This book tackles such questions head-on.   The authors begin with the great economist John Maynard Keynes. In 1930 Keynes predicted that, within a century, per capita income would steadily rise, people’s basic needs would be met, and no one would have to work more than fifteen hours a week. Clearly, he was wrong: though income has increased as he envisioned, our wants have seemingly gone unsatisfied, and we continue to work long hours.   The Skidelskys explain why Keynes was mistaken. Then, arguing from the premise that economics is a moral science, they trace the concept of the good life from Aristotle to the present and show how our lives over the last half century have strayed from that ideal. Finally, they issue a call to think anew about what really matters in our lives and how to attain it.   How Much Is Enough? is that rarity, a work of deep intelligence and ethical commitment accessible to all readers. It will be lauded, debated, cited, and criticized. It will not be ignored.

    In A Point in Time, his lyrical yet startling new book, he offers meditations on an even deeper conversion, one which touches on the very essence of every human life.Part memoir and part philosophical reflection, A Point in Time focuses on man’s inevitable search for meaning—and how for those without religious belief, that search often leads to a faith in historical progress, one that is bound to disappoint. Horowitz agrees with Marcus Aurelius, whose stoic philosophy provides a focal point for the book, “He who has seen present things has seen all, both everything that has taken place from all eternity and everything that will be for time without end.…”Horowitz remembers his father, a political radical who put his faith in just such a redemptive future. He examines this hope through the other great figure who organizes these reflections, the Russian novelist Fyodor Dostoevsky, whose writings foreshadowed the great tragedies of the social revolutions to come. Horowitz draws on eternal themes: the need we have to make sense out of the lives we have been given, our desire to repair the injustices we encounter, and the consequences of our mortality.Interweaving episodes of his own life with the writings of the philosopher and the novelist, Horowitz explores how we provide meaning to an apparently senseless existence and the dire consequences that follow from seeking to redeem it by attempting to make a perfect world out of the imperfect one in which we find ourselves.Praise forA POINT IN TIME“David Horowitz is so powerful a polemicist that it is often forgotten how beautifully he writes. For the same reason, the deeply considered philosophical perspective and the wide-ranging erudition underlying his political passions are just as often overlooked. But it is precisely these qualities that come to the fore and shine through so brilliantly in the linked meditations that make up A Point in Time. With Marcus Aurelius, Ecclesiastes, and Dostoevsky as its guides, this little book boldly ventures into an exploration of first things and last that is as moving as it is profound.”—NORMAN PODHORETZ, author of Why Are Jews Liberals?“A beautiful book, both sad and uplifting. Moving in turns from the intimate to the universal, Horowitz not only explores but also embodies the dignity of the tragic worldview. A Point in Time is a poignant and elegiac reflection on life from a man who bears the burden of unknowing with courage and grace.”—ANDREW KLAVAN, author of True Crime and Empire of Lies“Emulating Marcus Aurelius, David Horowitz has produced a meditation on facing death that is poignant and wise. Whether invoking the Stoics or reflecting on his own father, he helps us think through that most basic of all questions: what is it that can give meaning to our existence?”—WALTER ISAACSON, author of Einstein“I have admired David Horowitz for decades. He has taught me many important lessons. But never have I been so moved by his writing as I am by this brief and profound book.”—DENNIS PRAGER, author of Why the Jews?

    With a unique combination of alphabetical and descriptive lists, it provides in one convenient, accessible volume all the rhetorical terms—mostly Greek and Latin—that students of Western literature and rhetoric are likely to come across in their reading or to find useful in their writing. Now the Second Edition offers new features that will make it still more useful:—A completely revised alphabetical listing that defines nearly 1,000 terms used by scholars of formal rhetoric from classical Greece to the present day.—A revised system of cross-references between terms.—Many new examples and new, extended entries for central terms.—A revised Terms-by-Type listing to identify unknown terms.—A new typographical design for easier access.

    Nobody is perfect. And that includes five of the greatest scientists in history—Charles Darwin, William Thomson (Lord Kelvin), Linus Pauling, Fred Hoyle, and Albert Einstein. But the mistakes that these great luminaries made helped advance science. Indeed, as Mario Livio explains, science thrives on error, advancing when erroneous ideas are disproven.As a young scientist, Einstein tried to conceive of a way to describe the evolution of the universe at large, based on General Relativity—his theory of space, time, and gravity. Unfortunately he fell victim to a misguided notion of aesthetic simplicity. Fred Hoyle was an eminent astrophysicist who ridiculed an emerging theory about the origin of the universe that he dismissively called “The Big Bang.” The name stuck, but Hoyle was dead wrong in his opposition.They, along with Darwin (a blunder in his theory of Natural Selection), Kelvin (a blunder in his calculation of the age of the earth), and Pauling (a blunder in his model for the structure of the DNA molecule), were brilliant men and fascinating human beings. Their blunders were a necessary part of the scientific process. Collectively they helped to dramatically further our knowledge of the evolution of life, the Earth, and the universe.

    It is most unusual for a trained philosopher to give us his insight, as Colin McGinn does here, into six of Shakespeare's greatest plays—A Midsummer Night's Dream, Hamlet, Othello, Macbeth, King Lear, and The Tempest.In his brilliant commentary, McGinn explores Shakespeare's philosophy of life and illustrates how he was influenced, for example, by the essays of Montaigne that were translated into English while Shakespeare was writing. In addition to chapters on the great plays, there are also essays on Shakespeare and gender and his plays from the aspects of psychology, ethics, and tragedy.As McGinn says about Shakespeare, "There is not a sentimental bone in his body. He has the curiosity of a scientist, the judgement of a philosopher, and the soul of a poet." McGinn relates the ideas in the plays to the later philosophers such as David Hume and the modern commentaries of critics such as Harold Bloom. The book is an exhilarating reading experience, especially at a time when a new audience has opened up for the greatest writer in English.

    . . . A masterpiece.” —Margaret Atwood“No one who is invested in any kind of art . . . can read The Gift and remain unchanged.” —David Foster WallaceBy now a modern classic, The Gift is a brilliantly orchestrated defense of the value of creativity and of its importance in a culture increasingly governed by money and overrun with commodities. This book is even more necessary today than when it first appeared.An illuminating and transformative book, and completely original in its view of the world, The Gift is cherished by artists, writers, musicians, and thinkers. It is in itself a gift to all who discover the classic wisdom found in its pages.

    Now this instant classic has been completely updated, outfitted with a whole new arsenal of indispensable knowledge on global affairs, popular culture, economic trends, scientific principles, and modern arts. Here's your chance to brush up on all those subjects you slept through in school, reacquaint yourself with all the facts you once knew (then promptly forgot), catch up on major developments in the world today, and become the Renaissance man or woman you always knew you could be! How do you tell the Balkans from the Caucasus? What's the difference between fission and fusion? Whigs and Tories? Shiites and Sunnis? Deduction and induction? Why aren't all Shakespearean comedies necessarily thigh-slappers? What are transcendental numbers and what are they good for? What really happened in Plato's cave? Is postmodernism dead or just having a bad hair day? And for extra credit, when should you use the adjective continual and when should you use continuous? An Incomplete Education answers these and thousands of other questions with incomparable wit, style, and clarity. American Studies, Art History, Economics, Film, Literature, Music, Philosophy, Political Science, Psychology, Religion, Science, and World History: Here's the bottom line on each of these major disciplines, distilled to its essence and served up with consummate flair.

    M. Scanlon offers new answers to these questions, as they apply to the central part of morality that concerns what we owe to each other. According to his contractualist view, thinking about right and wrong is thinking about what we do in terms that could be justified to others and that they could not reasonably reject. He shows how the special authority of conclusions about right and wrong arises from the value of being related to others in this way, and he shows how familiar moral ideas such as fairness and responsibility can be understood through their role in this process of mutual justification and criticism.Scanlon bases his contractualism on a broader account of reasons, value, and individual well-being that challenges standard views about these crucial notions. He argues that desires do not provide us with reasons, that states of affairs are not the primary bearers of value, and that well-being is not as important for rational decision-making as it is commonly held to be. Scanlon is a pluralist about both moral and non-moral values. He argues that, taking this plurality of values into account, contractualism allows for most of the variability in moral requirements that relativists have claimed, while still accounting for the full force of our judgments of right and wrong.

    He exposes the people and organizations that manipulate our perceptions and profit from our anxieties: politicians who win elections by heightening concerns about crime and drug use even as both are declining; advocacy groups that raise money by exaggerating the prevalence of particular diseases; TV news-magazines that monger a new scare every week to garner ratings.

    It will cheer up even the most miserable of old gits.

    Since Friedrich Nietzsche roundly declared that "God is dead" in 1882, a raft of reflective and courageous individuals have devoted their creative energies to devising ways to live without Him, turning instead to invention, enthusiasm, hope, wit and, above all, various forms of self-reliance. Their brave, imaginative story has gone untold--until now. In The Age of Atheists, acclaimed historian Peter Watson offers a sweeping narrative of the secular philosophers and poets, psychologists and scientists, painters and playwrights, novelists and even choreographers who have forged a thrilling, bold path in the absence of religious belief. Synthesizing nearly a century and a half of recent history, The Age of Atheists is a stunning, magisterial celebration of life without recourse to the supernatural. From Paul Valéry and George Santayana to Richard Rorty and Ronald Dworkin, from Georges- Pierre Seurat and Constantin Brâncuși to Jackson Pollock and Robert Rauschenberg, from André Gide to Philip Roth, from Rudolf Laban to Merce Cunningham, from Henrik Ibsen to Samuel Beckett, from Wallace Stevens and Rainer Maria Rilke to Elizabeth Bishop and Czesław Miłosz, from Sigmund Freud and Benjamin Spock to E. O. Wilson and Sam Harris, The Age of Atheists brilliantly explores how atheism has evolved, deepened and matured, and gained unprecedented resonance and popularity as it has sought to replace an unknowable God in the afterlife with the voluptuous detail and warmth of this life, to be found in art, philosophy and science, all woven into a rational, secular morality. Atheism has had its share of ideologues, tyrants and charlatans, but it is above all a history of brave accomplishment--and one that is far from finished. From Nietzsche and his nihilism to Dawkins and Dennett, Nagel and Habermas, Watson's stimulating intellectual narrative explores the revolutionary ideas and big questions provoked by these great minds and movements. A sparkling and ultimately triumphant history, The Age of Atheists is the first full story of our efforts to live without God.

    He discusses the fate of virtue, the legacy of racism, the moral issues implicated in the war on terrorism, and the objectivity of ethical norms. Against those who see no place for religious reasoning in the democratic arena, Stout champions a space for religious voices. But against increasingly vocal antiliberal thinkers, he argues that modern democracy can provide a moral vision and has made possible such moral achievements as civil rights precisely because it allows a multitude of claims to be heard.Stout's distinctive pragmatism reconfigures the disputed area where religious thought, political theory, and philosophy meet. Charting a path beyond the current impasse between secular liberalism and the new traditionalism, Democracy and Tradition asks whether we have the moral strength to continue as a democratic people as it invigorates us to retrieve our democratic virtues from very real threats to their practice.

    Each essay can be read in less than 10 minutes. In the end it is important to know whether God exists or He does not exist. There is no third option. What I am seeking to do in this book is to determine which of these beliefs is true and which one is not. —Richard E. Simmons III

    Here are some of the remarkable features of Barnes & Noble Classics:New introductions commissioned from today's top writers and scholarsBiographies of the authorsChronologies of contemporary historical, biographical, and cultural eventsFootnotes and endnotesSelective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the workComments by other famous authorsStudy questions to challenge the reader's viewpoints and expectationsBibliographies for further readingIndices & Glossaries, when appropriateAll editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences—biographical, historical, and literary—to enrich each reader's understanding of these enduring works. One of history’s greatest political philosophers, Niccolò Machiavelli is notorious for his treatise The Prince, which has become a cornerstone of modern political theory. Written in 1513 and published in 1532, after Machivelli’s death, The Prince immediately provoked controversy that has continued unabated to this day. Defining human nature as inherently selfish, Machiavelli proposes that social conflict and violence are natural phenomena that help determine the ablest, most versatile form of government. Asserting that idealism has no place in the political arena, The Prince primarily addresses a monarch’s difficulties in retaining authority. Considered the first expression of political realism, it has often been accused of advocating a political philosophy in which “the end justifies the means.” Indeed the emphasis in The Prince on practical success, at the expense even of traditional moral values, earned Machiavelli a reputation for ruthlessness, deception, and cruelty. Many scholars contend, however, that the author’s pragmatic views of ethics and politics reflected the realities of his time, as exemplified by the Medici family of Florence. Debates about Machiavelli’s theories are as lively today as they were 450 years ago, but no one questions the importance of his fundamental contribution to Western political thought. This newly translated edition also includes Machiavelli’s Letter to Francesco Vettori, The Life of Castruccio Castracani, and excerpts from the Discourses on Livy.Wayne A. Rebhorn, Celanese Centennial Professor of English at the University of Texas, has authored numerous studies of Renaissance European literature. His Foxes and Lions: Machiavelli’s Confidence Men won the Howard R. Marraro Prize of the Modern Language Association of America in 1990.

    Picking up where his hilarious Screen Burn left off, Dawn of the Dumb collects the best of Charlie Brooker's recent TV writing, together with uproarious spleen-venting diatribes on a range of non-televisual subjects - tackling everything from David Cameron to human hair. Rude, unhinged, outrageous, and above all funny, Dawn of the Dumb is essential reading for anyone with a brain and a spinal cord. And hands for turning the pages.