Written by one of the world’s most influential sociologists, this classic argues that suicide primarily results from a lack of integration of the individual into society. Suicide provides readers with an understanding of the impetus for suicide and its psychological impact on the victim, family, and society.

    This book grounds students in both the theory of ethics and its application to today's pressing social issues.Avoiding undue dogmatism, Professor Scott B. Rae outlines the distinctive elements of Christian ethics. He also introduces students to various ethical systems and their key historical proponents, including Plato, Aristotle, Augustine, Aquinas, and Kant. And, after describing a seven-step procedure for tackling ethical dilemmas, he uses case studies to address the current issues listed below.Now in its second edition, Moral Choices is expanded and revised to provide the most current insights. Topics include: AbortionReproductive TechnologiesEuthanasia Capital PunishmentSexual EthicsThe Morality of WarThe Legislation of MoralityNew: Genetic Technologies and Human CloningBesides the new chapter, substantial changes have been made in the chapters on euthanasia and reproductive technologies.

    Thick black roots shoot up through the ground and attach themselves to the feet of every man, woman and child, locking them in place so that they can no longer move. Nobody is safe. The roots reach up through buildings, into vehicles, even up into planes. All of humanity is now stuck exactly where they were when the disaster occurred.For Andy Riley, that means being out in the car park of a London hotel, right next to a woman he'd happened to be walking past. Andy and Marie had never met before, had never even noticed one another in the hotel's conference center, but now they're stranded together in a fight for survival. And when night falls, another side of the disaster becomes apparent, as mysterious creatures roam the dark city.The root feeds on blood, and now it has all of humanity connected to its feeding system. As Andy and Marie struggle to survive, however, they begin to realize that they might be the only two people on the whole planet who have a chance of defeating the root and saving the human race.

    In this short book, I'll share with you what Ikigai is, why you should learn and pursue it, and how to go about discovering your Ikigai. By the end of the book, you'll be in a very good position to start discovering and pursuing your Ikigai en route to a life of joy and fulfillment. Scroll up and click "Buy now with 1-Click" to download your copy now! © 2017 All Rights Reserved!Tags: ikigai, ikigai book, ikigai kindle, ikigai the japanese secret, book ikigai, about ikigai, finding your ikigai.

    There is no more proper instrument of analysis of our contemporary myths than this book—one of the most significant works in French theory, and one that has transformed the way readers and philosophers view the world around them.Our age is a triumph of codification. We own devices that bring the world to the command of our fingertips. We have access to boundless information and prodigious quantities of stuff. We decide to like or not, to believe or not, to buy or not. We pick and choose. We think we are free. Yet all around us, in pop culture, politics, mainstream media, and advertising, there are codes and symbols that govern our choices. They are the fabrications of consumer society. They express myths of success, well-being, and happiness. As Barthes sees it, these myths must be carefully deciphered, and debunked.What Barthes discerned in mass media, the fashion of plastic, and the politics of postcolonial France applies with equal force to today's social networks, the iPhone, and the images of 9/11. This new edition of Mythologies, complete and beautifully rendered by the Pulitzer Prize–winning poet, critic, and translator Richard Howard, is a consecration of Barthes's classic—a lesson in clairvoyance that is more relevant now than ever.

              Only the most fearless of political journalists would dare to open the old wounds of the 1995 Quebec referendum, a still-murky episode in Canadian history that continues to defy our understanding. The referendum brought one of the world's most successful democracies to the brink of the unknown, and yet Quebecers' attitudes toward sovereignty continue to baffle the country's political class. Interviewing 17 key political leaders from the duelling referendum camps, Hébert and Lapierre begin with a simple premise: asking what were these political leaders' plans if the vote had gone the other way. Even 2 decades later, their answers may shock you. And in asking an unexpected question, these veteran political observers cleverly expose the fractures, tensions and fears that continue to shape Canada today.

    Indeed, in this pioneering exploration of the cinema of fear, Barry Keith Grant and twenty other film critics posit that horror is always rooted in gender, particularly in anxieties about sexual difference and gender politics.The book opens with the influential theoretical works of Linda Williams, Carol J. Clover, and Barbara Creed. Subsequent essays explore the history of the genre, from classic horror such as King Kong and Bride of Frankenstein to the more recent Fatal Attraction and Bram Stoker's Dracula. Other topics covered include the work of horror auteurs David Cronenberg, Dario Argento, and George Romero; the Aliens trilogy; and the importance of gender in relation to horror marketing and reception.Other contributors include Vera Dika, Thomas Doherty, Lucy Fischer, Christopher Sharrett, Vivian Sobchack, Tony Williams, and Robin Wood. Writing across a full range of critical methods from classic psychoanalysis to feminism and postmodernism, they balance theoretical generalizations with close readings of films and discussions of figures associated with the genre.The Dread of Difference demonstrates that horror is hardly a uniformly masculine discourse. As these essays persuasively show, not only are horror movies about patriarchy and its fear of the feminine, but they also offer feminist critique and pleasure.

    The notion of works of art as sacred objects was decried and subsequently they would be understood merely as things. This meant an attack on realism, as well as on the traditional preservative mission of the museum. Acclaimed art theorist Boris Groys argues this led to the development of “direct realism”: an art that would not produce objects, but practices (from performance art to relational aesthetics) that would not survive. But for more than a century now, every advance in this direction has been quickly followed by new means of preserving art’s distinction. In this major new work, Groys charts the paradoxes produced by this tension, and explores art in the age of the thingless medium, the Internet. Groys claims that if the techniques of mechanical reproduction gave us objects without aura, digital production generates aura without objects, transforming all its materials into vanishing markers of the transitory present.