John Whitehead, critic and biographer who himself served with the Indian Army in Burma, has provided this in full measure in his entertaining and scholarly Introduction and comprehensive textual Notes. This Centenary Edition of the ballads is unlikely ever to be superseded.

    This year's exceptional volume, edited by Robert Creeley, a figure revered across teh wide spectrum of American poetry, features a diverse mix of established masters, rising stars and the leading lights of a younger generation. The pleasure of the poems selected here, Creeley explains in his introduction, is "that they caught my fancy, some almost outrageously, some by their quiet, nearly diffident manner, some by unexpected turns of thought or insight, others by a confident authority and intent." With comments from the poets elucidating their work, a thought-provoking introduction from Creeley, and Lehman's always popular foreword assessing the current state of poetry, The Best American Poetry 2002 will prove as irresistible to new readers as it is indispensable for poetry fans everywhere.

    In Why We Need Love, Simon Van Booy curates an enlightening collection of excerpts, passages, and paintings, presenting works by Geoffrey Chaucer, William Shakespeare, John Donne, William Blake, George Eliot, Emily Dickinson, O. Henry, W. B. Yeats, James Joyce, E. E. Cummings, Anaïs Nin, Marc Chagall, J. Krishnamurti, and others.Provocative and eye-opening, Why We Need Love is one of three slim selections of philosophical texts and excerpts—along with Why We Fight and Why Our Decisions Don’t Matter—introduced and contextualized by acclaimed author Simon Van Booy (Love Begins in Winter, The Secret Lives of People in Love).

    These are stories that passed down through the ages virtually unaltered in their telling. To those who told and listened to them, they expressed something fundamental about Irish culture and the Irish way of life. The stories in this volume feature a wide variety of fantastic beings, including ghosts, witches, fairies, and changelings, but several feature creatures that are virtually exclusive to Ireland: the banshee, the merrow, the pooka, and the leprechaun. Read these tales of frightening supernatural horrors, brave folk heroes, and everyday people clever enough to outwith the devil, and you'll agree that they could only take place on Irish soil.

    Dating from the Middle Ages to the 20th century, these splendid poems remain evergreen in their capacity to engage our minds and refresh our spirits. Among them are Marlowe: "The Passionate Shepherd to His Love"; Shakespeare: "Sonnet XVIII" ("Shall I compare thee to a summer's day?"); Donne: "Holy Sonnet X" ("Death, be not proud"); Marvell: "To His Coy Mistress"; Wordsworth: "I Wandered Lonely as a Cloud"; Shelley: "Ode to the West Wind"; Longfellow: "The Children's Hour"; Poe: "The Raven"; Tennyson: "The Charge of the Light Brigade"; Whitman: "O Captain! My Captain!"; Dickinson: "This Is My Letter to the World"; Yeats: "When You Are Old"; Frost: "The Road Not Taken"; Millay: "First Fig."Works by many other poets — Milton, Blake, Burns, Coleridge, Byron, Keats, Emerson, the Brownings, Hardy, Housman, Kipling, Pound, and Auden among them — are included in this treasury, a perfect companion for quiet moments of reflection.

    An Introduction and brief biographical notes on the poets are included.

    Written during the same period as The Glass Bead Game, these poems reflect the book's mysticism and help to illuminate Hesse's physical and metaphysical search for a "sublime alchemy" that would go beyond all images

    Most particularly if she writes poems about death and violence. Or at least that is the lesson that the posthumous careers of Anne Sexton and Sylvia Plath seen to teach us.Reading this new volume of Sexton's previously uncollected poems, one has to wonder what will happen when there are no more half-finished poems left to be published. Will her grocery lists be next?I'm sure that the editor of this volume, Sexton's daughter Linda Gray Sexton, acts out of the desire to complete her mother's oeuvre, and apparently Anne Secton did leave instructions for at least some of her work, the section called "Letters for Dr. Y," to be published after her death. And in all fairness to Linda Gray Sexton I should mention that she and her co-editor Lois Ames did an excellent job of annotating and editing Anne Sexton's collected letters, putting together in A Self-Portroit in Letters (1977) a picture of a remarkably courageous woman and talented artist who fought her madness for many years.The heart of Anne Sexton's work lies in her earliest books - To Bedlam and Part Way Back, Live or Die, All My Pretty Ones. Here searing images take one by surprise, and the poems combine virtuoso technical skill with highly personal material is a way no one dies had ever done before. Yet as she grow older, worn down by her recurring bouts with insanity , Sexton's work grew sloppier, more self-indulgent , repetitive and heavy-handed. Her obsession with death and violence became more and more a part of some personal psychotic heil, more and more distorted each time she wrote, like a drawing one can't quite get right and finally ruins by constant erasure. The poems and the three horror stories in Words for Dr. Y are no exception.I would like to remember Anne Sexton for what I consider to be those extraordinary poems written in the face of great odds - poems like "Music Swims Back to Me," "You, Dr. Martin," "Her Kind." But the continuing publication of her inferior work tends to obscure her real achievement. [susan wood]

    by such theatrical directors as Lee Strasberg, Elizabeth Swados, Peter Sellars and Robert Wilson. Critics have hailed these translations as making Chekhov fully accessible to American audiences. They are also accurate -- Schmidt has been described as "the gold standard in Russian-English translation" by Michael Holquist of the Russian department at Yale University.Swan song --The bear --The proposal --Ivanov --The seagull --A reluctant tragic hero --The wedding reception --The festivities --Uncle Vanya --Three sisters --The dangers of tobacco --The cherry orchard.

    Here are action tales of the old west by masters such as Zane Grey, Ed Earl Repp, Robert E. Howard, Clarence E. Mulford, Max Brand -- and many more. More than 2,000 pages of great reading!Complete contents:QUICK PAY FOR MAVERICK MEN, by Ed Earl ReppTOM’S MONEY, by Harriet Prescott SpoffordWHILE SMOKE ROLLED, by Robert E. HowardTHE AFFAIR AT GROVER STATION, by Willa CatherTHE OUTLAW PILOT, by Stephen PayneREADY FOR A COFFIN, by Gene AustinBULLDOG CARNEY, by W. A. FraserDUST, by Marcet and Emanuel Haldeman-JuliusTHE JIMMYJOHN BOSS, by Owen WisterTHE APACHE MOUNTAIN WAR, by Robert E. HowardABOVE THE LAW, by Max BrandWITH GUTS, GUN, AND SCALPEL, by Archie JoscelynTHE END OF THE TRAIL, by Clarence E. MulfordTHE WILD-HORSE HUNTER, by Zane GreyTHE HONK-HONK BREED, by Stewart Edward WhiteTHE TEXAN SCOUTS, by Joseph A. AltshelerTHE ROAD TO BEAR CREEK, by Robert E. HowardA KINSMAN OF RED CLOUD, by Owen WisterNO REPORT, by S. Omar BarkeTHE LAST OF THE PLAINSMEN, by Zane GreyGUNMAN’S RECKONING, by Max BrandLITTLE BIG HORN MEDICINE, by Owen WisterTHE LONE RANGER RIDES, by Fran StrikerMAN SIZE, by William MacLeod RaineCOLUMBIA AND THE COWBOY, by Alice MacGowanAnd don't forget to search this ebook store for "Wildside Megapack" to see all the entries in the Megapack series -- including volumes of science fiction, fantasy, horror, mystery, westerns, classics, and much, much more!

    

    The longest poem covers less than two pages. Yet in theme and tone her writing reaches for the sublime as it charts the landscape of the human soul. A true innovator, Dickinson experimented freely with conventional rhythm and meter, and often used dashes, off rhymes, and unusual metaphors—techniques that strongly influenced modern poetry. Dickinson’s idiosyncratic style, along with her deep resonance of thought and her observations about life and death, love and nature, and solitude and society, have firmly established her as one of America’s true poetic geniuses.

    She smiles like she is hiding a secret. She holds her head high, like she is wearing an invisible crown. The air Around her is charged with confidence, strength, and courage. Have you heard the whispers? She woke up different today. Yet it feels she has been like this always. Maybe it’s the story that has changed.About the Author‘Fragile but Unbreakable’ is how Reecha describes herself. She believes in miracles, takes life head on, and is passionate about weaving magic with her words. And now that she has found her calling, she desires to spend her entire life reading, travelling, and dwelling in her own little fictional and poetic worlds. An MBA from Loyola Institute of Business Administration, she is based out of New Delhi where she lives with her husband and two kids. She – Screw Silence is her third book.

    However there comes a time in every writer’s life when the need to have one’s work appreciated by others overcomes the reticence of their nature. With this book, I have reached the point where I can let you, the reader, enter. See me. Maybe some of the poems here will resonate with you, and that understanding, that secret “yes, I know what she means”, from a stranger, is what I seek.

    Kids love him and his poetry...and so do adults, a combination of approbation that is unusual in today's world.