Sledge artfully draws from Bishop's lifelong correspondences and biography to imagine the poet's intensely private world, revealing the literary genius who lived in conflict with herself both as a writer and as a woman.A seemingly idyllic existence in Soares's glass house in the jungle gives way to the truth of Bishop's lifelong battle with alcoholism, as well as her eventual status as one of modernism's most prominent writers. Though connected to many of the most famous cultural and political figures of the era, Soares too is haunted by her own demons. As their secrets unfold, the sensuous landscape of Rio de Janeiro, the rhythms of the samba and the bossa nova, and the political turmoil of 1950s Brazil envelop Bishop in a world she never expected to inhabit. The More I Owe You is a vivid portrait of two brilliant women whose love for one another pushes them to accomplish enduring works of art.

    Here, an angel, hastily thrown together by his fellow residents of Heaven, plummets to Earth in his first moments of consciousness. Jim Limber, the adopted mixed-race son of Jefferson Davis, wanders through the afterlife, reckoning with the nuances of America’s, as well as his own, racial history. Sometimes I Never Suffered is a search for purpose and atonement, freedom and forgiveness, imagining eternity not as an escape from the past or present, but as a reverberating record and as the culmination of time’s manifold potential to mend.

    Unfurling and unrelenting in its delivery, Candrilli has painted “the mountain” in excruciating detail. They show readers a world of Borax cured bear hides and canned peaches, of urine-filled Gatorade bottles and the syringe and all the syringe may carry. They show a violent world and its many personas. What Runs Over, too, is a story of rural queerness, of a transgender boy almost lost to the forest. The miracle of What Runs Over is that Candrilli has lived to write it at all."When Roethke said 'energy is the soul of poetry,' he might have been anticipating a book like What Runs Over, which is so full of energy it practically vibrates in your hand. Here, Candrilli’s speaker sticks their tongue 'into the heads / of venus fly traps just to feel the bite,' then later, burns holy books in the backyard and rolls around in the ashes until they become 'a painted god.' This is the verve of an urgent new poetic voice announcing itself to the world. As Candrilli writes: 'This is what I look like / when I’m trying to save myself.'"-Kaveh Akbar

    She is cunning and resilient, but hopelessly devoted to the same destructive family members responsible for the failure of her marriage. Husbandless and pregnant with her third child, Gary's mom manages to take her small stopgap family from living in a car in a beach parking lot to a boarding house where she meets the man who will be the father of her next two children. Evictions and cut utilities force move after move from neighboring towns to different states. As the growing family relocates, neglect and abuse from relatives and family friends shadow the children's lives. The chaotic existence, including the presence of an uncle and step-father in and out of prison and an alcoholic uncle who will not leave, awaken Gary to the realization that his family is not like other families. He begins to question his mother's decisions and disappointment transitions to anger, but a bond remains between Gary and his mom. Even during the worst times, she surprises with a fiercely protective love like when Gary is forced to come out as gay at the age of fourteen. In spite of the unhinged way of living, the family is close. Gary and his younger brothers and sisters have no real friends but each other, and, in spite of her faults, they know their mother loves them deeply. Nothing prepares them for the moment she is taken away.

    But as a 43-year-old divorcee with an empty nest staring me in the face, I can hardly say no when my mama finally breaks down and does the impossible. She asks for help.I expect to lend a hand with running the family business.Instead, I end up inheriting witch powers and a magical family legacy.My mama's been hiding a secret for my whole life. The merciless gods and goddesses from Ancient Rome are trapped in my hometown... Unfortunately for me, I'm the only thing standing between them and all hell breaking loose…With the fate of the world hanging in the balance, I’ve only got three weeks to solve the mystery of why my Earth witch powers don't work.Saving the world won’t be easy. Of course, neither is being a middle-aged woman.I might be midlife, but sugar, I’m just getting started!Dive into this paranormal women's fiction story about midlife women, mythical gods, and the magic that happens when life forces you to change.

    A texture of swift worldly-wisdom underscores the focus on freaks, but often leaves an invisible message of a reverse lens on the rest of the world. ~Rochelle Potkar, poet and Author of 'Arithmetic of Breasts and Other Tales' Aparna Sanyal Upadhyaya is one of those rare people who are just as funny on the page and in a poem as they are in person. I laughed aloud many times reading about the shenanigans in these charming and quirky twisted tales. - Chandrahas Chaudhary, Author of Arzee the Dwarf and Clouds Meet the beautiful people of the Circus, and the freaks who live in the Village next to them. Mangled, jangled, misunderstood, all find place in the rich tapestry of this book. Siamese twins separate to lose half a heart each, and find snake-man and tiger-taming lovers. A man bitten by a crocodile becomes a God, and a Devadasi woos the entire countryside with her culinary artistry. Fates intertwined lead sometimes to tragedy, sometimes happy summits of fame. A clown finds his place in Hollywood and mute animals break unspeakable chains. A twisted man falls in love with a mirror and a white man is unmade by the Indian sun. In this book are tales for every season and every reason. Tales of human depravity that take innocent lives, and of a murderers’ insanity that follows, a fitting revenge by nature, red in tooth and claw. These stories are told in the form of narrative poems in rhyming couplets. Look inside and you will find, you have been to this Village. Surely, you have been to this Circus too.

    It is deep dive into emotions, empathy, acceptance, healing and insights into a different perspective towards life. The book embraces you in silence and stillness of thoughts. The book is an attempt to connect to souls, to reflect upon them, unbiased and together embrace a new beginning and a beautiful journey called life.

    Important poems by the late New York poet published in The New American Poetry, Evergreen Review, Floating Bear and stranger places.Often O'Hara, strolling through the noisy splintered glare of a Manhattan noon, has paused at a sample Olivetti to type up thirty or forty lines of ruminations, or pondering more deeply has withdrawn to a darkened ware- or firehouse to limn his computed misunderstandings of the eternal questions of life, coexistence, and depth, while never forgetting to eat lunch, his favorite meal.

    The Hard Part is Living are collections of poems and pieces about being in love with everything that exhausts you, being at peace with being afraid of the dark, and learning to fall in love with life all over again.

    as the text journeys from the ice age to climate crisis & devours figures & texts as expansive as levinas, plath, the ronettes, after-school-specials, fairy tales, & the romantics (among others). how to be a good girl dismantles contemporary formulations of womanhood to ask: how far will one woman go in her longing to be fathomed as good, & what pound of flesh must be paid to live through this.

    

    All, however, share a common vision: a rediscovery of this land, and the ways by which we might become natives of the place, ceasing to think and act (after all these centuries) as newcomers and invaders. Of particular interest is the full text of the ever more relevant "Four Changes," Snyder's seminal manifesto for environmental awareness.

    In The Chronology of Water, Lidia Yuknavitch expertly moves the reader through issues of gender, sexuality, violence, and the family from the point of view of a lifelong swimmer turned artist. In writing that explores the nature of memoir itself, her story traces the effect of extreme grief on a young woman’s developing sexuality that some define as untraditional because of her attraction to both men and women. Her emergence as a writer evolves at the same time and takes the narrator on a journey of addiction, self-destruction, and ultimately survival that finally comes in the shape of love and motherhood.

    

    In a book which uniquely captures 1950's America, Brainard constructs the story of his life through a series of brief entries, each beginning with the words "I remember", and continues with observations about family, film stars, lust, and the astonishing New York culture into which he moved to from Tulsa at the age of 18.