fact, the Truth of Feeling" by Ted Chiang "The Ink Readers of Doi Saket" by Thomas Olde Heuvelt "Cherry Blossoms on the River of Souls" by Richard Parks "Rag and Bone" by Priya Sharma "The Book Seller" by Lavie Tidhar "The Sun and I" by K J Parker"The Promise of Space" by James Patrick Kelly "The Master Conjurer" by Charlie Jane Anders "The Pilgrim and the Angel" by E. Lily Yu "Entangled" by Ian R Macleod "Fade to Gold" by Benjanun Sriduangkaew "Selkies Stories are for Losers" by Sofia Samatar"In Metal, In Bone" by An Owomoyela "Kormack the Lucky" by Eleanor Arnason "Sing" by Karin Tidbeck"Social Services" by Madeline Ashby "The Road of Needles" by Caitlín R Kiernan "Mystic Falls" by Robert Reed "The Queen of Night’s Aria" by Ian McDonald"The Irish Astronaut" by Val Nolan

    Featuring tales from fantasy heavyweights such as Hal Duncan, Catherynne M. Valente, Jay Lake, and Barth Anderson, the collection whisks readers from dizzying rooftop perches down to the underpasses, gutters, and the sinister secrets therein. Mutilated warrior women, dead boys, mechanical dogs, and escape artists are just some of the wonders and horrors explored in this bizarre assembly of works from voices new and old.