Barnes’ Dead Silence, a SF horror novel in which a woman and her crew board a decades-lost luxury cruiser and find the wreckage of a nightmare that hasn't yet ended.A GHOST SHIP.A SALVAGE CREW.UNSPEAKABLE HORRORS.Claire Kovalik is days away from being unemployed—made obsolete—when her beacon repair crew picks up a strange distress signal. With nothing to lose and no desire to return to Earth, Claire and her team decide to investigate.What they find at the other end of the signal is a shock: the Aurora, a famous luxury space-liner that vanished on its maiden tour of the solar system more than twenty years ago. A salvage claim like this could set Claire and her crew up for life. But a quick trip through the Aurora reveals something isn’t right.Whispers in the dark. Flickers of movement. Words scrawled in blood. Claire must fight to hold onto her sanity and find out what really happened on the Aurora, before she and her crew meet the same ghastly fate.

    . .The community along Oregon's Deschutes River is one of successful careers and perfect families. For years, up-and-comers Liz and Owen have admired their good friends and neighbors, Carole and David. They appear to have it all--security, happiness, and a beautiful young son, Charlie.Then Charlie vanishes without a trace, and all that seemed safe is shattered by a tragedy that is incomprehensible--except to Liz.It took one fleeting moment for her to change the lives of everyone she loves--a heartrending accident that can't be undone. Neither can the second-worst mistake of her life: concealing it. As two marriages crack and buckle in grief and fear, Liz retreats into her own dark place of guilt, escalating paranoia--and betrayals even she can't imagine. Because there's another good neighbor who has his own secrets, his own pain, and his own reasons for watching Liz's every move.And only he knows that the mystery of the missing boy on the Deschutes River is far from over.

    For him, there is only the present: a new marriage to Tamara, a first chance at fatherhood to her son Elijah, and a quiet but pleasant life as an art teacher at Elijah’s elementary school in Danvers, Virginia. Then the body of a rabbit, ritualistically murdered, appears on the school grounds with a birthday card for Richard tucked beneath it. Richard doesn’t have a birthday—but Sean does . . .Sean is a five-year-old boy who has just moved to Greenfield, Virginia, with his mother. Like most mothers of the 1980s, she’s worried about bills, childcare, putting food on the table . . . and an encroaching threat to American life that can take the face of anyone: a politician, a friendly neighbor, or even a teacher. When Sean’s school sends a letter to the parents revealing that Sean’s favorite teacher is under investigation, a white lie from Sean lights a fire that engulfs the entire nation—and Sean and his mother are left holding the match.Now, thirty years later, someone is here to remind Richard that they remember what Sean did. And though Sean doesn’t exist anymore, someone needs to pay the price for his lies.

    Now three generations of women must navigate their chilling new reality in this moving exploration of identity, cycles of abuse, and hope. Chelsea Martin appears to be the perfect housewife: married to her high school sweetheart, the mother of two daughters, keeper of an immaculate home. But Chelsea's husband has turned their house into a prison; he has been abusing her for years, cutting off her independence, autonomy, and support. She has nowhere to turn, not even to her narcissistic mother, Patricia, who is more concerned with maintaining the appearance of an ideal family than she is with her daughter's actual well-being. And Chelsea is worried that her daughters will be trapped just as she is--then a mysterious illness sweeps the nation. Known as The Violence, this illness causes the infected to experience sudden, explosive bouts of animalistic rage and attack anyone in their path. But for Chelsea, the chaos and confusion the virus causes is an opportunity--and inspires a plan to liberate herself from her abuser.

    For thirty-something mechanical engineer Cass Jennings, Antarctica offers an opportunity to finally escape the guilt of her troubled past and to rebuild her life.But the death of a colleague triggers a series of mysterious incidents that push Cass and the rest of the forty-four-person crew to the limits of their sanity and endurance. Confined and cut off from the outside world, will they work together or turn against one another? As the tension escalates, Cass must find the strength to survive not only a punishing landscape but also an unrelenting menace determined to destroy the station—and everyone in it.

    She can't help herself, her curiosity is too strong. The depraved and obscene thoughts won't disappear, and with nothing holding her back, she succumbs to her sick desires.

    Inescapable blood-sucking bugs. A serial killer who may have discovered proof of alien life. A kinky proposal to "even out" an instance of infidelity. A man whose fingernails are growing at an out of control rate. Twisted new spins on the legends of John Henry and Humpty Dumpty. The all-time worst bathtub in which to bathe a child. The inconvenience of finding a dead Bigfoot in your yard. These are only a few of the stories in Jeff Strand's deranged new collection, which includes the brand-new novelette "The Tipping Point," along with several other macabre tales written just for these bloody pages... Table of contents: "The Tipping Point" "Nails" "Stumps" "John Henry, The Steel Drivin' Man" "Fair Trade" "Chiggers" "Cry" "The Fierce Stabbing and Subsequent Post-Death Vengeance of Scooter Brown" "It's Bath Time!" "Alien Face" "Apocalypse of the Yard Gnome" "Dead Bigfoot on the Lawn" "Gross-Out: The Return" "Deformed Son" "The Origin of Slashy" "Secret Message (Decoded)" "The Sentient Cherry Cola That Tried to Destroy the World" "The Eggman Falleth" "The Story of My First Kiss" "Dad (A True Story)" "Bad Bratwurst"

    This exciting new anthology, perfect for airport or airplane reading, includes an original introduction and story notes for each story by Stephen King, along with brand new stories from Stephen King and Joe Hill.Stephen King hates to fly. Now he and co-editor Bev Vincent would like to share this fear of flying with you.Welcome to Flight or Fright, an anthology about all the things that can go horribly wrong when you're suspended six miles in the air, hurtling through space at more than 500 mph and sealed up in a metal tube (like—gulp!—a coffin) with hundreds of strangers. All the ways your trip into the friendly skies can turn into a nightmare, including some we'll bet you've never thought of before... but now you will the next time you walk down the jetway and place your fate in the hands of a total stranger.Featuring brand new stories by Joe Hill and Stephen King, as well as fourteen classic tales and one poem from the likes of Richard Matheson, Ray Bradbury, Roald Dahl, Dan Simmons, and many others, Flight or Fright is, as King says, "ideal airplane reading, especially on stormy descents... Even if you are safe on the ground, you might want to buckle up nice and tight."

    And they’re right; with newborn twins, Morgan and Riley, she’s never been more tired in her life. But she knows what she saw: that night, in her hospital room, a woman tried to take her babies and replace them with her own…creatures. Yet when the police arrived, they saw no one. Everyone, from her doctor to her husband, thinks she’s imagining things.A month passes. And one bright summer morning, the babies disappear from Lauren’s side in a park. But when they’re found, something is different about them. The infants look like Morgan and Riley―to everyone else. But to Lauren, something is off. As everyone around her celebrates their return, Lauren begins to scream, These are not my babies.Determined to bring her true infant sons home, Lauren will risk the unthinkable. But if she’s wrong about what she saw…she’ll be making the biggest mistake of her life.Compulsive, creepy, and inspired by some our darkest fairy tales, Little Darlings will have you checking―and rechecking―your own little ones. Just to be sure. Just to be safe.

    Once exposed to the real world, the dreams evolve, adapting to their surroundings.From a boy named Kevin, he removes Mr. Freakshow, a nightmare feeding on the trauma of Kevin having recently witnessed his father's murder. Kevin will do whatever it takes to be free of his nightmare, once and for all. Mr. Freakshow will do whatever it takes to realize his immortality. Will Kevin survive his nightmare?

    She lives in her own world, a world in which protection comes from an unusual source: horror movies…especially the ones where a masked killer seeks revenge on a world that wronged them. And Jade narrates the quirky history of Proofrock as if it is one of those movies. But when blood actually starts to spill into the waters of Indian Lake, she pulls us into her dizzying, encyclopedic mind of blood and masked murderers, and predicts exactly how the plot will unfold.Yet, even as Jade drags us into her dark fever dream, a surprising and intimate portrait emerges… a portrait of the scared and traumatized little girl beneath the Jason Voorhees mask: angry, yes, but also a girl who easily cries, fiercely loves, and desperately wants a home. A girl whose feelings are too big for her body.My Heart Is a Chainsaw is her story, her homage to horror and revenge and triumph.

    He spends most nights sneaking into support group meetings for the disabled in order to satisfy his deepest, darkest desires—to hook up with unfortunate, down-on-their-luck women who’ve recently lost a limb. There's a name for Ray’s preference; it’s called acrotomophilia, a paraphilia involving amputees.Conflicted, Ray wishes he could change. But he can’t. His body won’t let him. Nor will his mind. He’s destined to live this life, forever. That is . . . until he meets the perfect girl. Falls in love with her. Only problem: her arms and legs are attached.Unable to find her attractive, Ray embarks on a dark, twisted journey of self-discovery, one that will force him to make an impossible choice: abandon his pursuit of true love or find a way to make it work, even if that means getting the girl of his dreams to shed an appendage. Weird, comedic, and often raunchy, Limbs is the craziest love story ever told.

    While Billy walks away with Emily, Shawn takes Eagle Logic, which he uses to build a multi-billion-dollar company that eventually outshines Apple, Google, and Microsoft combined.Years later, Billy is a failure, beset by poverty and addiction, and Shawn is the most famous man in the world. Unable to let the past be forgotten, Shawn decides to resurrect his and Billy’s biggest failure: a next-generation computer program named Nellie that can control a house’s every function. He decides to set it up in the abandoned mansion they worked near all those years ago. But something about Nellie isn’t right—and the reconstruction of the mansion is plagued by accidental deaths. Shawn is forced to bring Billy back, despite their longstanding mutual hatred, to discover and destroy the evil that lurks in the source code.

    Clouds of war are gathering over a fogbound London. Twenty-eight year old Jack is poor, lonely, and desperate to change his life, so when he's offered the chance to join an Arctic expedition, he jumps at it. Spirits are high as the ship leaves Norway: five men and eight huskies, crossing the Barents Sea by the light of the midnight sun. At last they reach the remote, uninhabited bay where they will camp for the next year, Gruhuken, but the Arctic summer is brief. As night returns to claim the land, Jack feels a creeping unease. One by one, his companions are forced to leave. He faces a stark choice: stay or go. Soon he will see the last of the sun, as the polar night engulfs the camp in months of darkness. Soon he will reach the point of no return--when the sea will freeze, making escape impossible. Gruhuken is not uninhabited. Jack is not alone. Something walks there in the dark...

    But when it comes to murder, Officer Susan Marlan never trusts a simple explanation, so she's just getting started.Meanwhile, college professor Eric Evans hallucinates a young boy in overalls: a symptom of his schizophrenia - or so he thinks. But when more bodies turn up, Eric has more visions, and they mirror details of the murder case. As the investigation continues, the police stick with their original conclusion, but Susan's instincts tell her something is off. The higher-ups keep stonewalling her, and the FBI's closing in.Desperate for answers, Susan goes rogue and turns to Eric for help. Together they take an unorthodox approach to the case as the evidence keeps getting stranger. With Eric's hallucinations intensifying and the body count rising, can the pair separate truth from illusion long enough to catch a monster?