He started out as an actor (he debuted on the stage in his sixth-grade production of Finian’s Rainbow); he watched actors work (he went to the theater every week from the age of thirteen and saw every important show on, or off, Broadway for the next decade); he studied acting, starting at sixteen, with Stella Adler (his work with her became the foundation for all he would ever do as an actor and a director).Now, in his new book, Who the Hell’s in It, Bogdanovich draws upon a lifetime of experience, observation and understanding of the art to write about the actors he came to know along the way; actors he admired from afar; actors he worked with, directed, befriended. Among them: Lauren Bacall, Humphrey Bogart, James Cagney, John Cassavetes, Charlie Chaplin, Montgomery Clift, Marlene Dietrich, Henry Fonda, Ben Gazzara, Audrey Hepburn, Boris Karloff, Dean Martin, Marilyn Monroe, River Phoenix, Sidney Poitier, Frank Sinatra, and James Stewart.Bogdanovich captures—in their words and his—their work, their individual styles, what made them who they were, what gave them their appeal and why they’ve continued to be America’s iconic actors.On Lillian Gish: “the first virgin hearth goddess of the screen . . . a valiant and courageous symbol of fortitude and love through all distress.” On Marlon Brando: “He challenged himself never to be the same from picture to picture, refusing to become the kind of film star the studio system had invented and thrived upon—the recognizable human commodity each new film was built around . . . The funny thing is that Brando’s charismatic screen persona was vividly apparent despite the multiplicity of his guises . . . Brando always remains recognizable, a star-actor in spite of himself. ” Jerry Lewis to Bogdanovich on the first laugh Lewis ever got onstage: “I was five years old. My mom and dad had a tux made—I worked in the borscht circuit with them—and I came out and I sang, ‘Brother, Can You Spare a Dime?’ the big hit at the time . . . It was 1931, and I stopped the show—naturally—a five-year-old in a tuxedo is not going to stop the show? And I took a bow and my foot slipped and hit one of the floodlights and it exploded and the smoke and the sound scared me so I started to cry. The audience laughed—they were hysterical . . . So I knew I had to get the rest of my laughs the rest of my life, breaking, sitting, falling, spinning.”John Wayne to Bogdanovich, on the early years of Wayne’s career when he was working as a prop man: “Well, I’ve naturally studied John Ford professionally as well as loving the man. Ever since the first time I walked down his set as a goose-herder in 1927. They needed somebody from the prop department to keep the geese from getting under a fake hill they had for Mother Machree at Fox. I’d been hired because Tom Mix wanted a box seat for the USC football games, and so they promised jobs to Don Williams and myself and a couple of the players. They buried us over in the properties department, and Mr. Ford’s need for a goose-herder just seemed to fit my pistol.”These twenty-six portraits and conversations are unsurpassed in their evocation of a certain kind of great movie star that has vanished. Bogdanovich’s book is a celebration and a farewell.From the Hardcover edition.

    Future pillar of the community. Stick in the mud. That's Aaron Fitchley, and since his father retired, leaving him in charge of the business, it's been all work, work, work. Dale Lambert is a free-spirited, responsibility-shirking charmer who has been spicing up Aaron's upstanding life since they met as kids. So when Aaron gets Dale's phone call for help at three a.m., he's sure he can handle it. But nothing could have prepared him for the sight of Dale in his underwear, wearing lip gloss, and handcuffed to his bed. After the initial shock, Aaron lets Dale loose and plans a hasty escape. But the cuffs quickly go back on... only this time Aaron is the one chained to the bed Now that the tables have been turned, Dale has a few things to teach Aaron about breaking the rules.

    If he doesn’t get an offer to work off his sentence outside the prison’s walls, he’ll be sent deeper into the hellish place and left at the mercy of the other prisoners. Varan only wants someone to do his grunt work for him, but when he sees Matthew, something from his past takes hold of him again. He wants to make the man submit in every way, and the prison warden’s greed makes it possible for him to buy the chance to do exactly that. So Matthew is saved at the last possible moment … only to find himself bound to a man who seems determined to break and possess him, body and soul.

    But the very man who set him on this journey is the one who keeps calling him up and forcing Sebastian to feel for him when all he wants is to enjoy his newfound freedom and money.Join Sebastian and his nights to remember. A new ten book short story series from Nicole Colville.

    Follow each character's history and witness the amazing evolution of the Transformers, from physical structure and weaponry to personalities, alliances, and important battles. Detailed illustrations show exactly how each character "transforms" from warrior robot to high-powered vehicle. Special feature spreads cover all aspects of the Transformers' world and include specially commissioned maps and detailed city plans of their home planet of Cybertron, descriptions of the giant space ark in which the Transformers traveled to Earth, major wars in Transformers history, and much more.

    What if they aren't meant to be? His worries flare into outright panic when Blayne is critically injured, and Roeder knows he'll soon have his answer: The gods will ultimately decide if their love will endure.

    George McAllister knows better than to hook up with an untrained submissive. He doesn't have the patience to guide a novice through his first kinky experiences. His lovers know what they are doing and do what they are told. When he sees Eric dancing on top of a table in a kinky club, he assumes the beautiful young man is an experienced submissive. Then he sees the turquoise and leather on his neck and recognises it as a collar. Someone else already owns Eric. George has no choice but to walk away. Eric Jordan doesn't know much about kink and he has no idea why George is suddenly less than enthusiastic. But he knows what he wants and if he has to chase after George to get it, so be it. If George wants to believe the pretty bit of rock on his necklace means something kinky, that's fine. But Eric doesn't belong to anyone but himself and he won't give up possession of himself for one night in George's bed. An untrained submissive might not be what George wants, but he could be just what George needs.

    It is splendid and impressive to have at last a clear, unobstructed view of her ground-breaking poetry -- the work of a poet who, as Kenneth Rexroth put it, "more than anyone, led the redirection of American poetry...to the mainstream of world literature."

    Chris Tucker is a cultured and sophisticated gentleman. Matt Gallagher is a pierced and tattooed wild child. Not exactly the pair you'd expect to become a couple. But the sparks fly between them from the moment they meet, and the fire never goes out. Through the first rush of attraction to falling in love, through jealousy and sexual experimentation and a life-threatening injury, the bond they share grows and deepens. Come along with Matt and Chris on their journey, and share their joys and heartaches, from their first hello to happily ever after and everything in between. Warning: This title contains the following: explicit homoerotic sex, graphic language, and M/M/M ménage a trois.

    Obviously, as a gay man, he’s not the target group, and there’s nothing for him there except cheap wine and uncomfortable chairs. But when hotel manager Alexsy sits down opposite him and offers an evening of a very different kind than Elliot expected, Elliot’s tempted to try something for the very first time in his life… The tantalising adventure of a one-night stand.

    *A Kitten… female newbie to Camp Jameson.*A Cub… a male newbie to Camp Jameson. Aria Mason… a sexy young Kitten… just learned that she was tricked by her best friend into coming to Camp Jameson for the summer, and there is no way out. The camp is in lockdown for six weeks. Then she see’s him. Nate Gregor… the man that broke her heart last fall after a one-night stand. And she wants nothing more than to get out of this place.But she is stopped by Avery Jameson… billionaire, sexy owner of the fantasy camp. Avery wants a new Kitten. Her name is Aria. She’s young, innocent, inexperienced, and oh… what he could teach her. Avery always gets what he wants. MATURE AUDIENCES ONLY

    Here, too, is the world of a mill town: the boys swimming in a brook that is red or purple or green, depending on the dyes dumped that day by the comb shop; the visit of the ice man; and the boys’ trips to the cemetery or the forbidden railroad tracks. And here also is a darker world–the mystery of a girl murdered years before. Robert Cormier’s touching, funny, melancholy chronicle of a vanished world celebrates a son’s connection to his father and human relationships that are timeless.

    His 1966 piece for Esquire, one of the most celebrated magazine articles ever published, describes a morose Frank Sinatra silently nursing a glass of bourbon, struck down with a cold and unable to sing, like 'Picasso without paint, Ferrari without fuel - only worse'. The other writings in this selection include a description of a meeting between two legends, Fidel Castro and Muhammad Ali; a brilliantly witty dissection of the offices of Vogue magazine; an account of travelling to Ireland with hellraising actor Peter O'Toole; and a profile of fading baseball star Joe DiMaggio, which turns into a moving, immaculately-crafted meditation on celebrity. Gay Talese (b. 1932) is an American author. He wrote for The New York Times in the early 1960s and helped to define literary journalism or 'new nonfiction reportage', also known as New Journalism. His most famous articles are about Joe DiMaggio, Dean Martin and Frank Sinatra. He lives in New York with his wife, Nan Talese.If you enjoyed Frank Sinatra has a Cold, you might like George Orwell's Essays, also published in Penguin Modern Classics.'The best American prose of the second half of the twentieth century' Atlantic Monthly'The best non-fiction writer in America' Mario Puzo, author of The Godfather'A masterful New Journalism pioneer ... raises the magazine article to the level of an art form'Los Angeles Times

    Poetry collection.

    If he didn't have his twisted sense of humor, he'd have nothing at all. So it's no wonder to Leon and his friends that the gorgeous Amy Green will never even look twice at him. However, there is one girl who might: Melody Hennon. Everyone at Zumner High keeps their distance from Melody because she was burned in a childhood accident. Leon has avoided her, too, until the day he tells her a bad joke and makes her laugh. Although Leon worries what people will think of him dating Melody, he's happy to have someone in his life who thinks he's special. That is, happy until Amy Green asks him out after Leon saves her from getting detention. Will Leon give up a shot with the Beauty so that he can live the fairy tale with the Beast?