This year's edition was edited by one of the most admired and acclaimed poets of his generation, Charles Wright. Known for his meditative and beautiful observations of landscape, change, and time,Wright brings his particular sensibility to this year's anthology, which contains an ecumenical slant that is unprecedented for the series. He has gathered an astonishing selection of work that includes new poems by Carolyn Forché, Jorie Graham, Louise Glück, Frank Bidart, Frederick Seidel, Patti Smith, and Kevin Young and showcases a dazzling array of rising stars like Joshua Beckman, Erica Dawson, and Alex Lemon. With captivating and revelatory notes from the poets on their works and sage and erudite introductory essays by Wright and series editor David Lehman, The Best American Poetry 2008 will be read, discussed, debated, and prized for years to come.

    He tantalized audiences with his charismatic stage presence, and his biting, observant lyrics in such singles as "The Bottle" and "Johannesburg" provide a time capsule for a decade marked by turbulence, uncertainty, and racism. While he was exalted by his devoted fans as the “black Bob Dylan” (a term he hated) and widely sampled by the likes of Kanye West, Prince, Common, and Elvis Costello, he never really achieved mainstream success. Yet he maintained a cult following throughout his life, even as he grappled with the personal demons that fueled so many of his lyrics. Scott-Heron performed and occasionally recorded well into his later years, until eventually succumbing to his life-long struggle with addiction. He passed away in 2011, the end to what had become a hermit-like existence.In this biography, Marcus Baram--an acquaintance of Gil Scott-Heron's--will trace the volatile journey of a troubled musical genius. Baram will chart Scott-Heron's musical odyssey, from Chicago to Tennessee to New York: a drug addict's twisted path to redemption and enduring fame. In Gil Scott-Heron: Pieces of a Man, Marcus Baram puts the complicated icon into full focus.

    In an essay on his career, Edward Hirsch describes They Feed They Lion as his "most eloquent book of industrial Detroit . . . The magisterial title poem--with its fierce diction and driving rhythms--is Levine's hymn to communal rage, to acting in unison." Of The Names of the Lost: "In these poems Levine explicitly links the people of his childhood whom 'no one remembers' with his doomed heroes from the Spanish Civil War."

    In course of time ice piled over the Well, and out of it grew something they called Ymir, the father of the terrible Frost Giants. Ymir was fed on the milk of a magic cow who licked the ice, and with it salt from the Well of Life. As she licked with her tongue, she formed the first of the gods, the Ǣsir, who was called Buri. Buri had a son Borr, and Borr was the father of Odin. Odin and his brothers overcame the ice and frost giants. They thrust Ymir down into the Yawning Void, and of his body they made the world we live in. They set the sea in a ring about the world, and planted the World Tree, the Ash Yggdrasill, to hold it in place. From this making of the world, to Ragnarok, the last Great Battle, Roger Lancelyn Green tells the story in one continuous narrative. It is easy to read, and there is a clear rhythm carrying through to the final climax. He has taken his material from original sources, of which he gives a brief account in his foreword. “The interest in these myths often preceded reading abilty, but this telling will be found good to read aloud, and boys and gtirls from 10 up will easily manage it for themselves. “

    In this ambitious lyric sequence, the speaker’s fear of annihilation expands beyond the self to an imperiled planet on which all inhabitants are “soft targets.” Her melancholic examinations recall life’s uncanny ability to transform ordinary places―subways, cafes, street corners―into sites of intense significance that weigh heavily on the modern mind.“O you who want to slaughter us, we’ll be dead soon/enough what’s the rush,” Landau writes, contemplating a world beset by political tumult, random violence, terror attacks, and climate change. Still there are the ordinary and abundant pleasures of day-to-day living, though the tender exchanges of friendship and love play out against a backdrop of 21st century threats with historical echoes, as neo-Nazis marching in the United States recall her grandmother’s flight from Nazi Germany.

    With engaging notes from the poets, Wagoner's superb introductory essay, series editor David Lehman's astute foreword about the current state of poetry and criticism, and cover art from the beloved poet John Ashbery, The Best American Poetry 2009 is a memorable and delightful addition to a series dedicated to showcasing the work of poets at their best.

    Patrick Lewis gives new voice to seventeen heroes of civil rights. Exquisitely illustrated by five extraordinary artists, this commanding collection of poems invites the reader to hear in each verse the thunder that lies in every voice, no matter how small. Featuring civil rights luminaries Coretta Scott King, Harvey Milk, Mohandas Gandhi, Nelson Mandela, Sylvia Mendez, Aung San Suu Kyi, Mamie Carthan Till, Helen Zia, Josh Gibson, Dennis James Banks, Mitsuye Endo, Ellison Onizuka, Jackie Robinson, Muhammad Yunus, James Chaney, Andrew Goodman, and Michael Schwerner.

    Doughty’s poems are at once absurdist and matter-of-fact; the images he conjures are thrown into high relief through cutting wordplay. In a series of prose poems about showbiz, he reimagines Cookie Monster as a burned-out suicide, and cheesy talk-show host Joe Franklin as a cross-dressing witness to the apocalypse. And in “For Charlotte, Unlisted,” he wrenchingly tracks the elusive memory of a faded romance.

    Offering a comprehensive account of one of the world's richest literatures, A History of English Literature traces its developments from the Old English period until the present day. A narrative which is also a discussion of major authors, the history reads as a clear and coherent whole.

    Celebrated poet McHugh and renowned editor Lehman present the 20th edition of the popular and comprehensive Best American Poetry series.

    Church, school then a little more church was her life. She wasn’t the girl to get asked on dates or even have a lot of friends. She mainly kept to herself until she was noticed by the one guy she had been dreaming about since she hit puberty. Deon was a force that Jess had no choice but to allow to come in and sweep her away. He was too charming, too handsome, and too tempting. He didn’t have rules and he didn’t let Jess’ young age stop him from getting what he wanted, which was her. Jess fought him off for as long as she could but finally gave in. Her life seemed to change overnight. She became confident. She was able to get the clothes that she wanted and be the girl that other guys liked and females wanted to befriend. Deon was her king and she just wanted to make him happy. She went against her parents’ wishes and everything she believed in to be with him and she would have taken on the world for him if she had to. He gave her everything she ever wanted and she found herself so wrapped up in him that she could see nothing else. Her fairytale soon turned into a nightmare once she learned she wasn’t the only girl he was loving. Next were the fights and the drama. Trying to leave Deon became a war that she wasn’t prepared to fight. What do you do when someone you love so much hurts you? How can you leave them when you can’t even go a day without them? Love is many things but it should never hurt. For Jessenia her life was nice until it wasn’t. She fell in love with a man that really didn’t love her at all and the battle to get back to herself wasn’t going to be an easy one. He said he loved her and she believed him. His type of love was pain most of the time and she started to bleed his love right out of her until one day she noticed the love was gone. To leave Deon, Jess has to find herself and find her strength. Will she succeed or will she forever be wrapped up in a man that really loves no one but himself? Heart of Stone by Mz. Lady P Heart of Stone is a short story that digs into the mind frame of Stone Williams. A heartless, ruthless, and abusive womanizer.K'Yonnah Kyles is his much younger girlfriend who thought she had met her Knight in Shining Armor, but in reality she was dancing with the devil and sleeping with the enemy.Not being able to take it anymore, K'Yonnah decides to do what's best for her. In the process, she'll find out secrets that Stone has been keeping from her. She will have to come to grips and face the fact that Stone never had any good intentions for her or her heart. Will she be able to get out of his clutches or is it too late for her to save her life from the heartless nigga known as Stone.Love Don't Have to Hurt by Lucinda John Aimee's dreams of a professional dancer had to be placed on hold when her father died of cancer. Living paycheck to paycheck, Aimee works to help her mother pay off her debts, take care of her brother, and attend a few classes at a community college. When Aimee's best friend, Shanice presents her with the idea of dancing at a strip club for extra money, she meets Lucas. A punch, slap, and a few kicks is how Aimee can explain her abusive relationship with Lucas. The guy that is suppose to be her safe haven, is the one that is causing her the most pain; physically and emotionally. Aimee feels obligated to stay with Lucas because of how he changed her and her family's lives, but when things turn fatal, will Aimee learns that love is not suppose to hurt? Or will it be too late?Fatal Attraction: The Love I Once RememberedHave you ever been deeply in love? Enduring so much because you thought things would get better? Or because you felt your good days, outweighed your bad? Well here's a story about a young lady dealing

    Ephemeral, vivid and therapeutic poems infused with mysticism and female sexuality are accompanied by intimate self-portraits and nude photographs of the artist's closest friends. Taken on black and white film, these pictures were created especially for this book of poetry making it both a visual and written account of the author's personal journey through a difficult time in her life. By diving deep into her individual and intimate experiences, Neringa creates a work of art where everyone can find themselves by immersing themselves in her honest storytelling.

    Gulzar witnessed the horrors of Partition first-hand and it is a theme that he has gone back to again and again in his writings. Footprints on Zero Line brings together a collection of his finest writings - fiction, non-fiction and poems - on the subject. What sets this collection apart from other writings on Partition is that Gulzar's unerring eye does not stop at the events of 1947 but looks at how it continues to affect our lives to this day. Wonderfully rendered in English by well-known author and translator Rakhshanda Jalil, this collection marks seventy years of India's Independence. Footprints on Zero Line is not only a brilliant collection on a cataclysmic event in the history of our nation by one of our finest contemporary writers, it is also a timely reminder that those who forget the errors of the past are doomed to repeat them.

    Wildly written in a sleep deprived haze, these pages contain an assortment of subject matter and styles all put together into one- which just feels so incredibly human..

    The collection includes:RUPERT BROOKEPEACESAFETYTHE DEADTHE DEADTHE SOLDIEREDWARD THOMASADLESTROPTEARSTHE OWLRAINTHE CHERRY TREESAS THE TEAM'S HEAD-BRASSSIEGFRIED SASSOON"THEY"THE REAR-GUARDI STOOD WITH THE DEADSUICIDE IN TRENCHESTHE GENERALHOW TO DIEGLORY OF WOMENTHEIR FRAILTYDOES IT MATTER?SURVIVORSEVERYONE SANGTO ANY DEAD OFFICERSICK LEAVEIVOR GURNEYTO HIS LOVETHE SILENT ONEISAAC ROSENBERGBREAK OF DAY IN THE TRENCHESLOUSE HUNTINGON RECEIVING NEWS OF THE WARDEAD MAN'S DUMPRETURNING, WE HEAR THE LARKSWILFRED OWENANTHEM FOR DOOMED YOUTHAPOLOGIA PRO POEMATE MEODULCE ET DECORUM ESTSTRANGE MEETINGFUTILITYDISABLEDMINERSS.I.W.