Army.Fantagraphics Books brings together Mauldin’s complete works from 1940 through the end of the war. This collection of over 600 cartoons, most never before reprinted, is more than the record of a great artist: it is an essential chronicle of America’s citizen-soldiers from peace through war to victory. Bill Mauldin knew war because he was in it. He had created his characters, Willie and Joe, at age 18, before Pearl Harbor, while training with the 45th Infantry Division and cartooning part-time for the camp newspaper. His brilliant send-ups of officers were pure infantry, and the men loved it. With their heavy brush lines, detailed battlescapes, and pidgin of army slang and slum dialect, Mauldin’s cartoons and captions recreated on paper the fully realized world of the American combat soldier. Their dark, often insubordinate humor sparked controversy among army brass and incensed General George S. Patton, Jr.Presented in a deluxe, beautifully designed two-volume slipcased edition of over 700 pages, this tome is edited by Todd DePastino, Mauldin’s official biographer. Willie Joe contains an introduction and running commentary by DePastino, providing context for the drawings, pertinent biographical details of Mauldin’s life, and occasional background on specific cartoons (such as the ones that made Patton howl).

    And it's little wonder why. The story follows infiltration expert Solid Snake as he attempts to save the world.In addition to showcasing art from Ashley Wood's graphic novel adaptations of Metal Gear Solid and Metal Gear Solid: Sons of Liberty, this all-new collection features the work Ash did for the Metal Gear Solid: Mobile Portable Ops video game.

    This initial volume collects the first two years of stories from Dave Sim's 300-issue magnum opus. Don't be discouraged by the initially crude artwork or the silliness of the stories. It gets better--even noticeably within this volume. This first installment is the most valuable in preparing for the larger stories ahead.When we first meet Cerebus--a small, gray, and chronically ill-tempered aardvark--he is making his living as a barbarian. In 1977, when the Cerebus comic book series began, Sim initially conceived of it as a parody of such popular series as Conan, Red Sonja, and Elric but quickly mined that material and transformed the scope of the series into much more. Even by the end of this volume, the Cerebus story begins to transform beyond "funny animal" humor into something much more complex and interesting. High points in Cerebus include the introduction of Lord Julius, the dictator of Palnu, who looks, acts, and talks just like a certain cigar-smoking, mustachioed comedian; Jaka, Cerebus's one true love; Elrod the Albino, an innept swordsman; and the Cockroach, the-mother-of-all-superhero-parodies and "inspiration" for the much-later TV and comic character--the Tick. All of these characters appear later on in the series as part of a constantly present ensemble of supporting figures.Even if Cerebus doesn't knock your socks off, give its successor, High Society a try, as this is where the plot really gets going.

    These classic works for all ages feature the iconic DC characters in a unique storytelling format that combines aspects of both comics and picture books. Also included are several pages of promotional art, preliminary art and thumbnails, art done for DC Direct product, model-to-finished-painting comparisons, reflections by the book's creators, and much more! This landmark volume also features an introduction by noted book designer and author Chip Kidd, a new painted cover by Alex Ross, and an 8-page foldout of the JLA: LIBERTY And JUSTICE poster featuring every member of the JLA by Ross.

    It's a world bursting with magic, a land of contrasts and extremes, from the bustling metropolis of Ankh-Morpork, the oldest city on the Disc (now ruled with an iron hand in a velvet glove by the Patrician, Lord Vetinari), to the ancient empire of Klatch, where there are fifteen words for assassination. There's the mysterious continent XXXX, or Foureks, about which nothing anyone has ever heard is really an exaggeration, the tiny kingdom of Lancre and the dark country of Uberwald, where things do go bump in the night. And then there are the inhabitants: the witches Granny Weatherwax, Nanny Ogg, Magrat Garlick (now a Queen, of course). There are wizards galore, Archchancellor Mustrum Ridcully, the Librarian, Rincewind, the Bursar . . . there are the History Monks and the ancient Vampyre families. There are great heroes, like Cohen the Barbarian and his Silver Horde, Sam Vimes, Captain Carrot and the men* of the City Watch . . . and there are the ordinary folk like Cut-Me-Own-Throat Dibbler, Foul Ole Ron, the Igors . . . and there's Death.The Discworld might have started out in the imagination of its Creator, Terry Pratchett, but over the past 30 or more books, it has taken on a life of its own.Here, gathered together for the first time, is artist Paul Kidby's own voyage through the Disc, in glorious color and intricate black and white: a cornucopia of characters that have won the hearts of millions of adoring readers the world over:Here is The Art of Discworld. werewolves, zombies, gargoyles, dwards - in fact, menof the Watch are actually few and far between these days.

    Noted as a "book-lover's cartoonist," Gauld's weekly strips in The Guardian, Britain's most well-regarded newspaper, stitch together the worlds of literary criticism and pop culture to create brilliantly executed, concise comics. Simultaneously silly and serious, Gauld adds an undeniable lightness to traditionally highbrow themes. From sarcastic panels about the health hazards of being a best-selling writer to a list of magical items for fantasy writers (such as the Amulet of Attraction, which summons mainstream acceptance, Hollywood money, and fresh coffee), Gauld's cartoons are timely and droll--his trademark British humour, impeccable timing, and distinctive visual style sets him apart from the rest.Lauded both for his frequent contributions to New Scientist, The Guardian and The New York Times, and his Eisner-nominated graphic novels, Tom Gauld is one of the most celebrated cartoonists working today. In Baking with Kafka, he proves this with one witty, sly, ridiculous comic after another.

    But as Olivia gets closer to Calix, she realizes that he is not exactly who he says he is; Olivia soon recognizes that she may be in too deep, and that they may no longer be playing her game.

    Not familiar with Penny Arcade? What? It's only the most popular comic strip on the web. It's the funniest, most twisted comic that ever lampooned gamer culture, and takes shots at everything from Star Wars to Steve Jobs. Experience the joy of being a hardcore gamer as expressed in vignettes of random vulgarity and mindless violence! Get online and direct your browser to penny-arcade.com, check out the latest strips, then, to read Penny Arcade from the very beginning, get the first collection, Attack of the Bacon Robots, which includes strips, sketches, and creator commentary not available anywhere else!

    It is only after a series of violent events occur that Ryan realizes he must set aside all he believes to be true in order to face his shocking and inevitable reality.

    Only Skin is a grim exploration of the hallucinatory and tragic landscape of modern rural America, as seen through the eyes of a pair of orphaned siblings, searching for answers in a world filled with terrible, terrible questions.

      With bright, quirky, and colorful line drawings, Jacobson brings to life actual and imagined items found in the pockets and purses, bags and glove compartments of real and fantastical people—whether it’s the contents of Oprah’s favorite purse or Harry Potter’s duffel bag, Amelia Earhart’s pencil case or Bernie Madoff’s suitcase.   How many self-tanning lotions are in Donald Trump’s weekender? What’s inside Martha Stewart’s hand-knit fanny pack? What kind of protein bars does Michelle Obama hide in her tiny clutch at the White House Correspondents’ Dinner? Carry This Book provides a humorous and insightful look into how the things we carry around every day can make up who we are.

    Riotously illustrated by Jerry "The King" Lawler, this new Christmas story will delight children, wrestling fans and readers of all ages. Make room on the shelf next to The Night Before Christmas and a Christmas Carol, because this Yuletide tale has attitude! Mick Foley - number one New York Times best-selling author, Hardcore Legend, and Commissioner of the World Wrestling Federation - crafts a delightful tale of mischief, mayhern and the true meaning of Christmas. When the elves revolt against Santa and refuse to make any toys and the reindeer gang up on Rudolph as though they've joined DX, Santa Claus gives up hope that anyone these days has the true Christmas spirit. When the situation looks its bleakest, Mrs. Claus calls in the cavalry - Kane, Jericho, Val Venis, Jerry Lawler, Kurt Angle, Edge and the rest of the Federation Superstars! How the wrestlers misbehave - making things even worse - and how one unexpected and unassuming person saves Christmas for the whole world is an unforgettable and uplifting story that will add good cheer to your holiday season year after year. Perfect for reading out loud near a cracking fire or while tucked in at bed time, Mick Foley's Christmas Chaos is sure to become a family tradition in your home.

    Drawings.

    . . gets “re-accommodated.” The legendary gang of coworkers is back for more unprofessional development, jargon freestyle, and elaborate work-avoidance schemes. Management fudges the line between stupidity and illegality. Promising new coffee warmer/phone charger technologies abound. And the circle of blame goes ever onward. In this fresh collection, Dilbert lampoons cubicle culture with strips that are sometimes recognizable, sometimes absurd—but always hilarious.

    The original appearances of the Black Orchid from Adventure Comics #428-430, The Phantom Stranger #31, 32, 35, 36, 38-41, and The Super Friends #31.