No fairy tale will ever seem quite the same again!Featuring writing from . . .Authors: Renée Ahdieh, Ameriie, Soman Chainani, Susan Dennard, Sarah Enni, Marissa Meyer, Cindy Pon, Victoria Schwab, Samantha Shannon, Adam Silvera, Andrew Smith, April Genevieve Tucholke, and Nicola YoonBookTubers: Benjamin Alderson (Benjaminoftomes), Sasha Alsberg (abookutopia), Whitney Atkinson (WhittyNovels), Tina Burke (ChristinaReadsYA blog and TheLushables), Catriona Feeney (LittleBookOwl), Jesse George (JessetheReader), Zoë Herdt (readbyzoe), Samantha Lane (Thoughts on Tomes), Sophia Lee (thebookbasement), Raeleen Lemay (padfootandprongs07), Regan Perusse (PeruseProject), Christine Riccio (polandbananasBOOKS), and Steph Sinclair & Kat Kennedy (Cuddlebuggery blog and channel).

    From Roger Zelansky's delightful tale of Death's disobedient godson to Peter Straub's blood-chilling examination of a gargantuan Cinderella and her terrible twisted "art," here are stories strange and miraculous -- remarkable modern storytelling that remold our most cherished childhood fables into things sexier, more sinister... and more appealing to grown-up tastes and sensibilities. The "Snow White, Blood Red" Collection #1. Snow White, Blood Red #2. Black Thorn, White Rose #3. Ruby Slippers, Golden Tears #4. Black Swan, White Raven #5. Silver Birch, Blood Moon #6. Black Heart, Ivory Bones

    Given our circumstances, "neighbor" might be too casual a word to describe our relationship. We are intruders into each other’s dream, violators of each other’s sense of home. We are incarnations of each other’s worst historical nightmares. Neighbors?Letters to My Palestinian Neighbor is one Israeli’s powerful attempt to reach beyond the wall that separates Israelis and Palestinians and into the hearts of "the enemy." In a series of letters, Yossi Klein Halevi explains what motivated him to leave his native New York in his twenties and move to Israel to participate in the drama of the renewal of a Jewish homeland, which he is committed to see succeed as a morally responsible, democratic state in the Middle East.This is the first attempt by an Israeli author to directly address his Palestinian neighbors and describe how the conflict appears through Israeli eyes. Halevi untangles the ideological and emotional knot that has defined the conflict for nearly a century. In lyrical, evocative language, he unravels the complex strands of faith, pride, anger and anguish he feels as a Jew living in Israel, using history and personal experience as his guide.Halevi’s letters speak not only to his Palestinian neighbor, but to all concerned global citizens, helping us understand the painful choices confronting Israelis and Palestinians that will ultimately help determine the fate of the region.

    These stories are about coming to terms with our animal natures, exploring the ways in which we might renegotiate our fractured relationship with the natural world, and uncovering the wildness - and wilderness - within. Beautifully illustrated by Helen Nicholson, Foxfire, Wolfskin and Other Stories of Shapeshifting Women is her first collection of short stories. All are either reimaginings of older tales, or contain characters, beings and motifs which appear in older tales.

    A wave of sinkholes appears on the anniversary of a rural tragedy, and local residents begin to hear the voices of the dead. A woman encounters a predator from her youth—and a chance to turn the tables. A child’s inner beast takes on a sinister life of its own. An undetectable serial killer raises tensions on a college campus. Experimental physics reveals another world, and it might mean the end of ours. Shrouded in darkness, lurking in the shadows, NIGHT TERRORS III awaits you. The third installment of the chilling Night Terrors anthology series includes stories from Jack Ketchum, Steve Rasnic Tem, Dennis Etchison, Taylor Grant, Eric J. Guignard, Aric Sundquist, Jennifer Brozek, John McNee, Simon McCaffery, Patty Templeton, and many more!

    Writing in the midst of a Europe-wide rebirth of national literature, Anderson broke new ground with his fairy tales in two important ways. First, he composed them in the vernacular, mimicking the language he used in telling them to children aloud. Second, he set his tales in his own land and time, giving rise to his loving descriptions of the Danish countryside. In contrast to such folklorists as the Brothers Grimm, Anderson’s tales are grounded in the real and often focus on the significance of small or overlooked things.Tinderbox --Little Claus and big Claus --Princess on the pea --Thumbelina --Traveling companion --Little mermaid --Emperor's new clothes --Steadfast tin soldier --Wild swans --Flying trunk --Nightingale --Sweethearts --Ugly duckling --Fir tree --Snow queen --Red shoes --Shepherdess and the chimney sweep --Shadow --Old house --Little match girl --Story of a mother --Collar --Bell --Marsh King's daughter --Wind tells of Valdemar Daae and his daughters --Snowman --Ice maiden --Wood nymph --Most incredible thing --Auntie toothache.

    A collection of folk tales from the southern Appalachians that center on a single character, the irrepressible Jack.

    The red-headed prostitute Rosina; the junk-dealer Aaron Wassertrum; puppeteers; street musicians; and a deaf-mute silhouette artist.Lurking in its inhabitants’ subconscious is the Golem, a creature of rabbinical myth. Supposedly a manifestation of all the suffering of the ghetto, it comes to life every 33 years in a room without a door. When the jeweller Athanasius Pernath, suffering from broken dreams and amnesia, sees the Golem, he realises to his terror that the ghostly man of clay shares his own face...The Golem, though rarely seen, is central to the novel as a representative of the ghetto's own spirit and consciousness, brought to life by the suffering and misery that its inhabitants have endured over the centuries. Perhaps the most memorable figure in the story is the city of Prague itself, recognisable through its landmarks such as the Street of the Alchemists and the Castle.

    Tolkien was an early work completed in 1926: he returned to it later to make hasty corrections, but seems never to have considered its publication.Suitable for tablets. Some special characters may not display correctly on older devices.We recommend that you download a sample and check the 'Note to the Reader' page before purchase.This edition is twofold, for there exists an illuminating commentary on the text of the poem by the translator himself, in the written form of a series of lectures given at Oxford in the 1930s; and from these lectures a substantial selection has been made, to form also a commentary on the translation in this book.From his creative attention to detail in these lectures there arises a sense of the immediacy and clarity of his vision. It is as if he entered into the imagined past: standing beside Beowulf and his men shaking out their mail-shirts as they beached their ship on the coast of Denmark, listening to the rising anger of Beowulf at the taunting of Unferth, or looking up in amazement at Grendel's terrible hand set under the roof of Heorot.But the commentary in this book includes also much from those lectures in which, while always anchored in the text, he expressed his wider perceptions. He looks closely at the dragon that would slay Beowulf 'snuffling in baffled rage and injured greed when he discovers the theft of the cup'; but he rebuts the notion that this is 'a mere treasure story', 'just another dragon tale'. He turns to the lines that tell of the burying of the golden things long ago, and observes that it is 'the feeling for the treasure itself, this sad history' that raises it to another level. 'The whole thing is sombre, tragic, sinister, curiously real. The "treasure" is not just some lucky wealth that will enable the finder to have a good time, or marry the princess. It is laden with history, leading back into the dark heathen ages beyond the memory of song, but not beyond the reach of imagination.'Sellic Spell, a 'marvellous tale', is a story written by Tolkien suggesting what might have been the form and style of an Old English folk-tale of Beowulf, in which there was no association with the 'historical legends' of the Northern kingdoms.

    Featuring folklore, mythology, and poetry from around the world, this lovely collection reveals these ethereal spirits' extraordinary powers and the history behind their existence. From the case of the Cottingley fairies in the early twentieth century, whose photographs fooled thousands (including Arthur Conan Doyle), to the mischievous fairies found in Shakespeare's A Midsummer Night's Dream, the fascinating stories surrounding these magical sprites are sure to captivate anyone who has ever dreamed of catching one hiding deep within her flowerbed. Whether you're interested in exploring the history and culture or just want to learn more about fairies' powers and trickery, you'll love plunging into the enchanting tales that bring these whimsical creatures to life.Complete with hundreds of lovely illustrations, Fairies reveals the magnificent beauty of these mesmerizing sprites as well as their knack for causing mischief.

    Your students will gain an appreciation and understanding of ancient and modern cultures through myths and epics from the Middle East, Greece and Rome, the Far East and Pacific islands, the British Isles, Northern Europe, Africa, and the Americas. An introduction and historical background supplement each myth. Questions at the end of each selection prompt analysis and response.

    Imagine: 54 leading young Jewish writers, artists, photographers, screenwriters, architects, actors, musicians, and graphic artists grappling with the first five books of the Bible and giving new meaning to the 54 Torah portions that are traditionally read over the course of a year. From the foundational stories of Genesis and Exodus to the legalistic minutiae of Leviticus, Numbers, and Deuteronomy, Unscrolled is a reinterpreting, a reimagining, a creative and eclectic celebration of the Jewish Bible.Here s a graphic-novel version of Moses receiving the Ten Commandments, by Rebecca Odes and Sam Lipsyte. Lost creator Damon Lindelof writing about Abraham s decision to sacrifice his son as if Abraham were a mental patient in the wake of that incident. Here s Sloane Crosley bringing Pharaoh into the 21st century, where he s checking out boils, lice, and plague of frogs on WebMD. Plus there s Joshua Foer, Aimee Bender, A. J. Jacobs, David Auburn, Jill Soloway, Ben Greenman, Josh Radnor, Adam Mansbach, and more.Edited by Roger Bennett, a founder of Reboot, a network of young Jewish creatives and intellectuals, Unscrolled is a gathering of brilliant, diverse voices that will speak to anyone interested in Jewish thought and identity and, with its singular design and use of color throughout, the perfect bar and bat mitzvah gift. First it presents a synopsis of the Torah portion, written by Bennett, and then the story is reinterpreted, in forms that range from the aforementioned graphic novel and transcript to stories, poems, memoirs, letters, plays, infographics, monologues each designed to give the reader a fresh new take on some of the oldest, wisest, and occasionally weirdest stories of the Western world, while inspiring new ideas about the Bible and its meaning, value, and place in our lives.

    Kingfisher comes a collection of short stories, including "Jackalope Wives," "The Tomato Thief," "Pocosin," and many others. By turns funny, lyrical, angry and beautiful, this anthology includes two all-new stories, "Origin Story" and "Let Pass The Horses Black," appearing for the first time in print.

    How have they survived? Are they outcasts clinging to the edges of society, or do their powers ensure success in the mortal realm? Here are fourteen fabulous tales-ranging from humor to dark fantasy-that explore how the creatures of fae are fitting into the modern world.From a mortal who offers to do internet marketing for Oberon...to a woman bent on reclaiming her baby from the Queen of the fae...to a dyad grove menaced by urban expansion...to a Selkie in need of a new home and career...these are original looks at how the world of the imagination can survive and perhaps even thrive in the everyday mortal lands.Includes:Introduction by editors Patricia Bray and Joshua Palmatier“We Will Not Be Undersold” by Seanan McGuire“Changeling” by Susan Jett“Water-Called” by Kari Sperring“The Roots of Aston Quercus” by Juliet E. McKenna“To Scratch an Itch” by Avery Shade“Continuing Education” by Kristine Smith“How To Be Human™” by Barbara Ashford“How Much Salt” by April Steenburgh“Hooked” by Anton Strout“Crash” by S. C. Butler“Fixed” by Jean Marie Ward“A People Who Always Know” by Shannon Page & Jay Lake“The Slaughtered Lamb” by Elizabeth Bear“Corrupted” by Jim C. Hines

    There are relatively recent stories based on modern technology, such as the classic microwaved pet, and yarns that have been making the urban-legend circuit for decades, such as the solid-cement-Cadillac story, which can be traced back to the 1940s, at least, involving a cement-truck driver who spies a new Cadillac convertible in his driveway and his wife talking to some strange man. He dumps his load of concrete on the Cadillac, but later discovers the stranger was a car dealer and the car was to be a gift from his wife, one she'd spent years saving her pennies for. The stories are grouped by subject, including "Dog Tales" and "Just Desserts," "Sexcapades" and "Losing Face." There are baby stories and work stories, criminal tales and college anecdotes, plus stories of mistaken identity, human nature, and technology. Brunvand achieves more, however, than a mere compendium of highly entertaining stories. He discusses the nature of urban legends--those almost believable, addictively retellable tales that always happened to a friend of a friend (FOAF, in folklorist parlance)--and for each individual story, Brunvand includes as much of its history as he has been able to trace, including newspaper accounts, alternative versions, and the story's natural cycle, that is, how many years, typically, between resurfacings. The result is an exceptionally engaging book and a great resource for debunking that next story, as heard from a friend by that unnamed acquaintance of unassailable honesty, that sounds just a little too perfect to swallow whole. --Stephanie Gold