The question-and-answer format is based on real kids’ inquiries about Close’s life and work, and his answers to them. Close, who is wheelchair-bound and paints with a brush strapped to his arm, discusses the severe dyslexia and face blindness he has struggled with since childhood, as well as a collapsed spinal artery that left him nearly paralyzed at the age of 48.An engaging feature of the book is a mix-and-match Chuck Close self-portrait section. This hands-on component encourages the reader to create new and interesting combinations of Close’s techniques and images. The book also includes an illustrated chronology of Close’s life, a list of museums where his work can be seen, and an index. Winner of the 2012 Boston Globe - Horn Book Nonfiction Award Praise for Chuck Close: Face Book STARRED REVIEW"Art lovers of all ages will revel in this vivid, wonderfully affecting book, which is almost as ingenious and memorable as Close himself."–Kirkus Reviews, starred reviewSTARRED REVIEW"Close describes his work with candor and insight. The high quality printing and lush colors of the reproductions make it easy for readers to share that excitement. A nifty mix-and-match section lets readers compare the methods used in 14 of the artist’s self-portraits."–Publishers Weekly, starred reviewSTARRED REVIEW“Excellent-quality reproductions of his paintings appear throughout. A readable and engaging look at a fascinating artist and his methods of working.”–School Library Journal, starred review"Chuck Close’s art and life story are the ideal way to introduce art and artists to children."–Horn Book"A winner. Chuck Close's honest, personal memoir about his life and work makes an ideal book for kids who find school challenging, who are creative or who see the world a bit differently from their peers. In other words, this one's for most everyone."–Shelf Awareness

    The shocking true story of a marriage that spiraled into the most forbidden acts a man and woman could commit, and of a husband who began a campaign of intimidation against his wife that ended in murder.

    Attracted by the simplicity and clarity of his writing, readers of all ages and backgrounds have found in Professor Gombrich a true master, and one who combines knowledge and wisdom with a unique gift for communicating his deep love of the subject. The Story of Art, one of the most famous and popular books on art ever written, has been a world bestseller for over four decades. Attracted by the simplicity and clarity of his writing, readers of all ages and backgrounds have found in Professor Gombrich a true master, and one who combines knowledge and wisdom with a unique gift for communicating his deep love of the subject.For the first time in many years the book has been completely redesigned. The illustrations, now in colour throughout, have all been improved and reoriginated, and include six fold-outs. The text has been revised and updated where appropriate, and a number of significant new artists have been incorporated. The bibliographies have been expanded and updated, and the maps and charts redrawn. The Story of Art has always been admired for two key qualities: it is a pleasure to read and a pleasure to handle. In these respects the new edition is true to its much-loved predecessors: the text runs as smoothly as ever and the improved illustrations are always on the page where the reader needs them. In its new edition, this classic work continues its triumphant progress tirelessly for yet another generation, to remain the title of first choice for any newcomer to art or the connoisseur. The Story of Art has always been admired for two key qualities: it is a pleasure to read and a pleasure to handle. In these respects the new edition is true to its much-loved predecessors: the text runs as smoothly as ever and the improved illustrations are always on the page where the reader needs them. In its new edition, this classic work continues its triumphant progress tirelessly for yet another generation, to remain the title of first choice for any newcomer to art or the connoisseur.

    This book tells the story of Dalí's life and explores the meaning of his Surrealist paintings. It goes beyond his fine art practice and discusses his venture into the commercial world from his extravagant jewelry to his cheeky design for the Chupa Chups lollipops. Surrealism is revealed as a way of life; illustrations bring to life the extraordinary Dream Ball at the Coq Rouge, his fabulous home at Port Lligat, and his underwater fantasy at the World Fair's Surrealist pavilion. Fun, provoking, and endlessly frustrating, Dalí is brought under the spotlight.Catherine Ingram brings her specialized knowledge to the book, while Andrew Rae, an award-winning illustrator, vividly portrays the text.This title is appropriate for ages 14 and up

    While it embodies the entire system of his teaching, with much technical advice and critical comment for the student, it also contains inspiration for those to whom the happiness to be found through all the arts is important.No other American painter attracted such a large, intensely personal group of followers as Henri, whose death in 1929 brought to an end a life that has been completely devoted to art. He was an inspired artist and teacher who believed that everyone is vitally concerned in the happiness and wisdom to be found through the arts. Many of his paintings have been acquired by museums and private collectors. Among them are the Baltimore Museum of Art, the Metropolitan Museum of Art, the National Gallery of Art, the Whitney Museum of American Art, the Wichita Art Museum, and Yale University Art Gallery.

    "I want to tell the people who are interested in me," says Pavarotti in his preface, "about all of the fun and excitement I have had. I have tried to explain how I feel about the things that are important to me and to pass on whatever wisdom I have gained as an artist and as a human being." Black-and-white photographs.

    Don't Let the Pigeon Drive the Bus! went on to sell millions of copies, receive a Caldecott Honor, and spawn additional picture books, apps, games, and even silly bands. But did you know the Pigeon was born many years earlier in the pages of a sketchbook?In Don't Pigeonhole Me! Two Decades of the Mo Willems Sketchbook, readers are given a rare glimpse into the mind of the man the New York Times described as "The biggest new talent to emerge thus far in the '00s." Since he was a teenager, Mo has been creating characters and scribbling ideas in the pages of sketchbooks. In the early 1990s, he started self-publishing collections of his drawings, and The Mo Willems Sketchbook was created. What began as a calling card for his work has morphed over the years from a form of therapy, to an opportunity to explore and experiment, to a gift for friends and loved ones. But these sketchbooks have always been (and continue to be) the well from which Mo draws ideas and inspiration.Featuring a foreword by Eric Carle and an introduction by Mo, this volume includes all twenty sketchbooks from the last two decades. Don't Pigeonhole Me! reveals the author/illustrator at his most truthful, most experimental, most grown-up. Most Mo. Want to know where ideas come from? Look inside.

    He should have died. Doctors advised that if he did survive, there would be little of him left. If that wasn't enough, he went on to contract MRSA as a result of an operation to his skull and spent six months in hospital. Initially, Edwyn couldn't speak, read, write, walk, sit up, or feed himself. He had lost all movement in his right side and was suffering from aphasia—an inability to use or understand language. When he initially recovered consciousness the only words he could say were 'Grace,' 'Maxwell,' 'yes,' and 'no.' But with the help of his partner Grace and their 18-year-old son Will, Edwyn fought back. Slowly, and with monumental effort, he began to teach his brain to read and speak all over again—with some areas of his mind it was if he had been a slate wiped literally clean. Through a long and arduous road of therapy he began to re-inhabit his body until he could walk again. Grace's story is an intimate and inspiring account of what you do to survive when your husband is all but taken away without warning by a stroke.

    Sure, sometimes being diminutive gets you the short end of the stick, but there are also plenty of unique advantages to being under 5’4”—and Murphy has compiled the 100 best reasons in the delightfully whimsical I’d Rather Be Short. Illustrated in a charming, quirky style, I’d Rather Be Short highlights the benefits of being petite, from the sensible to the absurd, including: ·        You get the best of both worlds: kids’ meals and cocktail parties·        You’re never expected to help your friends move·        Concertgoers usually won’t hassle you when you shimmy up to the front·        You’re less likely to get struck by lightning·        Skirts can be dresses; dresses can be skirts·        You’re just the way you should be Witty and heartwarming, I’d Rather Be Short is a celebration of self-acceptance—and an instant ego boost to pint-sized ladies everywhere.

    The many-pointed star formed from large icicles balances on a rock in a quiet Dumfriesshire valley, a delicate bamboo screen stands on a Japanese beach, a great serpentine ridge of earth extends along a disused railway cutting on Tyneside, four massive snow rings mark the position of the North Pole.

    From the West African fable of Anansi the Spider, to Michabo, the magical hare who rebuilt the world and Tanuki, the sweet but troublesome raccoon-dog of Japanese folklore, Mythopedia is an encyclopedia of mythical creatures that covers legends, tales and myths from around the world.Lovingly created by the illustration duo behind popular flipbook Myth Match, Good Wives and Warriors, this book contains pages upon pages of cultural folklore from around the world.Let these weird and wonderful creatures spark your child's imagination for their own storytelling and drawing while teaching them about international cultures.

    Rowling, magical illustrations from Jim Kay and weird, wonderful and inspiring artefacts that have been magically released from the archives at the British Library. This spellbinding book takes readers on a journey through the Hogwarts curriculum, including Herbology, Defence Against the Dark Arts, Astronomy, Divination and more. Discover the truth behind making the Philosopher's Stone, create your very own potion and uncover the secret of invisible ink. Learn all about the history of mandrake roots and dragons, discover what witches really used their brooms for, pore over incredible images of actual mermaids and read about real-life potions, astronomers and alchemists. The perfect gift for aspiring witches and wizards and any Harry Potter fan. Celebrating twenty years of Harry Potter magic, and produced in association with the British Library to support their major exhibition, Harry Potter: A History of Magic.Contents:The magical world of Harry Potter --The journey --Potions and alchemy --Herbology --Charms --Astronomy --Divination --Defence against the dark arts --Care of magical creatures --Past, present, future --The British Library --J. K. Rowling.

    Born to the artist Orazio Gentileschi at the beginning of the 1600s, when artists were the celebrities of the day, Artemisia was apprenticed to her father at an early age, showing such remarkable talent that he viewed her as the most precious thing in his life. But at the age of seventeen Artemisia was raped by her father's best friend and partner. The Gentileschi name was dragged through scandal, for Artemisia refused, even when tortured, to deny it happened. Indeed, she went further: she dared to plead her case in court. All of Rome was riveted by the trial. Artemisia won the case, but lost the love of her father and of all of Rome. Artemisia sought revenge through her art, portraying women liberating their fellow citizens from tyrants. Her stunning works took Rome by storm, overturning the prejudices of her time and winning the admiration of patrons, courtesans, and monarchs. Lapierre brings the historical Artemisia Gentileschi to vivid life, capturing the sights, sounds, and smells of Baroque Italy as well as the life of this remarkable woman.

    It is considered a pioneering essay for both feminist art history and feminist art theory.In this essay, Nochlin explores the institutional – as opposed to the individual – obstacles that have prevented women in the West from succeeding in the arts. She divides her argument into several sections, the first of which takes on the assumptions implicit in the essay's title, followed by "The Question of the Nude," "The Lady's Accomplishment," "Successes," and "Rosa Bonheur." In her introduction, she acknowledges "the recent upsurge of feminist activity" in America as a condition for her interrogation of the ideological foundations of art history, while also invoking John Stuart Mill's suggestion that "we tend to accept whatever is as natural". In her conclusion, she states: "I have tried to deal with one of the perennial questions used to challenge women's demand for true, rather than token, equality by examining the whole erroneous intellectual substructure upon which the question "Why have there been no great women artists?" is based; by questioning the validity of the formulation of so-called problems in general and the "problem" of women specifically; and then, by probing some of the limitations of the discipline of art history itself."

    Personally, I think the eye-catching cover shot of me in my pajamas is reason enough. (By the way, those are my real kids on the cover, and yes, those are my actual ankles. No, I'm not retaining water.)What you're holding in your hands is a very funny and sometimes remarkably poignant look at fathers, not from the mother's point of view or the child's, but from the dad's side. Which is why it's called Tales from the Dad Side.It's filled with stories of what it's like to be a dad and a son, from a child's first day of kindergarten to the awkward sex talk and right up to the day the always-practical dad tries to pay for college with bonus miles. I was there for every landmark in my children's lives, except the day I was on the riding lawn mower and missed my son's first words, which my wife insists were “trust fund.”As children get older, the lessons of the father get harder, like teaching my son how to shave just as my father taught me, with a rusty double-edged safety razor. At the end of my dad's lesson, I emerged from the bathroom nicked and gouged, looking like an extra from a Quentin Tarantino film. My more civilized son is a Norelco man. With my high-school-age daughters, I promised them a day on which I'd take them anywhere and do anything with them they wanted, expecting them to ask for dinner and a movie; I was horrified when they told me they wanted all of us to get manicures and pedicures together. That was not the answer I was expecting; it was like discovering Lou Dobbs was an illegal alien.Over the course of raising three children, I have learned with my wife that fathers are different from mothers. That could be the greatest understatement since Noah turned on the Weather Channel and found out that the next forty days called for a 20 percent chance of light rain.The truth is, fatherhood is like Wikipedia: some parts based in fact, others just made up along the way. And while bookstores are filled with tales of mothers, their children and families, there are few from the dad's side. Now, as a public service, I'm doing my part to right this wrong.I sincerely hope this answers your questions. If perhaps it's not exactly your cup of tea, I bet you've got a father or mother in your life who'd like the stone-cold truth about dads. Besides, for the same money, you can either put three gallons of gas in your car or take home this book, which has a highway rating of 29 smiles an hour.Steve Doocy