But in the words of editor Honor Moore, what strikes the contemporary reader is not the sophistication of Lowell's feminist or antiwar stances, but the bald audacity of her eroticism. Her search for an imagist poetry that is hard and clear, never blurred nor indefinite, found its purest expression in sensual love poems that bristle with lyric intensity. This new selection explores Lowell's full formal range, including cadenced verse, polyphonic prose, narrative poetry, and adaptations from the Chinese, and gives a fresh sense of the passion and energy of her work.

    

    Poetry didn't pay the bills, so he worked on Wall Street, spending his nights at the happenings, underground movie premiers, art shows, and poetry readings that brought the city to life. An intense romantic relationship with Andy Warhol—not yet the global superstar he would soon become—exposed Giorno to even more of the downtown scene, but after starring in Warhol's first movie, Sleep, they drifted apart. Giorno soon found himself involved with Robert Rauschenberg and later Jasper Johns, both relationships fueling his creativity. He quickly became a renowned poet in his own right, working at the intersection of literature and technology, freely crossing genres and mediums alongside the likes of William Burroughs and Brion Gysin.Twenty-five years in the making, and completed shortly before Giorno's death in 2019, Great Demon Kings is the memoir of a singular cultural pioneer: an openly gay man at a time when many artists remained closeted and shunned gay subject matter, and a devout Buddhist whose faith acted as a rudder during a life of tremendous animation, one full of fantastic highs and frightening lows. Studded with appearances by nearly every it-boy and girl of the downtown scene (including a moving portrait of a decades-long friendship with Burroughs), this book offers a joyous, life-affirming, and sensational look at New York City during its creative peak, narrated in the unforgettable voice of one of its most singular characters.

    "Lucille Clifton is one of the four or five most authentic and profound living American poets."--Denise Levertov

    These brave, formally dexterous poems examine antiquated diagnoses and procedures from hysteria to lobotomy; offer meditations on risky sex; and take up the poet's personal and family histories as mental health patients and practitioners. Ultimately, Madness attempts to build a queer lineage out of inherited language and cultural artifacts; these poems trouble the static categories of sanity, heterosexuality, masculinity, normality, and health. sax's innovative collection embodies the strange and disjunctive workings of the mind as it grapples to make sense of the world around it.

    The Blizzard Voices is based on the actual reminiscences of the survivors as recorded in documents from the time and written reminiscences from years later. Here are the haunting voices of the men and women who were teaching school, working the land, and tending the house when the storm arrived and changed their lives forever.

    Holding all accountable, this collection fully embraces the loss, grief, and abundant joy that come with charting one’s own path in identity, life, and love.In the HospitalMy mother was in the hospital & everyone wanted to be my friend.But I was busy making a list: good dog, bad citizen, shortskeleton, tall mocha. Typical Tuesday.My mother was in the hospital & no one wanted to be her friend.Everyone wanted to be soft cooing sympathies. Very reasonablepigeons. No one had the time & our solution to itwas to buy shinier watches. We were enamored withwhat our wrists could declare. My mother was in the hospital& I didn’t want to be her friend. Typical son. Tall latte, short tale,bad plot, great wifi in the atypical café. My mother was in the hospital& she didn’t want to be her friend. She wanted to be the familygrocery list. Low-fat yogurt, firm tofu. She didn’t trust my fatherto be it. You always forget something, she said, even whenI do the list for you. Even then.

    . . Like Frida Kahlo's painting--impossible to look away from. --Kai Maristed, Los Angeles TimesAt the age of eighteen, Frida Kahlo's life was transformed when the bus in which she was riding was hit by a trolley car. Pierced through by a steel handrail and broken in many places, she entered a long period of convalescence during which she began to paint self-portraits.A vibrant series of prose poems, Beauty Is Convulsive is a passionate meditation on Frida Kahlo, one of the twentieth century's most compelling artists. Carole Maso brings together pieces from Kahlo's biography, her letters, medical documents, and her diaries to assemble a text that is as erotic, mysterious, and colorful as one of Kahlo's paintings.

    In each chapter, titled after a letter of the alphabet, an anonymous narrator details his experiences, travelling to cruising grounds and sex clubs, exploring the boundaries of sex, desire, pleasure, and the body, while reflecting on the limits of language and the act of writing.In the tradition of Georges Bataille, Kathy Acker and Jean Genet, these pieces take us to places language doesn't often go. Kemp powerfully stages a series of anonymous encounters, describing the relentless pursuit of sexual pleasure with luminous intensity, while at the same time facing the impossibility of capturing the moments he describes. This is a bold and challenging work, unashamedly sensual and searching. Kemp beautifully counterpoises explicit description with a searing interrogation of the extreme measures taken in the quest for sexual fulfillment.

    Ceremonies offers provocative commentary on highly charged topics such as Robert Mapplethorpe's photographs of African-American men, feminism among men, and AIDS in the black community.

    The 2009 Sawtooth Poetry Prize, selected by Rae Armantrout, is Julie Carr's provocative 100 NOTES ON VIOLENCE. Carr obsessively researches intimate terrorism, looking everywhere from Whitman and Dickinson to lists of phobias and weapon-store catalogs for answers. This book is a dream-document both of light and innocence babies and the urge to protect them and of giving in to a wrenching darkness, where despair lies in the very fact that no single factor is to blame."

    This volume assembles Kenneth Rexroth's shorter poems from 1920 to 1966, bringing together work from seven earlier books and a group of previously unpublished poems.

    Meanwhile, in 'Erlinda and Mr Coffin', Southern etiquette is unashamedly turned upside down in a tale of amateur theatricals reminiscent of Dickens and Victorian melodrama. Yet it is in 'Three Stratagems', 'The Zenner Trophy', 'Pages from an Abandoned Journal' and 'The Ladies in the Library' (with more than a hint of Thomas Mann's Death in Venice in the latter) that we see Vidal as we know him best: cynical and provocative in these subtle tales of what was known in those days as 'sexual inversion'.

    A collection of quintessentially American poems, the seminal work of one of the most influential writers of the nineteenth century.

    Patroclus is an awkward young prince, exiled from his homeland after an act of shocking violence. Brought together by chance, they forge an inseparable bond, despite risking the gods' wrath.They are trained by the centaur Chiron in the arts of war and medicine, but when word comes that Helen of Sparta has been kidnapped, all the heroes of Greece are called upon to lay siege to Troy in her name. Seduced by the promise of a glorious destiny, Achilles joins their cause, and torn between love and fear for his friend, Patroclus follows. Little do they know that the cruel Fates will test them both as never before and demand a terrible sacrifice.