But in the slums of Kingston James found himself fighting for his life – while Cora found her own path to destruction, in the arms of another man. Available for the first time in more than 50 years, this lost novel by legendary pulp author David Goodis is a stunning, shocking tale of cruelty, danger, desperationâ�¦and the possibility of redemption.

    Nobody Move, which first appeared in the pages of Playboy, is the story of an assortment of lowlifes in Bakersfield, California, and their cat-and-mouse game over $2.3 million. Touched by echoes of Raymond Chandler and Dashiell Hammett, Nobody Move is at once an homage to and a variation on literary form. It salutes one of our most enduring and popular genres—the American crime novel—but with a grisly humor and outrageousness that are Denis Johnson’s own. Sexy, suspenseful, and above all entertaining, Nobody Move shows one of our greatest novelists at his versatile best.

    In these stories Highsmith is at her most scathing as she draws out the mystery and menace of her once ordinary subject.

    From Africa to the Middle East, and from London to Beijing, Archer takes us to places we've never seen and introduces us to people we'll never forget.Meet the philandering husband who thinks he's committed the perfect murder; the self-assured chess champion who plays a beautiful woman for stakes far higher than cash; and the finance minister who needs to crack the secrets of a Swiss bank. Jeffrey Archer's collection of twelve spellbinding stories will sweep you on a journey of thwarted ambition, undying passion, and unswerving honor that you'll never forget.

    Until the day a shadowy rival known only as The Trader has her abducted and scarred for life as a warning to stay out of his way.Now Cay’s on her way to Mazatlan, where one of The Trader’s men has been spotted. There’s a big deal going down – but she’s not there to make a score. Just to settle one.

    This ingenious twist on a classic noir tale tells the story of Lora King, a schoolteacher, and her brother Bill, a junior investigator with the district attorney's office. Lora's comfortable, suburban life is jarringly disrupted when Bill falls in love with a mysterious young woman named Alice Steele, a Hollywood wardrobe assistant with a murky past. Made sisters by marriage but not by choice, the bond between Lora and Alice is marred by envy and mistrust. Spurred on by inconsistencies in Alice's personal history and possibly jealous of Alice's hold on her brother, Lora finds herself lured into the dark alleys and mean streets of seamy Los Angeles. Assuming the role of amateur detective, she uncovers a shadowy world of drugs, prostitution, and ultimately, murder. Lora's fascination with Alice's "sins" increases in direct proportion to the escalation of her own relationship with Mike Standish, a charmingly amoral press agent who appears to know more about his old friend Alice than he reveals. The deeper Lora digs to uncover Alice's secrets, the more her own life begins to resemble Alice's sinister past -- and present. Steeped in atmospheric suspense and voyeuristic appeal, Die a Little shines as a dark star among Hollywood lights.

    This masterpiece collection represents a high watermark of America’s underbelly. Crime writing gets no better than this.CONTENTSErle Stanley Gardner: Come and Get ItFredric Brown: Cry SilencePeter Collison: Arson PlusFredrick Nebel: Doors in the DarkLester Dent: LuckDashiell Hammett: The Maltese FalconStewart Sterling: Ten Carats of LeadWyatt Blassingame: Murder Is Bad LuckTalmadge Powell: Her Dagger Before MeCharles G. Booth: One ShotRichard Sale: The Dancing RatsKatherine Brocklebank: BraceletsThomas Walsh: Diamonds Mean DeathRoul Whitfield: Murder in the RingWalter C. Brown: The Parrot That Wouldn’t TalkMerle Constiner: Let the Dead AloneCarrol John Daly: Knights of the Open PalmWilliam Cole: Waiting for RustyRamon Decolta: Rainbow DiamondsWilliam Rollins Jr.: The Ring on the Hand of DeathTheodore A. Tinsley: Body SnatcherD wight V. Babcock: Murder on the GaywayCleve F. Adams: The KeyWilliam Campbell Gault: The Bloody BokharaBrett Halliday: A Taste for CognacDay Keene: Sauce for the GanderW.T. Ballard: A Little DifferentCharles M. Green: The Shrieking SkeletonHank Searls: Drop Dead TwiceDale Clark: The Sound of the ShotFrederick C. Davis: Flaming AngelDon M. Mankiewicz: Odds on DeathNorvell Page: Those CatriniHugh B. Cave: Smoke in Your EyesRobert Reeves: Blood, Sweat and BiersWhitman Chambers: The Black BottleMilton K. Ozaki: The Corpse The Didn’t KickRaymond Chandler: Try the GirlNorbert Davis: Don’t You Cry for MeRay Cummings: T. McGuirk Steals A DiamondSteve Fisher: Wait For MeFrank Gruber: Ask Me AnotherHorcase McCoy: Dirty WorkJulius Long: Merely MurderJohn D. MacDonald: Murder in One SyllableH.H. Stinson: Three Apes from the EastD.L. Champion Death Stops PaymentRichard Connell: The Color of HonorBruno Fischer: Middleman for MurderRichard Deming: The Man Who Choose the DevilC.M. Kornbluth: Beer-Bottle PolkaCornell Wollrich: Borrowed Crime

    Each wears his cynicism like a bulletproof jockstrap–each has his horror story, his bad dream, his night shriek. He is afraid of his friends–he is afraid of himself.

    . . and winds up a castaway on an impossibly solid cloud, a Prospero’s island of roiling vapor that seems animated by a mind of its own in Aloft.On a seemingly ordinary day in Boulder, Colorado, the clouds open up in a downpour of nails—splinters of bright crystal that shred the skin of anyone not safely under cover. Rain explores this escalating apocalyptic event, as the deluge of nails spreads out across the country and around the world.In Loaded, a mall security guard in a coastal Florida town courageously stops a mass shooting and becomes a hero to the modern gun rights movement. But under the glare of the spotlights, his story begins to unravel, taking his sanity with it. When an out-of-control summer blaze approaches the town, he will reach for the gun again and embark on one last day of reckoning.

    Maximum Bob is a delightfully dark classic thriller from “the greatest crime writer of our time, perhaps ever” (New York Times Book Review), and any reader who loved getting gleefully lost in criminal mayhem of Get Shorty, Rum Punch, Out of Sight, The Hot Kid, or any number of the inimitable Leonard’s numerous crime fiction masterworks will get maximum enjoyment out of this one.

    Hoping to get dismissed from the pool, she tells the judge that most of her legal knowledge comes from a bit part curling around the stripper's pole in The Sopranos. But she still ends up as juror number 11 in a landmark trial against a notorious mob boss. The judge is terrified of the defendant. The case quickly becomes the new Trial of the Century. Mafia don Dominic Cavello, known as the Electrician, is linked to hundreds of gruesome, unspeakable crimes. Senior FBI agent Nick Pellisante has been tracking him for years. He knows Cavello's power reaches far beyond the courtroom but the FBI's evidence against the ruthless killer is ironclad. Conviction is sure thing. So is the jury. As the jury is about to reach a verdict, the Electrician makes one devastating move that no one could have predicted. The entire nation is reeling, and Andie's world is shattered. For her, the hunt for the Electrician becomes personal, and she and Pellisante come together in an unbreakable bond: they exact justice - at any cost. The verdict: Run for your life.

    To Camp Rapture’s general consternation, Sunset’s mother-in-law arranges for her to take over from Pete as town constable. As if that weren’t hard enough to swallow in depression era east Texas, Sunset actually takes the job seriously, and her investigation into a brutal double murder pulls her into a maelstrom of greed, corruption, and unspeakable malice. It is a case that will require a well of inner strength she never knew she had. Spirited and electrifying, Sunset and Sawdust is a mystery and a tale like nothing you’ve read before.

    Young Stan Carlisle is working as a carny, and he wonders how a man could fall so low. There’s no way in hell, he vows, that anything like that will ever happen to him.And since Stan is clever and ambitious and not without a useful streak of ruthlessness, soon enough he’s going places. Onstage he plays the mentalist with a cute assistant (before long his harried wife), then he graduates to full-blown spiritualist, catering to the needs of the rich and gullible in their well-upholstered homes. It looks like the world is Stan’s for the taking. At least for now.

    His prey - the writers of crime novels who have turned psychological profilers into the heroes of the nineties. But this killer is like no other. His bloodlust shatters all the conventional wisdom surrounding the motives and mechanics of how serial killers operate. And for one woman, the desperate hunt to uncover his identity becomes a matter of life and death.Professor Fiona Cameron is an academic psychologist who uses computer technology to help police forces track serial offenders. She used to help the Met, but vowed never to work for them again when they went against her advice and subsequently botched an investigation. Still smarting from the experience, she's working a case in Toledo when her lover, thriller writer Kit Martin, tells her a fellow crime novelist has been murdered. It's not her case, but Fiona can't help taking an interest. When the killer strikes again Fiona finds herself caught in a race against time - not only to save a life but also to find redemption, both personal and professional.Rich in atmosphere, Killing the Shadows uses the backdrops of city and country to create an air of threatening menace, culminating in a tense confrontation between hunter and hunted, a confrontation that can have only one outcome.

    No man could resist her charms—not even the hardboiled NYPD detective sent to find out who turned her into a faceless corpse. As this tough cop probes the mystery of Laura's death, he becomes obsessed with her strange power. Soon he realizes he's been seduced by a dead woman—or has he? Laura won lasting renown as an Academy Award-nominated 1944 film, the greatest noir romance of all time. Vera Caspary's equally haunting novel is remarkable for its stylish, hardboiled writing, its electrifying plot twists, and its darkly complex characters—including a woman who stands as the ultimate femme fatale.