And it seems no one knows what to do. While it is good for women to expose their pain, what often happens is that they immediately blame the person at the other end of it, which sets up a never-ending cycle of accusations, denial, avoidance, and ultimately devastation for everyone involved.This moment of discovery should not signal the end but instead become an opportunity to create a different world where men and women are better together.Better Together is a beacon of hope in a challenging storm. It’s where thoughts can be rechanneled and hope rekindled as author Danielle Strickland offers steps toward a real and workable solution. Her premise is that two things are needed for change:1) imagine a better world, and2) understand oppression.Understanding how oppression works is an important part of undoing it.Danielle says, “I refuse to believe that all men are bad. I also refuse to believe that all women are victims. I don’t want to be just hopeful, I want to be strategically hopeful. I want to work toward a better world with a shared view of the future that looks like equality, freedom, and flourishing.”

    Pollitt’s imagination is stirred by conflict and juxtaposition, by the contrast (but also the connection) between logic and feeling, between the real and the transcendent, between our outer and inner selves: Jane Austen slides her manuscript under her blotter, bewildered young mothers chat politely on the playground, the simple lines of a Chinese bowl in a thrift store remind the poet of the only apparent simplicities of her childhood. The title poem hilariously and ruefully depicts the friction between passion and repression (“Perhaps / my body would have liked to make some of our dates, / to come home at four in the morning and answer my scowl / with ‘None of your business!’ ”). In a sequence of nine poems, Pollitt turns to the Bible for inspiration, transforming some of the oldest tales of Western civilization into subversive modern parables: What if Adam and Eve couldn’t wait to leave Eden? What if God needs us more than we need him?With these moving, vivid, and utterly distinctive poems, Katha Pollitt reminds us that poetry can be both profound and accessible, and reconfirms her standing in the first rank of modern American poets.

    Appropriate for students from a wide variety of backgrounds, this comprehensive book captures women's own experiences through direct quotations and an emphasis on empirical research. Known for her balance of scholarship and readability, as well as for her inclusion of women from diverse backgrounds, Margaret Matlin continues to lead the way for the Psychology of Women course. Matlin has meticulously updated this edition to reflect the most current research, and continues to exhibit a genuine interest in and understanding of the students for whom the book is written. Her text includes a chapter on old age, and discussions of topics such as welfare issues, pregnancy and women's retirement, which are central in many women's lives, but not consistently covered in other texts.

    This was Bowie's third appearance on TOTP but this was the one that properly resonated with its audience, the one that would go on to cause a seismic shift in the Zeitgeist. This is the performance that turned Bowie into a star, embedding his Ziggy Stardust persona into the nation's consciousness.With a tall, flame-orange cockade quiff (stolen from a Kansai Yamamoto model on the cover of Honey), lavishly applied make-up, white nail polish, and wearing a multi-coloured jump-suit that looked as though it were made from fluorescent fish skin (chosen by Ziggy co-shaper, the designer Freddie Buretti), and carrying a brand spanking new, blue acoustic guitar, a bone-thin Bowie appeared not so much as a pop singer, but rather as some sort of benevolent alien, a concept helped along by the provocative appearance of his guitarist, the chicken-headed Mick Ronson, with both of them unapologetically sporting knee-length patent leather wrestler's boots (Bowie's were red). 'Most people are scared of colour,' Bowie said later. 'Their lives are built up in shades of grey. It doesn't matter how straight the style is, make it brightly coloured material and everyone starts acting weird.'Suddenly Bowie - a man called alias - had the world at his nail-varnished fingertips, and in no time at all he would be the biggest star in the world.

    For EmPee, it is love at first sight, but the caged woman is not free to love anyone back: she is the property of Monsieur Duval, proprietor of Duval Ethnological Expositions. And so begins one of Zakes Mda’s most striking stories, one that depicts terrible historical injustices and indignities, while at the same time celebrating the vigour and ingenuity of the creative spirit, and the transformative power of love.In an already-great pantheon of Mda love stories and classic gems, this may be his most powerful work yet.Fourie Botha, publisher of local fiction for Penguin Random House, says: ‘A new novel by Zakes Mda is always a glorious event. We are honoured that Prof. Mda will publish this wonderful and important book with Umuzi.’A recipient of the Order of Ikhamanga, Zakes Mda was born in the Eastern Cape in 1948. He is the author of the famous novels Ways of Dying and The Heart of Redness, among many others, and his work has been translated into 20 languages. He spent his early childhood in Soweto, and finished his school education in Lesotho, where he joined his father in exile. Mda has studied and worked in South Africa, Lesotho, the United Kingdom, and the United States, and is a prolific writer, not only of novels, but also of plays, poems, and articles for academic journals and newspapers. His creative work includes paintings, and theatre and film productions. He is based in Athens, Ohio, in the United States, where he spends his time writing and teaching. His memoir, Sometimes There Is a Void, was published in 2011 and his most recent novel, Little Suns, won the Barry Ronge Fiction Prize.

    Rothenberg deftly and consistently helps students analyze each phenomena, as well as the relationships among them, thereby deepening their understanding of each issue surrounding race and ethnicity.

    The stakes of war are explored through the intertwining lives of six members of the Marefat School, an institution in the Western slums of Kabul built by one of the country's most vulnerable minority groups, the Hazara, as the school community prepares for the departure of foreign troops. Marefat's mission is to educate its community's youth- both boys and girls - and introduce them to a secular curriculum, civic participation, and the arts. The Marefat community has embraced the U.S. and flourished under its presence; they stand to lose the most when that protection disappears.The Last Thousand tells the story of what we leave behind when our foreign wars end, presenting the promise, as well as the peril, of our military adventure abroad. Through the eyes of these characters, Stern presents a nuanced and fascinating portrait of the complex history of Afghanistan, American occupation, and the ways in which this one community rallies together in compelling, heartbreaking, and inspiring detail.

    They believed their love could withstand anything. But life can change in an instant and Claire is forced to make the ultimate sacrifice and disappear. For years afterward Tucker mourns her loss. Can these two star-crossed lovers ever find each other again? Patricia Kay delivers the kind of complex, emotional, deeply satisfying story she is known for in this heartbreaking tale of love and loss. PRAISE FOR THE NOVELS OF USA TODAY BESTSELLING AUTHOR PATRICIA KAY: "A stunning book from a master storyteller. Patricia Kay writes from the heart about matters that touch us all." -- Susan Wiggs, NY Times bestselling author "A beautifully written compelling story you won't be able to put down." --- Georgia Bockoven, USA Today bestselling author "If you love LaVyrle Spencer, you'll love Patricia Kay." --- Deborah Smith "Wonderful . . . (a) sparkling romance." --- Eileen Goudge "Kay's writing is solid, and her narrative swiftly reaches a satisfying finish." -- Publisher's Weekly "Patricia Kay writes from the heart about people we come to love." --- Christina Dodd, NY Times bestselling author "Heartrending and touching . . . Ms. Kay never fails to deliver this kind of story." -- Amanda Kilgore, Huntress Reviews "This marvelous story is full to bursting with winning characters, special moments, and most of all, hope, faith, and the rejuvenating power of love." --- Romantic Times Magazine "An intriguing story of love at first sight." --- Houston Tempo Magazine "There are deep questions about relationships and serious character growth evident in this story, which is also warm, sensuous, and excellent entertainment." --- Rendezvous magazine "A warm, tender, beautifully written love story with an emotional punch that only Patricia Kay can deliver." --- Amanda Stevens, USA Today bestselling author PATRICIA KAY is a USA Today bestselling author of more than 50 novels of romance and women's fiction. Her 2000 novel THE WRONG CHILD was nominated for a Rita, the most prestigious award given to authors of romance and women's fiction by the Romance Writers of America. She and her two cats make their home in Houston, Texas. To learn more about her and her books, visit her website at www.patriciakay.com.

    She had a preventative double mastectomy, thereby becoming an everywoman's Angelina Jolie. Dangerous Boobies: Breaking Up with My Time-Bomb Breasts goes in depth into her experience from testing to surgery and on to recovery. With a warm, funny, and approachable voice, Caitlin tells readers the full story, even sharing what it was like to go from a size 32G bra -- giant, for a woman who is barely over five feet tall! -- to a 32C. Engaging and open, she admits to having hated her breasts long before her surgery, and enjoying the process of "designing" her new breasts, from the shape of the breasts to the size and color of the nipples. While Caitlin's primary narrative explores the BRCA gene and breast cancer, her story is also one about body acceptance and what it takes to be confident with and in charge of one's body. Her speaking engagements and comedy routines have shown that the wider topic of breasts, breast size, and personal identity is resonating with younger readers.

    suburb. Instead, he humorously falls from one country to the next, striking out repeatedly with the local women, getting robbed, having dreams that became reality, self-diagnosing himself with a host of diseases, and suffering repeated bouts of stomach illness that made marathon bus rides superhuman feats of bodily strength. Along the journey he chronicles the friendships, the women, and the struggles, including one fateful night in Paraguay that he thought would lead to his end.(This book is intended for men, and will be almost universally disliked by women because of its sexist themes and occasional toilet humor.)

    Her passion for forgotten and neglected buildings became a plea for preservation. Gone is a unique pairing of modern photographs and historical novella. Foote offers a heartbreaking look at one man's loss as Union troops burn his home in the last days of the Civil War. Dickerson shares fascinating and haunting photographs, shining a poignant light on the buildings which survived Sherman's burning rampage across the Confederacy, only to fall victim to neglect, apathy and poverty. GONE is a powerfully moving volume that will change how you see the forgotten buildings that hide in obscurity across the Southern landscape.

    Whether he is playing impromptu gigs in his front room or performing at Live 8, he possesses a sense of drama and expectation not seen in a performer since Sid Vicious. He is enigmatic, charismatic and thoroughly entertaining. Since leaving The Libertines, his life has become something of a rock 'n' roll soap opera where rumours of crack addiction abound, gossip about his relationship with Kate Moss is rife, and predictions for his future vary wildly.Written by Alex Hannaford, former rock and pop editor on the London Evening Standard, and with a brand new foreword by Pete's mum, Jackie Doherty, this is the definitive biography of Pete Doherty.

    The solution, according to noted clairvoyant Patricia Cori, is to awaken into the richer, more meaningful, and empowered existence that is our true fate. Through her psychic contacts with more evolved beings, Cori offers timely insights into the ethics of cloning, the dangers of the Internet, the truth about the AIDS virus, genetic engineering, and other information. Of special interest are the author's predictions of what to expect after 2012, the closing of the Mayan Calendar--a time of galactic events that may change life forever.

    Blinded in France whilst fighting Bonaparte, Campion is all kinds of a rogue who seems determined to see himself into a early grave with his reckless behavior. His mother is hell bent on getting an heir out of him first and has arranged a marriage to a girl Caterina knew from her old life, something that is sure to prove exceptionally awkward if they happen to meet. With time running out, Caterina is desperate to help a man who tries to foil her good intentions at every turn. Can she save the man from himself? Or will he be the ruin the of her instead, eager as he is to seduce her into his bed? For no matter how much she should resist him, poor Caterina finds this particular rogue very hard to resist.

    After AWOL actor Cord McCann and farm girl Bobby Champagne collide in Hollywood (Hollywood, Texas, that is!) anger turns to attraction and the movie star and the cowgirl (battling unfaithful spouses and the vicious celebrity gossip machine) embark on a romance that is as sweet, sexy and hilarious as it is unlikely.