But who are the Americans, the people who make up America? Tuvia Tenenbom travels through America to find out. His wanderings take him across regional frontiers, partisan lines, and socioeconomic boundaries in a fearless quest for the flesh-and-blood American. He visits black ghettos and white gated communities, megachurches and Indian reservations. He schmoozes with robbers who teach him the true meaning of love and meets Jews who dedicate day and night to hatred of their brethren. He finagles his way into a prison where skinheads pray, goes to the Senate where no Senator seems to be working, experiments with drugs on American streets and ponders the deeper meaning of life with rednecks. He mingles with soldiers who teach him how to invade foreign countries and intellectuals who teach him the beautiful nature of Mother Earth, the goodness of man, and the sadism of the Israeli. The characters he encounters, the adventures he eagerly embraces and the findings of his journey are always unique and often unexpected.

     Naomi—whose husband left her for a man, crushing her small amount of self-confidence—is stuck with a dead-end job and a big house in a neighborhood filled with couples. She hates the loneliness of weekends and the empty side of the king-size bed. Miriam, an only child of parents who were also only children, struggles with the fact that she has no blood relatives besides her children. She recognizes that it’s siblings who connect the past, the present, and the future, and the closest thing she has to sisters are Becky and Naomi. Then a dusty discovery delivers a potentially lethal blow to their friendship. While two of the women fight to save the relationship, one desires nothing more than its demise.

    As Thomas Jefferson’s oldest daughter, she becomes his helpmate, protector, and constant companion in the wake of her mother’s death, traveling with him when he becomes American minister to France.It is in Paris, at the glittering court and among the first tumultuous days of revolution, that fifteen-year-old Patsy learns about her father’s troubling liaison with Sally Hemings, a slave girl her own age. Meanwhile, Patsy has fallen in love—with her father’s protégé William Short, a staunch abolitionist and ambitious diplomat. Torn between love, principles, and the bonds of family, Patsy questions whether she can choose a life as William’s wife and still be a devoted daughter.Her choice will follow her in the years to come, to Virginia farmland, Monticello, and even the White House. And as scandal, tragedy, and poverty threaten her family, Patsy must decide how much she will sacrifice to protect her father's reputation, in the process defining not just his political legacy, but that of the nation he founded.

    The New Woman is his latest visit to this Minnesota hamlet.At the age of eighty-eight, Agatha McGee has grudgingly moved out of her house on River Street and into the Sunset Senior Apartments. She's not happy about giving up her independence, and Sunset Senior's arts and crafts activities and weekly excursions to the Blue Sky Casino are hardly a consolation. Meanwhile two of her close friends pass away, her nephew Frederick is drifting into depression, and a kidnapped little girl has suddenly appeared on her doorstep. With characteristic poise and dignity, Agatha takes on her problems and finds that the bonds of friendship and family are still the key to happiness at any age. Affectionate and life-affirming, The New Woman is another delightful trip to a town with a soul as real as rural America itself.

    Those who say we can’t don’t see what I see in Wisconsin and what my fellow governors in states all across America see. We don’t need to change our principles. What we need is more courage.”In 2011, Wisconsin governor Scott Walker’s chances of staying in office looked bleak. Angry protesters—furious about his collective bargaining proposal—swarmed Madison, camped in the capitol, and attempted to block the passage of the governor’s reform legislation. Teachers unions accused him of sabotaging education. His approval numbers fell to the basement, and with the national media’s descent on Wisconsin, liberals denounced “Dead Man Walker.” He found himself fighting for his reforms, fielding death threats, and facing an unprecedented recall election.But then something happened. Walker’s policies began to work. His constituents realized they were better off with his leadership, and in June 2012, he became the first governor in American history to survive a recall attempt, winning with a higher share of the vote than he had for his original election.In Unintimidated, Governor Walker tells the story of his fight to save Wisconsin from a $3.6 billion budget deficit while simultaneously improving the state’s schools and public infrastructure. He describes how he stood for his convictions against enormous political pressure and personal attacks. He explains how he knew his reforms would work, based on his experience as a local official.Speaking from the perspective earned from his resounding victory, he outlines lessons conservatives on the national stage can learn from his success, such as:• Change the polls, not your principles.• Don’t accept the false choices presented to you.• You can reform entitlements and survive.• Austerity is not the answer.• Never stop reforming.Walker is living proof that conservatives need not move to the center to win. He argues that Republicans must offer Americans big, bold, positive solutions for our nation’s challenges—and have the courage to implement them. Walker has shown that even President Obama will back down when faced with reforms promoted with common sense and courage.

    This history includes the band's blues roots, their wild early days on the road and their recent resurgence.

    They are superficially a study in contrasts yet share equally haunting sexual burdens carried since youth. With common secrets, they are drawn into a remarkable friendship.

    I lived throughyou not knowing, not knowing I was living.I learned that you called for me. I came to whereyou were living, up a stair. There was no one there.No one to appreciate me. The legality of itupset a chair. Many times to celebratewe were called together and wherewe had been there was nothing there,nothing that is anywhere. We passed obliquely,leaving no stare. When the sun was done muttering,in an optimistic way, it was time to leave that there. --from “The New Higher”

    The story tells of what could happen when dreams and aspirations are dashed by cold reality and hardship. As a result, we see two desperate people struggling with one another in a downward spiral.

    Krakauer's book, Into the Wild, became an international bestseller, translated into thirty-one languages, and Sean Penn's inspirational film by the same name further skyrocketed Chris McCandless to global fame. But the real story of Chris's life and his journey has not yet been told—until now. The missing pieces are finally revealed in The Wild Truth, written by Carine McCandless, Chris's beloved and trusted sister. Featured in both the book and film, Carine has wrestled for more than twenty years with the legacy of her brother's journey to self-discovery, and now tells her own story while filling in the blanks of his. Carine was Chris's best friend, the person with whom he had the closest bond, and who witnessed firsthand the dysfunctional and violent family dynamic that made Chris willing to embrace the harsh wilderness of Alaska. Growing up in the same troubled household, Carine speaks candidly about the deeper reality of life in the McCandless family. In the many years since the tragedy of Chris's death, Carine has searched for some kind of redemption. In this touching and deeply personal memoir, she reveals how she has learned that real redemption can only come from speaking the truth.

    An elderly widower who has lived through three wars and fought in two of them, the captain enjoys his rootless, solitary existence.In Wichita Falls, he is offered a $50 gold piece to deliver a young orphan to her relatives in San Antonio. Four years earlier, a band of Kiowa raiders killed Johanna’s parents and sister; sparing the little girl, they raised her as one of their own. Recently rescued by the U.S. army, the ten-year-old has once again been torn away from the only home she knows.Their 400-mile journey south through unsettled territory and unforgiving terrain proves difficult and at times dangerous. Johanna has forgotten the English language, tries to escape at every opportunity, throws away her shoes, and refuses to act “civilized.” Yet as the miles pass, the two lonely survivors tentatively begin to trust each other, forming a bond that marks the difference between life and death in this treacherous land.Arriving in San Antonio, the reunion is neither happy nor welcome. The captain must hand Johanna over to an aunt and uncle she does not remember—strangers who regard her as an unwanted burden. A respectable man, Captain Kidd is faced with a terrible choice: abandon the girl to her fate or become—in the eyes of the law—a kidnapper himself.

    Rahna Reiko Rizzuto reveals the reason for her act--and its effect on four generations of her family--in a series of alternating narratives. A son, daughter, mother, and brother all chime in, and the author's sophisticated interweaving of their tales is what gives this debut novel much of its power.Rizzuto's book includes its share of violent and disturbing incidents. A daughter helps her mother give birth on the floor of a shack; a son accompanies his senile grandfather to the toilet; a brother delivers a swift kick to his pregnant sister's belly. Yet Why She Left Us never relies on mere sensationalism. For one thing, the author's prose is strong and vivid, and she's particularly good at evoking the passage of time: "My life doesn't come to me in any order," notes one character. "Moments flip-flop, overlap--sometimes they come only in splinters." This isn't, it should be said, a big-canvas portrait of wartime life. But Rizzuto has produced a minute and successful investigation of the moments that define what a family is.That leaves the initial mystery. To her credit, Rizzuto doesn't come up with a pat solution: instead, she offers up a collage of perceptions, which fuse into a kind of answer as the story progresses. In other words, this is the latest addition to a growing canon of diplomatic, Rashomon-like novels. Why She Left Us is a true study in perspectives--and a kaleidoscopic lesson about the nature of memory and forgiveness. --Rucker Alex, Amazon.com Review

    The Dow Jones nearly doubled between 1962 and 1966, the recurring recessions of the Eisenhower years ended, and America saw a run of economic growth that ranks among the biggest in its history. Today, the Left would have voters believe that the 1960s boom happened despite, or even because of, high taxes. In fact, America enjoyed this era of prosperity because John F. Kennedy, the great hero of liberals today, embraced the very conservative ideas of supply-side economics. To the horror of fellow liberals, he initiated tax cuts that launched America's economy into years of growth--and that later inspired Ronald Reagan to imitate them. In a blow-by-blow narrative of the tax battles within the Kennedy administration, the authors reveal how JFK assembled Keynesian advisors, only to reject their plans for loose money and big spending. Instead, Kennedy embraced ideas advanced by the non-Keynesians on his team of rivals and drew upon his own deep reading of history to opt for tax cuts and a recommitment to the gold standard. Here we meet a fascinating cast of Kennedy Administration characters, especially Treasure Secretary Douglas Dillon, the token Republican in JFK's cabinet. Dillon's opponents, such as liberal economists Paul Samuelson, Robert Solow, and James Tobin, strove to stifle the push to bring down the high tax rates--including an astonishing 91% top rate on the wealthiest earners-- that were damaging the economy. Once JFK became convinced of the power of tax cuts, he held his ground against the Keynesians. And as Kennedy made his case for the tax cut, the economy took off. After the assassination, Lyndon Johnson finally signed the tax-cut law in February 1964. The subsequent economic boom delivered the greatest prosperity the nation had ever seen. This is an eye-opening look at one of the most important yet least understood episodes in American economic history. It shatters the argument that the Republicans who believe that cutting tax rates can result in more growth and more tax revenue have moved to the extreme right. Instead, it is the Democrats who have moved so far left as to have to disown John F. Kennedy's most successful policies.

    The local citizens call that evening Devil's Night; tourists, sociologists and even some visiting firefighters gather to witness this outpouring of urban frustration when houses, abandoned buildings and unused factories burn to the ground in an orgy of arson.In capturing Devil's Night and other troubling Motown movements, Ze'ev Cha-fets—hailed as a "1980s de Tocqueville" by The New York Times—returns to the city of his youth. In the early 1960s Detroit seemed like the model American city. Industry was booming as both blacks and whites found steady work in the auto industry. But in 1967 the worst race riot in American history erupted; overnight, Detroit was violently jerked from an existence as a prosperous, integrated industrial center to that of a chaotic, seething ghetto. Chafets goes back to the city where he grew up and learned the facts of life, a city where his strongest friendship was an unlikely one—with a fatherless black teenager from the ghetto—a city where reality set in early when Chafets's own grandfather was killed in a holdup.Chafets leads us through the wilderness of the distinct subcultures of contemporary Detroit. He meets the black intelligentsia who view their "independent state" as progress for black America; he spends time with cops whose conflicting attitudes of pride in their work and bitterness at their city's staggering crime rate lead to frustration; he explores the growing sects in the Muslim and Christian communities that provide ecstatic, religious escape; he talks to whites from the segregated suburbs to find out why they fled and about the roots of their continuous antagonism; and he converses with Mayor Coleman Young, who, despite the abysmal social and financial conditions of his city, is convinced he is leading Detroit— and its black populace—to a better and brighter future.Poignant, perceptive, and at times hilariously funny, Devil's Night: And Other True Tales of Detroit gives an unprecedented look at what Ze'ev Chafets calls "America's first Third World City."

    As the boxes started to arrive, the Foundation asked Clinton Heylin—author of the acclaimed Bob Dylan: Behind the Shades and 'perhaps the world's authority on all things Dylan' (Rolling Stone)—to assess the material they had been given. What he found in Tulsa—as well as what he gleaned from other papers he had recently been given access to by Sony and the Dylan office—so changed his understanding of the artist, especially of his creative process, that he became convinced that a whole new biography was needed. It turns out that much of what previous biographers—Dylan himself included—have said is wrong.With fresh and revealing information on every page A Restless, Hungry Feeling tells the story of Dylan's meteoric rise to fame: his arrival in early 1961 in New York, where he is embraced by the folk scene; his elevation to spokesman of a generation whose protest songs provide the soundtrack for the burgeoning Civil Rights movement; his alleged betrayal when he 'goes electric' at Newport in 1965; his subsequent controversial world tour with a rock 'n' roll band; and the recording of his three undisputed electric masterpieces: Bringing it All Back Home, Highway 61 Revisited and Blonde on Blonde. At the peak of his fame in July 1966 he reportedly crashes his motorbike in Woodstock, upstate New York, and disappears from public view. When he re-emerges, he looks different, his voice sounds different, his songs are different.Clinton Heylin's meticulously researched, all-encompassing and consistently revelatory account of these fascinating early years is the closest we will ever get to a definitive life of an artist who has been the lodestar of popular culture for six decades.