The Collected Works of Billy the Kid is a virtuoso synthesis of storytelling, history, and myth by a writer who brings us back to our familiar legends with a renewed sense of wonder.

    Lonely Christopher combines a striking emotional grammar, reminiscent of Gertrude Stein's Three Lives, with an unyielding imagination in the lovely/ugly architecture of his stories.Lonely Christopher is the author of several poetry chapbooks and is a contributor to the poetry volume Into (Seven Circles Press). His plays have been published, staged in New York City and internationally, and released in Mandarin translation. His fiction received Pratt Institute's 2009 Thesis Award. He is a founding member of the small press The Corresponding Society and an editor of its biannual journal Correspondence. He lives in Bed-Stuy, Brooklyn.

    This volume—Volume C, the third out of five—covers American literature from 1820 to 1865.

    This is a literary album of a pre-Internet world, focused on physical elements — all of which are tools for either violence or sustenance. Knives, old iron gates, antique houses in flames; Biblical citations, blood and a history of the American bed: the unsettling, half-perceived images, and their precise but alien manipulation by a master of the language will stay with readers. Its themes are familiar — violence, betrayal, failure — its depiction of these utterly original and hauntingly beautiful.

    until he gets a call from his missing sister! It takes him on a journey where he meets a young hooker, hillbillies, truckers, and a crazy church. He also meets someone he never knew: himself.

    The selection spans Thomas's writing lifetime, and it shows the full range of this tempestuous and meticulous artist who once cheerfully claimed that he had beast, angel and madman within him.

    . . These poems literally vibrate with Kearney's precocious intellect and passion. They hum, they bang, they bite. What else can I say? I have never encountered poetry like this before."—Terrance Hayes

    A chapbook of poetry.friday night alone in the library reading nietzsche / i'm going to touch you very hard / i'm tired / i have high self-esteem and it's making me stare / i'll write another poem instead of looking for a job / terrible asshole / i am fucked if i really think all human beings are terrible assholes / a young hamster / a poem written by a bear

    And it is the only book I've ever written in which I allow myself the right to say anything I want, absolutely and positively anything, since that's what you hear coming in that window... God in his Infinity wouldn't have had a world otherwise—Amen."Second printing, 1995PS3521.E735043 1993 93-14684811'.54 — dc20 CIP

    An elderly woman who knows that death is close, but learns how to cheat it... A child with a dangerous friend who happens to be invisible... A ghost who can't stop reliving his suicide over and over again... People you'll wish you never have to meet, and stories you'll never forget. Skilfully translated into English for the very first time, these chilling tales from master storyteller Ratnakar Matkari are bound to keep readers of all ages up at night. With every page you turn, you'll be looking over your shoulder to make sure no one's there. Look again. Maybe there is!

    Edited by Lee Ann Brown. SONNETS, first published in 1989 as Tender Buttons Number 1 is widely considered to be one of the most generative and innovative works of contemporary American poetry, radically rethinking the traditional sonnet form. This expanded 25th Anniversary edition includes a new preface by Bernadette Mayer, an editor's note by Tender Buttons Press publisher Lee Ann Brown, and a selection of previously unpublished archival material including the Skinny Sonnets, described as Hypnogogic Word Playing in Reporters' Notebooks which further expand our map of Bernadette Mayer's ground- breaking works of writing consciousness.

    A stunning collection of new and rare stories by Gary Lutz, the celebrated author of Stories in the Worst Way and I Looked Alive.

    In her first collection in five years, Anne Carson explores this idea with characteristic brilliance and a tantalizing range of reference, moving from Aphrodite to Antonioni, Demosthenes to Annie Dillard, Telemachos to Trotsky, and writing in forms as varied as opera libretto, screenplay, poem, oratorio, essay, shot list, and rapture. As she makes her way through these forms she slowly dismantles them, and in doing so seeks to move through the self, to its undoing.

    In a body of work as emotionally powerful, formally innovative, and philosophically profound as Clarice Lispector’s, Água Viva stands out as a particular triumph.

    His worldview and his common sense are being defied by an adversary who seems to know everything about him.From the moment he discovers an obscure icon on his desktop, everyday life seems to unravel. Everything he holds dear appears to slip through his fingers and is about to disappear from his life. Unless he manages to make the right defining decisions while working on a challenging drug trafficking case from this point forward. Is knowledge true power?This gripping novel simultaneously plays with your imagination, the fringes of theoretical physics and philosophy. You will be devouring every word, absorbing page by page, positioned on the edge of your seat. Buckle up! "Tomc uses an intriguing story to question the impact of every decision a person can make." - Independent Book Review"The book is truly captivating and unique in the way it weaves genres together." - Literary Titan"You should expect to be impressed and pleasantly shocked." - Indie Book UprisingFinalist in the 2019 IAN Book of the Year Awards in the "Novella" category.Winner of 2018 Breakthrough Fiction Award in the Suspense/Thriller category.