Her husband, a powerful senator, has hurt them one too many times. But it’s hard to hide from someone with keys to all the powers in government. She stops in a little town in Wyoming—too tired, too scared, and too broke to go further.Sheriff Luke Wilson has worked his family’s ranch in Wyoming nearly all his life, save for a few years playing big-city cop in St. Louis. The draw of his family’s home pulled him back and now he runs his ranch and takes care of what little crime Hope, Wyoming has to offer.It’s Christmas, the time for magic and the unexpected miracle. Fate throws a twist into Hope and Luke’s lives, leading them to a new future...if they can escape the clutches of her abusive husband.

    Abby may not admit to needing some alone time with her husband and Dominant, but Nathaniel knows better. He sees the desires and needs she too often brushes aside in order to care for their family, and the sacrifices she makes to mentor the members of their BDSM club.Though she denies it, Nathaniel’s certain taking her away for a week is what they both need. He doesn’t even mind when she continues to argue about it with him. After all, he knows exactly how to handle a naughty submissive...

    And Tor already had her inside before he remembered what she was going to see.His brother and sister had frozen in mid-argument, both with handfuls of their dad's fur as they tried to tug him back to wakefulness or at least out of the kitchen."Is that ...?" Bernie began. She blinked and rubbed her eyes.It was possible to pass off a werewolf as a dog, but there was absolutely no mistaking a polar bear for anything else.There was a polar bear lying in the middle of the kitchen. A very large, very shaggy bear. And Tor's brother and sister were both frozen in the act of trying to pick it up."Oh, hi!" Inga said, very brightly. She dropped her double handful of Stieg's ruff, allowing his head to clunk to the floor—his tongue was lolling out now—and strode forward with a hand held out. There were long white strands of polar bear fur all over her shirt. "You must be Tor's mate—uh—friend! Hi! I'm Tor's sister. I'm Inga. What's your name?"Bernie kept trying to peer around her, where Eren had given up trying to shake the bear awake and instead delivered a swift kick to his backside. The bear grunted, rolled over, and started snoring."I, uh, I'm Bernie," said Bernie. "Is your—um—is your bear all right?""He's drunk," Eren said darkly.Tor could have pushed him through the trap door at that moment."Your ... bear is drunk," Bernie said.Compared to this, even trying to deal with a demon cat destroying her curtains, her backseat, and everything else she owned seemed halfway normal.Jump into a brand new series from Zoe Chant, featuring a beautiful, magical shifter town, a sexy, protective hero with a chaotic polar bear family, a tough heroine picking up the pieces of her shattered heart, a maybe-haunted lighthouse ... and a cat only his owner could love.

    The Pig has vanished. Everything Nick loves hangs in the balance unless he can find a way to make things right. But at what cost? And can he really survive the terrors, new and old, that await his return?

    With a fiery appetite for life after an unexpected heartbreak, he throws himself into the family business and the completion of his schooling, vowing for it to never happen again. His dreams, however, seem to guide him in a different direction. Like his father, and his father before him, Aaron hears and feels who is fated to be his new mate. Sasha Welch—a psychology major who is low on self-esteem—has a chance run in with the prince. Unlike with everyone else’s piercing stares at the scar curving the outer corner of her eye, she doesn’t become self-conscious, rather shaken with her insides on fire. Aaron seems to make her womanly walls clench without saying a single word. The connection between the two is so strong that Aaron is more than willing to teach Sasha what a dominant of his character is really all about. However, his goldie-loc ex,Melanie, isn’t allowing another woman to come in between the man she left, and her love. With a new set of claws, Melanie says to hell with so-called fate and sets out to reclaim the man she turned her back on before he receives his crown, and before he can place a pretty tiara on someone else’s head.

    Oh my!When it comes to magic powers, I hit the oddball lottery. All I have to do is step into people’s shoes and—poof—I instantly learn all the most private things about them, those things they most desperately want to hide from the world.Naturally, when a woman turns up dead wearing an actress’s very famous—and very cursed—glass slippers, everyone looks to me for answers.I just want to sell soap and candles with my sisters in our family’s shop, but turns out nobody is willing to let me off the hook that easily. And that hook includes going undercover at a swanky ball with the deceased spoiled prince of a son.Will donning my party dress and stepping into these cursed shoes lead me down the right path, or will I wind up tumbling headfirst into my grave?

    She is so tired of being sick and alone.Angel Ruiz is a loner with a scarred heart that began with homophobic parents years ago.When Gina meets Angel at her friends’ New Year’s Eve party she feels an instant bond. She sees Angel’s damaged heart and wonders if it is as weary as hers?And then she has an idea.All Angel has to do is say yes.

    Wild magic, unexpected allies, a conflagration of sorcery and shifter magic the likes of which has not been seen in centuries... That's what awaits the peaceful town of Grizzly Cove. That, and love...lots and lots of love. This anthology contains books 4 thru 6 of the Grizzly Cove series. Book 4 is novel-length, while books 5 and 6 are slightly shorter. The titles are: Alpha Bear What’s a bear to do when he learns the woman he wants is a witch, and already knows he’s a shifter? Can a town full of bear shifters deal with having a mage in their midst? And when evil attacks from the sea, can they afford not to have a witch willing to give of herself to protect them? Or will the Alpha have to give up Grizzly Cove in order to keep the woman he loves? Saving Grace Jack never expected to find a badly injured mermaid washed up on shore. Grace never expected to live through her encounter with the leviathan. When she wakes up in Jack’s care, she finds herself drawn to the handsome grizzly shifter, though the sea, and the leviathan, calls to her. Can she resist the allure of the ocean? Can she stay with her bear, on land, or will she break both their hearts? Bearliest Catch Drew spends his days fishing in the Pacific, far from Grizzly Cove, seeking the peace of the ocean. Jetty lives in the ocean, part of a hunting party of mer folk, in near-constant danger now from the evil creature that roams the deep. When they meet, sparks fly and the ocean comes alive with danger. Can they get her people to safety?

    She wasn't on assignment. She chose the subjects simply because they meant something to her. The first place was Emily Dickinson's house in Amherst, Massachusetts, which Leibovitz visited with a small digital camera. A few months later, she went with her three young children to Niagara Falls. "That's when I started making lists," she says. She added the houses of Virginia Woolf and Charles Darwin in the English countryside and Sigmund Freud's final home, in London, but most of the places on the lists were American. The work became more ambitious as Leibovitz discovered that she wanted to photograph objects as well as rooms and landscapes. She began to use more sophisticated cameras and a tripod and to travel with an assistant, but the project remained personal.Leibovitz went to Concord to photograph the site of Thoreau's cabin at Walden Pond. Once she got there, she was drawn into the wider world of the Concord writers. Ralph Waldo Emerson's home and Orchard House, where Louisa May Alcott and her family lived and worked, became subjects. The Massachusetts studio of the Beaux Arts sculptor Daniel Chester French, who made the seated statue in the Lincoln Memorial, became the touchstone for trips to Gettysburg and to the archives where the glass negatives of Lincoln's portraits have been saved. Lincoln's portraitists--principally Alexander Gardner and the photographers in Mathew Brady's studio--were also the men whose work at the Gettysburg battlefield established the foundation for war photography. At almost exactly the same time, in a remote, primitive studio on the Isle of Wight, Julia Margaret Cameron was developing her own ultimately influential style of portraiture. Leibovitz made two trips to the Isle of Wight and, in an homage to the other photographer on her list, Ansel Adams, she explored the trails above the Yosemite Valley, where Adams worked for fifty years.The final list of subjects is perhaps a bit eccentric. Georgia O'Keeffe and Eleanor Roosevelt but also Elvis Presley and Annie Oakley, among others. Figurative imagery gives way to the abstractions of Old Faithful and Robert Smithson's Spiral Jetty. Pilgrimage was a restorative project for Leibovitz, and the arc of the narrative is her own. "From the beginning, when I was watching my children stand mesmerized over Niagara Falls, it was an exercise in renewal," she says. "It taught me to see again."

    Never far from Kragan’s evil grasp, she is struck down by his wicked spell.Carol’s assassin husband, Arn, has no choice but to cast aside his precious weapon to embrace a more powerful one: the clairvoyance he shares with Carol. With time-sights linked, they must now rely on the dreamscapes of their minds to track Kragan into the shadows as he nears his own invaluable weapon: the legendary shattered trident, which will ensure him godlike powers. But Carol and Arn’s visions come at a cost. Pursuit into such abominable darkness is leading to madness.As Kragan’s armies amass for a raging war between good and evil, Carol fears that the ancient prophecy she’s been chosen to bear out may be impossible to survive.

    He creates these majestic sepia and blue-tone photoscontrasting moments of quintessential stillness with bursts of dramatic actionby engaging with these creatures on an exceptionally intimate level, without the customary use of a telephoto lens. Evocative of classical art, from dignified portraits to sweeping natural tableaux, Brandt's images artfully and simply capture animals in their natural states of being. With a foreword by Alice Sebold and an introduction by Jane Goodall, On This Earth is a gorgeous portfolio of some of the last wild animalsand a heartfelt elegy to a vanishing world.

    Chihuly: 365 Days is a richly illustrated photo survey of his entire four-decade career, with more than 500 pictures showing all facets of his work—from intimate smaller pieces to the tremendous outdoor installations that have thrilled millions of visitors. There are also personal photos of the artist; of “Team chihuly” at the Boathouse, his studio in Seattle, Washington; and of his marvelous drawings—all selected by the artist himself. Most of the photographs have never before been published.Quotations from and about Chihuly, as well as descriptions of his various types of works and short texts on his most prominent series pieces, accompany the images. The captions also act as a chronology of his life and work.

    Here Friedlander focuses on the role of his own physical presence in his images. He writes: "At first, my presence in my photos was fascinating and disturbing. But as time passed and I was more a part of other ideas in my photos, I was able to add a giggle to those feelings." Here readers can witness this progression as Friedlander appears in the form of his shadow, or reflected in windows and mirrors, and only occasionally fully visible through his own camera. In some photos he visibly struggles with the notion of self-portraiture, desultorily shooting himself in household mirrors and other reflective surfaces. Soon, though, he begins to toy with the pictures, almost teasingly inserting his shadow into them to amusing and provocative effect--elongated and trailing a group of women seen only from the knees down; cast and bent over a chair as if seated in it; mirroring the silhouette of someone walking down the street ahead of him; or falling on the desert ground, a large bush standing in for hair. These uncanny self-portraits evoke a surprisingly full landscape of the artist's life and mind. This reprint edition of Lee Friedlander: Self Portrait contains nearly 50 duotone images and an afterword by John Szarkowski, former Director of the Department of Photography at The Museum of Modern Art.

    It will be fun, they said."Casey Halbach's life was perfectly adequate. Good friends, loving boyfriend, decent job: she had it all. So why did she feel like she was missing something? And was that something actually a part of her life she'd already given up?When Casey finds herself back at the stable where she learned to ride as a child, she impulsively decides a fresh riding lesson is exactly what she needs to liven up her life. She never could have expected just how lively her life was about to become.For anyone who has ever loved a horse, dreamed about their very own pony, or simply clock-watched their way through another boring day at the office, Grabbing Mane is our story. Testing the boundaries of who we think we are, adjusting to strange new realities, and (hopefully) bringing our partners along for the ride.

    Just as her new life starts to show promise, her past catches up with her. Nicole is renting one of the new luxury flats. She’s just walked away from her husband and teenage sons, tired of being treated as a servant, suspecting her husband of having an affair. Winifred has lived in her large family home at the top of the street for over eighty years but it’s all getting too much, though she doesn’t want to leave.Things are not what they seem in any of the three women’s lives and danger can strike at rich and poor alike. The trick is to survive it, and for this you need good friends and courage: all freely available in Peppercorn Street.