By describing his own struggle to find a basis for belief in a skeptical world, Bushman poses the question of how scholars are to write about subjects in which they are personally invested. Does personal commitment make objectivity impossible? Bushman explicitly, and at points confessionally, explains his own commitments and then explores Joseph Smith and the Book of Mormon from the standpoint of belief.Joseph Smith cannot be dismissed as a colorful fraud, Bushman argues, nor seen only as a restorer of religious truth. Entangled in nineteenth-century Yankee culture--including the skeptical Enlightenment--Smith was nevertheless an original who cut his own path. And while there are multiple contexts from which to draw an understanding of Joseph Smith (including magic, seekers, the Second Great Awakening, communitarianism, restorationism, and more), Bushman suggests that Smith stood at the cusp of modernity and presented the possibility of belief in a time of growing skepticism.When examined carefully, the Book of Mormon is found to have intricate subplots and peculiar cultural twists. Bushman discusses the book's ambivalence toward republican government, explores the culture of the Lamanites (the enemies of the favored people), and traces the book's fascination with records, translation, and history. Yet Believing History also sheds light on the meaning of Joseph Smith and the Book of Mormon today. How do we situate Mormonism in American history? Is Mormonism relevant in the modern world?Believing History offers many surprises. Believers will learn that Joseph Smith is more than an icon, and non-believers will find that Mormonism cannot be summed up with a simple label. But wherever readers stand on Bushman's arguments, he provides us with a provocative and open look at a believing historian studying his own faith.

    S. Lewis is a profound and perhaps the most respected Christian apologist because his belief was so hard-won. This collection of verse, written immediately after he returned from the battlefields of World War I in 1919, offers penetrating insight into the psyche of a young man struggling with traumatic wartime experiences and the crisis of faith they engendered. By turns angry, bitter, and melancholy, these poems constitute a provocative document of Lewis's journey from atheism through agnosticism and on to conviction. Irish writer CLIVE STAPLES ("JACK") LEWIS (1898-1963) was born in Belfast. A volunteer in the British Army during World War I, he served in the trenches of France, and returned to study and teach at Oxford University; he later accepted a post at Cambridge University, retiring only months before his death. His best-known works are The Chronicles of Narnia (1950-1956), Mere Christianity (1952), and his autobiography, Surprised by Joy (1955).

    It examines in appropriate detail the doctrines and practices which surround that holy building, and particularly their implications for the individual Church member.Part one offers the Lord's invitation: "Come to the temple." It sets forth the requirements for attendance- basically, preparation through worthiness- and the attitude and behavior appropriate for those attending that holy place on the first and all subsequent occasions. Part two deals in brief fashion with the ancient temples then turns to the central human figure in the work of the temple- Elijah the Prophet, who anciently held the keys relative to the sealing power of the priesthood. Malachi's prophecy and the human tradition about Elijah's return in the latter days are impressively set forth.Elijah's return and all that it means for the happiness and salvation of mankind are the themes of parts three and four. Following early Restoration scenes, here is the Kirtland Temple built at great personal sacrifice. Dedicated, it fulfills a major purpose in the glorious visions of April 3, 1836, the Savior himself introducing three heavenly beings who then convey priesthood keys. One of these is Elijah. Thereafter the revelations progressively develop the doctrine of temple work for both the living and the dead; under divine direction temple ceremonies are introduced and participants eagerly flock to the Nauvoo Temple; through President Wilford Woodruff the supporting work of lineage linking is clarified by revelation; and the spirit of Elijah is manifest both in and out of the Church as genealogical research and temple work blossom, temples multiply, and those beyond the veil assist those involved in the work here.The endowment with its sacred covenants and its elevating symbolic instruction, the sealing ordinance, and the other temple ceremonies are discussed sensitively and authoritatively.

    They ring with the unmistakable clarity of genius, with majesty of language, splendor and wealth of detail, and with the deep conviction of a powerful mind. Milton's masterpieces reflect the light of a many-faceted tradition; the intellectual freedom of Greek classicism, the moral passion of Hebrew prophets, the Protestant sense of an abiding religious belief.Here is the ageless art, vital throughout the centuries, of the Puritan who undertook to "explain the ways of God to man."The new annotations for this Mentor edition include the more interesting textual variations of the poems; and record, for the first time in any edition, the far-flung repetitions of phrases, and the scattered fixed epithets, within (and between) Paradise Lost and Samson Agonistes.

    Donald Calloway, MIC, deftly shares his personal insights on topics including Divine Mercy, the Eucharist, the papacy, the Church, confession, prayer, the cross, masculinity, and femininity. The Blessed Virgin Mary is the central thread weaving a tapestry throughout with quotes about Our Lady from saints, blessed, and popes. Certain to become a "tour de force" Marian book for the Year of Faith!

    In his version of Dante's Divine Comedy, Chwast's first graphic novel, Dante and his guide Virgil don fedoras and wander through noir-ish realms of Hell, Purgatory, and Paradise, finding both the wicked and the wondrous on their way.Dante Alighieri wrote his epic poem The Divine Comedy from 1308 to 1321 while in exile from his native Florence. In the work's three parts (Inferno, Purgatory, and Paradise), Dante chronicles his travels throughthe afterlife, cataloging a multitude of sinners and saints-many of them real people to whom Dante tellingly assigned either horrible punishment or indescribable pleasure-and eventually meeting both God and Lucifer face-to-face.In his adaptation of this skewering satire, Chwast creates a visual fantasia that fascinates on every page: From the multifarious torments of the Inferno to the host of delights in Paradise, his inventive illustrations capture the delirious complexity of this classic of the Western canon.

    Was he a genuine prophet, or a gifted fabulist who became enthralled by the products of his imagination and ended up being martyred for them? 24 pages of photos. Map.

    These prayers were destined to become one of Bishop Nikolai’s most popular and deeply loved works, and when they first appeared in print they were greeted with exceptional enthusiasm--as is evidenced by the initial review of the book by Fr. Justin Popovich at that time (translated and published in this volume[...]). The prayers contained in this volume[...]are more than simple supplications to God by Bishop Nikolai. They are philosophical and theological explorations of the relationships between eternity and time, heaven and earth, life and death, reality and illusion, Creator and creation, God and man.”

    Those who play it down usually avoid assigning specific meaning to prophetic texts. Those who play it up often assign too much.But the prophetic portions of the Bible won't go away. The biblical interpreter must interact with them and in the detail and specificity in which they were written. Dr. Fruchtenbaum has done that, seeking always to try to understand the full meaning of the biblical revelation.The author's consideration of the biblical material is thorough and thought-provoking...those who read this book cannot help but be instructed and stimulated by his work.

    Praying consistently seems almost impossible. Too often and too easily, prayer becomes a burden: one more item on an already overcrowded to-do list. Failing to pray becomes a source of guilt and stress as we must once again admit our inconstancy and procrastination to our father confessor. Yet, our Lord said, “Come to me, all of you who are heavy laden, and I will give you rest. My burden is easy and my yoke is light” (Matt. 11:30). The purpose of this book, then, is not to add to the burden, but to ease it by distilling the advice and experience of those who pray.

    Volume 1 (this book) is a reprint of the original 1910 edition (published by Luzac & Co., London) of Sun Tzu on the Art of War: The Oldest Military Treatise in the World by Lionel Giles. The Chinese text, Giles' English translation, as well as his extensive notes are all faithfully reproduced. A Wade-Giles to Pinyin conversion table has been added to make the original classic more useful for the modern student. Volume 2, available separately, includes each chapter in Chinese traditional characters, the pinyin transcription, as well as the English translation.

    Filled with rumors of wars and political intrigues, deadly epidemics and economic disasters, uplifting twists and inspiring miracles, the volumes in The Great and Terrible series reveal the greatest secret of all: The children of God can defeat the adversary, for we have fought him before.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    It is considered to be his last book, first published in 1977 after his death.

    frequently anthologized poem