This is the best known version of the original story that inspired Walt Disney’s classic and has been retold countless times and adapted for screen, stage, prose, and television.

    But in a cruel twist of fate, Evyn and his father suffer a brutal attack by a group of murderous ruffians. Evyn's tongue is cut off and his father is killed. Orphaned and unable to speak, Evyn assumes he is destined to a life of slavery. But Evyn is resilient and teaches himself to read and write. He is then appointed the personal companion to Earl Harold of Wessex, who later becomes the King of England. The two travel the countryside together, forming a close father-son bond. Evyn chronicles all of their exciting journeys, which culminate at the Battle of Hastings, where the future of the country is decided.

    To impress them forever he orders a great wall to be built, driving his people to exhaustion and despair so that they cry to the Sun God for help. In answer, another kind of man, Enkidu, is sent to earth to live among the animals and learn kindness from them. He falls in love with Shamhat, a singer from the temple, and he follows her back to Uruk. There, Enkidu, the “uncivilized” beast from the forest, shows the evil Gilgamesh through friendship what it means to be human.

    When malicious sprites called the Kinde Folke snatch Mollie’s baby brother and replace him with a hideous changeling, Mollie travels through eerie, perilous lands to save him.   When her adorable baby brother is replaced by an ugly, ill-tempered changeling, Mollie is determined to find the so-called Kinde Folke who took baby Thomas, return the changeling she calls Guest, and make them give Thomas back. Natural and magical obstacles and her own reckless temperament make her journey arduous and full of dangers, and a plot rich in surprises and twists makes this book a must-read for Mary Downing Hahn’s fans.

    When the selfish townspeople of Hamelin refuse to pay the piper for spiriting away the hordes of rats that had plagued them, he exacts his revenge by luring away their greatest treasure, the children of the town.Excerpt from The Pied Piper of Hamelin The Pied Piper of Hamelin. I. Hamelin Town's in Brunswick, By famous Hanover city;The river Weser, deep and wide, Washes its wall on the southern side;A pleasanter spot you never spied;But, when begins my ditty, Almost five hundred years ago, To see the townsfolk suffer soFrom vermin, was a pity.

    Finn Whitman and four other teens have been hired as Disney World guides, but with an odd twist: With cutting-edge technology, they have been transformed into hologram projections capable of leading guests around the park. What begins as an exciting theme park job turns into a virtual nightmare as Finn and his pals attempt to thwart an uprising by a menacing group of Disney villains.

    George, Narcissus, Pandora's Box, The Riddle of the Sphinx, and the Minotaur.

    And something extra-ordinary is about to happen to her.Oh, it's not the very cute kitten that appears out of nowhere and demands to go home with her. It's not the sudden arrival of her cousin Zee, who believes he's the cause of a mysterious sickness that has struck his friends back in England. It's not her creepy English teacher Mr. Metos, who takes his mythology lessons just a little too seriously. And it's not the white-faced, yellow-eyed men in tuxedoes, who follow Charlotte everywhere.What's so extraordinary is not any one of these things....It's all of them. And when Charlotte's friends start to get sick one by one, Charlotte and Zee set out to find a cure. Their quest leads them to a not-so-mythical Underworld, where they face rhyme-loving Harpies, gods with personnel problems, and ghosts with a thirst for blood.Charlotte and Zee learn that in a world overrun by Nightmares, Pain, and Death, the really dangerous character is a guy named Phil. And then they discover that the fate of every person -- living and dead -- is in their young hands.In her dazzling debut for young readers, Anne Ursu weaves a tale of myth and adventure, danger and magic that will keep readers engrossed until the very last secret is revealed.

    This is the world of the Irish fairy tale, a magical realm kept alive by generations of storytellers and their avid listeners. As Alfred Perceval Graves, author of the ballad "Father O'Flynn" and a former president of the Irish Literary Society, wrote in the introduction, "The truth is that the Gaelic peasant, Scotch and Irish, is a mystic, and believes not only in this world, and the world to come, but in that other world which is the world of Faery, and which exercises an extraordinary influence upon many actions of his life." In The Irish Fairy Book, Graves has collected Ireland's best-loved fairy tales written by some of its favorite authors. Included are W.B. Yeats' "The Stolen Child," Lady Gregory's "Cuchulain of Muirthemne," Standish James O'Grady's "The Coming of Finn," Lady Wilde's "The Horned Women" and "The Demon Cat," and many more. Illustrations by George Dunham add a delightful touch to this charming collection.

    Unhappy about his baby sister's illness and the chaos of moving into a dilapidated old house, Michael retreats to the garage and finds a mysterious stranger who is something like a bird and something like an angel...

    a form of children’s literature; they are, like fables, legends, and ballads, among the many forms of adult literature that children have adopted...The apparent artlessness of these simple stories is not easily achieved. It is, in fact, the product of an art perhaps older than the art of writing.”Thus write Alfred David and Mary Elizabeth Meek in their thoughtful introduction to a collection that ranges from the Grimm brothers' inimitable recreations of archetypal folktales to the modern prose charm of James Thurber's Many Moons. The appeal of the stories is wide and varied: the refined intelligence of Perrault, the wondrous imagination of Andersen, the descriptive power of Ruskin, the bittersweet melancholy of Wilde. These are but a few of the artists represented in this remarkably inclusive selection of works from Germany, Russia, France, Scandinavia, England, and America. Many are in new translations in the modern idiom and all testify eloquently to the unceasing vitality of this literary genre.

    She can't believe her aunt wants to sacrifice her to the local dragon. It's a ploy to lure a heroic knight so that he will fight the dragon, marry Creel out of chivalrous obligation, and lift the entire family out of poverty. Creel isn't worried. After all, nobody has seen a dragon in centuries.But when the beast actually appears, Creel not only bargains with him for her life, she also ends up with a rare bit of treasure from his hoard, not gold or jewels, but a pair of simple blue slippers-or so she thinks. It's not until later that Creel learns a shocking truth: She possesses not just any pair of shoes, but ones that could be used to save her kingdom, which is on the verge of war, or destroy it.

    But he's just a commoner, and no match for royalty. Heck, he lives in a cave with a troll! And now he's discovered another reason to put his love-soggy heart on ice: Queen Olympia is scheming to take over the kingdom--and she'll bump off her own daughter to do it. Can Christian foil her diabolical plans?

    What a boring summer it's going to be. But then, lying in bed one night, he hears the old grandfather clock in the hall strike the very strange hour of 13 o'clock. What can it mean? As Tom creeps downstairs and opens the door, he finds out...a magical garden, a new playmate, and the adventure of a lifetime. Una Stubbs stars as Aunt Gwen in this BBC Radio 4 full-cast dramatisation.© and (P)1999 BBC Audiobooks LTD2 h 16 min

    With this volume, the holy trinity of fairy tales - the Brothers Grimm, Charles Perrault, and Hans Christian Andersen - becomes a quartet. In the 1850s, Franz Xaver von Schönwerth traversed the forests, lowlands, and mountains of northern Bavaria to record fairy tales, gaining the admiration of even the Brothers Grimm. Most of Schönwerth's work was lost - until a few years ago, when thirty boxes of manu­scripts were uncovered in a German municipal archive.Now, for the first time, Schönwerth's lost fairy tales are available in English. Violent, dark, and full of action, and upending the relationship between damsels in distress and their dragon-slaying heroes, these more than seventy stories bring us closer than ever to the unadorned oral tradition in which fairy tales are rooted, revolutionizing our understanding of a hallowed genre.