Shivaji Sawant's Mrityunjaya is an outstanding instance of such a literary masterpiece in which a contemporary Marathi novelist investigates the meaning of the bewildering skein that is life through the personae of the Mahabharata protagonists. For over two decades since its first publication the vast non- Marathi and non-Hindi readership remained deprived of this remarkable exploration of the human psyche till the publication of this English translation by the Writers workshop – a contribution for which there is much to be grateful for. Mrityunjaya is the autobiography of Karna, and yet it is not just that. With deceptive case, Sawant brings into play an exceptional stylistic innovation by combining six "dramatic soliloquies" to form the nine books of this novel of epic dimensions. Four books are spoken by Karna. These are interspersed with a book each from the lips of his unwed mother Kunti, Duryodhana (who considers Karna his mainstay), Shon (Shatruntapa, his foster-brother, who here-worships him), his wife Vrishali to whom he is like a god and, last of all, Krishna. Sawant depicts an uncanny similarity between Krishna and Karna and hints at a mystic link between them, investing his protagonist with a more-than-human aura to offset the un-heroic and even unmanly acts which mar this tremendously complex and utterly fascinating creating of Vyasa.

    Hinduism is unique among the great religions in that it had no founder but grew gradually over a period of 5000 years, absorbing and assimilating all the religions and cultural movements in India. Consequently it has no Bible, Koran or Dhammapadam to which controversies can be referred for resolution. Many works such as the Vedas, the Upanishads and the Bhagavad-Gita are authoritative but none is exclusively so. As in Christianity there are several Hindu schools of thought and Hinduism clearly outlines their common beliefs and particular differences.

    As a religious novel about a decaying brahmin colony in the south Indian village ofKarnataka, Samskara serves as an allegory rich in realistic detail, a contemporary reworking of ancient Hindu themes and myths, and a serious, poetic study of a religious man living in a community of priests gone to seed. A death which stands as the central event in the plot brings in its wake aplague, many more deaths, live questions with only dead answers, moral chaos, and the rebirth of one man. The volume provides a useful glossary of Hindu myths, customs, Indian names, flora, and other terms. Notes and an afterword enhance the self-contained, faithful, and yet readabletranslation.

    Writing as the founder of the modern study of the history of religion, Romanian emigre--scholar Mircea Eliade (1907-86) surveys the practice of Shamanism over two & a half millennia of human history, moving from the Shamanic traditions of Siberia & Central Asia--where Shamanism was first observed--to North & South America, Indonesia, Tibet, China & beyond. In this authoritative survey, Eliade illuminates the magico-religious life of societies that give primacy of place to the figure of the Shaman--at once magician & medicine man, healer & miracle-doer, priest, mystic & poet. Synthesizing the approaches of psychology, sociology & ethnology, "Shamanism" will remain for years to come the reference book of choice for those intrigued by this practice.

    "Conveys a world that is spiritual, foreign, and entirely accessible."--Vanity Fair. Reading tour.

    N. Murthy Rao, caused a sensation in the literary world of Kannada, and won A. N. Murthy Rao admirers, enemies and the Pampa Award from the Karnataka Government. The thought provoking book gives expression to A. N. Murthy Rao's opinions about God, customs, rituals, traditions and Indian culture.

    Their target—the entire imperial family.The prince makes it his mission to root out the assassins with the help of the Chandikas—the female military order instituted by Samrat Chandragupta Maurya. But when his own lover, a Chandika, confesses a terrible secret, he realizes that the threat lies within his own family!Meanwhile, the palace is not without its own intrigues. Queen Khorasan and her mother are playing their own game of thrones. Dowager Queen Apama is secretly working for her father, Seleucus Nicator, who still has ambitions of invading the sub-continent. King Bindusara’s harsh methods are turning the marbled floors of the imperial palace awash with blood. Will Prince Ashoka be able to save his family —and Mauryavansh—before it’s too late?India’s epic storyteller turns his masterful hand to the life of ancient India’s greatest ruler, Ashoka in a thrilling trilogy packed with non-stop action, adventure, battles and lusty no-holds-barred storytelling.

    Whether you were captivated by The Power of Myth or you're just now discovering "the man with a thousand stories", these lectures are a must. Never before on audio and authorized by the Joseph Campbell Foundation, here is Volume Five of what will be a 40-hour series. These are the key lectures that Campbell kept in his study and used as the basis for later lectures on myth, symbolism, and spiritual awakening. Provocative and exhilarating, full of wit and wisdom, they are windows into one of the greatest minds of our time.

    It is written around 200BC by the great Hindu Scholar Pandit Vishnu Sharma. Panchatantra means "the five books". It is a "Nitishastra" which means book of wise conduct in life. The book is written in the form of simple stories and each story has a moral and philosophical theme which has stood the test of time in modern age of atomic fear and madness. It guides us to attain success in life by understanding human nature. Panchatantra is commonly available in an abridged form written for children. Here is the complete translation of the book as written by Vishnu Sharma.

    An attack by the terrorist group Invisible Hand has brutally eliminated the Indian Prime Minister and the union cabinet. As a national emergency is declared, chaos, destruction and terror reign supreme. From the ashes of this falling world, rises an unconventional hero – a vigilante known only as Kalki. Backed by a secret society called The Rudras, Kalki, along with Nushen, the Chinese superhuman spy, must do the impossible to save his country, and the world.But who is Kalki? A flesh-and-blood crusader with a mysterious past? Or the Messiah the world has been waiting for? The future of human survival depends on a single man. Will he become the living God prophesied as the last avatar of Lord Vishnu, or will he fade away as an outlaw?

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    That explains why what many of us long for is simplicity: a life that can be more pared down, peaceful, and focused on the essentials.But finding simplicity is not always easy; it isn’t just a case of emptying out our closets or trimming back commitments in our diaries. True simplicity requires that we understand the roots of our distractions – and develop a canny respect for the stubborn reasons why things can grow complex and overwhelming.This book is a guide to the simpler lives we crave and deserve. It considers how we might achieve simplicity across a range of areas. Along the way, we learn about Zen Buddhism, modernist architecture, monasteries, psychoanalysis, and why we probably don’t need more than three good friends or a few treasured belongings.It isn’t enough that our lives should look simple; they need to be simple from the inside. This book takes a psychological approach, guiding us towards less contorted hearts and minds. We have for too long been drowning in excess and clutter from a confusion about our aspirations; A Simpler Life helps us tune out the static and focus on what properly matters to us.

    The opening chapter outlines initial reactions to the novel from English and Caribbean critics, charting the differences between them. Chapter Two explores Wide Sargasso Sea 's dialogue with Jane Eyre and the theoretical questions it has raised. Succeeding chapters examine how critics have assessed the racial politics of Rhys's text, discuss the novel's African Caribbean cultural legacy, and explore how critics read the work both in terms of its moment of production and the early Victorian period in which it is set.

    In this brilliant retelling, Chitra Banerjee Divakaruni places Sita at the centre of the novel: this is Sita’s version. The Forest of Enchantments is also a very human story of some of the other women in the epic, often misunderstood and relegated to the margins: Kaikeyi, Surpanakha, Mandodari. A powerful comment on duty, betrayal, infidelity and honour, it is also about women’s struggle to retain autonomy in a world that privileges men, as Chitra transforms an ancient story into a gripping, contemporary battle of wills. While the Ramayana resonates even today, she makes it more relevant than ever, in the underlying questions in the novel: How should women be treated by their loved ones? What are their rights in a relationship? When does a woman need to stand up and say, ‘Enough!’

    Within a balance of terror and innocence, he bears silent witness to ghosts of the dead and the cruelties of a teenage killer while local justice plays out in a community carved from legacies of coal mining and religion.