Passionate, witty and moving, the voices of the Lennox sisters reach us with immediacy and power, drawing the reader into their remarkable lives, and making this one of the most enthralling historical narratives to appear for many years

    An intimate and revealing look at the personal and professional life of the fashion world's most visionary designer.

    With names such as City of Paris, Penn Traffic, The Maze, Maison Blanche, or The Popular, they suggested spheres far beyond mundane shopping. Nicknames reflected the affection customers felt for their favorites, whether Woodie's, Wanny's, Stek's, O.T.'s, Herp's, or Bam's.      The history of downtown department stores is as fascinating as their names and as diverse as their merchandise. Their stories encompass many themes: the rise of decorative design, new career paths for women, the growth of consumerism, and the technological ingenuity of escalators and pneumatic tubes. Just as the big stores made up their own small universes, their stories are microcosmic narratives of American culture and society.      The big stores were much more than mere businesses. They were local institutions where shoppers could listen to concerts, see fashion shows and art exhibits, learn golf or bridge, pay electric bills, and plan vacations - all while their children played in the store's nursery under the eye of a uniformed nursemaid.From Boston to San Diego and Miami to Seattle, department stores symbolized a city's spirit, wealth, and progressiveness. Situated at busy intersections, they occupied the largest and finest downtown buildings, and their massive corner clocks became popular meeting places. Their locations became the epicenters of commerce, the high point from which downtown property taxes were calculated. Spanning the late 19th century well into the 20th, their peak development mirrors the growth of cities and of industrial America when both were robust and flourishing.       The time may be gone when children accompany their mothers downtown for a day of shopping and lunch in the tea room, when monogrammed trucks deliver purchases for free the very same day, and when the personality of a city or town can be read in its big stores. But they are far from forgotten and they still have power to influence how we shop today.       Service and Style recreates the days of downtown department stores in their prime, from the 1890s through the 1960s. Exploring in detail the wide range of merchandise they sold, particularly style goods such as clothing and home furnishings, it examines how they displayed, promoted, and sometimes produced goods. It reveals how the stores grew, why they declined, and how they responded to and shaped the society around them.

    The collection begins with a summation of the costumes created for Disney animation, early live action, and television, along with show wardrobes sported at the Disney Parks by Audio-Animatronics figures and Cast Members. The next section details a timeless case study: Cinderella's ball gown. A diverse group of designers has been called upon over the years to address and improvise the creative and practical needs each time the fairy tale Cinderella has been reimagined. Each project has brought with it inherent cultural challenges when bringing a familiar and beloved tale to life again and again, and all have yielded stunning and distinct results. At last, the full galleries (organized by the character archetypes of heroes and villains, and those complex, always interesting, "spaces between") showcase costumes across more than thirty Disney films. At each turn, this volume offers a one-of-a-kind backstage view of remarkable works of art, and it inspires a true appreciation for the highly skilled and talented costumers who created them.

    But few readers are acquainted with Waugh's memoir of his stint as a London Daily Mail correspondent in Abyssinia (now Ethiopia) during the Italian invasion in the 1930s. Waugh in Abyssinia is an entertaining account by a cantankerous and unenthusiastic war reporter that provides a fascinating short history of Mussolini's imperial adventure as well as a wickedly witty preview of the characters and follies that figure into Waugh's famous satire. In the forward, veteran foreign correspondent John Maxwell Hamilton explores in how Waugh ended up in Abyssinia, which real-life events were fictionalized in Scoop, and how this memoir fits into Waugh's overall literary career, which includes the classic Brideshead Revisited. As Hamilton explains, Waugh was the right man (a misfit), in the right place (a largely unknown country that lent itself to farcical imagination), at the right time (when the correspondents themselves were more interesting than the scraps of news they could get.) The result, Waugh in Abyssinia, is a memoir like no other.

    This guide covers the whole of the Iceland with full-color photographs and maps throughout.

    Now, in this new and highly revealing biography, Tom Lodge draws on a wide range of original sources to uncover a host of fresh insights about the shaping of Mandela's personality and public persona, from his childhood days and early activism, through his twenty-seven years of imprisonment, to his presidency of the new South Africa. The book follows Mandela from his education at two elite Methodist boarding schools to his role as a moderating but powerful force in the African National Congress. Throughout, Lodge emphasizes the crucial interplay between Mandela's public career and his private world, revealing how Mandela drew moral and political strength from encounters in which everyday courtesy and even generosity softened conflict. Indeed, the lessons Mandela learned as a child about the importance of defeating ones opponents without dishonoring them were deeply engrained. They shaped a politics of grace and honor that was probably the only approach that could have enabled South Africa's relatively peaceful transition to democracy. Here then is a penetrating look at one of the most celebrated political figures of our time, illuminating a pivotal moment in recent world history.Authoritative and fair-minded...deserves to be read widely.--Adam Roberts, The EconomistA fascinating, indeed riveting, and plausible as well as persuasive examination of why Nelson Mandela should have acquired a world following and can remain as he does an iconic figure even in the 21st century. It is certain to provoke much heated debate.--Desmond Tutu

    But between 1978 and 1979, acclaimed New Yorker short story writer Julie Hecht attempted to arrange an interview with him, hoping to discover how he came to do what he did. The one-hour interview turned into innumerable surreal meetings and phone conversations with her subject; but she couldn't always tell when his act was on. Whether driving recklessly on icy roads, or drawing the author unaware into his schemes and dada-esque pranks on unsuspecting waiters and college students, Andy Kaufman never seemed to separate himself from his stage personality--or personalities. Was This Man a Genius? is the culmination of a series of bizarre, frequently hilarious meetings; In describing them Hecht, herself a master of wit and observation, illuminates the enigma of Andy Kaufman's work and life.

    That, of course, is a matter of opinion. And there are other layers to the story.With a combination of novelistic flair and historical accuracy, Kate Williams begins by relating the heartbreaking story of Princess Charlotte, the Queen who never was, and her impact on the young Victoria. Our perception of Victoria the Queen is coloured by portraits of her older, widowed self - her dour expression embodying the repressive morality propagated in her time. But Becoming Queen reveals an energetic and vibrant woman, determined to battle for power. It also documents the Byzantine machinations behind Victoria's quest to occupy the throne, and shows how her struggles did not end when finally the crown was placed on her head.In the late eighteenth century, monarchies were in crisis across Europe. Discontented with their mad King, George III, and his spendthrift offspring, the English pinned their hopes on the only legitimate grandchild: Princess Charlotte, daughter of George, Prince of Wales. But Charlotte died at the age of twenty-two, a few hours after giving birth to a stillborn son. A grieving nation immediately began venerating her as someone who would have made an ideal Queen while Charlotte's rackety uncles embarked on a race to produce the next heir.No one thought that little Victoria, daughter of the Duke of Kent, would ascend the throne. She, in turn, became increasingly determined to take control of her own destiny, and clashed constantly not only with her hugely ambitious mother but with her protégé and household comptroller, the Irish adventurer, John Conroy. After she became Queen, ministers, even her beloved Prince Albert, still attempted to steal power away from her.Revealing how Charlotte's death shaped Victoria's reign and laying bare the passions that swirled around the throne, Becoming Queen is an absorbingly dramatic tale of secrets, sexual repression and endless conflict. After her lauded biography of Emma Hamilton, England's Mistress, Kate Williams has produced a most original and intimate portrait of Great Britain's longest reigning monarch.

    Despite the pronouncement by many coaches that he was too small to play football at the college level, Freddie was a tenacious competitor who vowed to start every game as a varsity Longhorn.By the start of the 1969 season, Freddie was making his mark on the college gridiron and national stage as UT’s star safety, but he’d also developed a crippling pain in his thigh that worried his high school sweetheart, Linda. Despite the increasingly debilitating pain, Freddie continued to play throughout the season, helping the Longhorns to rip through opponents like pulpwood. His final game was for the national championship at the end of 1969, when the Longhorns rallied to beat Arkansas in a legendary game that has become known as “the Game of the Century.”            Tragically, bone cancer took Freddie off the field when nothing else could. But nothing could extinguish his irrepressible spirit or keep him away from the game. Although his struggle with cancer would be short-lived, Freddie’s fight would inspire the nation as well as thousands of cancer victims, earning him a special citation from President Richard Nixon. Today, a photo of Freddie hangs in the tunnel at Darrell K. Royal-Texas Memorial Stadium, where players touch it before games en route to the field. With this moving story, a Brian’s Song for college football, Jim Dent once again brings readers to cheers and tears with a truly American tale of resolution and bravery in the face of the worst odds.Praise for Courage Beyond the Game:“Dent (The Junction Boys, 2001) brings Steinmark to life through interviews with friends, teammates, and coaches, who confirm that he was every bit the All-American boy… Dent doesn’t oversell this inspirational story in the Brian’s Song mold. In the end, readers may feel they’ve met an extraordinary young man and, though it’s been 40 years since he died, mourn his passing.” --Booklist“Jim Dent, dadgum him, keeps writing books I wish I’d written. Like The Junction Boys and Twelve Mighty Orphans, to name two. Now here he comes with another terrific effort, Courage Beyond the Game, the story of the most courageous kid to ever pull on a football suit. If you pick it up, it’s guaranteed to pick you up.’’ --Dan Jenkins, author of Semi-Tough and Dead Solid Perfect“Jim Dent is a world class story teller, and in Freddie Steinmark’s courageous and triumphant fight to be a man of substance, he’s found a tale worthy of his ample talents.  Dent will bring tears to your eyes, and Steinmark’s example will make you want to be a better person.’’ --Joe Drape, New York Times bestselling author of Our Boys: A Perfect Season on the Plains with the Smith Center Redmen“You will cheer and you will weep as you read Jim Dent’s irresistible rendering of one of the great real-life dramas in college football history. Dent has brought plenty of tough guys to life in his other books, but little Freddie Steinmark surely ranks as the toughest. Dent has brilliantly re-cast a Longhorn legend. I could not put Courage Beyond the Game down.’’ --John Eisenberg, author of That First Season: How Vince Lombardi Took the Worst Team in the NFL and set it on the Path to Glory, and Cotton Bowl Days: Growing up with Dallas and the Cowboys in the 1960s''Freddie Steinmark's story will inspire you and make you cry, and Jim Dent has told it better than anyone in Courage Beyond the Game. Jim's eye for detail and gifted writing will take you back to another place and time, and a new generation of college football fans will learn why Freddie lives forever in the hearts of those he touched in his brief life.'' --Richard Justice, lead sports columnist for The Houston Chronicle“Courage Beyond the Game is a wonderful book whose protagonist, the doomed University of Texas safety Freddie Steinmark, delivers just what the title promises. Veteran sports author Jim Dent infuses a narrative whose ending we all know with depth, tenderness, and unexpected insights. His Steinmark could have easily been a cardboard saint. Instead the Steinmark we meet is intensely human, inspirational, funny and utterly unforgettable. This was a book I couldn’t put down.’’ --Bill Livingston, Cleveland Plain Dealer sports columnist“Jim Dent once again proves his mastery of the way football felt and sounded in the days of Texas and the Southwest Conference. His inspirational portrait of Freddie Steinmark takes us back to a purer time.’’ --Mark Whicker, Orange Country Register sports columnist“Freddie Steinmark defined college football with his unquenchable thirst for life, unbridled spirit through adversity, and rare passion for the game he lived to play. Jim Dent can tell a story life like few others and brought this must-read, must-be-told account back to life for all to relish with his riveting, gut-wrenching book, Courage Beyond the Game.’’ --Kirk Bohls, Austin American Statesman sports columnist

    Tom Wright also looks at the way we interpret the different Gospel narratives about Jesus, showing how modern readers coming fresh to these texts can do so in an informed and discriminating way. Written in a lively, non-technical style, and illustrated throughout with full-colour photographs, The Original Jesus offers a compelling insight into what Jesus really stood for, why he was crucified, and how it was that his followers came to regard him as nothing less than the human face of God.

    Diehl—lifetime resident of the Big Apple and author of The Late, Great Pennsylvania Station and Subways—relates the true story of New York City during World War II. From the Brooklyn Naval Yard to Times Square nightclubs, from children’s Mickey Mouse gas-masks to victory gardens in Rockefeller Center, Over Here! is a nostalgic portrait of the Greatest Generation and the Empire City. Including anecdotes from famous New Yorkers and visitors such as Angela Lansbury, Walter Cronkite, and Barbara Walters, and richly illustrated with more than 80 period photographs, Over Here! is an inspiring tribute to New York City during the Great War.

    The blog began as a way for readers to follow Hirsch’s progress as she stitched all 14 fashions from the iconic 1950s sewing book Vogue’s New Book for Better Sewing (a Julie & Julia–esque experiment for the modern sewist). It quickly became a place for Hirsch to share tutorials and lively posts about sewing as it relates to fashion history, pop culture, body image, and gender. An extension of the blog, Gertie’s New Book for Better Sewing is a hardworking reference title packed with lessons on couture techniques and customization, as well as an inimitable pattern collection featuring 25 wardrobe essentials and variations inspired by vintage fashion and Gertie’s spirited, modern style.

    Joe, the collapse of a $45 million virtual-reality game, and a takeover attempt by arch rival Mattel. 448 pp. Author tour. National ads. 30,000 print.

    With their compelling composition and glowing colour, these works are admired for their beauty and for their power to transport the viewer into a romantic world of myth and legend. At the same time, Waterhouse's wistful heroines also reflect the troubled attitudes of nineteenth-century male artists towards women.In this carefully researched new study, Peter Trippi presents a fresh and absorbing analysis of the artist's seductresses, martyrs and nymphs, and the cultural and historical circumstances in which they were produced. He also draws on new research to provide an accessible biography of the artist. Themes explored include Waterhouse's passion for Italy, literature and the classical world, the role of the Royal Academy in his life, his stylistic influences and studio practice, and his relations with collectors, dealers, critics and curators.Neglected throughout much of the twentieth century, Waterhouse has enjoyed a dramatic revival of fortune. Trippi's monograph provides a timely re-evaluation that combines a close reading of Waterhouse's imagery with a candid appraisal of the milieu in which he worked.