As they travel, they write home to wives and eunuchs in the harem and to friends in France and elsewhere. Their colourful observations on the culture differences between West and East culture conjure up Eastern sensuality, repression and cruelty in contrast to the freer, more civilized West - but here also unworthy nobles and bishops, frivolous women of fashion and conceited people of all kinds are satirized. Storytellers as well as letter-writers, Montesquieu's Usbek and Rica are disrespectful and witty, but also serious moralists. Persian Letters was a succès de scandale in Paris society, and encapsulates the libertarian, critical spirit of the early eighteenth century.

    In the second and third volumes, The History of Eroticism and Sovereignty, Bataille explores the same paradox of utility from an anthropological and an ethical perspective, respectively. The History of Eroticism analyzes the fears and fascination, the prohibitions and transgressions attached to the realm of eroticism as so many expressions of the "uselessness" of erotic life.

    In order to understand both the spirit of Tradition and its antithesis, modern civilization, it is necessary to begin with the fundamental doctrine of the two natures. According to this doctrine there is a physical order of things and a metaphysical one; there is a mortal nature and an immortal one; there is the superior realm of "being" and the inferior realm of "becoming." Generally speaking, there is a visible and tangible dimension and, prior to and beyond it, an invisible and intangible dimension that is the support, the source, and the true life of the former." -- from chapter one. With unflinching gaze and uncompromising intensity Julius Evola analyzes the spiritual and cultural malaise at the heart of Western civilization and all that passes for progress in the modern world. As a gadfly, Evola spares no one and nothing in his survey of what we have lost and where we are headed. At turns prophetic and provocative, Revolt against the Modern World outlines a profound metaphysics of history and demonstrates how and why we have lost contact with the transcendent dimension of being. The revolt advocated by Evola does not resemble the familiar protests of either liberals or conservatives. His criticisms are not limited to exposing the mindless nature of consumerism, the march of progress, the rise of technocracy, or the dominance of unalloyed individualism, although these and other subjects come under his scrutiny. Rather, he attempts to trace in space and time the remote causes and processes that have exercised corrosive influence on what he considers to be the higher values, ideals, beliefs, and codes of conduct--the world of Tradition--that are at the foundation of Western civilization and described in the myths and sacred literature of the Indo-Europeans. Agreeing with the Hindu philosophers that history is the movement of huge cycles and that we are now in the Kali Yuga, the age of dissolution and decadence, Evola finds revolt to be the only logical response for those who oppose the materialism and ritualized meaninglessness of life in the twentieth century. Through a sweeping study of the structures, myths, beliefs, and spiritual traditions of the major Western civilizations, the author compares the characteristics of the modern world with those of traditional societies. The domains explored include politics, law, the rise and fall of empires, the history of the Church, the doctrine of the two natures, life and death, social institutions and the caste system, the limits of racial theories, capitalism and communism, relations between the sexes, and the meaning of warriorhood. At every turn Evola challenges the reader's most cherished assumptions about fundamental aspects of modern life.

    Reason and science, they confidently believe, are on their side. With this book, I aim to expose the emptiness of that belief.” —From the introductionAssaults on religious liberty and traditional morality are growing fiercer. Here, at last, is the counterattack.Showcasing the talents that have made him one of America’s most acclaimed and influential thinkers, Robert P. George explodes the myth that the secular elite represents the voice of reason. In fact, George shows, it is on the elite side of the cultural divide where the prevailing views frequently are nothing but articles of faith. Conscience and Its Enemies reveals the bankruptcy of these too often smugly held orthodoxies while presenting powerfully reasoned arguments for classical virtues.In defending what James Madison called the “sacred rights of conscience”—rights for which government shows frightening contempt—George grapples with today’s most controversial issues: abortion and infanticide, same-sex marriage, genetic manipulation, euthanasia and assisted suicide, religion in politics, judicial activism, and more. His brilliantly argued essays rely not on theological claims or religious authority but on established scientific facts and a philosophical tradition that extends back to Plato and Aristotle. Conscience and Its Enemies elevates our national debates. It sets forth powerful arguments that secular liberals are unaccustomed to hearing—and that embattled defenders of traditional morality so often fail to marshal. It also lays out the principles and arguments for rebuilding a moral order.

    She is the figure of total integration in a disintegrating social totality.--from " Theory of the Young-Girl"First published in France in 1999, "Preliminary Materials for a Theory of the Young-Girl" dissects the impossibility of love under Empire. The Young-Girl is consumer society's total product and model citizen: whatever "type" of Young-Girl she may embody, whether by whim or concerted performance, " she can only seduce by consuming." Filled with the language of French women's magazines, rooted in Proust's figure of Albertine and the amusing misery of (teenage) romance in Witold Gombrowicz's Ferdydurke, and informed by Pierre Klossowski's notion of "living currency" and libidinal economy, " Preliminary Materials for a Theory of the Young-Girl" diagnoses -- and makes visible -- a phenomenon that is so ubiquitous as to have become transparent.In the years since the book's first publication in French, the worlds of fashion, shopping, seduction plans, makeover projects, and eating disorders have moved beyond the comparatively tame domain of paper magazines into the perpetual accessibility of Internet culture. Here the Young-Girl can seek her own reflection in corporate universals and social media exchanges of "personalities" within the impersonal realm of the marketplace. Tracing consumer society's colonization of youth and sexuality through the Young-Girl's "freedom" (in magazine terms) to do whatever she wants with her body, Tiqqun exposes the rapaciously competitive and psychically ruinous landscape of modern love.

    Nominated for running book of the year in The Running Awards 2019.

    Agamben’s exploration is, in part, a contemporary response to the work of Heidegger, Wittgenstein, Blanchot, Jean-Luc Nancy, and, more historically, Plato, Spinoza, and medieval scholars and theorists of Judeo-Christian scriptures.

    From Franz Rosenzweig, who sought to lead assimilated Jews away from the world of history and politics and back to the sources of Jewish tradition, to Leo Strauss, who tried to recover the Socratic tradition in philosophy, to Eric Voegelin, who wrote a multivolume universal history to explain human consciousness, to the rediscovery of Saint Paul by former Marxists, Lilla traces an intellectual craving for theological-political mythmaking, for a grand historical narrative--an "imaginative assemblage of past events and ideas and present hopes and fears"--that can locate humanity's wrong turn on the path to modernity, and help us return to philosophical or religious truth.

    Akbar's amazing story of three generations of a Muslim family —based on his own—and how they deal with the fluctuating contours of Hindu-Muslim relations. Telinipara, a small jute mill town some 30 miles north of Kolkata along the Hooghly, is a complex Rubik's Cube of migrant Bihari workers, Hindus and Muslims; Bengalis poor and 'bhadralok'; and Sahibs who live in the safe, 'foreign' world of the Victoria Jute Mill. Into this scattered inhabitation enters a child on the verge of starvation, Prayaag, who is saved and adopted by a Muslim family, converts to Islam and takes on the name of Rahmatullah. As Rahmatullah knits Telinipara into a community, friendship, love trust and faith are continually tested by the cancer of riots. Incidents—conversion, circumcision, the arrival of the plague of electricity—and a fascinating array of characters: the ultimate Brahmin, Rahmatullah's friend Girija Maharaj; the worker's leader, Bauna Sardar; the storyteller, Talat Mian; the poet-teacher, Syed Ashfaque; the smiling mendicant, Burha Deewana; the sincere Sahib, Simon Hogg; and then the questioning, demanding third generation of the author and his friend Kamala, interlink into a narrative of social history as well as a powerful memoir. Blood Brothers is a chronicle of its age, its canvas as enchanting as its narrative, a personal journey through change as tensions build, stretching the bonds of a lifetime to breaking point and demanding, in the end, the greatest sacrifice. Its last chapters, written in a bare-bones, unemotional style, are the most moving as the author searches for hope amid raw wounds with a surgeon's scalpel.

    In Sternhell's view, fascism was much more than an episode in the history of Italy. He argues here that it possessed a coherent ideology with deep roots in European civilization. Long before fascism became a political force, he maintains, it was a major cultural phenomenon.

    Born to working-class Democrats in Virginia, Bannon has barrelled through the Navy, Harvard, Wall Street, and Hollywood; he is fluent in esoteric philosophies and political theories; and he has diagnosed the problem with today's America---the rot that has eaten away at working Americans' hopes, opportunities, and freedoms---and developed a winning strategy for taking America back.With inside information on Bannon's current White House projects and his relationships with other figures in the Trump orbit---and with President Trump himself---Bannon: Trump's Rebel in the White House is not only a three-dimensional guide to one of the most fascinating figures of modern American history; it's also a guide to understanding the Trump administration's plans for our future.

    David Horowitz’s classic Why Israel is the Victim, updated by the author, sets the record straight about the basic truths of the Middle East conflict. In addition to restoring the authentic history of the region – a history of obsessive aggression first by Arab countries determined to physically annihilate the Jewish State and later by terror groups determined to destroy its will to survive and right to exist—this booklet brings the story up to date by showing the systematic way in which Hamas and Hezbollah, under Iran’s direction, have subverted peace in the Middle East. As Shillman Fellow Daniel Greenfield notes in his insightful introduction, this pamphlet “tells us why we should reject the “Blame Israel First” narrative that has so thoroughly saturated the mainstream media… It confronts the myth of Palestinian victimhood… and it delivers a rousing restatement of the true history of the hate that led us to all this.” America should be Israel’s protector. Instead, as David Horowitz notes, under the leadership of Barack Obama, it has become its prosecutor.

    It is not a novel; instead, it is a rallying cry and a battle plan for constitutional conservatives who feel outnumbered and outgunned by a liberal establishment that wants to make them extinct and Republican moderates who are more than happy to lose if it means they keep getting invitations to all the right parties. Conservative Insurgency lays out the history of this struggle from the point of view of various participants as America inaugurates a new president and fully re-commits to the conservative vision of the Founders. The testimonies of the characters – politicians, academics, activist, soldiers and even a gender-indefinite performance artist who finds that liberalism is more constraining than conservatism ever could be – describe a multi-front, long-term political, social, and cultural war designed to seize society’s high ground in order to restore the Founders’ vision. It is not a war of violence but one of persuasion and action. The weapons are not arms but arguments – though the transition is not entirely peaceful as progressives refuse to honor basic rights when it means they must give up power. Why an insurgency? Because conservatives won’t win a stand up fight today – the enemy is too powerful, and to do so risks allowing them to destroy us forever in detail. Military history provides many useful analogies for this peaceful struggle. Remember the Vietnamese insurgents during Tet in 1968? They came out of the jungles during that holiday season in an attempt to take over the South in one fell swoop. They were annihilated, despite the best efforts of a liberal United States media to portray it to the contrary. They simply made their move far too soon. They went back underground and, seven years later, they took Saigon. How does a force that is always “losing” end up winning? That’s the key question, and one the oral histories of the 30+ characters answers. Author Kurt Schlichter is uniquely suited to write this book. A Townhall,com featured columnist and conservative media commentator, he was personally recruited by Andrew Breitbart to write for the conservative legend’s “Big” websites. Kurt has a large Twitter following and four consecutive Amazon kindle bestselling “Political Humor” e-books, but he is also a trial lawyer who served in the Army infantry from Operation Desert Storm to Operation Enduring Freedom in Kosovo. His background, including a masters of strategic studies from the United States Army War College, give him a unique perspective on politics, government and the strategy and tactics of an insurgent movement. His work as a stand-up comic helps give this serious subject a humorous edge. Conservative Insurgency shows how we need to engage the enemy everywhere – politics, the media, the law, academia and, as Andrew Breitbart taught us, popular culture. From the faculty lounge to the news room to the recording studio to the boardroom, we will never again simply write-off anywhere in our society to the progressives. There can be no safe havens for those who reject the basic freedoms our Founders enshrined in the Constitution. Conservative Insurgency is not about losing gloriously but about winning gloriously. Through the experiences of its many vivid characters, it lays out some general concepts and ideas about how to do it. They say the Tea Party is dead. Nonsense. We’re still here. We’re still ready to fight. And we’re going to fight, each in our own way, and take America back.

    Will's exploration of what government does.The conservative thinker and columnist reflects on the fundamental beliefs of American political theory, questioning the sufficiency of the principle of competing self-interests as a basis for society and arguing for a more broadly based interpretation of the role of government.

    With a tragedy in his past that looms over his future, he faces a long, hard apprenticeship to the foul-tempered scholar Everard, before he can have any chance of becoming a Knight. As he struggles to survive in the harsh discipline of the Temple, Will must try to make sense of many things: his own past, the dangerous mystery that surrounds Everard, and his confused feelings for Elwen, the strong-willed young woman whose path seems always to cross his own.Meanwhile, a new star is rising in the East. A ruthless fighter and brilliant tactician, the former slave Baybars has become one of the greatest generals and rulers of his time. Haunted by his early life, he is driven by an unquenchable desire to free his people from the European invaders of his homeland.With page-turning suspense and thrilling action, the Brethren trilogy brilliantly evokes that extraordinary clash of civilizations known in the West as the Crusades. Robyn Young portrays a rich cast of characters, reflecting on each side greed, ambition and religious fanaticism, as well as courage, love and faith.