Collins & Lapierre weave a tapestry of shattered hopes, valor & fierce pride as the Arabs, Jews & British collide in their fight for control of Jerusalem. O Jerusalem! meticulously recreates this historic struggle. It penetrates the battle from the inside, exploring each party's interests, intentions & concessions as the city of their dreams teeters on the brink of destruction. From the Jewish fighters & their heroic commanders to the Arab chieftain whose death in battle doomed his cause along with the Mufti of Jerusalem's support for Hitler and the extermination of the Jews, but inspired a generation of Palestinians, O Jerusalem! tells the 3-dimensional story of this high-stakes, emotional conflict.

    Her life may not seem thrilling – living with her widowed mother, majoring in economics, working in an elegant dress store after classes to put away money for graduate school – but she’s determined to make a better life for herself and her mom. One night, she comes home to see the light is out again over the door. That old fuse box? Again? Except when Marianne gets inside, she stumbles over something, and it’s immediately clear what has happened: her mother has been murdered. The NYPD is stumped. Marianne’s father, an army captain, was killed in battle when she was a year old, and whatever other family she has are so distant she’s never met them. Whom can she turn to? Marianne does what strong women always do: She turns to herself. With help from Laurie Fishbein, her BFF since second grade, she becomes her own private detective to solve the case of her lifetime.Susan Isaacs was dubbed “Jane Austen with a shmear” on NPR’s Fresh Air. Among her thirteen novels are Almost Paradise, Shining Through and After All These Years. She has written screenplays for two films, Compromising Positions (adapted from her novel) and Hello Again, as well as a nonfiction work, Brave Dames and Wimpettes: What Women are Really Doing on Page and Screen. Currently, she serves as chairman of the literary organization Poets & Writers. A member of the National Book Critics Circle, she has reviewed for New York Times, the Los Angeles Times, the Chicago Tribune, the Washington Post, and Newsday. She is a past president of Mystery Writers of America and belongs to the Creative Coalition, PEN, and the International Association of Crime Writers. Susan is a trustee emerita of the Queens College Foundation and on the board of the Jewish Theological Seminary. Among her honors are the John Steinbeck award, the Writers for Writers award, and the Marymount Manhattan Writing Center prize. She has worked gathering support for the National Endowment of the Arts Literature Program and on many anti-censorship campaigns. She lives on Long Island where she’s at work finishing her new novel, Violet Hopkins. Cover design by Kristen Radtke.

    American Doris Winter, running from a personal tragedy, yearns for a new start. Naturally shy Mary Whitworth-Baines struggles to fit in. Together though, they are a force to be reckoned with as they face the mystery that confronts them.Against the backdrop of war, when ties of friendship are exceptionally strong, they strive to unravel the puzzle's complex threads, risking their lives as they seek justice for Betty's sister.

    This smart and funny book includes tales from many of these much-loved comics, and will appeal to their broad audience, while revealing the history, context and wider culture of Jewish joking.The Jewish joke is as old as Abraham, and like the Jews themselves it has wandered over the world, learned countless new languages, worked with a range of different materials, been performed in front of some pretty hostile crowds, and yet still retained its own distinctive identity. So what is it that animates the Jewish joke? Why are Jews so often thought of as ‘funny’? And how old can a joke get?The Jewish Joke is a brilliant—and laugh-out-loud funny—riff on about what marks Jewish jokes apart from other jokes, why they are important to Jewish identity and how they work. Ranging from self-deprecation to anti-Semitism, politics to sex, Devorah Baum looks at the history of Jewish joking and asks whether the Jewish joke has a future. With jokes from Lena Dunham to Woody Allen, as well as Freud and Marx (Groucho, mostly), Baum balances serious research with light-hearted humor and provides fascinating insight into this well-known and much loved cultural phenomenon.

    Becca struggles to make sense of her new relationship with an outcast dad, and the code of the Prophet which promises a superior existence with strict obedience. Blanketed by apocalyptic prophecies of world destruction for unbelievers and looming threats of being declared an apostate, she strives to “Keep Sweet” alongside an enormous new family of three mothers, a new father, and dozens of brothers and sisters. Underneath the beauty of wholesome childhood adventures with family and friends is an aching awareness that something isn’t right as she grows into womanhood and realizes her future is not her own. She must break the code before it is too late.

    "Compelling...a real page-turner." Damon Owens "Wholeheartedly recommend," Catholic Insight Magazine. Emily's Hope is the gripping story of one young woman's physical, emotional, spiritual journey from high school to adulthood. Interspersed throughout the story are flashbacks to Emily's great-grandmother's troubled life, with a climax culminating in the surprising revelation that Emily and her great-grandmother are connected more deeply than by ancestral ties alone. Based on a true story.

    Agnon's famous masterpiece, his novel Only Yesterday, here appears in English translation for the first time. Published in 1945, the book tells a seemingly simple tale about a man who immigrates to Palestine with the Second Aliya--the several hundred idealists who returned between 1904 and 1914 to work the Hebrew soil as in Biblical times and revive Hebrew culture. Only Yesterday quickly became recognized as a monumental work of world literature, but not only for its vivid historical reconstruction of Israel's founding society. This epic novel also engages the reader in a fascinating network of meanings, contradictions, and paradoxes all leading to the question, what, if anything, controls human existence?Seduced by Zionist slogans, young Isaac Kumer imagines the Land of Israel filled with the financial, social, and erotic opportunities that were denied him, the son of an impoverished shopkeeper, in Poland. Once there, he cannot find the agricultural work he anticipated. Instead Isaac happens upon house-painting jobs as he moves from secular, Zionist Jaffa, where the ideological fervor and sexual freedom are alien to him, to ultra-orthodox, anti-Zionist Jerusalem. While some of his Zionist friends turn capitalist, becoming successful merchants, his own life remains adrift and impoverished in a land torn between idealism and practicality, a place that is at once homeland and diaspora. Eventually he marries a religious woman in Jerusalem, after his worldly girlfriend in Jaffa rejects him.Led astray by circumstances, Isaac always ends up in the place opposite of where he wants to be, but why? The text soars to Surrealist-Kafkaesque dimensions when, in a playful mode, Isaac drips paint on a stray dog, writing "Crazy Dog" on his back. Causing panic wherever he roams, the dog takes over the story, until, after enduring persecution for so long without "understanding" why, he really does go mad and bites Isaac. The dog has been interpreted as everything from the embodiment of Exile to a daemonic force, and becomes an unforgettable character in a book about the death of God, the deception of discourse, the power of suppressed eroticism, and the destiny of a people depicted in all its darkness and promise.

    But he is also conflicted about the possibility of having to monitor the occupied Palestinian territories, a concern that grows deeper and more urgent when he meets Nimreen and Laith — the twin daughter and son of his mother’s friend.From that winter morning on, the three become inseparable: wandering the streets on weekends, piling onto buses toward new discoveries, laughing uncontrollably. They share joints on the beach, trading snippets of poems, intimate secrets, family histories, resentments, and dreams. But with his draft date rapidly approaching, Jonathan wrestles with the question of what it means to be proud of your heritage and loyal to your people, while also feeling love for those outside of your own tribal family. And then that fateful day arrives, the one that lands Jonathan in prison and changes his relationship with the twins forever.Powerful, important, and timely, Sadness Is a White Bird explores one man’s attempts to find a place for himself, discovering in the process a beautiful, against-the-odds love that flickers like a candle in the darkness of a never-ending conflict.

    

    So do cats, bunnies and every other creature that must temporarily call it home. Running an animal shelter is hell, but Lucy knew that coming in. Dealing with the constant stream of homeless animals, tight budget and tighter Board of Directors, while maintaining a 20 year marriage, is exhausting. But it's all worth it each and every time an animal gets adopted. What Lucy could not foresee is that an unknown enemy would declare war on Mercy. Disturbing notes, nasty pranks and the horrible murder of a beloved co-worker threatens Mercy's very existence. Ferocious in the defense of her employees and the animals they care for, Lucy must identify and stop this enemy, or die trying.

    Following the disappearance of his wife, his life and career have fallen apart.A distinctive tiger tattoo is the only clue to her identityOnce a rising star of Singapore CID, Betancourt has been relegated to the Marine Division, with tedious dockyard disputes and goods inspections among his new duties.Who is she? And why are the authorities turning a blind eye?But when a beautiful, unidentified Japanese woman is found murdered in the shadow of a warehouse owned by one of Singapore’s most powerful families, Betancourt defies orders and pursues those responsible. What he discovers will bring him into conflict with powerful enemies, and force him to face his personal demons.

    One deadly obsession.Nottinghamshire, 1984. Jimmy Wade is pure evil - he first killed at the age of eleven and lately he’s been feeling those urges again. And now he finds an unlikely partner in psychopathic police sergeant Mick Reynolds.Against the background of a bitter, acrimonious strike called by the National Union of Mineworkers, the two embark on a horrific killing spree, Wade's natural cunning and Reynolds' knowledge of forensics and police procedure allowing them to stay one step ahead of the law.DI Danny Flint is tasked with investigating the series of brutal murders and so begins a deadly game of cat and mouse. The killers revel in playing mind games, confident they will never be caught.Then, as he slowly closes in on them, Danny discovers that someone he cares about is in terrible danger…Evil in Mind – the first in a gripping new detective series featuring DI Danny Flint.

    Thinking he might be out of his depth he is happy to enlist the aid of his friend, Kris Gage. But when Dee reads the deceased's last entry in his diary, 'time to take care of K. Gage', he becomes torn between investigation and friendship.As an urban planner, Gage understands real estate and the bureaucracy of planning. Following the money, he soon finds himself in the middle of corrupt developers who seek to take all the charm out of the area. Over two hundred years after the War of 1812, is Niagara-on-the-Lake, once again, on-the-Take?The Concrete Vineyard is an intriguing and unique whodunit. Packing an intellectual punch, this smart murder/mystery will have you guessing and gripped! If you like great characters, clever plots and intelligent storytelling, then you'll love this creative and thought-provoking novel.

    Using his research, including documents which have been secret for 50 years and interviews with key players, AP correspondent Friedman tells a story of political upheaval, international intrigue, charged courtroom battles, obsession, and subterfuge.

    In Englander's amazingly taut and ambitious "The Twenty-seventh Man," a clerical error lands earnest, unpublished Pinchas Pelovits in prison with twenty-six writers slated for execution at Stalin's command, and in the grip of torture Pinchas composes a mini-masterpiece, which he recites in one glorious moment before author and audience are simultaneously annihilated. In "The Gilgul of Park Avenue," a Protestant has a religious awakening in the back of a New York taxi. In the collection's hilarious title story, a Hasidic man incensed by his wife's interminable menstrual cycle gets a dispensation from his rabbi to see a prostitute. The stories in For the Relief of Unbearable Urges are powerfully inventive and often haunting, steeped in the weight of Jewish history and in the customs of Orthodox life. But it is in the largeness of their spirit-- a spirit that finds in doubt a doorway to faith, that sees in despair a chance for the heart to deepen--and in the wisdom that so prodigiously transcends the author's twenty-eight years, that these stories are truly remarkable. Nathan Englander envisions a group of Polish Jews herded toward a train bound for Auschwitz and in a deft imaginative twist turns them into acrobats tumbling out of harm's way; he takes an elderly wigmaker and makes her, for a single moment, beautiful. Again and again, Englander does what feels impossible: he finds, wherever he looks, a province beyond death's dominion.For the Relief of Unbearable Urges is a work of stunning authority and imagination--a book that is as wondrous and joyful as it is wrenchingly sad, and that heralds the arrival of a profoundly gifted new storyteller.