The Mahabharata story is removed from its mythological elements and the whole theme and characters are placed in the historical time of 12th century B.C in India. Bhyrappa spent five years in researching the social, economic and cultural details of the period.

    The definitive one-volume Urdu text by Ghalib Lakhnavi and Abdullah Bilgrami appeared toward the end of the nineteenth century, but English translations of this text have always been censored and abridged-until now.In Musharraf Ali Farooqi's faithful rendition, "The Adventures of Amir Hamza" is captured with all its colorful action, ribaldry, and fantastic elements intact. Here is the spellbinding story of Amir Hamza, the adventurer who loves Mehr-Nigar, the daughter of the Persian emperor, Naushervan. Traveling to exotic lands in the service of his emperor, Amir Hamza defeats many enemies, loves many women, and converts hundreds of infidels to the True Faith of Islam before finding his way back to his first love. Guided by a Merlin-like clairvoyant called Buzurjmehr, protected by legendary prophets, and accompanied by his loyal friend, the ingenious trickster Amar Ayyar, Amir Hamza rides his devoted winged demon-steed, Ashqar, into combat against a marvelous array of opponents, from the deadly demon, Sufaid Dev, to his own rebellious sons.Appreciated as the seminal Islamic epic or enjoyed as a sweeping tale as rich and inventive as Homer's epic sagas, "The Adventures of Amir Hamza" is an extraordinary creation and a true literary treasure.

    Through mischance and accident their stories intersect and circumstances will bring them from the bustling city of Delhi to the shores of the Andaman Islands, from glittering colonial parties to the squalor and desperation of a notorious prison; and into the lives of men on opposing sides of the fight for self-government. As the shadow of the Second World War falls across India, Isabel, caught up in growing political violence, has to make impossible choices – fighting for her love for India, for the man she yearns for, and for her childhood Indian friend, in the face of loyalty to her own country.

    It is one of the most appreciated works of Dinkar other than "Kurukshetra".Karna was first born son of Kunti whom she had abandoned at birth as he was an illegitimate son. Karna grew up in a lowly family, yet became one of the best warriors of his time. In the Great Mahabharata war, Karna was obliged to fight from the side of Duryodhana as Duryodhana recognizing his merits had made him a king and adopted him as a close friend. Karna fighting from Kaurava's side was a great worry of Pandavas as he was reputed to be unconquerable in war. The way Dinkar has presented the story of Karna with all hues of human emotions trapped in moral dilemmas, is simply marvelous. The rhythm and meter is lilting. Choice of words and purity of language is exhilarating. The work has a timeless relevance and is a must read.

    Soon afterward, however, he encounters four wandering dervishes; three princes and a rich merchant, who have been guided to Turkey by a supernatural force that prophesied their meeting. As the five men sit together in the dead of night sharing their tales of lost love, a magnificent landscape reveals courtly intrigue and romance, fairies and djinn, oriental gardens and lavish feasts. A Tale of Four Dervishes (1803) is an exquisite example of fiction that provides a fascinating glimpse into the customs, beliefs and people of the time.

    Within five weeks, Prime Minister Indira Gandhi declared the Emergency, suspending fundamental rights and imposing press censorship, and soon reckless policies said to be authored by the prime minister's younger son were unleashed on India's citizens. As the country suffered under the iron fist of an elected icon and her chosen heir, Tavleen observed that a small, influential section of Delhi's society people she knew well remained strangely unaffected by the perilous state of the nation. Before long, members of this circle were entrenched in key positions in the Indian government. In 1984, following Indira Gandhi's assassination, Rajiv Gandhi became prime minister, fortified by a huge mandate from a nation desperate for change. But, belying its hopes, the young leader chose for himself a group of advisors, friends and acolytes from the drawing rooms of Delhi, as inexperienced as him and just as unaware of the ground realities of a complex nation. It was the beginning of a political culture of favouritism and ineptitude that would take hold at the highest levels of government, stunting India's ambitions and frustrating its people well into the next century. Seasoned reporter and distinguished newspaper columnist Tavleen Singh's Durbar is a sharp account of these turbulent years. Describing the Nehruvian era of her childhood, the Emergency of her youth and the political shifts that followed, Tavleen writes of the birth and evolution of insurgencies in Punjab and Kashmir, the blood spilt in assassinations and massacres, of crises internal and external and the clumsy attempts to set things right. A remarkable memoir, vivid with the colour of election campaigns and society dinners, low conspiracies and high corruption, Durbar rewards us with this truth: that if India is to achieve a better future the past can no longer be ignored or forgotten.

    Epics like the Ramayana have been recounted infinite times. Is there a need for another chronicle in the presence of so many? How is this one different? And is it relevant to our ever-changing modern lives? Yes, there is a need, yes this is different and yes, it is relevant. This new series of books, each following one khand of the Ramayana, decodes the eternal wisdom of that poetic scripture through gripping narrative and thought-provoking instruction. In the time-honored custom of spreading wisdom through tales, every fascinating story in the epic is retold here and every character unfolded to captivate your heart and open your mind to life's deepest questions.The narrative closely follows Valmiki's Ramayana, gently weaving in folk tales as well as the beautiful analogies of the Kamba Ramayana. The first of this six-volume series, Rise of the Sun Prince, takes you through the divine story of Lord Rama from His birth up to His marriage. Through these pages are revealed the tales of Dasaratha's leadership, Vishwamitra's quest for power and the intriguing story of a little-known stone maiden. Ramayana: The Game of Life has all of this and much more - food for contemporary thought drawn from an enduring masterpiece.

    Writing with the same honesty and passion as her scandalous short-story, “The Quilt,” Chughtai exposes the complex relationships developed between women living and working in relative seclusion, and the intellectual and emotional contradictions lying in the heart of a rebellious country on the brink of independence from the British Raj and ultimately Partition.

    The title story in this collection of 12 works, told by an aging beauty whose highly erotic nature is her constant undoing, ranges over all of 17th-century Japanese life. The narrator is successively wife, court lady, courtesan, priest's concubine, mistress of a feudal lord and a streetwalker. Ivan Morris, chairman of the Department of East Asian Studies and Cultures of Columbia University has done a brilliant translation, an introduction, extensive notes, bibliography and two essays on social customs of the period. Illustrated."The fine style of the writing and the clear outlines of illustrations which are not even remotely 'suggestive' give Saikaku's pornography grace adn wit and charity."       — James Kirkup

    Discover the principal characters of the Mahabharata and their family trees, and understand key moments from the birth of Pandavas and Kauravas to the death of the elders.Know the Mahabharata with this beautiful retelling of India's greatest epic.

    Story-Wallah gathers the finest South Asian voices in fiction for the first time in a single volume. As Shyam Selvadurai writes in his introduction, "The stories jostle up against each other . . . The effect is a marvelous cacophony that reminds me of . . . one of those South Asian bazaars, a bargaining, carnival-like milieu. The goods on sale in this instance being stories hawked by story-traders: story-wallahs." In this book, some of the world's best fiction writers hawk their wares from different parts of the South Asian diaspora -- Sri Lanka, India, the United States, Great Britain, Guyana, Malaysia, Trinidad, Fiji -- creating a virtual map of the world with their tales. These stories explore universal themes of identity, culture, and home, and Story-Wallah includes a rich array of experiences: a honeymoon in Sri Lanka, the trials of a Bangladeshi refugee in England, life on a sugar plantation in Trinidad, the attempts of an Indian family to arrange a marriage for their rebellious daughter. This anthology is essential reading for anyone with an interest in South Asian writers and the dynamic, important tales they have to tell.

    The Dasha Avatar is the Puranic story of the ten incarnations of Vishnu who descends to the terrestrial world to establish stability and order, time and again. The avatars occur in a sequence – the first was matsya or fish representing life in water, followed by kurma or turtle signifying life in water and on land, then varaha or boar alluding to terrestrial life and so on. The sequence of the avatars could be taken to symbolise various stages in the evolution of life culminating in the advent of the perfect being.

    And none has been subjected to as much fact-finding, especially under the monitoring of the Supreme Court. Sifting through the wealth of official material, this book contends that the fact-finding - riddled as it was with ambiguities and deceptions, gaps and contradictions - glossed over crucial pieces of evidence and thereby shielded the powers that be.Scrupulously researched, The Fiction of Fact-finding exposes a range of unasked questions which helped Gujarat Chief Minister Narendra Modi procure a clean chit. The book is written by Manoj Mitta, a senior journalist who has been tracking legal and human rights issues over 25 years.

    Idries Shah builds up a complete picture of a single consciousness, relating mythology to reality, illuminating historical patterns, and presenting philosophical legends in this unique anthology. Its title is inspired from the couplet written by the Sufi mystic Bahaudin: 'Here we are, all of us: in a dream-caravan, A caravan, but a dream - a dream, but a caravan. And we know which are the dreams. Therein lies the hope.'

    The interlinked stories are set in the late twentieth century, before a wave of anticolonialism crested across India and resulted in Bombay's rechristening. The stories feature everyday characters who face challenges unique to Bombay life, from the schoolboy who forms an unlikely friendship with a street vendor to the retired serviceman whose livelihood is threatened by the city's notorious bureaucracy. Readers familiar with Bombay will reawaken their memories, while those new to the city will experience a taste of its varied flavors.